The document analyzes and summarizes two silent comedy film posters: Charlie Chaplin's "The Kid" and Laurel & Hardy's "Towed in a Hole". Key aspects discussed include fonts, images, colors, and how conventions are used to appeal to audiences. Research conclusions note techniques like black and white coloring and facial expressions that will be considered for the author's own silent comedy poster. Studying successful posters allows understanding of how to advertise to the target audience through implicit visual elements.