The document discusses design choices for titles and credits in a film sequence. It explains that the same font was used for both titles and credits but the title has more spacing between letters and tilted letters, while credits have smaller, closer together text. Both titles and credits are positioned in the bottom left of the screen to minimize interference. The title fades in after the establishing shot, while credits appear roughly 5 seconds apart with longer gaps in some parts of the sequence. Overlay was chosen over a black screen to maintain continuity, and titles fade in and out rather than just appearing to make the sequence more appealing to audiences.
This document discusses custom title placement and formatting options in iMovie 11. It shows that titles can be placed anywhere using tab and spacebar keys and outlines different style and formatting options like font size up to 500 points, custom colors, outlines, and contrasting colors for visibility. The goal is to create super customized titles that are big and bold or small for a cinematic look.
The document provides tips for creating an effective PowerPoint presentation, including using simple language, keeping content concise and focused, choosing a clear background that complements the font colors, including only key summary points rather than all information, using relevant images professionally, and keeping any videos brief under 2 minutes. The overall message is that a good PowerPoint leads to effective presentations, so presenters should avoid overly long or distracting content and backgrounds that hinder clarity.
This document provides tips for creating effective PowerPoint slides, including outlines, structure, fonts, color, backgrounds, graphs, images, conclusions, and questions. Key recommendations are to use outlines and point form, limit text per slide, use large readable fonts, choose high-contrast font colors, keep backgrounds simple and consistent, include titles on graphs, and end with a conclusion slide summarizing the main points and inviting questions. The document cautions against overly long paragraphs of text, small fonts, distracting colors and backgrounds, and images without relevance to the topic.
The document summarizes information about the LOCJAM 2014 video game translation contest. It provides details about the competition timeline and categories, the game being translated (a flash game under 1,800 words in CVS format), and the localization process including familiarization, translation, editing, integration, quality assurance, and submission. It also offers guidance on language and style, practical translation issues to consider, and resources for participants.
The document analyzes the opening credits sequence of the film The Blair Witch Project through various film techniques. It summarizes that the credits are written in a messy style on forest props to fit the found footage genre and convey isolation. Shaky camerawork and transitions help set an eerie tone, while lighting grows more ominous inside near the end. Audio of rapid heartbeat-like tempo adds to suspense throughout the credits.
The document discusses design choices for titles and credits in a film sequence. It explains that the same font was used for both titles and credits but the title has more spacing between letters and tilted letters, while credits have smaller, closer together text. Both titles and credits are positioned in the bottom left of the screen to minimize interference. The title fades in after the establishing shot, while credits appear roughly 5 seconds apart with longer gaps in some parts of the sequence. Overlay was chosen over a black screen to maintain continuity, and titles fade in and out rather than just appearing to make the sequence more appealing to audiences.
This document discusses custom title placement and formatting options in iMovie 11. It shows that titles can be placed anywhere using tab and spacebar keys and outlines different style and formatting options like font size up to 500 points, custom colors, outlines, and contrasting colors for visibility. The goal is to create super customized titles that are big and bold or small for a cinematic look.
The document provides tips for creating an effective PowerPoint presentation, including using simple language, keeping content concise and focused, choosing a clear background that complements the font colors, including only key summary points rather than all information, using relevant images professionally, and keeping any videos brief under 2 minutes. The overall message is that a good PowerPoint leads to effective presentations, so presenters should avoid overly long or distracting content and backgrounds that hinder clarity.
This document provides tips for creating effective PowerPoint slides, including outlines, structure, fonts, color, backgrounds, graphs, images, conclusions, and questions. Key recommendations are to use outlines and point form, limit text per slide, use large readable fonts, choose high-contrast font colors, keep backgrounds simple and consistent, include titles on graphs, and end with a conclusion slide summarizing the main points and inviting questions. The document cautions against overly long paragraphs of text, small fonts, distracting colors and backgrounds, and images without relevance to the topic.
The document summarizes information about the LOCJAM 2014 video game translation contest. It provides details about the competition timeline and categories, the game being translated (a flash game under 1,800 words in CVS format), and the localization process including familiarization, translation, editing, integration, quality assurance, and submission. It also offers guidance on language and style, practical translation issues to consider, and resources for participants.
The document analyzes the opening credits sequence of the film The Blair Witch Project through various film techniques. It summarizes that the credits are written in a messy style on forest props to fit the found footage genre and convey isolation. Shaky camerawork and transitions help set an eerie tone, while lighting grows more ominous inside near the end. Audio of rapid heartbeat-like tempo adds to suspense throughout the credits.
Folktales are stories that tell about a culture. A folktale is a type of tale or story that expresses elements of a culture. Every culture has its own folktales that provide insights into that society's traditions, beliefs, and values.
This document provides information about folktales, including key terms and characteristics. It explains that folktales are stories passed down that teach a lesson, and students will learn to use details in folktales to determine the central message. Key details include characters, plot, setting, and events. Folktales often begin with "Once upon a time" and include magic, personification, and the number three. To determine the central message, students should ask what lesson the story is teaching.
This document defines and describes folktales. It states that folktales are oral stories that have been passed down through generations, often teach a lesson or explain natural phenomena, and use simple language and characters representing human qualities. The document outlines some common characteristics of folktales such as the inclusion of magic and happy/satisfying endings, and describes some common folktale types like trickster tales, fables, and fairytales. It provides examples of elements found in each type.
This document lists summaries and links to videos for 24 folktales and fairy tales from around the world that teach moral lessons, including Cinderella, The Frog Prince, The Gingerbread Man, Little Red Riding Hood, Sleeping Beauty, The Three Billy Goats Gruff, and The Ugly Duckling. Each entry includes a 1-2 sentence description of the story's plot and a link to a video version.
The document discusses the genre of folktales. Folktales are stories passed down orally through generations that often include fantastical elements and teach moral lessons. They typically have simple settings and characters, involve conflicts between good and evil, and use an informal storytelling style. Common folktales genres include myths, legends, fables, fairy tales and tall tales. All cultures share similar folktales that reflect their traditions and values.
Folktales were originally oral stories told by adults for entertainment, but over time were cleaned up and adapted for children as they were written down. Collectors like the Brothers Grimm edited tales to remove inappropriate content and emphasize clear moral lessons. While this made the stories suitable for children, it altered them from their original form as crude adult entertainment.
Myths, legends, and folktales are forms of storytelling that have been used since the beginning of civilization to explain the world, provide guidance, entertain, and pass down history and knowledge. Myths often involve supernatural elements and aim to explain universal truths, legends usually contain some historical facts mixed with fictional elements, and folktales are stories that are passed down orally from generation to generation with unknown authors. Storytelling has served many purposes including strengthening communities, teaching morals, explaining natural phenomena, and entertaining before modern forms of media. These different story forms are often difficult to distinctly classify.
Folktales are stories passed down orally from generation to generation that often explain natural phenomena or convey life lessons. They feature fantastical elements like magic, supernatural forces, and talking animals. Folktales have no specific time or place, involve themes of three, and always end happily. They serve to remind people of their culture and traditions, teach lessons about human nature, and entertain listeners with their use of magic and creatures.
Exploring folktales of some English speaking countriescarolstancati
The document discusses folktales from various English-speaking countries. It defines folktales as traditional stories passed down orally from generation to generation, with no single known author. Folktales can include fables, fairy tales, myths, tall tales, and more. The document then provides examples of folktales from England, Australia, the USA, Canada, Scotland, New Zealand, and Ireland to illustrate different cultural storytelling traditions.
Through a project-based lesson, students will analyze folktales to understand their moral messages. Students will watch several folktales at home and discuss the stories and their morals in class. Then, in groups, students will create their own folktale by choosing a problem and characters. They will write a draft of their story and illustrate it. Finally, students will present their completed folktales. The lesson aims to help students recognize the cultural values in folktales.
Japanese folktales feature four gods representing directions and elements - Genbu the tortoise of the north and water, Byakko the white tiger of the west and metal, Suzaku the vermillion bird of the south and fire, and Seiryu the dragon of the east and wood. They also tell of mythical creatures like the kitsune fox associated with the rice god Inari, the evil nine-tailed fox Kyubi, and the snow woman Yuki-Onna who can control ice and snow.
Folktales were stories told by common people to entertain and sometimes teach cultural lessons. They featured everyday people and animals as characters and had happy endings. Fairytales are a type of folktale that include magical elements and tend to follow certain patterns, originally entertaining wealthy people. Folktales centered on peasants and outcasts while fairytales started as art for upper classes.
This document discusses three types of folktales: folktales, fairy tales, and fables. Folktales are oral stories with unknown authors that are found in all cultures. Fairy tales typically begin with "Once Upon a Time" and involve royalty, animals, castles or forests, with problems of good versus evil solved through magic or repetition of three or seven, ending happily. Fables are very short stories with animal characters acting as people and generally take place outside, involving one problem solved through trickery that ends in a lesson or moral.
This is a PDF of the creative PowerPoint Presentation of Ancient Chinese folktales. It features the popular Butterfly Lovers, Madame White Snake, Dragon Princess, and Journey to the West (or Monkey King). Unfortunately, I can't seem to upload the actual presentation with video clips, but you can email me if you want a copy of those clips for educational purposes.
This document provides an overview and analysis of fables, folktales, and fairy tales as forms of traditional children's literature. It discusses their origins and characteristics, and analyzes several contemporary books that fall within these genres. The document examines how these stories can be used to help children connect with cultural heritage and explore themes in a developmentally appropriate way. It emphasizes the importance of storytelling and selecting stories based on goals and the needs of individual children.
The document discusses the key elements and characteristics of folktales. It notes that folktales are traditional stories that are passed down over generations, usually aim to explain aspects of the world, and often contain morals or lessons. Common motifs in folktales include magic, wishes being granted, trickery, poor characters becoming rich, and the numbers 3 and 7 holding significance. The tales also typically have predictable plots that move along familiar paths and answer all questions by the end of the story. Different types of folktales are mentioned such as animal tales, explanatory tales, magic tales, and cumulative tales.
Myths and folktales are stories that are passed down orally through generations in cultures to explain phenomena and teach lessons. Myths use gods and goddesses to explain the origins of the world and natural events, while folktales like legends, fairy tales, and fables are secular stories told for entertainment that may also teach cultural values. Both contain common archetypes across cultures and give people a sense of identity and purpose.
The document discusses using folktales in the language classroom and their benefits. It notes that folktales engage students both emotionally and cognitively, allowing them to learn language and culture directly through characters' experiences. Folktales also convey valuable life lessons to students in a non-threatening way. The document provides examples of how to use folktales, including finding stories, pre-reading activities, reading interactively with students, and post-reading activities like comprehension questions, reviews, and creative writing. It suggests connecting folktales to other subjects and building curriculum units around stories.
The document defines and provides examples of different types of folktales, including trickster tales, fables, pourquoi stories, and fairytales. It also outlines common elements that are typically found across many folktales, such as themes of fear, good vs evil, flat characters representing lessons or morals, fantasy settings of time and place, and a basic plot structure involving conflicts resolved through kindness or courage. Students are then tasked with collecting and analyzing their own folktales to identify these common folktale elements.
The document outlines the four main stages of making a documentary: development, pre-production, production, and post-production. It provides details on the key steps and considerations within each stage, such as developing the story idea, planning logistics, shooting interviews and footage, and editing the film together. The post-production stage is described in the most detail, covering transcription, paper editing, script writing, card assembly, editing workflows and collaboration with the director.
The document provides step-by-step instructions for creating a movie using Movie Maker. It describes how to import video clips, photos, music and other media; edit the clips; add titles, transitions and visual effects; adjust audio levels; and save the finished movie in various formats. The instructions guide the user through all aspects of the movie creation process within Movie Maker.
Folktales are stories that tell about a culture. A folktale is a type of tale or story that expresses elements of a culture. Every culture has its own folktales that provide insights into that society's traditions, beliefs, and values.
This document provides information about folktales, including key terms and characteristics. It explains that folktales are stories passed down that teach a lesson, and students will learn to use details in folktales to determine the central message. Key details include characters, plot, setting, and events. Folktales often begin with "Once upon a time" and include magic, personification, and the number three. To determine the central message, students should ask what lesson the story is teaching.
This document defines and describes folktales. It states that folktales are oral stories that have been passed down through generations, often teach a lesson or explain natural phenomena, and use simple language and characters representing human qualities. The document outlines some common characteristics of folktales such as the inclusion of magic and happy/satisfying endings, and describes some common folktale types like trickster tales, fables, and fairytales. It provides examples of elements found in each type.
This document lists summaries and links to videos for 24 folktales and fairy tales from around the world that teach moral lessons, including Cinderella, The Frog Prince, The Gingerbread Man, Little Red Riding Hood, Sleeping Beauty, The Three Billy Goats Gruff, and The Ugly Duckling. Each entry includes a 1-2 sentence description of the story's plot and a link to a video version.
The document discusses the genre of folktales. Folktales are stories passed down orally through generations that often include fantastical elements and teach moral lessons. They typically have simple settings and characters, involve conflicts between good and evil, and use an informal storytelling style. Common folktales genres include myths, legends, fables, fairy tales and tall tales. All cultures share similar folktales that reflect their traditions and values.
Folktales were originally oral stories told by adults for entertainment, but over time were cleaned up and adapted for children as they were written down. Collectors like the Brothers Grimm edited tales to remove inappropriate content and emphasize clear moral lessons. While this made the stories suitable for children, it altered them from their original form as crude adult entertainment.
Myths, legends, and folktales are forms of storytelling that have been used since the beginning of civilization to explain the world, provide guidance, entertain, and pass down history and knowledge. Myths often involve supernatural elements and aim to explain universal truths, legends usually contain some historical facts mixed with fictional elements, and folktales are stories that are passed down orally from generation to generation with unknown authors. Storytelling has served many purposes including strengthening communities, teaching morals, explaining natural phenomena, and entertaining before modern forms of media. These different story forms are often difficult to distinctly classify.
Folktales are stories passed down orally from generation to generation that often explain natural phenomena or convey life lessons. They feature fantastical elements like magic, supernatural forces, and talking animals. Folktales have no specific time or place, involve themes of three, and always end happily. They serve to remind people of their culture and traditions, teach lessons about human nature, and entertain listeners with their use of magic and creatures.
Exploring folktales of some English speaking countriescarolstancati
The document discusses folktales from various English-speaking countries. It defines folktales as traditional stories passed down orally from generation to generation, with no single known author. Folktales can include fables, fairy tales, myths, tall tales, and more. The document then provides examples of folktales from England, Australia, the USA, Canada, Scotland, New Zealand, and Ireland to illustrate different cultural storytelling traditions.
Through a project-based lesson, students will analyze folktales to understand their moral messages. Students will watch several folktales at home and discuss the stories and their morals in class. Then, in groups, students will create their own folktale by choosing a problem and characters. They will write a draft of their story and illustrate it. Finally, students will present their completed folktales. The lesson aims to help students recognize the cultural values in folktales.
Japanese folktales feature four gods representing directions and elements - Genbu the tortoise of the north and water, Byakko the white tiger of the west and metal, Suzaku the vermillion bird of the south and fire, and Seiryu the dragon of the east and wood. They also tell of mythical creatures like the kitsune fox associated with the rice god Inari, the evil nine-tailed fox Kyubi, and the snow woman Yuki-Onna who can control ice and snow.
Folktales were stories told by common people to entertain and sometimes teach cultural lessons. They featured everyday people and animals as characters and had happy endings. Fairytales are a type of folktale that include magical elements and tend to follow certain patterns, originally entertaining wealthy people. Folktales centered on peasants and outcasts while fairytales started as art for upper classes.
This document discusses three types of folktales: folktales, fairy tales, and fables. Folktales are oral stories with unknown authors that are found in all cultures. Fairy tales typically begin with "Once Upon a Time" and involve royalty, animals, castles or forests, with problems of good versus evil solved through magic or repetition of three or seven, ending happily. Fables are very short stories with animal characters acting as people and generally take place outside, involving one problem solved through trickery that ends in a lesson or moral.
This is a PDF of the creative PowerPoint Presentation of Ancient Chinese folktales. It features the popular Butterfly Lovers, Madame White Snake, Dragon Princess, and Journey to the West (or Monkey King). Unfortunately, I can't seem to upload the actual presentation with video clips, but you can email me if you want a copy of those clips for educational purposes.
This document provides an overview and analysis of fables, folktales, and fairy tales as forms of traditional children's literature. It discusses their origins and characteristics, and analyzes several contemporary books that fall within these genres. The document examines how these stories can be used to help children connect with cultural heritage and explore themes in a developmentally appropriate way. It emphasizes the importance of storytelling and selecting stories based on goals and the needs of individual children.
The document discusses the key elements and characteristics of folktales. It notes that folktales are traditional stories that are passed down over generations, usually aim to explain aspects of the world, and often contain morals or lessons. Common motifs in folktales include magic, wishes being granted, trickery, poor characters becoming rich, and the numbers 3 and 7 holding significance. The tales also typically have predictable plots that move along familiar paths and answer all questions by the end of the story. Different types of folktales are mentioned such as animal tales, explanatory tales, magic tales, and cumulative tales.
Myths and folktales are stories that are passed down orally through generations in cultures to explain phenomena and teach lessons. Myths use gods and goddesses to explain the origins of the world and natural events, while folktales like legends, fairy tales, and fables are secular stories told for entertainment that may also teach cultural values. Both contain common archetypes across cultures and give people a sense of identity and purpose.
The document discusses using folktales in the language classroom and their benefits. It notes that folktales engage students both emotionally and cognitively, allowing them to learn language and culture directly through characters' experiences. Folktales also convey valuable life lessons to students in a non-threatening way. The document provides examples of how to use folktales, including finding stories, pre-reading activities, reading interactively with students, and post-reading activities like comprehension questions, reviews, and creative writing. It suggests connecting folktales to other subjects and building curriculum units around stories.
The document defines and provides examples of different types of folktales, including trickster tales, fables, pourquoi stories, and fairytales. It also outlines common elements that are typically found across many folktales, such as themes of fear, good vs evil, flat characters representing lessons or morals, fantasy settings of time and place, and a basic plot structure involving conflicts resolved through kindness or courage. Students are then tasked with collecting and analyzing their own folktales to identify these common folktale elements.
The document outlines the four main stages of making a documentary: development, pre-production, production, and post-production. It provides details on the key steps and considerations within each stage, such as developing the story idea, planning logistics, shooting interviews and footage, and editing the film together. The post-production stage is described in the most detail, covering transcription, paper editing, script writing, card assembly, editing workflows and collaboration with the director.
The document provides step-by-step instructions for creating a movie using Movie Maker. It describes how to import video clips, photos, music and other media; edit the clips; add titles, transitions and visual effects; adjust audio levels; and save the finished movie in various formats. The instructions guide the user through all aspects of the movie creation process within Movie Maker.
This document provides an agenda and overview for a workshop on digital storytelling using iPads. The goals are to explore digital storytelling ideas and tools to engage learners, and to gain familiarity with apps. The agenda covers why digital storytelling is useful, creating videos using different shots and angles, workflow solutions, stop-motion animation, and ways for students to demonstrate concepts. It demonstrates various apps like iMovie, Splice, and Book Creator that can be used for digital storytelling projects. Participants are given time to collaborate and discuss ideas.
The document provides guidance on various aspects of short film production including title sequences, ideas and planning, filming, and editing. It emphasizes carefully planning titles, story, characters, shots, and sound. During filming, it stresses originality, authentic locations and props, manual camera settings, and clear framing. For editing, it recommends creating a rough cut first and keeping edits lean to drive the story forward.
This document outlines advanced iMovie techniques presented by Jon Corippo, an Apple Distinguished Educator. It discusses advanced title customization, layered video clips, picture-in-picture, green screen usage, and video cropping. Corippo has extensive experience in education technology and teacher professional development. The presentation provides hands-on training in iMovie for teachers over 3 days aboard the USS Hornet aircraft carrier.
This document provides an overview of a video workshop on how to make quality videos with a smartphone. The workshop covers techniques like keeping visuals changing by shooting in shots of 3 seconds or less and avoiding camera movement. It also discusses composing shots using rules of composition and shooting a variety of angles from wide to close up shots. The workshop teaches using pattern interrupts to keep videos engaging and provides tips for better audio quality. It introduces smartphone accessories that can improve video such as tripods, microphones, and lighting tools. Participants are guided in an exercise to storyboard, shoot and edit a short video project.
The document provides tips and instructions for creating an iBook using iBooks Author. It outlines the basic steps which include:
1. Opening the iBooks Author app and selecting a template.
2. Adding elements like the book title, intro media, table of contents, chapters and sections.
3. Inserting text and media using various widgets, titles, borders and styles.
4. Previewing the book on a Mac or iPad before publishing to the iBook store or exporting as a PDF.
This document provides guidance on writing a script for a film. It discusses including typical plot points like a set up, confrontation, and resolution. It also mentions holding back information from the audience and using narrative devices. The document then gives step-by-step instructions on script formatting, including using Courier New font, writing slug lines in capital letters, centering character names and dialogue, and ensuring dialogue advances the story and reveals character traits and subtext. The learning outcomes are to use narrative techniques, descriptive dialogue, and proper script format.
This document provides guidance on how to write a script for a news package. It explains that the script should be written after gathering audio and video interviews and B-roll footage to tell the story. The script separates elements into two columns for video and audio and includes sound bytes, voiceovers, and natural sound to weave the story together cohesively. Tips are given to choose compelling sound bytes, write natural-sounding voiceovers, and notate timing references to aid the editor. The overall goal is to craft a script that is easy for the editor to follow in transforming it into a polished news package.
The document provides tips for various aspects of making short films, including title sequences, ideas and planning, filming, and editing. It recommends thinking carefully about titles, story, characters, locations, shots, sound, and pacing. The tips emphasize preparation, authenticity, using genre conventions, clear storytelling, and making each element push the story forward in a lean edit. The goal is to craft a cohesive, compelling short film through rewriting, planning shots, stable camerawork, clear audio, and balancing picture and sound in the edit.
This document provides tips for making music videos, including title sequences, ideas and planning, filming, and editing. Some key tips include thinking carefully about titles, storyboarding shots, properly casting talent, learning camera equipment, getting clear sound, and editing to the beat for a tidy, professional music video. The overall message is to plan thoroughly and focus on the technical and storytelling elements of video production.
These are slides from my video workshop Oct. 15, 2019 at Drake University in Des Moines. This was a hands-on workshop focused on shooting video on phones and editing with the Videoshop app.
Stop Motion Animation Guide outlines the key steps for creating stop motion animation, including:
- Equipment needed like the stop motion software and camera to film the animation.
- Developing characters by deciding if they will be drawn, use whiteboard, clay, or Lego. Determining character movement.
- Setting up the scene using backdrops or drawings and choosing materials similar to the characters.
- Taking individual photos slightly adjusting characters between shots to create movement when played sequentially. Camera placement depends on the desired animation style.
- Editing frames in the software by moving, deleting, or reordering shots.
This document provides guidance on stop motion animation. It outlines the key equipment needed, including the stop motion software and camera. It discusses character and set design options like drawing, clay, or Lego. It describes camera techniques like individual picture taking and shot types. It provides tips on editing frames, deleting/cutting/pasting them. Sound selection depends on the theme's mood. Exporting involves selecting "Export" from the file menu.
Day 2 of Video 101 slides. Get starting making video using your phone, your imagination and the other 3 essentials! Make a video on your phone that looks professional, great and avoids Video Shame! Follow these simple step by step instructions on how to start making video easily and with your phone.
Promoting your library media center and program has never been easier. Using quick, free, and easy animation studios teacher librarians can create engaging videos to market their media center, databases, research resources, special programs, and their love of reading to students, teachers, and the community. Combining easy animation with a wiki, website, or a blog your message will captivate your audience and reach beyond the brick and mortar walls of your school.
Jack created a short film project in Premiere Pro. He imported his video clips, edited them into the correct order, and cut out poor scenes. Jack added subtitles to provide equal access for deaf and hearing audiences. He experimented with different font styles, sizes, colors, and effects like strokes and outlines to make the subtitles clear against the background. After checking that the subtitles looked good throughout the film, Jack rendered and exported the 12-minute project, including bloopers at the end, to YouTube HD format.
हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Training: ISO/IEC 27001 Information Security Management System - EN | PECB
ISO/IEC 42001 Artificial Intelligence Management System - EN | PECB
General Data Protection Regulation (GDPR) - Training Courses - EN | PECB
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Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
Assessment and Planning in Educational technology.pptxKavitha Krishnan
In an education system, it is understood that assessment is only for the students, but on the other hand, the Assessment of teachers is also an important aspect of the education system that ensures teachers are providing high-quality instruction to students. The assessment process can be used to provide feedback and support for professional development, to inform decisions about teacher retention or promotion, or to evaluate teacher effectiveness for accountability purposes.
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
Thinking of getting a dog? Be aware that breeds like Pit Bulls, Rottweilers, and German Shepherds can be loyal and dangerous. Proper training and socialization are crucial to preventing aggressive behaviors. Ensure safety by understanding their needs and always supervising interactions. Stay safe, and enjoy your furry friends!
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
2. Complete & Review Story
Table
• Look over your story
table to plan your
character puppets
and backgrounds.
• Keep it simple.
3. Draw Characters &
Backgrounds
• Draw characters small (about the
size of an index card) on stiff paper.
• Color & trace with black Sharpie.
4. Cut Out Characters &
Foregrounds
• Cut out the characters and
foregrounds (if needed) with
scissors.
• Tape characters to popsicle sticks
with clear tape.
5. Practice Reading Your
Story
• You will be narrating your story.
Practice reading your story aloud
(lots!) so that it is smooth, not fast,
and read with expression.
6. Take Videos
• Using your video app, video each
scene in your story. While videoing,
read your story quietly (this is not
the recording of your narration) so
that your clips will be long enough for
the storytelling.
• You may need a friend to
help with moving your puppet
characters.
7. iMovie on the iPad
• Open a New Project on iMovie.
• On the main timeline page choose videos
from the movie icon on the left. Your
videos of the scenes will pop up.
• Select the videos in order of the story,
dropping them down to the timeline.
8. Record Narration
• This is tricky & will take several
tries. A friend can be a great help!
• Make sure your timeline is at the
beginning of your clips.
• Touch the microphone icon on the
right side of the screen to record
you reading your story. Watch to
make sure you are keeping up with
the scenes in your story.
9. Fine-Tuning
• Mute the sound on your video clips by
double-clicking them & turning off
volume.
• Theme music? Check settings for
theme music options.
• Add title page & credits
10. Fine-Tuning
• Mute the sound on your video clips by
double-clicking them & turning off
volume.
• Theme music? Check settings for
theme music options.
• Add title page & credits