The document provides details on the color scheme and fonts that will be used for a film. It describes choosing a mixture of bright and dark colors like green, blue, yellow, orange, and red to appeal to the target audience, as well as darker colors like purple and black to reference the darker elements of the plot. Several potential fonts are listed that could be used for the title, with descriptions of each font's style and why it may work well. The end summarizes plans to design the movie poster similarly to Scream, with the villain's face central and characters on top, below the title and release date.
The document discusses how Molly Douglas used various media technologies throughout the process of creating, researching, planning, and evaluating her A2 media assignment. She researched conventions of horror film posters, magazines, and trailers using Google, YouTube, and Wikipedia. Planning and drafting was done using Microsoft programs. Pictures were edited using Picasa for lighting, color, and fonts. iMovie was used to edit video footage and add music, titles, and transitions to create the film trailer. Feedback was collected through an online questionnaire to evaluate the work. Overall, Molly believes the combination of her products developed real media conventions while also providing some challenges.
This document analyzes the poster for the film "Lock, Stock and Two Smoking Barrels" through its use of colour, layout, language, images and genre to understand the intended audience. The poster uses red, white and black colours to represent danger and establish the crime genre. Silhouettes on a shotgun imply gang violence. Short, memorable text and comedic font choice also aim to attract a young adult audience interested in the black comedy and violence themes.
The Inception movie poster is analyzed in the document. The poster uses a dark blue color scheme to convey a surreal, dream-like quality, as blue is often associated with dreams. While the cracked red title text is meant to stand out, it is difficult to read. The maze-like title font reflects mazes featured in the film. Very little other text is included, though the phrase "your mind is the scene of the crime" provides insight into the film's plot. The poster image depicts a stormy, flooded Tokyo scene from the film's climax and features Leonardo DiCaprio holding a gun in a dark suit.
The document discusses the effectiveness of combining a film with ancillary tasks like a poster and film review. It describes how the poster and review for a student's short film incorporated conventions of the family comedy genre. Bright colors, fonts, and images were used that conveyed themes of happiness and humor to identify the genre. The poster and review worked together to promote the film and help it reach its target audience.
The document discusses how the combination of a student's main film project and ancillary tasks like a film poster and review were effective. It notes that combining the three elements helped promote the film to different audiences through visual and written platforms. It was important for the poster and review to be high quality as they influenced how the target audience perceived the film. The student incorporated codes and conventions of a family comedy genre into the ancillary tasks through fonts, colors, images and other design elements chosen.
The film poster uses various conventions to inform the audience that the film is a thriller and provide narrative clues. It features a close-up shot of the female protagonist looking fearful to signify she is the vulnerable victim. The dark colors, serious expression, and tagline "face your fears" align with thriller conventions. Additionally, using a sole female protagonist positions her as the victim, a common thriller narrative trope. Overall, the poster establishes the genre as a thriller and sets expectations for the narrative through its use of appropriate visuals, colors, and text.
The document provides an analysis of four horror movie posters. It examines the target audiences, content, and use of genre conventions in each poster. Key conventions included frightening central images, dark coloring, titles in bold colors, taglines hinting at the plot, and references to violence or the supernatural. The analysis found that all four posters effectively used conventions like these to attract audiences and clearly communicate the films' horror genres. The document concludes the poster analysis will help inform the design of the author's own horror movie poster project.
The document provides an analysis of film poster conventions based on research of four horror movie posters. Key conventions discussed include:
- Using close-up images of characters that relate to the film's story or theme.
- Placing the film title prominently in a contrasting color to stand out.
- Including taglines or subtitles that provide additional context or intrigue audiences.
- Featuring the release date in red to draw attention.
The analyses of individual posters examines how they convey their horror genre and would appeal to the target teenage/young adult demographic through creative use of images and text following common conventions. The research informs the creation of the student's own teaser poster.
The document discusses how Molly Douglas used various media technologies throughout the process of creating, researching, planning, and evaluating her A2 media assignment. She researched conventions of horror film posters, magazines, and trailers using Google, YouTube, and Wikipedia. Planning and drafting was done using Microsoft programs. Pictures were edited using Picasa for lighting, color, and fonts. iMovie was used to edit video footage and add music, titles, and transitions to create the film trailer. Feedback was collected through an online questionnaire to evaluate the work. Overall, Molly believes the combination of her products developed real media conventions while also providing some challenges.
This document analyzes the poster for the film "Lock, Stock and Two Smoking Barrels" through its use of colour, layout, language, images and genre to understand the intended audience. The poster uses red, white and black colours to represent danger and establish the crime genre. Silhouettes on a shotgun imply gang violence. Short, memorable text and comedic font choice also aim to attract a young adult audience interested in the black comedy and violence themes.
The Inception movie poster is analyzed in the document. The poster uses a dark blue color scheme to convey a surreal, dream-like quality, as blue is often associated with dreams. While the cracked red title text is meant to stand out, it is difficult to read. The maze-like title font reflects mazes featured in the film. Very little other text is included, though the phrase "your mind is the scene of the crime" provides insight into the film's plot. The poster image depicts a stormy, flooded Tokyo scene from the film's climax and features Leonardo DiCaprio holding a gun in a dark suit.
The document discusses the effectiveness of combining a film with ancillary tasks like a poster and film review. It describes how the poster and review for a student's short film incorporated conventions of the family comedy genre. Bright colors, fonts, and images were used that conveyed themes of happiness and humor to identify the genre. The poster and review worked together to promote the film and help it reach its target audience.
The document discusses how the combination of a student's main film project and ancillary tasks like a film poster and review were effective. It notes that combining the three elements helped promote the film to different audiences through visual and written platforms. It was important for the poster and review to be high quality as they influenced how the target audience perceived the film. The student incorporated codes and conventions of a family comedy genre into the ancillary tasks through fonts, colors, images and other design elements chosen.
The film poster uses various conventions to inform the audience that the film is a thriller and provide narrative clues. It features a close-up shot of the female protagonist looking fearful to signify she is the vulnerable victim. The dark colors, serious expression, and tagline "face your fears" align with thriller conventions. Additionally, using a sole female protagonist positions her as the victim, a common thriller narrative trope. Overall, the poster establishes the genre as a thriller and sets expectations for the narrative through its use of appropriate visuals, colors, and text.
The document provides an analysis of four horror movie posters. It examines the target audiences, content, and use of genre conventions in each poster. Key conventions included frightening central images, dark coloring, titles in bold colors, taglines hinting at the plot, and references to violence or the supernatural. The analysis found that all four posters effectively used conventions like these to attract audiences and clearly communicate the films' horror genres. The document concludes the poster analysis will help inform the design of the author's own horror movie poster project.
The document provides an analysis of film poster conventions based on research of four horror movie posters. Key conventions discussed include:
- Using close-up images of characters that relate to the film's story or theme.
- Placing the film title prominently in a contrasting color to stand out.
- Including taglines or subtitles that provide additional context or intrigue audiences.
- Featuring the release date in red to draw attention.
The analyses of individual posters examines how they convey their horror genre and would appeal to the target teenage/young adult demographic through creative use of images and text following common conventions. The research informs the creation of the student's own teaser poster.
This movie poster for The Matrix uses dark colors like black, blue and violet. It features the main characters in the center to draw attention. There is no tagline, leaving the audience guessing. The purpose is to appeal to the target audience while also making people appreciate the artistic design through its simplicity and effective use of color and layout.
This movie poster for Date Night aims to involve the adult and teenage audience through its use of bright yet not gloomy colors and imagery of the married main characters without context, provoking curiosity. The lack of a tagline leaves the plot ambiguous. The white text and red line make the title stand out centrally between the characters' images, with the actors' names at the top. Though unrealistic due to depicting a date, the scenario of a married couple going out remains realistic subject matter.
The trailer opens with simple white text on a dark background, giving little information about the story but creating an unsettling atmosphere. Later title cards include satanic symbols and blood red text suggesting themes of religion, evil, and death. Text highlighting the words "Science" and "Religion" emphasizes the two main themes in the film. The final title has an inverted letter suggesting tampering by demons. Overall, the simple yet ominous titles intrigue audiences about the horror elements in the film without revealing too much.
- The document discusses feedback received from test audiences on a film trailer created by the author.
- Audiences felt the trailer successfully portrayed a typical romantic drama through the development of the relationship between the two main characters and inclusion of typical genre conventions.
- The soundtracks used in the trailer were well received as they effectively conveyed different emotions throughout the ups and downs of the relationship.
- Some areas for improvement included making the ending clearer and adding more context to transitions between scenes with the dog. Audio quality also needed strengthening in some areas.
- Overall the trailer was an effective representation of the romantic drama genre, with only minor weaknesses identified from audience
The film poster features the main characters in a graffiti style that suggests violence and fighting. The bold red color references blood and anger, reflecting the film's focus on football hooliganism. The tagline "What else you gonna do on a Saturday?" hints that the characters choose violence and fighting on game days. Overall the poster effectively conveys the film's themes of football, violence, and gang culture to its intended male audience.
The document provides details on the design and layout of a movie poster and magazine cover that were created to promote a horror film. Key elements included on both the poster and magazine cover were the film's villain depicted in close-up shots, a red and white color palette, matching fonts, and the placement of images and text to draw attention. Continuity between the two promotional pieces was achieved through similar visual styles, fonts, and depictions of the villain to brand the film.
The document discusses color schemes and fonts for a horror/thriller short film. It describes a color scheme taking inspiration from The Shining, using dark tones like black, grey, red, and dark blue to set a gloomy mood. It also analyzes fonts used on DVD covers, choosing bold, readable fonts for things like cast lists and thinner fonts for synopses. The document examines fonts from dafont.com, selecting horror-style options for titles and smaller fonts to include details on DVD covers while maintaining clarity. The color schemes and fonts are intended to effectively set the dark, mysterious tone for the short film project.
As part of my A Level Media coursework component, I needed to research and analyse conventions of a film magazine within my genre. I looked at Shutter Island, Inception, and Gone Girl prior to my production of a psycho crime thriller.
This document discusses different types of film posters and what makes an effective poster. It argues that single image posters with a black background ("SIBB" posters) are most compelling. These posters draw attention with a striking single image and minimal distracting elements. They intrigue viewers about the film's content without revealing too much. The document also praises painted posters and taglines for giving films unique identity. In conclusion, the author believes a SIBB-style poster would best represent their group's film as it can be created without professional painting skills.
The document discusses the design elements of a movie poster and magazine cover created to promote a horror film. For the poster, the designer uses a red and white color palette and includes the film title in dripping red font, credits at the bottom, and a close-up shot of the villainous doll at the center. The magazine cover continues the red, white, and green color scheme and features the main character with green eyes and blood, the film title, cover lines about content inside, and the publication masthead. Both the poster and magazine cover aim to attract their target teenage audience and effectively link to scenes and characters shown in the film's trailer and marketing online.
The document provides an analysis of the DVD cover for the film "World War Z". It examines various design elements including the imagery, title, slogans, synopsis and cast information. The imagery uses a combination of black and white with color to make Brad Pitt stand out, representing his isolation amid destruction. The title font is sharp and boxy, portraying violence. Additional elements like the red "Z" draw attention through color symbolism. Overall the cover effectively communicates the film's genre and tone through its use of fonts, colors and contrasting imagery.
The document provides an analysis of the DVD cover design for the film "World War Z". It examines several elements of the cover design including the imagery, title, synopsis, and teaser images. The imagery uses a combination of black and white and color to make Brad Pitt stand out as the focus. The title font conveys violence and power. The synopsis is written clearly. The teaser images show contrasting scenes to depict different moods and highlight how the film will change tones. Overall the cover is analyzed to understand how it conveys the film's genre, tone, and key elements to appeal to audiences.
The document provides an analysis of the DVD cover for the film "World War Z". It examines various design elements including the imagery, title, slogans, synopsis and cast information. The imagery uses a mixture of black and white with color to make Brad Pitt stand out as the focus. It depicts a war-like atmosphere showing the violence in the film. The title font is sharp and boxy to portray violence while the "Z" looks like a blood stain. The synopsis is written clearly to be easily readable against the dark background. Reviews and special features are included to encourage purchasing the DVD.
This document analyzes and summarizes the key elements of three different movie posters representing the horror, romance, and sci-fi genres. It discusses the mise-en-scene, lighting, colors, backgrounds, main images, titles, taglines, credits, logos, and release dates used in each poster and how they appeal to the target audiences for each genre. Elements like mysterious figures, emotional close-ups, and unusual settings are used to set the right tone for horror, romance, and sci-fi. Stereotypical conventions around font choices, placement of elements, and legal requirements are also addressed.
The document discusses how the media project challenges conventions of real media products. It analyzes shots from thriller openings that were inspirational. Shots include titles with unconventional coloring, transitions between shots to imply quick events, close-ups to understand characters' emotions, and lighting used to tell parts of the story. The document also discusses how research into different thriller music and analyzing other openings helped develop the project. Feedback from social media was used to improve the work to better suit the target audience. Unique aspects like characters from different eras give the project an edge over other thrillers by subverting expectations.
The poster focuses on the four main characters from previous "Ice Age" films. It uses a simple blue and white color scheme and large font to prominently display the film title. Minor details like the subtitle "Continental Drift" being placed vertically help distinguish this film without drawing too much attention away from the characters, which are central to engaging young viewers. Overall, the poster prioritizes recognizable characters from the franchise over intricate details, aiming to attract fans through familiarity and simplicity.
This movie poster for Avatar uses a simple yet striking design. The alien face in rich blue catches the eye with its green staring eye. The title "Avatar" is in a soft, jungle-themed font linking to the film's exotic setting. Dark blue and black colors keep the poster attractive and simple against a plain, mysterious shadow background. Focus is drawn to the key alien image without unnecessary distractions.
Textual Analysis of Posters and Magazine CoversKatieMould27
The document provides an analysis of various film posters and magazine covers. It examines the color schemes, layouts, images, fonts and texts used in the posters and covers. For the film posters, the analysis looks at how the design elements represent aspects of the films like genre and storyline. The magazine covers are analyzed in terms of using design principles like the rule of thirds to draw attention to the title and images being featured. In all cases, the document discusses how the design choices would appeal to and intrigue audiences.
The poster depicts an old woman sitting alone in a dark, dingy room holding a creepy doll. Details like scratches on the walls, shadows on the floor, and the woman's posture imply something supernatural or terrifying has occurred. The poster uses conventions like a dark color scheme, isolated central image, and taglines to promote the film as a supernatural horror and attract audiences interested in the genre.
This film poster features a close-up image of a young woman's face, suggesting she is a key character. Her plain facial expression conveys a sense of mystery to the audience. The poster also includes a butterfly symbol, which represents transformation and growth, leaving its meaning open to interpretation. Overall, the simple black and white design, use of color and imagery are intended to intrigue audiences and make them want to learn more about the film's plot.
The poster promotes a horror film by featuring a bloody image of a woman dragging her hand along a wall, implying a demonic presence. It includes the film's title in a sinister font and the tagline "Once you see him, nothing can save you", creating intrigue around the demon face drawn on the wall. The desaturated colors, emphasis on blood, and minimalist style amplify the horror elements to attract audiences to the gruesome yet mysterious film.
The document analyzes and compares the posters for three romance drama films: Dear John, My Sister's Keeper, and Twilight. It discusses various design elements of the posters like images, fonts, colors, and text placement that effectively communicate the films' genres and narratives to attract target audiences. Key elements highlighted include the use of intimate couple images to indicate romance, soothing colors and blurred effects for drama and emotion, and mystical fonts and dark colors in Twilight to create intrigue while challenging genre conventions.
This movie poster for The Matrix uses dark colors like black, blue and violet. It features the main characters in the center to draw attention. There is no tagline, leaving the audience guessing. The purpose is to appeal to the target audience while also making people appreciate the artistic design through its simplicity and effective use of color and layout.
This movie poster for Date Night aims to involve the adult and teenage audience through its use of bright yet not gloomy colors and imagery of the married main characters without context, provoking curiosity. The lack of a tagline leaves the plot ambiguous. The white text and red line make the title stand out centrally between the characters' images, with the actors' names at the top. Though unrealistic due to depicting a date, the scenario of a married couple going out remains realistic subject matter.
The trailer opens with simple white text on a dark background, giving little information about the story but creating an unsettling atmosphere. Later title cards include satanic symbols and blood red text suggesting themes of religion, evil, and death. Text highlighting the words "Science" and "Religion" emphasizes the two main themes in the film. The final title has an inverted letter suggesting tampering by demons. Overall, the simple yet ominous titles intrigue audiences about the horror elements in the film without revealing too much.
- The document discusses feedback received from test audiences on a film trailer created by the author.
- Audiences felt the trailer successfully portrayed a typical romantic drama through the development of the relationship between the two main characters and inclusion of typical genre conventions.
- The soundtracks used in the trailer were well received as they effectively conveyed different emotions throughout the ups and downs of the relationship.
- Some areas for improvement included making the ending clearer and adding more context to transitions between scenes with the dog. Audio quality also needed strengthening in some areas.
- Overall the trailer was an effective representation of the romantic drama genre, with only minor weaknesses identified from audience
The film poster features the main characters in a graffiti style that suggests violence and fighting. The bold red color references blood and anger, reflecting the film's focus on football hooliganism. The tagline "What else you gonna do on a Saturday?" hints that the characters choose violence and fighting on game days. Overall the poster effectively conveys the film's themes of football, violence, and gang culture to its intended male audience.
The document provides details on the design and layout of a movie poster and magazine cover that were created to promote a horror film. Key elements included on both the poster and magazine cover were the film's villain depicted in close-up shots, a red and white color palette, matching fonts, and the placement of images and text to draw attention. Continuity between the two promotional pieces was achieved through similar visual styles, fonts, and depictions of the villain to brand the film.
The document discusses color schemes and fonts for a horror/thriller short film. It describes a color scheme taking inspiration from The Shining, using dark tones like black, grey, red, and dark blue to set a gloomy mood. It also analyzes fonts used on DVD covers, choosing bold, readable fonts for things like cast lists and thinner fonts for synopses. The document examines fonts from dafont.com, selecting horror-style options for titles and smaller fonts to include details on DVD covers while maintaining clarity. The color schemes and fonts are intended to effectively set the dark, mysterious tone for the short film project.
As part of my A Level Media coursework component, I needed to research and analyse conventions of a film magazine within my genre. I looked at Shutter Island, Inception, and Gone Girl prior to my production of a psycho crime thriller.
This document discusses different types of film posters and what makes an effective poster. It argues that single image posters with a black background ("SIBB" posters) are most compelling. These posters draw attention with a striking single image and minimal distracting elements. They intrigue viewers about the film's content without revealing too much. The document also praises painted posters and taglines for giving films unique identity. In conclusion, the author believes a SIBB-style poster would best represent their group's film as it can be created without professional painting skills.
The document discusses the design elements of a movie poster and magazine cover created to promote a horror film. For the poster, the designer uses a red and white color palette and includes the film title in dripping red font, credits at the bottom, and a close-up shot of the villainous doll at the center. The magazine cover continues the red, white, and green color scheme and features the main character with green eyes and blood, the film title, cover lines about content inside, and the publication masthead. Both the poster and magazine cover aim to attract their target teenage audience and effectively link to scenes and characters shown in the film's trailer and marketing online.
The document provides an analysis of the DVD cover for the film "World War Z". It examines various design elements including the imagery, title, slogans, synopsis and cast information. The imagery uses a combination of black and white with color to make Brad Pitt stand out, representing his isolation amid destruction. The title font is sharp and boxy, portraying violence. Additional elements like the red "Z" draw attention through color symbolism. Overall the cover effectively communicates the film's genre and tone through its use of fonts, colors and contrasting imagery.
The document provides an analysis of the DVD cover design for the film "World War Z". It examines several elements of the cover design including the imagery, title, synopsis, and teaser images. The imagery uses a combination of black and white and color to make Brad Pitt stand out as the focus. The title font conveys violence and power. The synopsis is written clearly. The teaser images show contrasting scenes to depict different moods and highlight how the film will change tones. Overall the cover is analyzed to understand how it conveys the film's genre, tone, and key elements to appeal to audiences.
The document provides an analysis of the DVD cover for the film "World War Z". It examines various design elements including the imagery, title, slogans, synopsis and cast information. The imagery uses a mixture of black and white with color to make Brad Pitt stand out as the focus. It depicts a war-like atmosphere showing the violence in the film. The title font is sharp and boxy to portray violence while the "Z" looks like a blood stain. The synopsis is written clearly to be easily readable against the dark background. Reviews and special features are included to encourage purchasing the DVD.
This document analyzes and summarizes the key elements of three different movie posters representing the horror, romance, and sci-fi genres. It discusses the mise-en-scene, lighting, colors, backgrounds, main images, titles, taglines, credits, logos, and release dates used in each poster and how they appeal to the target audiences for each genre. Elements like mysterious figures, emotional close-ups, and unusual settings are used to set the right tone for horror, romance, and sci-fi. Stereotypical conventions around font choices, placement of elements, and legal requirements are also addressed.
The document discusses how the media project challenges conventions of real media products. It analyzes shots from thriller openings that were inspirational. Shots include titles with unconventional coloring, transitions between shots to imply quick events, close-ups to understand characters' emotions, and lighting used to tell parts of the story. The document also discusses how research into different thriller music and analyzing other openings helped develop the project. Feedback from social media was used to improve the work to better suit the target audience. Unique aspects like characters from different eras give the project an edge over other thrillers by subverting expectations.
The poster focuses on the four main characters from previous "Ice Age" films. It uses a simple blue and white color scheme and large font to prominently display the film title. Minor details like the subtitle "Continental Drift" being placed vertically help distinguish this film without drawing too much attention away from the characters, which are central to engaging young viewers. Overall, the poster prioritizes recognizable characters from the franchise over intricate details, aiming to attract fans through familiarity and simplicity.
This movie poster for Avatar uses a simple yet striking design. The alien face in rich blue catches the eye with its green staring eye. The title "Avatar" is in a soft, jungle-themed font linking to the film's exotic setting. Dark blue and black colors keep the poster attractive and simple against a plain, mysterious shadow background. Focus is drawn to the key alien image without unnecessary distractions.
Textual Analysis of Posters and Magazine CoversKatieMould27
The document provides an analysis of various film posters and magazine covers. It examines the color schemes, layouts, images, fonts and texts used in the posters and covers. For the film posters, the analysis looks at how the design elements represent aspects of the films like genre and storyline. The magazine covers are analyzed in terms of using design principles like the rule of thirds to draw attention to the title and images being featured. In all cases, the document discusses how the design choices would appeal to and intrigue audiences.
The poster depicts an old woman sitting alone in a dark, dingy room holding a creepy doll. Details like scratches on the walls, shadows on the floor, and the woman's posture imply something supernatural or terrifying has occurred. The poster uses conventions like a dark color scheme, isolated central image, and taglines to promote the film as a supernatural horror and attract audiences interested in the genre.
This film poster features a close-up image of a young woman's face, suggesting she is a key character. Her plain facial expression conveys a sense of mystery to the audience. The poster also includes a butterfly symbol, which represents transformation and growth, leaving its meaning open to interpretation. Overall, the simple black and white design, use of color and imagery are intended to intrigue audiences and make them want to learn more about the film's plot.
The poster promotes a horror film by featuring a bloody image of a woman dragging her hand along a wall, implying a demonic presence. It includes the film's title in a sinister font and the tagline "Once you see him, nothing can save you", creating intrigue around the demon face drawn on the wall. The desaturated colors, emphasis on blood, and minimalist style amplify the horror elements to attract audiences to the gruesome yet mysterious film.
The document analyzes and compares the posters for three romance drama films: Dear John, My Sister's Keeper, and Twilight. It discusses various design elements of the posters like images, fonts, colors, and text placement that effectively communicate the films' genres and narratives to attract target audiences. Key elements highlighted include the use of intimate couple images to indicate romance, soothing colors and blurred effects for drama and emotion, and mystical fonts and dark colors in Twilight to create intrigue while challenging genre conventions.
The poster for the film 'Dear John' effectively conveys that it is a romance drama through the close image of the main couple. The font draws attention while neutral colors suggest a sad tone. Names of the lead actors at the top aim to attract audiences based on their fame. Releasing in February emphasizes the romantic genre through its association with Valentine's Day.
The poster for 'My Sister's Keeper' focuses attention on the smiling faces of the two women and young child, implying a family drama. Symbols of the child blowing bubbles represent the film's morals. Calming colors and effects promote that it is not a horror or action film.
Though not immediately clear as a romance, the 'Twilight
The poster uses black and orange colors to convey a dark, fiery genre. A man's face is shown partially behind a door, looking into darkness. Additional small images around the edges help set the scene. The title "Cursed" stands out against the dark background in white. Complementary colors are used throughout to make elements stand out attractively without overpowering each other.
The document discusses conventions commonly used in horror film posters. It notes that isolating the focal image against a black background and using prominent actors are techniques that draw attention to the storyline rather than the actors. Typical visual elements that imply fear include diseased-looking skin, open mouths used as eyes, and red text suggesting blood or gore. Overall, the document analyzes how horror poster design evokes terror through disturbing imagery and isolation of threatening focal points.
The poster uses dark colors and imagery of a stormy sea and isolated island to set a gloomy, foreboding tone fitting for a psychological thriller. It features a close-up of the main character Leonardo DiCaprio with a puzzled expression that creates intrigue. While most of the text is illegible, it effectively advertises the film's title, release date, and star to pique viewers' interest in the mystery of "who is missing?".
The poster uses orange and black to convey a dark, fiery genre. A man's face is seen peering through a door, looking distressed. Mini scenes and the actor's name are meant to intrigue audiences and promote the film. The unusual vertical lines on the man's face disrupt the calm imagery, adding a sense of chaos.
The poster uses orange and black to convey a dark, fiery genre. A man's face is seen peering through a door, looking distressed. Mini scenes and the actor's name are used to intrigue audiences and promote the film. The unusual color of the eye and name "Cursed" aim to attract and leave audiences questioning.
The document discusses how Molly Douglas used various media technologies throughout the process of creating, researching, planning, and evaluating her A2 media assignment. She researched conventions of horror film posters, magazines, and trailers using Google, YouTube, and Wikipedia. Planning and drafting was done using Microsoft programs. Pictures were edited using Picasa for lighting, color, and fonts. A video camera and microphone were used to film the trailer, which was edited using iMovie to add clips, sound, music, transitions, titles, and writing. Feedback was collected through an online questionnaire to evaluate the work. Overall, Molly believes the combination of her products developed real media conventions while also providing some challenges.
The document analyzes the poster for the thriller film "Gone Girl." It discusses several design elements of the poster and how they relate to the thriller genre and create intrigue for the audience. The main image shows the protagonist from behind holding what seems to be a gun, implying violence and action. Dark colors and lighting create a mysterious atmosphere. Multiple images and elements leave questions unanswered, piquing the audience's interest in the film's storyline. The poster effectively uses genre conventions to entice viewers through an enigmatic presentation of the film's themes and characters.
The document summarizes techniques used in an effective horror movie poster that the author intends to replicate for their own poster. Some of the techniques discussed include: placing the title at the bottom so it is in shadow of the main image; including previous films by the director to appeal to fans; using a single large unnerving main image to set the tone; limiting additional text to avoid revealing too much of the plot; and using a color palette of black and white with subtle red to emphasize mystery and danger. The author analyzes how these techniques appeal to horror movie audiences and effectively advertise the intended tone and content of the film without revealing too much.
The poster uses white and dark colors like black to represent themes in the horror film like torture, death, and sadness. The hand at the center of the poster draws attention and hints at torture through bruising. The blurred and warped title font suggests a complicated plot. Credits and production company logos at the bottom help with advertising.
The document discusses and analyzes three horror movie posters. All three posters use dark colors and shadows to create a scary and ominous atmosphere. Poster 1 uses red to highlight danger and skulls above the Eiffel Tower to indicate it is a horror film. Poster 2 uses an all-black background and shadows to appear creepy, while the woman's uneasy expression suggests she will die. Poster 3 features a possessed-looking boy which intrigues viewers about the plot. Overall, the posters employ dark tones and lighting to signal danger and death without any other context.
The poster uses several horror film conventions to attract audiences. It features a close-up image showing physical possession in progress that is visually striking yet scary. The tagline "Darkness lives inside" and the image provide clues about the film's concept of possession. Standard horror color schemes like dark tones are used to create an unsettling mood. The date is placed below the main image to draw more attention to it, while credits use smaller fonts to take less attention away. Overall visual and textual elements work together to intrigue audiences and imply a frightening story centered around the theme of possession.
The document analyzes three horror movie posters to gain inspiration for creating their own poster. It discusses key elements of each poster including color usage, font, main images, and mise-en-scene techniques. Specific posters analyzed are The Scream, Into the Dark World, and A Nightmare on Elm Street. Elements like red coloring representing blood, hidden or obscured villain faces, and facial expressions showing fear or control are highlighted for their effectiveness in conveying the horror genre.
The poster for the slasher film "Sorority Row" uses dark colors and imagery of a burning house to set a scary, suspenseful tone. It depicts the film's protagonists - a group of teenage sisters - lined up in front of the fire, looking distressed. While unconventional for not featuring an antagonist, the poster effectively conveys the horror genre and hints that the sisters will face danger and death over the course of the film.
The document analyzes three horror movie posters to gain inspiration for creating their own. It discusses key design elements of each poster like color usage, fonts, images, and mise-en-scene techniques. Red is often used to represent blood and death. Main images aim to intrigue audiences without revealing too much. Proper lighting, facial expressions, and composition help set the frightening tone. Analyzing successful horror posters informed the best ways to structure a poster and elicit a visceral scare response from viewers.
The poster analyzes the "Sorority Row" movie poster. It uses conventions like a dark color scheme and imagery of a burning house to set a scary tone. The poster features all the protagonists which is unique. Their fearful facial expressions build suspense around the danger they may face. The tagline "Sisters for Life...and Death" hints that the sisters will face death together. Overall the poster effectively conveys the horror genre and builds intrigue around the film's narrative.
The movie seven is a 1995 psychological thriller starring Brad Pitt and Morgan Freeman. It tells the story of detectives tracking a serial killer who uses the seven deadly sins as themes for his murders. The film was a box office success, grossing over $327 million worldwide. While nominated for an Oscar, it did not win for best film editing. The documentary analyzed various technical elements of the film's opening scene, including camerawork, mise-en-scene, editing, sound, and credits, to understand how they set tone and build suspense for the viewer.
Connor Wiffen is applying to film production degree programs. He has a lifelong passion for film inspired by works like Jurassic Park and shows like Doctor Who. He hopes to one day produce films that stand alongside his inspirations. Connor specializes in editing and sees the post-production process as his favorite part of filmmaking. He has edited personal projects and school videos to hone his skills. Connor believes a film degree will allow him to work on more challenging projects using professional equipment and help him develop the experiences needed to pursue a career in the film industry.
Connor has a lifelong passion for film and television inspired by influential works like Jurassic Park and Doctor Who. He hopes to produce films that stand alongside his inspirations and convey meaningful themes. Connor specializes in editing and has edited personal projects for his YouTube channel. He contributes to film projects for his college course and friends. At university, Connor seeks to further develop his filmmaking skills through challenging projects and access to professional equipment and environments.
This applicant is passionate about film and television, having been influenced from a young age by works like Jurassic Park and Doctor Who. Their specialty is editing, which they enjoy as a hobby and have experience with through personal projects and contributions to others' work. They see university study as an opportunity to further develop their filmmaking skills through access to professional equipment and environments, and working collaboratively on more challenging projects as preparation for a career in the industry.
The document summarizes the first five days of editing a film project. Day 1 involved placing footage in chronological order and doing initial color correction. Day 2 focused on further color grading experiments and fixing a short shot. Day 3 introduced masking two characters onto the same shot. Day 4 added transitions to build tension. Issues with brightness and darkness on different screens were noted. Overall the initial editing period focused on laying foundations and experimenting before more advanced editing could be done back on the editor's home desktop computer.
The document lists potential issues that could arise during the different stages of a film production: pre-production, filming, and post-production. Some key risks include equipment malfunctions, weather problems on location shoots, props or costumes being damaged or not arriving on time, audio issues like low quality or out of sync sound, video files becoming corrupted during editing, and deterioration of video quality after editing. To mitigate these risks, the document recommends having backup equipment and plans, testing all equipment beforehand, and making multiple copies of files during and after production.
The document outlines Connor David Robert Wiffen's proposal for his final major project creating a short horror film titled "Umbra". It provides details on the project concept, evaluation methods, weekly tasks and timeline spanning from research and pre-production starting in January through completion and public screening in July. The film aims to make viewers question what they are seeing by telling the story of someone who finds an old DVD and experiences strange ghostly events as reality and fantasy become intertwined.
1) Alanah finds a mysterious blank DVD in her nan's garage and becomes compelled to watch it. The DVD shows footage of a woman walking in the woods near an old building.
2) After watching the DVD, Alanah finds herself transported to the location in the footage. She has a terrifying encounter with the woman from the video.
3) The woman continues to appear to Alanah and leads her further into the woods. Alanah comes to realize the woman is marking them both with tally marks. She awakens back in the living room and adds another tally mark to her own hand.
A girl finds a mysterious blank DVD while helping her nan clear out the garage. She watches it and sees strange footage of a woman in woods and an ominous building. She later finds herself trapped in a strange location. A ghostly figure appears and transports her to different places with a snap of its fingers. Her fate is left ambiguous at the end.
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 year olds, with roughly equal percentages of male and female viewers. Research also found that horror film audiences come from lower social classes. Primary research conducted through surveys found that most respondents were female, aged 20-30, and preferred earned scares over jump scares. The document analyzes existing horror films Ringu and It Follows to understand effective techniques for camerawork, sound design, mise-en-scene, and storytelling.
A girl finds a mysterious blank DVD while helping her nan clear out the garage. She watches it and sees strange footage of a woman in woods and an ominous building. She later finds herself trapped in a strange location. A ghostly figure appears and transports her to different places with a snap of its fingers. Her fate is left ambiguous at the end.
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 year olds, with roughly equal percentages of male and female viewers. Research also found that horror film viewers tend to come from lower social classes. Primary research conducted through surveys found that most respondents were female, and preferred earned scares over jump scares and implied violence over graphic violence. The document analyzes existing horror films Ringu and It Follows to identify effective techniques for camerawork, sound design, mise-en-scene, and story.
The document outlines several potential problems that may arise during the production process and proposes solutions. It discusses issues that could occur with props and costumes, such as props being lost or damaged, and suggests having backup props. Camera problems like damaged equipment are addressed, as are audio issues like poor quality. Solutions for software problems like corrupted files and out of sync audio are provided. Filming locations present challenges like weather and pedestrians that require preparation. Obtaining necessary equipment and permissions are also covered. The document considers solutions for minimizing potential costs and scheduling filming within time constraints.
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 years old, with roughly equal percentages of male and female viewers. Research also found that horror film viewers tend to come from lower social classes. Primary research in the form of a survey supported these findings, showing a majority of respondents were female and in the target 15-24 age range. The research also helped determine elements for the film, such as a preference for earned scares over jump scares. Existing horror films like Ringu and It Follows are analyzed for effective camerawork, sound design, mise-en-scene, and storytelling that build tension and
A girl finds a mysterious blank DVD while helping her nan clear out the garage. She watches it and sees strange footage of a woman in woods and an ominous building. She later finds herself trapped in a strange location. A ghostly figure appears and transports her to different places with a snap of its fingers. Her fate is left ambiguous at the end.
This document provides background information on several horror film directors:
- Hideo Nakata is a Japanese director known for films like Ringu and Dark Water. He prefers a quiet, subtle style of horror compared to Western films.
- Ari Aster directed the critically acclaimed horror film Hereditary. He aims to make films that unsettle audiences and "betray" their expectations.
- Julia Ducournau's film Raw tackles sexuality and body horror. She seeks to portray women's experiences in a more empowering way.
- James Wan is an influential director known for films like Saw and The Conjuring. He emphasizes developing characters, subverting expectations, and crafting memorable set pieces.
The girl finds a mysterious blank DVD in her grandmother's garage and decides to watch it on her laptop. The DVD shows strange footage of a woman in the woods and an ominous building. She later sees a figure in white and is suddenly transported to a dark, unfamiliar location. Trapped in an endless room, she has a breakdown until the figure appears and snaps its fingers, transporting her to a creepy woods. The figure chases her and the film ends ambiguously.
The document provides a story treatment for a horror film in three acts. In Act I, a girl finds a mysterious blank DVD while clearing out her grandmother's garage. She watches it alone and sees disturbing footage of a woman in the woods and an ominous building. She then begins seeing a strange figure. In Act II, she wakes up trapped in a strange location and has a mental breakdown before encountering the white-dressed figure from the DVD. In Act III, the figure chases her through the woods before capturing her, leaving her fate ambiguous. The film ends by implying the disturbing events will continue for others.
Here are some key health and safety considerations and solutions for your production:
- Weather conditions - Have contingency plans for shooting on rainy/cold days. Protect equipment from moisture.
- Location permissions - Ensure proper paperwork is in place to film at each location. Have backups if a location falls through.
- Equipment safety - Inspect equipment for defects. Use proper lifting techniques to avoid injury. Protect from damage.
- Electrical safety - Have a qualified electrician check any generators. Ensure all cords/cables are in good condition.
- Fire safety - Do not use open flames. Have fire extinguishers accessible. Do not smoke near equipment.
- Physical safety - Scout locations for hazards. Provide
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 years old, with roughly equal percentages of male and female viewers. Research also found that horror film viewers tend to come from lower social classes. Primary research in the form of a survey supported these findings, showing a majority of respondents were female and in the target 15-24 age range. The research also helped determine elements for the film, such as a preference for earned scares over jump scares. Existing horror films like Ringu and It Follows are analyzed for effective techniques in camerawork, sound design, mise-en-scene, and story that could influence
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 year olds, with roughly equal percentages of male and female viewers. Primary research conducted through surveys found most respondents were female, aged 20-30, and preferred earned scares over jump scares. The document analyzes the demographics and preferences of horror film audiences to inform the planning and targeting of a short horror film.
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...Levi Shapiro
Letter from the Congress of the United States regarding Anti-Semitism sent June 3rd to MIT President Sally Kornbluth, MIT Corp Chair, Mark Gorenberg
Dear Dr. Kornbluth and Mr. Gorenberg,
The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
This Congress will not stand idly by and allow an environment hostile to Jewish students to persist. The House believes that your institution is in violation of Title VI of the Civil Rights Act, and the inability or
unwillingness to rectify this violation through action requires accountability.
Postsecondary education is a unique opportunity for students to learn and have their ideas and beliefs challenged. However, universities receiving hundreds of millions of federal funds annually have denied
students that opportunity and have been hijacked to become venues for the promotion of terrorism, antisemitic harassment and intimidation, unlawful encampments, and in some cases, assaults and riots.
The House of Representatives will not countenance the use of federal funds to indoctrinate students into hateful, antisemitic, anti-American supporters of terrorism. Investigations into campus antisemitism by the Committee on Education and the Workforce and the Committee on Ways and Means have been expanded into a Congress-wide probe across all relevant jurisdictions to address this national crisis. The undersigned Committees will conduct oversight into the use of federal funds at MIT and its learning environment under authorities granted to each Committee.
• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
• The Committee on Ways and Means has been investigating several universities since November 15, 2023, when the Committee held a hearing entitled From Ivory Towers to Dark Corners: Investigating the Nexus Between Antisemitism, Tax-Exempt Universities, and Terror Financing. The Committee followed the hearing with letters to those institutions on January 10, 202
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
How to Manage Your Lost Opportunities in Odoo 17 CRMCeline George
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
2. Style sheet 1: Colour Scheme
Based upon the feedback I received from the audience survey, my Target Audience would prefer a mixture of bright and dark colours as part of the film’s colour scheme
so I have chosen a collection of colours that will appeal to my Target Audience. For example, I have chosen to focus on a similar colour scheme to that of The Lego Movie.
I will be using Green which is the colour of nature and symbolises growth, harmony, freshness, and fertility – These factors will make it appeal to the audience as it gives
them a sense of safety that will draw them away from the tonal shift that takes place when and familiarity. It will be accompanied by a light blue which is associated with
health, healing, tranquility, understanding, and softness. It is a usually accepted as a masculine color and according to studies it is highly accepted among males, thus not
only will it add to the relaxed and feeling created by using Green but also appeal to the male members of the audience. I will also be using Yellow which is associated with
joy, happiness, intellect, and energy. It produces a warming effect, arouses cheerfulness, stimulates mental activity,x and generates muscle energy. These two colours
will be accompanied by Orange which To the human eye is a very hot colour and thus gives viewer the sensation of heat. Nevertheless, orange is not as aggressive as red,
it increases oxygen supply to the brain, produces an invigorating effect, and stimulates mental activity. It is highly accepted among young people which will serve well for
my own film as it is supposed to emulate that style. The colour is symbolic of strength and endurance which works in tangent with the adventure aspect of which the plot
is based upon. I mentioned that the colours would be accompanied by Red which is a very emotionally intense colour. It enhances human metabolism and raises blood
pressure which are similar to the feelings you get whilst on am adventure, yet again connecting to the underlining theme of the movie. These are inviting and lively
colours that welcomes the viewer and connotes a happy go lucky atmosphere for a majority of the production however there will be hints within the colour scheme of
the darker tone which will become apparent later on in the film’s plot. This darker colour scheme will have Purple which evokes gloom and sad feelings that directly
reference the darker ending yet to come at the climax of the film. For this I will be using Dark Purple which connotes gloom and sad feelings, this will directly reference
the gloomy ending and contrast well with the other selected colours. As for these colours, they will include Dark greenis associated with ambition, greed, and jealousy
which goes well with the fantasy section of the film where the Dragon comes to steal another’s eggs along with the ambition for completing the adventure all the main
characters have, Dark blue which connotes knowledge, power, integrity, and seriousness. This will be used as another reminder to the audience that not everything is as
it seems with there being darker undertones scattered around within the colour scheme. Finalising it all with Black which is associated with power, elegance, formality,
death, evil, and mystery – these all factor into the recurring hints towards the film not being all that it seems, the climax to the movie will take place in a dark
environment which encapsulates the colour black as well of having it compliment the other colours well – along with making them stand out far better.
3. Style Sheet 2
Fonts
Short Film
Short Film
Short Film
Short Film
Short Film
These are a list of Fonts that I could potentially be using throughout my project taken from
sources like DaFont and ones which are already built into programs like PowerPoint and
word. The first of which is Adobe Casion Pro Bold, this font is simple but still has style to
make it stand out. The next is Arial Black which is a more generic font but it is effective in
its simpleness. The next is Aveniir Black Oblique which shares a lot of the same aspects as
the others but isn’t as thick which could potentially look better depending on what is
around the place where I would place the title – it could work better for the cast’s names
or the synopsis on the back of the DVD case. The fourth font is called Bernard MT
Condensed and it is a bold font with very little line spacing, this looks a lot like one an old
Toy Shop would have which could be a nice nod to what was used to create the stop
motion film in the first place… Toys and figures, It is also easily visible and stands out which
is excellent for a Film’s title. Finally from the preinstalled fonts is Britannic Bold, this is a lot
like the previous font but not only isn’t as bold but also has a little more line spacing which
is both appealing to the eye and easy to read, yet again excellent factors that contribute to
it being a possible choice during my final product. As for the fonts on DaFont, I have chosen
a font called Night Machine which is far more stylised than any of the previously
mentioned fonts with its sharp edges and solid bold form which looks both aesthetically
pleasing and memorable. The other is called Nixie One and is the thinnest of the fonts, it is
simple yet extremely effective in its design – being nice on the eye and
The poster for SCREAM is made up of several
different fonts which encapsulate the style the
poster was going for. ‘S C R E A M’ is written along
the bottom in white, bold and block capital letters.
Due to this, the title is large and easy to be seen by
the audience. Each letter is spaced out which could
be in reference to the length of a scream and show
that it is a long drawn out song. Another significant
detail is that of the end letter ‘M’ has been edited.
The middle has been stretched downwards to a
sharp point this clearly represents a knife which the
victims are killed by. The main image on the poster
is a close up of a young girl’s face. The girl’s eyes are
wide, making her look shocked - these follow the
viewer which causes an unsettling feeling within
them as if they were being watched which is a
feeling felt by a lot of characters within the film.
This is to attract their attention and draw them to
the poster as well as the movie. The girl is portrayed
as being very pale which could suggest she is very
frightened or has been killed off by the killer. These
are aspects which could possibly lead to the
audience being intrigued to find out what is really
going on in the film. The girl has a hand covering
her mouth, this could suggest several different
things to the audience and lead them to ask.. Is it
her hand? And is she covering her mouth because
she is shocked or it could be someone else’s hand
that is preventing her from screaming which refers
back to the film’s title. The poster colour scheme is
in black and white, this could represent the
darkness within the soul of the killer, death within
the film or the darkness which shrouds the killer’s
identity.
There is some extra narrative at the top of the poster in white text. ‘Someone has taken their love of scary movies
too far. Solving this mystery is going to be murder.’ This gives the audience a slightly clearer understanding of what
the film will be about because it tells them that it will be a film which is based upon finding out who is committing
the murders depicted on screen. This text also plants the idea into the audience’s head that makes them feel as if
the film’s events could potentially happen because it uses everyday terminology like ‘scary movies’. By talking
about a ‘scary movie’ on the poster for a scary movie it makes the film feel less fictional to the audience. By using
the word ‘murder’ to describe how hard it will be to find the killer who committed the murders give the word a
double meaning, it also has a lot of significance. The text is also an introduction to the poster and allows the
audience to have their own opinion on what might occur in the film.
4. The design for my poster will be in the same
vein as the Scream Poster where it is mostly
made up of several of the character’s faces which
encompass a lot of the poster itself. It has almost
all of the features you would expect from a
poster, for example the titular actors within the
film are clearly visible along the top with the rest
of the poster following below. The main image
will have the villain of the piece in the centre
with the two other characters looking out to
either side of the poster with the film’s title
clearly visible below which will attract the
viewer’s attention and stick in their mind. Below
the title will be the date of release as it would be
the next information their eyes glide to find out
so they are left with the title and when they can
see it.
Layout 1
5. Layout 2
COMING SOON
This design for my poster will show
the film’s plot a lot better than the
first as it clearly shows the locations
and enemies they will encounter
within the movie. Unlike the other
one this doesn’t have the cast
members on with it only stripping
the information down to the main
key elements of a poster, for
example the film’s title, main
characters and when the film will be
releasing and available to watch. This
is much nicer as a collectable item
but it appeals to a very niche
audience who would be more
inclined to know what the film is
actually about I.e those who keep
track of the film’s production.
17. Scene
No. or
section
Approx
timing
What happens Visual notes Audio notes
Scene 1 25 seconds
The Characters are in the TARDIS and something bleeps on the monitor
which leads to them going to investigate it. There is some time turbulence as
the ship is thrown around.
Coloured lights will be
shone onto the scene
Close Ups
Green Screen
Machine Bleeps
Walking
Scene 2 60 seconds
The TARDIS lands in an empty city where there is only the faint sound of commotion as
explosions go off in the distance. Suddenly the ground shakes and a huge shadow of a
creature looms over the scene before it is revealed to just be the lighting making the
tiny LEGO Godzilla look massive and way more threatening.
Cardboard buildings
Light to create shadow
Dark industrial colours
Stomping
City Sounds
Scene 3 60 seconds
The characters act surprised and relieved before noticing something moving in the
shadows but vanished before they work out what it is. Godzilla tries to roar and scare
them but it has no effect, fails and walks away sad. The characters go back into the
TARDIS and it is thrown uncontrollable into another world.
Cardboard buildings
Light to create shadow
Dark industrial colours
Reptilian Roar
Stomping
Time Machine
noises
Scene 4 60 seconds
The TARDIS crashes into a nest with huge eggs and as the characters get out the they
soon realise that the Eggs belong to a Dragon which lands to protect them. The
characters run away and hide from the raging Dragon before another Dragon appears
to destroy the eggs and start their own family. The Dragons fight and the enemy
Dragon is killed as the characters distract it, leaving it open to a fatal attack. Before the
Dragon notices them again, The characters run back to the TARDIS and get it out of
there before the Dragon can get to them (The shadowy creature from before is seen
again as a tail appears)
Bright Colours
Cardboard Castle backdrop
Green screen
Reptilian Roars
Wing Flaps
Stomping
Running
Scene 5 60 seconds
They land in a dark unknown setting where they swear something is moving in the
darkness. Something moves from around the back of the TARDIS as people start
disappearing into the dark with the sounds of something within it. The lead uses the
Sonic Screwdriver to light up the scene as it reveals the creature to be a Xenomorph
which lunges, knocking the screwdriver onto the ground and the film cuts out.
Dark Colours
Purple Light
Close Ups of Blood Spatter
Visibility Low
Screeches
Blood Splattering
noises
Screams
Structural Breakdown
18. Resources
Equipment/ Props/ Costume needed
Figures:
• Lego Doctor, Clara, Alien and Godzilla
• Godzilla action figure
• Lego TARDIS interior
• Lego TARDIS Exterior
• Dragon Action Figure
Camera
Tripod
Portable Studio
Studio Lights
Green Screen
Computer
Stop Motion Software
19. Contingency Planning
Potential Issue Solution
Camera doesn’t work Use backup Camera i.e. Phone Cameras
Sound recorder doesn’t work Use stock sounds or record at a later date
Camera Battery Life Make sure battery is fully charged
SD card full Wipe SD Card and back up any footage
Lighting isn’t right Try and find a different time to film.
Behind Schedule Keep to schedule as much as possible/reduce
the scale of the production
Props Issue Use alternative props if available
20. Health and Safety
Potential Issue How will the issue be
avoided?
Tripping over Equipment and wires Ensure that the area is tidy and always look
down to check that there isn’t any thing to trip
up.
Back problems Ensure that you are in a comfortable position
whilst filming.
Eye strain Ensure that you take multiple breaks
throughout the filming.
Electrical risks Ensure that there is no water near the
electrical equipment and that all wires are neat
and avoidable.
Editor's Notes
Explore colours, fonts and image styles similar to what you want to produce. Discuss all three elements in relation to why you chose them and where you may use them in your project. Go over as many pages as you need to
Mock up of a potential design using the colours and fonts established in your style sheet and sourced images
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Mock up of a potential design using the colours and fonts established in your style sheet and sourced images.
Alter this slide to make it appropriate for your planned product types. Add further layout slides to create at least one for each product you plan to make.
Mock up of a potential design using the colours and fonts established in your style sheet and sourced images.
Alter this slide to make it appropriate for your planned product types. Add further layout slides to create at least one for each product you plan to make.
Mock up of a potential design using the colours and fonts established in your style sheet and sourced images.
Alter this slide to make it appropriate for your planned product types. Add further layout slides to create at least one for each product you plan to make.
Mock up of a potential design using the colours and fonts established in your style sheet and sourced images.
Alter this slide to make it appropriate for your planned product types. Add further layout slides to create at least one for each product you plan to make.
Mock up of a potential design using the colours and fonts established in your style sheet and sourced images.
Alter this slide to make it appropriate for your planned product types. Add further layout slides to create at least one for each product you plan to make.
Mock up of a potential design using the colours and fonts established in your style sheet and sourced images.
Alter this slide to make it appropriate for your planned product types. Add further layout slides to create at least one for each product you plan to make.
Mock up of a potential design using the colours and fonts established in your style sheet and sourced images.
Alter this slide to make it appropriate for your planned product types. Add further layout slides to create at least one for each product you plan to make.
Mock up of a potential design using the colours and fonts established in your style sheet and sourced images.
Alter this slide to make it appropriate for your planned product types. Add further layout slides to create at least one for each product you plan to make.
Mock up of a potential design using the colours and fonts established in your style sheet and sourced images.
Alter this slide to make it appropriate for your planned product types. Add further layout slides to create at least one for each product you plan to make.
Mock up of a potential design using the colours and fonts established in your style sheet and sourced images.
Alter this slide to make it appropriate for your planned product types. Add further layout slides to create at least one for each product you plan to make.
Mock up of a potential design using the colours and fonts established in your style sheet and sourced images.
Alter this slide to make it appropriate for your planned product types. Add further layout slides to create at least one for each product you plan to make.
Mock up of a potential design using the colours and fonts established in your style sheet and sourced images.
Alter this slide to make it appropriate for your planned product types. Add further layout slides to create at least one for each product you plan to make.