Social realism aims to portray realistic depictions of everyday life, especially the struggles of working class people. It shows gritty and unvarnished scenes of poverty, unemployment, racism and other social issues. Some key conventions of social realism include the use of unknown actors and realistic settings that portray working class communities in an authentic way. Common themes include drug abuse, crime, poverty and economic hardship.
This document discusses how a media product represents social groups. It aims its content at youth aged 15-24 in the UK to raise awareness of real crime issues they may face. It focuses on this age group as they are more likely to experience crimes due to their surroundings. While some stereotypes were included, like depicting gang members as young black males, the document notes this stereotype wrongly assumes all young black people are dangerous. It provides two examples that negatively portray youths as violent and in gangs, despite diversity in real life.
The document discusses the BBFC film rating categories of 12A, 12, and 15 in the UK. Films rated 12A can contain mature themes, discrimination, soft drugs, and implied sexual violence. A 12 rating applies to films suitable for ages 12 and up. A 15 rating is only for those age 15 and older and can contain strong violence, language, drug use and sex references without graphic detail. Examples are given of films such as The Dark Knight Rises, Taken 3, Iron Man 2, and The Hunger Games: Catching Fire being rated at the 12A level due to moderate fantasy violence with little detail. Kick Ass 2 and Kingsman: The Secret Service received a 15 rating for strong bloody violence and a
The document discusses the themes, plot, characters, and locations for a crime drama film called "When Kings Fall." The main theme is about a good man who turns bad after gang members threaten his family. Specifically, the older brother is forced to kill his younger brother for a mafia boss. The intended audience is males aged 15-45 interested in crime dramas. To appeal to this audience, the film will feature guns, knives, and locations like warehouses and train stations typically associated with crime. The film will also show the negative influence of an organized crime family on society.
Representation of Youth Culture in City of GodNaamah Hill
The document discusses representations of youth in the film City of God. It notes that what is considered "youth" in the film's setting is younger than Western societies view youth. While young, the characters are rarely portrayed as vulnerable. Only Rocket is depicted with a youthful innocence as he hasn't engaged in crime. In contrast, Steak n' Chips loses his innocence by shooting another young person. The film also shows young children playing with real guns as if they were toys, highlighting the extreme differences between their lives and those in Western societies. Crime and violence are depicted as providing power and status for youth in the film's setting.
The document discusses how different social groups are represented in a media product. It represents teenagers as disrespectful and reckless through showing them drinking and smoking in a park. It portrays the social group as working class through having them socialize in affordable ways like in parks at night. The film's cast is mainly white, with the sole black character as the strong survivor, emphasizing the stereotypical strength of black people. Gender stereotypes are both reinforced and challenged through portrayals of masculine and feminine personalities among male and female characters. Heterosexual relationships are shown through intimate moments between couples.
A police crime thriller focuses on crime stories from a law enforcement perspective. Examples include The Untouchables, Out of Time, and Scarface. Seven (1995) follows two detectives hunting a serial killer targeting victims for the seven deadly sins. Gangster Squad (1949) depicts cops battling a ruthless mobster running Los Angeles. The Departed (2006) involves an undercover officer and police mole infiltrating the Irish mafia in Boston, often ending in bloodshed as loyalties are tested. Key conventions include the use of guns, alcohol, tough protagonists, and portraying law enforcement in an imperfect light.
Social realism aims to portray realistic depictions of everyday life, especially the struggles of working class people. It shows gritty and unvarnished scenes of poverty, unemployment, racism and other social issues. Some key conventions of social realism include the use of unknown actors and realistic settings that portray working class communities in an authentic way. Common themes include drug abuse, crime, poverty and economic hardship.
This document discusses how a media product represents social groups. It aims its content at youth aged 15-24 in the UK to raise awareness of real crime issues they may face. It focuses on this age group as they are more likely to experience crimes due to their surroundings. While some stereotypes were included, like depicting gang members as young black males, the document notes this stereotype wrongly assumes all young black people are dangerous. It provides two examples that negatively portray youths as violent and in gangs, despite diversity in real life.
The document discusses the BBFC film rating categories of 12A, 12, and 15 in the UK. Films rated 12A can contain mature themes, discrimination, soft drugs, and implied sexual violence. A 12 rating applies to films suitable for ages 12 and up. A 15 rating is only for those age 15 and older and can contain strong violence, language, drug use and sex references without graphic detail. Examples are given of films such as The Dark Knight Rises, Taken 3, Iron Man 2, and The Hunger Games: Catching Fire being rated at the 12A level due to moderate fantasy violence with little detail. Kick Ass 2 and Kingsman: The Secret Service received a 15 rating for strong bloody violence and a
The document discusses the themes, plot, characters, and locations for a crime drama film called "When Kings Fall." The main theme is about a good man who turns bad after gang members threaten his family. Specifically, the older brother is forced to kill his younger brother for a mafia boss. The intended audience is males aged 15-45 interested in crime dramas. To appeal to this audience, the film will feature guns, knives, and locations like warehouses and train stations typically associated with crime. The film will also show the negative influence of an organized crime family on society.
Representation of Youth Culture in City of GodNaamah Hill
The document discusses representations of youth in the film City of God. It notes that what is considered "youth" in the film's setting is younger than Western societies view youth. While young, the characters are rarely portrayed as vulnerable. Only Rocket is depicted with a youthful innocence as he hasn't engaged in crime. In contrast, Steak n' Chips loses his innocence by shooting another young person. The film also shows young children playing with real guns as if they were toys, highlighting the extreme differences between their lives and those in Western societies. Crime and violence are depicted as providing power and status for youth in the film's setting.
The document discusses how different social groups are represented in a media product. It represents teenagers as disrespectful and reckless through showing them drinking and smoking in a park. It portrays the social group as working class through having them socialize in affordable ways like in parks at night. The film's cast is mainly white, with the sole black character as the strong survivor, emphasizing the stereotypical strength of black people. Gender stereotypes are both reinforced and challenged through portrayals of masculine and feminine personalities among male and female characters. Heterosexual relationships are shown through intimate moments between couples.
A police crime thriller focuses on crime stories from a law enforcement perspective. Examples include The Untouchables, Out of Time, and Scarface. Seven (1995) follows two detectives hunting a serial killer targeting victims for the seven deadly sins. Gangster Squad (1949) depicts cops battling a ruthless mobster running Los Angeles. The Departed (2006) involves an undercover officer and police mole infiltrating the Irish mafia in Boston, often ending in bloodshed as loyalties are tested. Key conventions include the use of guns, alcohol, tough protagonists, and portraying law enforcement in an imperfect light.
The document outlines ideas for a gangster crime film trailer set in Newham, London. It discusses the local demographics of Newham, which informs the characters who will be predominantly young people of BAME backgrounds. An outline of the plot is provided, which involves tensions rising between adopted and biological sons of a deceased gang boss over inheritance. Resources needed and influences from other gangster films are referenced to produce a realistic trailer in the gangster crime genre. The proposed unique selling point is presenting a modern gangster story set in East London.
How does your media product represent particular socialSam Mabb
The document discusses how the media product represents different social groups in terms of race, gender, age, and social class. It notes that the main character is Asian to fit with the title "Outsider" and challenge stereotypes of Asians. The villains are of different ethnicities to reflect London's diversity. All major roles are male to fit thriller conventions, and the cast are teenagers aged 16-17 to portray stereotypes about youth and gangs. Most characters are working class to match the suburban London setting and create a brutal tone.
This document provides recommendations for films to watch about the Black Lives Matter movement and issues facing the Black community. It highlights the films Moonlight and Do the Right Thing which both explore the struggles of being Black in America. It also lists prominent Black actors and films featuring Black leads such as Nate Parker in The Birth of a Nation, Chiwetel Ejiofor in 12 Years a Slave, and Viola Davis who is the most nominated Black actress in history.
Females, especially teenagers and young adults, make up the primary target audience for romantic comedies due to finding the light-hearted nature of these films easy to watch. Reviews on sites like IMDB show that women consistently rate romantic comedies higher than men across all age groups. These films are usually set in the UK or US where much of the target audience lives, making the settings more relatable. While some romantic comedies find global audiences, most actors in the genre are from the UK or US due to their film market dominance and recognizability. Less serious film fans and those who prefer less cerebral films tend to watch romantic comedies. The target female audience enjoys emotionally engaging narratives and are more likely to have
The document discusses how the media product represents particular social groups. It uses young actors aged 17-18 to appeal to their target audience of 15-24 year olds. It features a black male as the detective to challenge stereotypes and show black people in a positive light. Both main actors are male, reflecting the typical male-dominated genre of crime thrillers. The antagonist is portrayed as a young black man, presenting a negative stereotype of black youth that the audience can relate to.
The horror genre grossed $9.1 billion from 1995 to 2012, ranking seventh overall but earning $6.4 billion less than the thriller genre. There were 329 horror movies made in that period, averaging $27.6 million in gross per year. The top-grossing horror movie was "I Am Legend", which surprised some because it was rated PG-13 and therefore accessible to a wider audience than R-rated films like "Hannibal", "The Blair Witch Project", and "Scream", the second through fourth top grossers. Seventeen of the top 25 highest-grossing horror movies from 1995 to 2013 were rated R, which restricts the potential audience and therefore ticket sales and money
District 9 is a sci-fi film directed by Neill Blomkamp that depicts aliens living in shanty towns among humans in South Africa. The film received critical acclaim and was praised for subverting typical alien invasion tropes. It portrays the South African government initially helping the aliens but later hiding things and creating conspiracy theories. The main character starts as unlikable but gains sympathy from the audience as he takes the aliens' side against government oppression.
Women have a greater interest in horror films than men according to statistics. The most common age ranges that enjoy horror films are 18-24 year olds and 25-34 year olds, showing that older teenagers and young adults prefer the suspense and thrills of horror movies. Younger audiences from 14-17 and older audiences over 35 generally prefer lighter, less scary films than those offered in the horror genre.
The document discusses several themes from the film City of God including hope, hopelessness, loyalty, family, and love. It notes that while some characters like Rocket have hope for a better future outside of crime, others like the Runts have little hope living in the favela where their only role model leads to demise. Loyalty is shown to be both positive when to the right people but can also be destructive. Family is only portrayed positively through Rocket's functional family. Love is depicted negatively, never working out for characters and possibly making them weak.
This document discusses three potential primary audiences for a horror film called "The Descent":
1) The primary audience would be horror fans aged 15-25 from socioeconomic group E, who enjoy genres involving zombies, gore, and death.
2) A secondary audience would be females aged 18-25 from group D, as the film empowers women and features strong female leads.
3) An additional audience would be people aged 25-35 from groups C1, C2, or B who enjoy extreme sports, as the film may appeal to their adrenaline-seeking tendencies.
The document discusses the romantic comedy film genre. It notes that romantic comedies typically follow a three-act structure: two main characters meet and begin a relationship that is interrupted by some conflict before ultimately reuniting by the end. Romantic comedies aim to make the audience feel happy and usually resolve conflicts in a realistic rather than idealized manner. Key elements of romantic comedies include themes of love and fate, contrasting main characters, relatable stories, and lighthearted music and cinematography.
The document discusses the romantic comedy film genre. It notes that romantic comedies typically follow a three-act structure: two main characters meet and begin a relationship that is interrupted by some conflict before ultimately reuniting by the end. Romantic comedies aim to make the audience feel happy and usually portray opposites attract relationships resolving their differences. Elements like music and lighting are used to help convey emotions. The document also discusses how the filmmakers aimed to make a romantic comedy appealing to younger audiences by including relatable teenage behaviors.
This document discusses gangster films and provides a synopsis of the film "Lawless". It defines a synopsis as a short description of the main events in a film to interest audiences without spoiling the film. Most gangster films depict criminals operating outside the law through violent and ruthless actions to achieve their goals. The synopsis presented describes the 1920s era film Lawless, about the bootlegging Bondurant brothers who become legendary criminals in prohibition-era America until facing consequences as their illicit business grows and bigger rivals loom.
The document discusses how the film represents various social groups through its characters and storyline. It portrays the main character as Asian in order to represent the changing culture in the UK. The character challenges stereotypes of Asian people by drinking, smoking, and engaging in violence. Young people in the film live in poverty in a council estate and are involved in gangs and substance abuse, portraying common stereotypes. The film only features male leads to represent the masculinity of the genre. It shows women taking care of children as single mothers and men being independent and focused on work rather than family life. The film also focuses on the working class through its harsh portrayal of their uneducated lives with violence and poverty.
This document provides summaries of 4 romantic films from different eras:
- WAY DOWN EAST (1920) follows a naïve country girl tricked into marriage who must rebuild her life despite bearing a child out of wedlock. It is set in rural New England.
- THE SEVEN YEAR ITCH (1955) is a romantic comedy about a man's fantasies of an affair while his family is away for the summer.
- THE BLUE LAGOON (1980) tells the story of two shipwrecked children who develop feelings for each other as they grow up alone on a tropical island.
- BEDAZZLED (2000) is a romantic comedy where a man makes wishes to
The document discusses themes in the film City of God, including hope, hopelessness, loyalty, family, love, poverty, conflict, and violence. It notes that while the favela provides little hope aside from crime, the film shows there is always hope. Loyalty is positive when to the right people, otherwise it can drag one down. Conflict invades every moment and is generally shown as negative, while violence drives the film's action through shootings, beatings and rape. The film's message is that avoiding violence and retaining honest values allows one to escape poverty.
The document analyzes target audience research data from various sources about the action genre film audience. It finds that the primary audience for action films is males aged 35 and under, especially those under 35, and the genre has widespread popularity across demographics. Action films are particularly mainstream and successful financially. The research establishes that an action film opening should be aimed mainly at younger males.
The document provides summaries and analyses of the films Disturbia and Taken. For Disturbia, it summarizes the plot as a troubled teen being placed on house arrest and spying on his neighbors, discovering one has a disturbing secret threatening lives. It analyzes the trailer's introduction of characters and use of intertitles and voiceover. For Taken, it summarizes the plot as a retired CIA agent using his old skills to save his daughter kidnapped by Albanian mobsters abroad. It analyzes the trailer establishing the protagonist and his challenge to save his daughter, using intertitles to quickly develop the story and end on a cliffhanger.
This document discusses how different social groups are represented in the media product. It focuses on representation of age, gender, and ethnicity. For age, it notes that the target audience and characters are 15+ teenagers so viewers can relate to them. It shows teenagers smoking and drinking to portray typical behavior but also show consequences. For gender, it represents males as more masculine and dominant through fighting and confrontation scenes, though it challenges conventions by making the male the victim. Females are shown as more vulnerable. For ethnicity, it aims to represent many ethnicities to appeal to diverse audiences, challenging the white-dominated norms of slasher films.
The document discusses research conducted to determine the target audience for a thriller film. It analyzes statistics from similar films rated 15 to determine that the target audience is males aged 15-25. Interviews were also conducted that showed thrillers appeal most to teenage boys and young adult men. Some women and older men may also be interested. The film will receive a 15 rating due to strong language, violence, and dangerous behavior depicted.
The document discusses research conducted to determine the target audience for a thriller film. It analyzes statistics from similar films rated 15 to determine that the target audience is males aged 15-25. Interviews were also conducted that showed thrillers appeal most to teenage boys and young adult men. Some women and older men may also be interested. The film will receive a 15 rating due to strong language, violence, and dangerous behavior depicted.
The document outlines ideas for a gangster crime film trailer set in Newham, London. It discusses the local demographics of Newham, which informs the characters who will be predominantly young people of BAME backgrounds. An outline of the plot is provided, which involves tensions rising between adopted and biological sons of a deceased gang boss over inheritance. Resources needed and influences from other gangster films are referenced to produce a realistic trailer in the gangster crime genre. The proposed unique selling point is presenting a modern gangster story set in East London.
How does your media product represent particular socialSam Mabb
The document discusses how the media product represents different social groups in terms of race, gender, age, and social class. It notes that the main character is Asian to fit with the title "Outsider" and challenge stereotypes of Asians. The villains are of different ethnicities to reflect London's diversity. All major roles are male to fit thriller conventions, and the cast are teenagers aged 16-17 to portray stereotypes about youth and gangs. Most characters are working class to match the suburban London setting and create a brutal tone.
This document provides recommendations for films to watch about the Black Lives Matter movement and issues facing the Black community. It highlights the films Moonlight and Do the Right Thing which both explore the struggles of being Black in America. It also lists prominent Black actors and films featuring Black leads such as Nate Parker in The Birth of a Nation, Chiwetel Ejiofor in 12 Years a Slave, and Viola Davis who is the most nominated Black actress in history.
Females, especially teenagers and young adults, make up the primary target audience for romantic comedies due to finding the light-hearted nature of these films easy to watch. Reviews on sites like IMDB show that women consistently rate romantic comedies higher than men across all age groups. These films are usually set in the UK or US where much of the target audience lives, making the settings more relatable. While some romantic comedies find global audiences, most actors in the genre are from the UK or US due to their film market dominance and recognizability. Less serious film fans and those who prefer less cerebral films tend to watch romantic comedies. The target female audience enjoys emotionally engaging narratives and are more likely to have
The document discusses how the media product represents particular social groups. It uses young actors aged 17-18 to appeal to their target audience of 15-24 year olds. It features a black male as the detective to challenge stereotypes and show black people in a positive light. Both main actors are male, reflecting the typical male-dominated genre of crime thrillers. The antagonist is portrayed as a young black man, presenting a negative stereotype of black youth that the audience can relate to.
The horror genre grossed $9.1 billion from 1995 to 2012, ranking seventh overall but earning $6.4 billion less than the thriller genre. There were 329 horror movies made in that period, averaging $27.6 million in gross per year. The top-grossing horror movie was "I Am Legend", which surprised some because it was rated PG-13 and therefore accessible to a wider audience than R-rated films like "Hannibal", "The Blair Witch Project", and "Scream", the second through fourth top grossers. Seventeen of the top 25 highest-grossing horror movies from 1995 to 2013 were rated R, which restricts the potential audience and therefore ticket sales and money
District 9 is a sci-fi film directed by Neill Blomkamp that depicts aliens living in shanty towns among humans in South Africa. The film received critical acclaim and was praised for subverting typical alien invasion tropes. It portrays the South African government initially helping the aliens but later hiding things and creating conspiracy theories. The main character starts as unlikable but gains sympathy from the audience as he takes the aliens' side against government oppression.
Women have a greater interest in horror films than men according to statistics. The most common age ranges that enjoy horror films are 18-24 year olds and 25-34 year olds, showing that older teenagers and young adults prefer the suspense and thrills of horror movies. Younger audiences from 14-17 and older audiences over 35 generally prefer lighter, less scary films than those offered in the horror genre.
The document discusses several themes from the film City of God including hope, hopelessness, loyalty, family, and love. It notes that while some characters like Rocket have hope for a better future outside of crime, others like the Runts have little hope living in the favela where their only role model leads to demise. Loyalty is shown to be both positive when to the right people but can also be destructive. Family is only portrayed positively through Rocket's functional family. Love is depicted negatively, never working out for characters and possibly making them weak.
This document discusses three potential primary audiences for a horror film called "The Descent":
1) The primary audience would be horror fans aged 15-25 from socioeconomic group E, who enjoy genres involving zombies, gore, and death.
2) A secondary audience would be females aged 18-25 from group D, as the film empowers women and features strong female leads.
3) An additional audience would be people aged 25-35 from groups C1, C2, or B who enjoy extreme sports, as the film may appeal to their adrenaline-seeking tendencies.
The document discusses the romantic comedy film genre. It notes that romantic comedies typically follow a three-act structure: two main characters meet and begin a relationship that is interrupted by some conflict before ultimately reuniting by the end. Romantic comedies aim to make the audience feel happy and usually resolve conflicts in a realistic rather than idealized manner. Key elements of romantic comedies include themes of love and fate, contrasting main characters, relatable stories, and lighthearted music and cinematography.
The document discusses the romantic comedy film genre. It notes that romantic comedies typically follow a three-act structure: two main characters meet and begin a relationship that is interrupted by some conflict before ultimately reuniting by the end. Romantic comedies aim to make the audience feel happy and usually portray opposites attract relationships resolving their differences. Elements like music and lighting are used to help convey emotions. The document also discusses how the filmmakers aimed to make a romantic comedy appealing to younger audiences by including relatable teenage behaviors.
This document discusses gangster films and provides a synopsis of the film "Lawless". It defines a synopsis as a short description of the main events in a film to interest audiences without spoiling the film. Most gangster films depict criminals operating outside the law through violent and ruthless actions to achieve their goals. The synopsis presented describes the 1920s era film Lawless, about the bootlegging Bondurant brothers who become legendary criminals in prohibition-era America until facing consequences as their illicit business grows and bigger rivals loom.
The document discusses how the film represents various social groups through its characters and storyline. It portrays the main character as Asian in order to represent the changing culture in the UK. The character challenges stereotypes of Asian people by drinking, smoking, and engaging in violence. Young people in the film live in poverty in a council estate and are involved in gangs and substance abuse, portraying common stereotypes. The film only features male leads to represent the masculinity of the genre. It shows women taking care of children as single mothers and men being independent and focused on work rather than family life. The film also focuses on the working class through its harsh portrayal of their uneducated lives with violence and poverty.
This document provides summaries of 4 romantic films from different eras:
- WAY DOWN EAST (1920) follows a naïve country girl tricked into marriage who must rebuild her life despite bearing a child out of wedlock. It is set in rural New England.
- THE SEVEN YEAR ITCH (1955) is a romantic comedy about a man's fantasies of an affair while his family is away for the summer.
- THE BLUE LAGOON (1980) tells the story of two shipwrecked children who develop feelings for each other as they grow up alone on a tropical island.
- BEDAZZLED (2000) is a romantic comedy where a man makes wishes to
The document discusses themes in the film City of God, including hope, hopelessness, loyalty, family, love, poverty, conflict, and violence. It notes that while the favela provides little hope aside from crime, the film shows there is always hope. Loyalty is positive when to the right people, otherwise it can drag one down. Conflict invades every moment and is generally shown as negative, while violence drives the film's action through shootings, beatings and rape. The film's message is that avoiding violence and retaining honest values allows one to escape poverty.
The document analyzes target audience research data from various sources about the action genre film audience. It finds that the primary audience for action films is males aged 35 and under, especially those under 35, and the genre has widespread popularity across demographics. Action films are particularly mainstream and successful financially. The research establishes that an action film opening should be aimed mainly at younger males.
The document provides summaries and analyses of the films Disturbia and Taken. For Disturbia, it summarizes the plot as a troubled teen being placed on house arrest and spying on his neighbors, discovering one has a disturbing secret threatening lives. It analyzes the trailer's introduction of characters and use of intertitles and voiceover. For Taken, it summarizes the plot as a retired CIA agent using his old skills to save his daughter kidnapped by Albanian mobsters abroad. It analyzes the trailer establishing the protagonist and his challenge to save his daughter, using intertitles to quickly develop the story and end on a cliffhanger.
This document discusses how different social groups are represented in the media product. It focuses on representation of age, gender, and ethnicity. For age, it notes that the target audience and characters are 15+ teenagers so viewers can relate to them. It shows teenagers smoking and drinking to portray typical behavior but also show consequences. For gender, it represents males as more masculine and dominant through fighting and confrontation scenes, though it challenges conventions by making the male the victim. Females are shown as more vulnerable. For ethnicity, it aims to represent many ethnicities to appeal to diverse audiences, challenging the white-dominated norms of slasher films.
The document discusses research conducted to determine the target audience for a thriller film. It analyzes statistics from similar films rated 15 to determine that the target audience is males aged 15-25. Interviews were also conducted that showed thrillers appeal most to teenage boys and young adult men. Some women and older men may also be interested. The film will receive a 15 rating due to strong language, violence, and dangerous behavior depicted.
The document discusses research conducted to determine the target audience for a thriller film. It analyzes statistics from similar films rated 15 to determine that the target audience is males aged 15-25. Interviews were also conducted that showed thrillers appeal most to teenage boys and young adult men. Some women and older men may also be interested. The film will receive a 15 rating due to strong language, violence, and dangerous behavior depicted.
Our film is aimed primarily at females under 35, as research shows they have a higher interest in romance films. It can appeal to all social classes. We chose this target audience because we are similar in age and can relate to the experiences explored. The film will likely be shown in multiplex cinemas to reach a mainstream audience. It will receive a 12 rating from the BBFC as it explores relationship problems and alcohol abuse sensitively without graphic depictions. Sexual content will be limited to kissing. An interview with 30-year-old Anna confirmed romance films attract her age group and she wants the unexpected rather than predictable plots.
Our film is aimed mainly at females under 35, as research showed they have a higher interest in romance films. It is meant to appeal to a wide mainstream audience across all social classes. We chose this target audience because films like ours tend to attract younger women the most. The film would likely be rated 12 by the BBFC due to some depictions of alcohol abuse and violence, but they are not central themes and are not shown extensively. Sexual content would be limited to kissing. An interview with a 30-year-old female target audience member revealed she enjoys romance films because they test relationships in an engaging way and are relatable to her life stage.
1) Zombieland is a horror/comedy/adventure film that blends different genres to appeal to a wide audience. It takes the zombie threat seriously but also shows characters dealing with zombies in a funny way.
2) The film portrays messages about survival and efficiency through the main character's rules. It also shows the importance of trust and found family through the characters coming together.
3) Understanding the target audience is important for a film's success. Zombieland aims for a core age group of 15-24 year olds, more toward men given the horror genre, but also appeals to women through strong female characters. It balances being a proper horror film with comedic elements.
American Pie (1999) is a sex comedy film directed by Paul and Chris Weltz about a group of male high school friends struggling to lose their virginity. It uses stereotypes like the nerdy costumes of the main characters and messy bedrooms to make the characters and their quest relatable to its target demographic of 15-20 year old males. The film heavily employs the male gaze and focuses on the male experience, which may turn off some female viewers. It was financially successful, launching a franchise of four additional films, and established the careers of several actors.
The document outlines a film project about a man who wakes up in a cell not remembering the night before and is a suspect in the beating death of another man. The film will portray the consequences of a night out involving drinking and drugs and send a message about making responsible decisions. The target audience is 15+ due to graphic violence, drinking and drug use. Marketing ideas include magazine covers, posters, billboards, and radio interviews to promote the film and actors.
The BBFC (British Board of Film Classification) is an independent organization that has been classifying films in the UK by age ratings since 1912. They examine films and consider factors like violence, sex, language, themes, and imitable behavior to determine if a film should be rated U, PG, 12A, 12, 15, or 18. In determining a rating, they analyze the context, tone, and potential impact of problematic content on the audience. For the film described in the document, which includes violence, strong language, horror, and imitable behavior, the BBFC would likely assign a 15 rating since the violence and unsettling content would not be appropriate for younger viewers, even if not all violent acts are
The document discusses the target audience for a horror/thriller film. The primary target audience is females under 35, especially those in social class C2. Research shows this age group enjoys these genres of films. Though horror is less popular overall, it still appeals to about a third of people. The film aims to appeal to both female and male audiences under 35 through balanced content. It receives a 15 rating due to some violent and disturbing elements.
This proposal is for a short film about emotional abuse of women. It will focus on women ages 25-38 who are emotionally abused by their partners. Through portraying this issue, the film aims to raise awareness of emotional abuse and show that it can happen in middle-class relationships, not just lower-class ones as is the stereotype. It will show the stories of women who have experienced both emotional and physical abuse, and indicate that emotional abuse had a worse impact.
The document discusses the target audience for a horror film created by the author and their group. Their primary target audience is females under 35 and secondary is males under 35, based on UK Film Council statistics showing these demographics prefer horror films the most. 44% of females under 35 and 36% of males under 35 preferred watching horror. The film would receive a 15 rating from the BBFC due to graphic but not gory content, which would not restrict their target audience of ages 15-35. An example interview with 15 year old Amy Clarke is provided to illustrate their target demographic of females under 35 from a middle-class background.
Media question 4 – who would be the audienceJoshWilliams22
This document discusses the target audience for a zombie horror film called "Virulence". It states that the intended audience is teenage males, as the film will contain blood, violence and gore, but not sexual content, earning it a 15 certificate. However, it notes that a 15 rating may not create enough shock factor for horror fans. It suggests adding action scenes to appeal to a wider audience, including older males and teenage females, while maintaining teenage males as the core audience due to their liking of suspense, gore and action.
This document analyzes the target audience for a romantic comedy film called "I Can Explain". It identifies the primary target audience as females under 35 of any social class. Secondary audiences include females over 35 and males with girlfriends/wives. Data on film viewing habits support that females are more frequent moviegoers. The film would receive a BBFC 12 rating based on its mild language, references to sex/nudity, romantic themes and lack of violence. A sample target audience member profile is provided. The conclusion restates that the film aims to attract its primary target audience of females under 35 by portraying a modern fairy tale romance.
The document discusses a film project aimed at males and females aged 15-45. Research with the target audience found that most preferred thriller films. The film has elements of violence that would appeal to males, but also small non-violent parts that females would like. It fits into multiple categories and contains qualities the target audience indicated they want in a thriller. The plot is clever, similar to well-known thrillers, and includes desired content. Opening credits reference popular films to establish links and credibility. The film aims to be mainstream to reach a large audience if distributed by Lionsgate, which has a broad customer base.
The document discusses target audiences for horror movies. It finds that teenagers, ages 15-25, are the largest audience segment. Horror films often feature teenage protagonists that younger viewers can identify with. Additionally, research shows women watch more horror films than men, so including female characters, even in victim roles, helps target that demographic. Based on these findings, the document concludes its target audience for a new horror film should be 15-25 year old males and females.
This document discusses the target audience for a media product. The target audience is identified as white males aged 35 and over from a working class background. This demographic typically enjoys action films and seeks escapism. Research shows this group is most likely to watch an action film. The film will receive an 18 rating from the BBFC due to violence, language, and mild sex/nudity. It will be shown in multiplex cinemas to reach a mainstream audience, as the action genre and target demographic would be best served in large venues rather than independent cinemas.
The film is a 15-rated crime thriller that contains graphic violence and language. It tells the story of a stalker whose victims are women, though the stalker is never seen. While the plot involves rape, these scenes will not be shown. The intended audience is ages 15-30, as the graphic content suits older viewers, and the crime thriller genre generally appeals to older audiences. Females in particular may relate to the female victims. Close attention is needed to follow the nonlinear plot. The film aims to appeal to audiences of all races.
Our film opening adheres to conventions of independent and romantic comedy genres in the following ways:
1) It has a low budget, as is typical of independent films.
2) The storyline involves a young male protagonist falling for a princess, mirroring common romantic comedy plots.
3) Humorous dubbing is added to a bedroom scene, similar to devices used in romantic comedies.
4) The target audience of young females ages 13-30 is usual for the romantic comedy genre.
The document discusses selecting a target audience of 15+ for a horror/thriller media product. It notes that many similar films have been rated 15+ due to violent, sexual, or discriminatory content. A 15+ rating would attract their target audience of teens and young adults who are frequent social media users and could be advertised to cheaply online. Having a 17-year-old protagonist also makes the film appealing to younger viewers who identify with characters closer to their own age. The typical audience for horror films is 15-25, as younger viewers enjoy and are not put off by thrills and graphic images, whereas older audiences may find them disturbing. The film aims to attract both male and female viewers equally by having three female
Leveraging Generative AI to Drive Nonprofit InnovationTechSoup
In this webinar, participants learned how to utilize Generative AI to streamline operations and elevate member engagement. Amazon Web Service experts provided a customer specific use cases and dived into low/no-code tools that are quick and easy to deploy through Amazon Web Service (AWS.)
This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the body’s response to injury in an attempt to restore normal structure and functions.
Healing can occur in two ways: Regeneration and Repair
There are 4 phases of wound healing: hemostasis, inflammation, proliferation, and remodeling. This document also describes the mechanism of wound healing. Factors that affect healing include infection, uncontrolled diabetes, poor nutrition, age, anemia, the presence of foreign bodies, etc.
Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
The chapter Lifelines of National Economy in Class 10 Geography focuses on the various modes of transportation and communication that play a vital role in the economic development of a country. These lifelines are crucial for the movement of goods, services, and people, thereby connecting different regions and promoting economic activities.
This presentation was provided by Rebecca Benner, Ph.D., of the American Society of Anesthesiologists, for the second session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session Two: 'Expanding Pathways to Publishing Careers,' was held June 13, 2024.
How to Setup Warehouse & Location in Odoo 17 InventoryCeline George
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
A Visual Guide to 1 Samuel | A Tale of Two HeartsSteve Thomason
These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
2. The film rating for our film is 15+ this is because we think that our
film has an element and theme of domestic abuse, but this isn't
shown throughout actual cuts, it is instead suggested through
acting. We think that our audience is young adults aged 15 - 25. This
is because we feel that our film unravels the sensitive topic of
domestic abuse that young people may feel that it's a taboo topic to
discuss.
3. We want to help push our audience to bring to light the domestic
violence that they may be currently going through. Domestic
violence is very common than most people think, it is reported that
an estimate of 635,000 domestic incidents occurs in the UK. Every
minute Police receive a call for domestic assistance, however only
35% of domestic violence is reported. We understand that domestic
violence is a problem that needs to be discussed in order to resolve
it. Not only by women but men too, it is found that 19% of men are
victims of domestic abuse. Yet again this percentile is only of men,
which had reported the crime. Men who are victims of domestic
abuse may not report it due to their social desirability and society's
expectations, which could be influenced by what is shown and
represented of the how a man should act on TV.
4. Films such as ‘Murdered By My Boyfriend’, which was shown on
BBC3 as a TV Film, has many similarities to our thriller. Both films
showcase the dangers of domestic abuse, even though it isn’t
implicitly shown in our thriller opening it s implied and suggested.
Another film that is similar to our thriller is ‘Sleeping With The
Enemy’, an early 90’s film. Like our thriller both of the mentioned
films have an aggressive antagonist, and a submissive, vulnerable
protagonist. Excluding ‘Murdered By My Boyfriend’, these films
have a protagonist who is seen as the victim but rises to be the
heroine by the end of the film.