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 I analysed real existing music videos, music
magazine advertisements and digipaks – identifying
the expected/common codes and conventions by
referring to theories such as Andrew Goodwin,
Richard Dyer and Sven E Carlsson.
 I also analysed how conventions are challenged in
relation to brand identity, the artist’s
representation and marketing techniques.
I then applied these codes and conventions into my
own media products, still conforming to my chosen
genre – indie.
Research and Planning
 In the music video, direct mode of address was
used from the artist looking at the audience through
the camera – engaging common convention.
 Linking to the indie genre,
frequent shots of the band
performing shows the audience
they’re very interested in the music
and not all about the ‘star image’.
 ‘Fade to black’ effect was used at the end of the
music video which is a common convention used to
end music videos to give a chilled ending fading
away along with the music.
The artists are all wearing chill casual
clothing – links to the relaxed indie genre
– not obsessed with the ‘star image’.
The website link and ‘Available on iTunes’
on the music magazine advert shows the
audience where to purchase the product –
similar on most media products.
Same location and beach theme used
throughout video – sense of continuity
similar to other music videos in the telling
of a narrative.
 The Kings of Leon ‘Back Down South’ music
video has influenced me to use lots of close
ups of the artists instruments and shots of the
band performing
 This gives the audience more of an insight to
what the band are like other than just their
voices - could encourage the target
audience to go to one of the band's gigs –
typical convention of the indie genre.
Gorillaz music
Magazine advert
Stereophonics music
magazine advert
My music
magazine advert
• Through research into music magazine adverts
of my indie/indie rock genre and other genres I
discovered that all adverts used the same
convention of presenting a sense of exclusivity
in announcing the new album release.
• This excites the audience and gives a sense of
urgency to purchase the album. I therefore
adopted this convention into my own product to
achieve the same goal.
 The shot of the artist lying with a girl on the lyrics
‘Another day lying with you’ – follows Goodwin’s
theory of lyrics matching the visuals. This can
also link to
Sven E Carlsson’s term
of audio-visual poetry.
 The waves crash down on time of
the exact drum beats – following
conventions of music matching the visuals.
 Linking to concept of Performance and Genre –
repetitive shots of artist singing outside e.g. on
the beach – links to indie natural genre.
I applied Julia Kristeva’s term of
intertextuality ("a mosaic of quotations;
any text is the absorption and
transformation of another”) in my music
video as I include close up and medium
close up shots of surfboards with their
names on which would interest members
of the target audience who surf.
Also the main artists shoe brand is
featured in an extreme close up which
advertises the brand ‘Puma’.
The logo on the artist’s wetsuit promotes
quiksilver as a brand as people may see it
and want to be like the artist so buy
wetsuits from the same shop.
 I have developed the power of continuity in my
music video by not just having a sense of
continuity within the narrative but throughout
the other products.
 For example, I have used the same location and
shots in the music magazine advert and the
digipak with the music video to make the
products more recognisable to the audience.
The repetitive shots of the beach location mirrors
the calm chilled tone of the song and follows the
typical codes and conventions of an indie chill
genre.
Although these locations are similar they each
have a different atmosphere which helps target the
intended audience of explorers and reformers.
 From my research I decided to negotiate the
male gaze theory by having a male showing his
body which challenges the conventions of an
indie genre – widens my target audience.
 I also challenged the codes and conventions of
a digipak by not having my artist/band’s feature
on the front cover to show they’re not obsessed
with the ‘star image’.
Michael Shore said how music videos are
‘surface without substance’ and he is
critical of the ‘recycled styles’ so I decided
to challenge codes and conventions by
focusing more on the conceptual part of
the video and not having my artist’s face
features on the ancillary products.
Also on the music magazine advert, the
artist gives no direct mode of address and
is facing away from the camera. This goes
against the typical codes and conventions
of a music magazine advert as the majority
of music magazine advert’s I researched had
direct mode of address which shows my
artist doesn’t conform to the mainstream
and mediates to the indie alternative genre I
intended.

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Evaluation Question 1

  • 1.
  • 2.  I analysed real existing music videos, music magazine advertisements and digipaks – identifying the expected/common codes and conventions by referring to theories such as Andrew Goodwin, Richard Dyer and Sven E Carlsson.  I also analysed how conventions are challenged in relation to brand identity, the artist’s representation and marketing techniques. I then applied these codes and conventions into my own media products, still conforming to my chosen genre – indie. Research and Planning
  • 3.  In the music video, direct mode of address was used from the artist looking at the audience through the camera – engaging common convention.  Linking to the indie genre, frequent shots of the band performing shows the audience they’re very interested in the music and not all about the ‘star image’.  ‘Fade to black’ effect was used at the end of the music video which is a common convention used to end music videos to give a chilled ending fading away along with the music.
  • 4. The artists are all wearing chill casual clothing – links to the relaxed indie genre – not obsessed with the ‘star image’. The website link and ‘Available on iTunes’ on the music magazine advert shows the audience where to purchase the product – similar on most media products. Same location and beach theme used throughout video – sense of continuity similar to other music videos in the telling of a narrative.
  • 5.  The Kings of Leon ‘Back Down South’ music video has influenced me to use lots of close ups of the artists instruments and shots of the band performing  This gives the audience more of an insight to what the band are like other than just their voices - could encourage the target audience to go to one of the band's gigs – typical convention of the indie genre.
  • 6. Gorillaz music Magazine advert Stereophonics music magazine advert My music magazine advert • Through research into music magazine adverts of my indie/indie rock genre and other genres I discovered that all adverts used the same convention of presenting a sense of exclusivity in announcing the new album release. • This excites the audience and gives a sense of urgency to purchase the album. I therefore adopted this convention into my own product to achieve the same goal.
  • 7.  The shot of the artist lying with a girl on the lyrics ‘Another day lying with you’ – follows Goodwin’s theory of lyrics matching the visuals. This can also link to Sven E Carlsson’s term of audio-visual poetry.  The waves crash down on time of the exact drum beats – following conventions of music matching the visuals.  Linking to concept of Performance and Genre – repetitive shots of artist singing outside e.g. on the beach – links to indie natural genre.
  • 8. I applied Julia Kristeva’s term of intertextuality ("a mosaic of quotations; any text is the absorption and transformation of another”) in my music video as I include close up and medium close up shots of surfboards with their names on which would interest members of the target audience who surf.
  • 9. Also the main artists shoe brand is featured in an extreme close up which advertises the brand ‘Puma’. The logo on the artist’s wetsuit promotes quiksilver as a brand as people may see it and want to be like the artist so buy wetsuits from the same shop.
  • 10.  I have developed the power of continuity in my music video by not just having a sense of continuity within the narrative but throughout the other products.  For example, I have used the same location and shots in the music magazine advert and the digipak with the music video to make the products more recognisable to the audience.
  • 11. The repetitive shots of the beach location mirrors the calm chilled tone of the song and follows the typical codes and conventions of an indie chill genre. Although these locations are similar they each have a different atmosphere which helps target the intended audience of explorers and reformers.
  • 12.  From my research I decided to negotiate the male gaze theory by having a male showing his body which challenges the conventions of an indie genre – widens my target audience.  I also challenged the codes and conventions of a digipak by not having my artist/band’s feature on the front cover to show they’re not obsessed with the ‘star image’.
  • 13. Michael Shore said how music videos are ‘surface without substance’ and he is critical of the ‘recycled styles’ so I decided to challenge codes and conventions by focusing more on the conceptual part of the video and not having my artist’s face features on the ancillary products.
  • 14. Also on the music magazine advert, the artist gives no direct mode of address and is facing away from the camera. This goes against the typical codes and conventions of a music magazine advert as the majority of music magazine advert’s I researched had direct mode of address which shows my artist doesn’t conform to the mainstream and mediates to the indie alternative genre I intended.