This document provides an overview of a presentation on Elizabethan drama. It introduces the presenter, Monir Hossen, and the student presenting, Nusrat Zahan Mim. The presentation covers the development of drama during the Elizabethan era, including miracle plays, the contributions of early dramatists like Marlowe and the University Wits, and genres like tragedy and comedy. It also highlights William Shakespeare as the greatest English dramatist of the period and discusses some of his most famous works.
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The Waste land it’s a epic poem. A poem made of collage of images. In ‘The Waste land’ Image and symbol take in city life.
More Information :- https://www.topfreejobalert.com
The Waste land it’s a epic poem. A poem made of collage of images. In ‘The Waste land’ Image and symbol take in city life.
:-“Mac Flecknoe; or, A satyr upon the True-Blew-Protestant Poet, T.S.” was a lampoon by John Dryden against the poet laureate Thomas Shadwell who superseded him in 1669.
Mac means ‘son of’. So, MacFlecknoe means ‘Son of Flecknoe’, while the word ‘True-Blew’ means an extreme ‘Whig Blue’ which was the colour of the Tories.
Richard Flecknoe (c. 1600 – 1678) was an English dramatist and poet. His works were praised by some critics and derided by others. Why John Dryden used his name to ridicule and satirize Thomas Shadwell, his contemporary and one time friend who later became an enemy, is not clear. Flecknoe was a minor poet having religious inclinations and most of his writings were private writings. So, Dryden calling him ‘the monarch of absolute nonsense’ was similar to Iago’s ‘motive hunting of a motiveless malignity’. Thomas Shadwell was called the ‘son and successor’ of Flecknoe’.
Poetry, he wrote in the Preface, originates from ‘the spontaneous overflow of powerful feelings’ which is filtered through ‘emotion recollected in tranquillity’.
Geoffrey Chaucer (/ˈtʃɔːsər/; c. 1340s – 25 October 1400) was an English poet and author. Considered the greatest English poet of the Middle Ages,[citation needed] he is best known for The Canterbury Tales, and is considered the "Father of English literature". He was the first writer buried in Poets' Corner of Westminster Abbey.[1] Chaucer also gained fame as a philosopher and astronomer, composing the scientific A Treatise on the Astrolabe for his 10-year-old son Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament.
The 14th century is known as Chaucer’s age
It marks the beginning of a new language and literature
It was the age of transformation from medieval age to modern times
It was essentially an era of unrest and transition
Main writers of the age: Geoffrey Chaucer, William Langland, John Wycliffe, Sir John Mandeville, John Gower
Remarkable Events that Influenced Chaucer
Natural calamities
Black Death [Plague] (A.D. 1348-49)
Age of social unrest and economic troubles. -- Labor become unsatisfied with their salary. -- Efforts were made to keep the labors under control with the help of legislation.
Burdens of taxation.
Conflict between king Richard and his subjects
Features of Chaucer’s Age with Example
Standard English Language: Proper English without influence of other languages
Example: The Canterbury Tales, Chanticleer and the Fox by Geoffrey Chaucer; Piers Plowman by William Langland etc.
Realism: Concept of reality
Example: The settings of The Canterbury Tales
Church Corruption:
Example: The religious figures in The Canterbury Tales highlights many problems of church corruptions
Presence of Humor, Satire & Irony:
Example: The Canterbury Tales reveal Chaucerian Humor in the Prologue, showed Satire through the characterization & Irony to build up a satirical portrait.
Spirit of Romance:
Example: Courtly love, Romance, Marriage & Sexual Desire are found in the theme of The Canterbury Tales
Frame Story: A literary device that joins together 2 or more large stories or frame.
Example: The Canterbury Tales is a great indication of the frame work
Growth of Nationalism:
Example: In the writings of this age the influence of love for nation are found.
An Apology for Poetry[7] (also known as A Defence of Poesie and The Defence of Poetry) – Sidney wrote the Defence before 1583. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, The School of Abuse, to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defence is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage. from wikipidea
Literary Criticism - Essay on Dramatic PoesyRohitVyas25
John Dryden has given good criticism for dramatic poesy. Here in this presentation, I've put introduction of the original essay and Dryden's definition of play.
:-“Mac Flecknoe; or, A satyr upon the True-Blew-Protestant Poet, T.S.” was a lampoon by John Dryden against the poet laureate Thomas Shadwell who superseded him in 1669.
Mac means ‘son of’. So, MacFlecknoe means ‘Son of Flecknoe’, while the word ‘True-Blew’ means an extreme ‘Whig Blue’ which was the colour of the Tories.
Richard Flecknoe (c. 1600 – 1678) was an English dramatist and poet. His works were praised by some critics and derided by others. Why John Dryden used his name to ridicule and satirize Thomas Shadwell, his contemporary and one time friend who later became an enemy, is not clear. Flecknoe was a minor poet having religious inclinations and most of his writings were private writings. So, Dryden calling him ‘the monarch of absolute nonsense’ was similar to Iago’s ‘motive hunting of a motiveless malignity’. Thomas Shadwell was called the ‘son and successor’ of Flecknoe’.
Poetry, he wrote in the Preface, originates from ‘the spontaneous overflow of powerful feelings’ which is filtered through ‘emotion recollected in tranquillity’.
Geoffrey Chaucer (/ˈtʃɔːsər/; c. 1340s – 25 October 1400) was an English poet and author. Considered the greatest English poet of the Middle Ages,[citation needed] he is best known for The Canterbury Tales, and is considered the "Father of English literature". He was the first writer buried in Poets' Corner of Westminster Abbey.[1] Chaucer also gained fame as a philosopher and astronomer, composing the scientific A Treatise on the Astrolabe for his 10-year-old son Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament.
The 14th century is known as Chaucer’s age
It marks the beginning of a new language and literature
It was the age of transformation from medieval age to modern times
It was essentially an era of unrest and transition
Main writers of the age: Geoffrey Chaucer, William Langland, John Wycliffe, Sir John Mandeville, John Gower
Remarkable Events that Influenced Chaucer
Natural calamities
Black Death [Plague] (A.D. 1348-49)
Age of social unrest and economic troubles. -- Labor become unsatisfied with their salary. -- Efforts were made to keep the labors under control with the help of legislation.
Burdens of taxation.
Conflict between king Richard and his subjects
Features of Chaucer’s Age with Example
Standard English Language: Proper English without influence of other languages
Example: The Canterbury Tales, Chanticleer and the Fox by Geoffrey Chaucer; Piers Plowman by William Langland etc.
Realism: Concept of reality
Example: The settings of The Canterbury Tales
Church Corruption:
Example: The religious figures in The Canterbury Tales highlights many problems of church corruptions
Presence of Humor, Satire & Irony:
Example: The Canterbury Tales reveal Chaucerian Humor in the Prologue, showed Satire through the characterization & Irony to build up a satirical portrait.
Spirit of Romance:
Example: Courtly love, Romance, Marriage & Sexual Desire are found in the theme of The Canterbury Tales
Frame Story: A literary device that joins together 2 or more large stories or frame.
Example: The Canterbury Tales is a great indication of the frame work
Growth of Nationalism:
Example: In the writings of this age the influence of love for nation are found.
An Apology for Poetry[7] (also known as A Defence of Poesie and The Defence of Poetry) – Sidney wrote the Defence before 1583. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, The School of Abuse, to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defence is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage. from wikipidea
Literary Criticism - Essay on Dramatic PoesyRohitVyas25
John Dryden has given good criticism for dramatic poesy. Here in this presentation, I've put introduction of the original essay and Dryden's definition of play.
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We all have good and bad thoughts from time to time and situation to situation. We are bombarded daily with spiraling thoughts(both negative and positive) creating all-consuming feel , making us difficult to manage with associated suffering. Good thoughts are like our Mob Signal (Positive thought) amidst noise(negative thought) in the atmosphere. Negative thoughts like noise outweigh positive thoughts. These thoughts often create unwanted confusion, trouble, stress and frustration in our mind as well as chaos in our physical world. Negative thoughts are also known as “distorted thinking”.
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2. Presented For:
Monir Hossen
Lecturer
Department of English
CCN University of Science & Technology
Email:monir.eng.cou@gmail.com
Presented by:
Nusrat Zahan Mim
Department of English
ID: 421316004
Batch: Fall 2016
CCN University of Science & Technology
Email:
4. ELIZABETHAN DRAMA
The drama was the most popular literary from of the
Renaissance as it was also the most powerful and
spontaneous. It expressed as no other literary product could
have done, the manifold life of the Elizabethan age. The later
middle ages brought a repaid development in English drama.
It was in fact a preparation for the great age of Elizabeth. This
ages named after Queen Elizabeth I who reigned over
England from 1558 to 1603. This is called the “Golden Age” of
English literature. In England drama flourished during the
reign of Queen Elizabeth (1558-1603) who was a patron of
literature and the arts. Theatres were built in London and
people attended plays in large numbers. The Most important
dramatists were William Shakespeare and Christopher
Marlowe.
5. MIRACLE PLAYS:
It is in the church where we find the rebirth of drama. The dramatic possibilities of
Roman Catholic rituals gradually developed as a part of elaborate ceremonial of the
great religious feast like “Easter”. The Church authority appreciated the instructional
value of such presentation. Later on, writers turned to “The New Testament” and
“The Old Testament” for the stores of Noah and Daniel and other popular Biblical
stores. The lives of saints and other religious incidents were presented by the church
authority.
6. Early Dramas:
Early English drama began to appear about 1550. The classical drama gave English drama its
five acts, scenes and many other features. However the significant divisions of the early
dramas are as follows:-
Tragedy: In the Greek sense, a play that ends with the death of at least one of the main
characters. In modern usage, it refers to a play that doesn’t have a happy ending.
Comedy: In the Greek Sense, it is a play that doesn’t end in death. On modern usage, it
refers to a play that ends happily or that is humorous.
Tragi-comedy: A play in which serious and comic elements are mixed.
7. CONTRIBUTION OF THE UNIVERSITY WITS TO DRAMA:
The Term ‘University Wits’ is Applied To a group of English men of letters who
flourished in the Elizabethan Age under the influence of the group was more or less
constituted of some young university scholars, highly cultivated literary men who took
writing as their profession. The University Wits contributed to the formation of the
English Comedy Which Blossomed forth in the hands of Shakespeare.
John Lyly:
John Lyly the courties made notable contribution to the formation of the English
comedy. He Charming romantic plays are all comedies.
George Peele:
George Peele was almost certainly a Successful player as well as play wright. His style is
violent to the point of absurdity.
Robert Greene:
Robert Greene was probably encouraged to write for the stage by Marlowe’s success
with Tamburlaine.
8. CONTINUED
Thomas Nashe: Thomas Nashe was the real successor Greene’s the realist and
satirist. He was an outstanding picaresque author of the period. He wrote against
The Puritans I general.
Thomas Lodge: Thomas Lodge abandoned low of literature.
Thomas kyd: Among the “University Wits” Thomas Kyd, violent and extravagant
youth as he was, did much to popularize Senecan tradition of blood and thunder.
Christopher Marlowe: Christopher Marlowe, one of the most striking figures of
the English Renaissance is the true founder of the popular English drama. He is
really the greatest figure in pre Shakespearean drama. He has left behind
powerful tragedies: 1) Tamburlaine. 2) Doctor Faustus. 3) The Jew of Malta. 4)
Edward II.
9. Each of these tragedies reflects the Renaissance spirit and revolves round the central
personality who is consumed by lust for power. Marlowe represents the Renaissance
quest for beauty. He is lyrical and romantic in his dramatic presentation of life. He
shows a new dramatic scene in English historical drama. Marlowe gave life and
reality to his characters. Marlowe revolutionized the old conception of tragedy and
new urges of the Renaissance. Marlowe was the morning star of the Elizabethan
drama.
CONTINUED
10. The greatest English Dramatist:
The greatest English dramatist William Shakespeare in Elizabethan
period. He famous for the objective presentation of his deep
knowledge about human psychology. He is often called the bard
of Avon. He wrote 37 plays and 154 sonnets. He invention tragic-
comedy in English drama. Of the total 37 plays he wrote the
following 25 before the death Queen Elizabeth.