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ELEMENTS OF ART
Line
Shapes
 Close figures
 Geometric Shapes
 Organic Shapes
Colors and Value
Value -
lightnes
s and
darknes
s of
colors
*Hue
*Shade
*Tint
Value -
lightnes
s and
darknes
s of
colors
*Hue
*Shade
*Tint
Colors and Value
 Hue
 These are the purest and
brightest colors. They
form the full spectrum of
colors which progress
around the Primary Color
Wheel in gradual
increments.
 Tint
 It's simply any color with
white added.
 Shade
Colors
In paint pigments, pure
Yellow, pure Red, and
pure Blue are
theoretically the only
hues that can't be created
by mixing any other
colors.
When you mix any 2 of
the Pure Hues, you get 3
New "children".
YELLOW + RED =
ORANGE
RED + BLUE = VIOLET /
PURPLE
BLUE + YELLOW = GREEN
When you mix the Main Colors
with their "children"you get 6
new colors.
YELLOW + ORANGE = YELLOW-
ORANGE
RED + ORANGE = RED-ORANGE
RED + VIOLET / PURPLE = RED-
PURPLE
BLUE + VIOLET / PURPLE = BLUE-
PURPLE
Color Harmonies
Monochromatic harmony —
is otherwise referred to as
one-mode or one hue
harmony. It combines
different intensities or
values - lightness and
darkness or brightness and
dullness - of one color only.
Examples are blue, light
blue, dark blue.
Complementary
harmony — is
achieved by a
combination of any
opposite colors in the
color wheel. Blue and
violet, for instance,
are complementary
colors.
Analogous harmony —
means a combination of
two or more neigh
boring colors in the
color chart.
Monocromatic
Color Harmonies
Triad
A triadic color scheme
uses colors that are
evenly spaced around the
color wheel.
Triadic color harmonies
tend to be quite vibrant,
even if you use pale or
unsaturated versions of
your hues.
Split-Complementary
The split-complementary
color scheme is a variation
of the complementary color
scheme. In addition to the
base color, it uses the two
colors adjacent to its
complement.
Rectangle (tetradic)
The rectangle or
tetradic color scheme
uses four colors
arranged into two
complementary pairs.
This rich color scheme
offers plenty of
possibilities for
variation.
Texture
Texture
Form
 The entire work
Prepared by: María Andrada Andrada
The End

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Elements of art

  • 3.
  • 4. Shapes  Close figures  Geometric Shapes  Organic Shapes
  • 5.
  • 7. Value - lightnes s and darknes s of colors *Hue *Shade *Tint Value - lightnes s and darknes s of colors *Hue *Shade *Tint
  • 8. Colors and Value  Hue  These are the purest and brightest colors. They form the full spectrum of colors which progress around the Primary Color Wheel in gradual increments.  Tint  It's simply any color with white added.  Shade
  • 9.
  • 10. Colors In paint pigments, pure Yellow, pure Red, and pure Blue are theoretically the only hues that can't be created by mixing any other colors. When you mix any 2 of the Pure Hues, you get 3 New "children". YELLOW + RED = ORANGE RED + BLUE = VIOLET / PURPLE BLUE + YELLOW = GREEN When you mix the Main Colors with their "children"you get 6 new colors. YELLOW + ORANGE = YELLOW- ORANGE RED + ORANGE = RED-ORANGE RED + VIOLET / PURPLE = RED- PURPLE BLUE + VIOLET / PURPLE = BLUE- PURPLE
  • 11. Color Harmonies Monochromatic harmony — is otherwise referred to as one-mode or one hue harmony. It combines different intensities or values - lightness and darkness or brightness and dullness - of one color only. Examples are blue, light blue, dark blue. Complementary harmony — is achieved by a combination of any opposite colors in the color wheel. Blue and violet, for instance, are complementary colors. Analogous harmony — means a combination of two or more neigh boring colors in the color chart.
  • 13. Color Harmonies Triad A triadic color scheme uses colors that are evenly spaced around the color wheel. Triadic color harmonies tend to be quite vibrant, even if you use pale or unsaturated versions of your hues. Split-Complementary The split-complementary color scheme is a variation of the complementary color scheme. In addition to the base color, it uses the two colors adjacent to its complement. Rectangle (tetradic) The rectangle or tetradic color scheme uses four colors arranged into two complementary pairs. This rich color scheme offers plenty of possibilities for variation.
  • 15.
  • 18.
  • 19. Prepared by: María Andrada Andrada The End