EGYPT part 1 de Beaufort

1. 1
Chapter 3
Egypt Under the Pharaohs
PART 1

2. EGYPT
A much more stable and
hierarchical entity than
Mesopotamia.
Civilization lasted roughly
2500-3000 years.

4. Peoples of the Nile
The population itself was
uniform, similar languages and
culture.
Stability was facilitated by its
relative isolation (impassable
desert on all sides), an
advantage that Mesopotamia
lacked.
Thus, for 3,000 years, the
political, religious, and cultural
areas was uniform from the
south to the delta.

5. 5
No one is leaving
No one is coming in

6. The Nile Valley
The Nile has a regular pattern of
rainfall, which floods the banks of
the river every spring and summer
from the rainy season further south
in the Sudan and East Africa.
Flooding was more regular and
predictable than the Tigris and
Euphrates in Mesopotamia.
Soil at either side was fertile
because of the flooding.
Egypt also had precious metals
(copper), and stone that was useful
both for tools and construction

7. IRRIGATION
7

8. Six Cataracts
8

9. Upper and Lower Egypt
Before 3100 BC, the regions
were divided into two parts of
the Nile
Lower Egypt : the part from
the Nile Delta to Memphis; it
was lower in the sense that it
was the terminus of the Nile.
Lower in Elevation.
Upper Egypt : All points along
the river south of Memphis to
Nubia, a separate kingdom.
Beyond Nubia is Kush and
then Punt

10. Egyptian Chronology
Predynastic and Early Dynastic
ca. 3500 — 2686 BCE
Old Kingdom
ca. 2686 BCE – 2181 BCE
Middle Kingdom
ca. 2055 — 1650 BCE
New Kingdom
ca. 1550 — 1069 BCE

11. Manetho
Egyptian High Priest of the 3 rd
Century BCE
Chronicled Egyptian history
Recorded “Dynasties” in Greek
A “Dynasty” is a succession of
Pharaohs from the same family
Roughly 30 Dynasties total
11

12. Amun
(aka, Re, Ra and Aten) the god of
the sun. He is also depicted as a
scarab beetle who emerges in the
morning.
12

13. Aten
the god of the solar disk (depicted
by the disk of the sun)
13

14. Hathor
Mother, wife, daughter of Ra
14

15. Osiris
God of the Underworld
15

16. Set or Seth
God of chaos, storms and violence;
brother of Osiris who murders him
16

17. Isis
Wife of Osiris, goddess of fertility
17

18. Horus
Son of Osiris and Isis: God of the
sky.
18

19. Thoth
God of the scribes, Lord of
Language and inventor of writing.

20. Anubis
the god of embalmers and
cemeteries (depicted as a jackal)
20

21. Hapi
Hapi: the god of the Nile
21

22. Ma ’ at
Goddess of truth and the universal
order; wife of Thoth
She wore an ostrich feather
Judges awarded the feather to the
winner of a case
Her feather was used on the scales
of judgment of the dead

23. Theocracy
Egypt, as in many civilizations, was
a theocracy, government by the
priests
The Pharaoh was a god; god’s will
flowed through him.
“charismatic authority”

24. Order vs. Chaos
Many authorities, have argued that
order was the highest value in
Egyptian theology. Egyptians saw
order as being in constant tension with
the deeply dreaded “chaos.”
Horus vs. Seth

25. Mummification Process
“ Natron ”

27. Canopic JarsCanopic Jar Chest

30. Egyptians: Conceptions of
Death and the Soul
Death was the doorway to a new
life..but the body had to be
preserved for this to occur.
Ka : the dead person ’ s “vital
essence” that it housed, enabled
the body to enjoy life in the afterlife
as in the earthly life
Upraised arms above head
symbolized the ka
A surrogate could act as substitute
for body this could be a sculpture or
even a hieroglyph.

31. Cult of the Dead/Afterlife
At death, the pharaoh was
prepared for a life of eternity
A detailed and complex ten-week
embalming procedure was strictly
adhered to in order to ensure safe
passage to the afterlife.
Pyramids themselves were
constructed solely for entombment
of the pharaoh; they were not used
for ritual or any other purpose.

32. Book of the Dead
The Tibetan Book of the Dead
describes the journey of the soul
between one life and the next;
judgment based on karma
The Egyptian Book of the Dead
prepares the soul for judgment.
Here, Horus balances the heart
against the feather of Ma ’ at
If the heart outweighs the feather,
the animal to the right will devour
the judged

42. wedjat
“Eye of Horus”
Ward off evil, promote re-birth

43. Scarab
Spells ensured return of the heart to
its rightful owner.

44. The “dung ” beetle

45. Ushabtis
“answerers”

48. Hieroglyphic Writing
Writing system in which
Pictorial symbols (ideograms) are
used to convey particular sound,
object, and/or idea.

49. The Rosetta Stone
Disc. 1799- Napoleon
Unlocked the mysteries of Egypt
1)
2)
3)
Greek
Demotic (late Egyptian)
Hieroglyphics
A decree by priests of Memphis
honoring Ptolomey V
Ca. 196 BCE

50. Jean-Francois Champollion
Deduced the hieroglyphs were related
to spoken Coptic, and broke the code.

52. Hieroglyphic Writing
There is some indication that early
hieroglyphs were more important
for recording rule and kinship than
they were for economic
transactions
Over time, hieroglyphic writing
became more and more complex
Writing was reserved for the
scribes, ranked third below the
pharaoh and priests

53. Hieratic
A “Cursive” form of Hieroglyph
Read up to down/left to right

54. “Sunken Relief ”

55. Predynastic and Early
Dynastic
Ca. 3500 — 2686 BCE

56. 46
People, boats, and animals, detail of a watercolor copy of a wall painting from tomb 100 at Hierakonpolis, Egypt,
Predynastic, ca. 3500 – 3200 BCE. Paint on plaster, entire painting 16 ’ 4 ” X 3 ’ 7 3/8 ” . Egyptian Museum, Cairo.

57. 47
Palette of King Narmer ( left , back; right , front), from Hierakonpolis, Egypt, Predynastic, ca. 3000 – 2920 BCE. Slat
2 ’ 1 ” high. Egyptian Museum, Cairo.

58. A “palette” for eye makeup

59. Unification of Egypt
After the conquest attributed to
Menes, or Narmer,the region was
united into one empire
Narmer was the first pharaoh of a
family dynasty of 33 generations
Symbolism: a boxy Red Crown
(Lower Egypt) with a curlicue;
And a White Crown (Upper Egypt)
After Narmer ’ s conquest, he wore
a Double Crown to symbolize the
unification of the two Egypt’s (lower
right)

60. The Symbolism of the
Union — And Defeat of Upper
Egypt
To the right, Narmer (wearing
white crown) subdues a
captive
Hieroglyph at top writes out
Narmer ’ s name
God Horus (protector of all
Kings) holds the captive by a
feather
Papyrus blossoms symbolize
Lower Egypt
To the left, two long-necked
lions are entwined, suggesting
union), with lion tamers on
either side.
There are the decapitated
warriors in defeat
At the bottom is a bull
symbolizing royal power

62. egyptian canon
It is well known that representations of the
human figure in ancient Egyptian art usually
conformed to highly stylized principles in
which the proportions between the different
parts of the human body were determined by
a set of fixed laws constituting a Canon of
Proportions. Egyptian artists were thereby
able to make use of a conventional system of
proportion which was found to be
aesthetically pleasing, while also rendering
their subjects in idealized forms which may
or may not have been faithful to the exact
proportions of the persons in question.
The Egyptian Canon of Proportions was
maintained over many centuries through the
medium of the artist's grid, in which the
different parts of the human body
corresponded to different squares in the grid.
This grid system was not merely a copying
device which made it possible to render a
particular scene on any chosen scale, but
rather a complete system of proportions by
means of which the human figure could in
theory be correctly represented.

63. Mastaba (bench)
The mastaba was the standard type
of tomb in pre-dynastic and early
dynastic Egypt for both for the
Pharaoh and the social elite.
Serdab-room & chapel for effigy
(statue or likeness of the
deceased)

65. 55
Section ( top ), plan ( center ),and
restored view ( bottom ) of typical
Egyptian mastaba tombs.

66. View from the Serdab

69. 59
IMHOTEP, Stepped Pyramid and mortuary precinct of Djoser, Saqqara, Egypt, Third Dynasty, ca. 2630 – 2611
BCE.

70. Imhotep
First known artist or architect in
history
Deified as a God after death

72. 62

73. 63
Plan ( top ) and restored view ( bottom ) of the mortuary precinct of Djoser, Saqqara, Egypt, Third
Dynasty, ca. 2630 – 2611 BCE.

78. Sed Festival
“Jubilee” to celebrate continuation of
rule.

79. 69
Detail of the facade of the North Palace of the
mortuary precinct of Djoser, Saqqara, Egypt,
Third Dynasty, ca. 2630 – 2611 BCE.

80. 70
“engaged” columns

82. The Old Kingdom
ca. 2686 BCE – 2181 BCE

83. 73
Great Pyramids, Gizeh, Egypt, Fourth
Dynasty. From bottom : Pyramids of
Menkaure, ca. 2490 – 2472 BCE; Khafre, ca.
2520 – 2494 BCE; and Khufu, ca. 2551 – 2528
BCE.

84. Great Pyramids, Gizeh, 2551-
2472 BCE,
Function:
Eternal resting place for
Khufu, Khafre, and Menkaure
“Stairway” to sun
Axis-Mundi
Form:
Based on the ben-ben
pyramidal shaped stone
Pure white limestone casing
stones with gold apex
(electrum)

85. benben
Benben or Ben-ben, in Egyptian
mythology, specifically in the
Heliopolitan tradition, was the mound
that arose from the primordial waters,
Nu, and on which the creator god
Atum settled.
In the Pyramid Texts, e.g. Atum himself
is at times referred to as "mound". It
was said to have turned into a small
pyramid, located in Annu, which was
the place Atum was said to dwell
within.

86. Great Pyramids, Gizeh, 2551-
2472 BCE,
Khufu: Oldest and largest: 775 ’
long, 480 ’ high, 13 acre area
Location
West of the Nile
Sides oriented to the cardinal
points( NSEW)
Temples faced East (rising
sun)
Structure
Solid limestone masonry
2.3 million blocks of stone
Each weighs 2.5 tons
“Ashlar Masonry”

88. Khufu

89. 79
Section of the Pyramid of Khufu, Gizeh, Egypt, Fourth Dynasty, ca. 2551 – 2528 BCE.

91. 81
Model of the Fourth Dynasty pyramid complex, Gizeh, Egypt. Harvard University Semitic Museum, Cambridge. 1)
Pyramid of Menkaure, 2) Pyramid of Khafre, 3) mortuary temple of Khafre, 4) causeway, 5) Great Sphinx, 6) valley
temple of Khafre, 7) Pyramid of Khufu, 8) pyramids of the royal family and mastabas of nobles.

92. 82
Great Sphinx (with Pyramid of Khafre in the background at left), Gizeh, Egypt, Fourth Dynasty, ca. 2520 – 2494
BCE. Sandstone, 65 ’ X 240 ’ .

93. Khafre

94. Menkaure

96. Construction
Relied on seasonal labor force (Nile
flooding)
Paid workers (average citizens)
NOT slaves
It took 20,000- 30,000 workers 23
years to build a pyramid.
Relief from the tomb of
Djehutihotep depicting 172 men
pulling a statue of said pharaoh,
which is estimated to weigh 58
tons. The large pyramid blocks
were probably pulled in a similar
manner.

99. 89
Khafre enthroned, from Gizeh, Egypt, Fourth Dynasty,
ca. 2520 – 2494 BCE. Diorite, 5 ’ 6 ” high. Egyptian
Museum, Cairo.

100. Function:
An abode for the Ka
Iconography:
Intertwined lotus and
papyrus- united Egypt
Horus -divine status
How is Kingship shown?
nemes headdress
uraeus cobra
flawless body
perfect face
Formalism:
Frontal
Rigid
bilaterally symmetrical
suppression of movement
Ideal not Real
90

101. 91
Menkaure and Khamerernebty(?),
from Gizeh, Egypt, Fourth Dynasty,
ca. 2490 – 2472 BCE. Graywacke, 4 ’ 6
1/2 ” high. Museum of Fine Arts,
Boston.

102. Shows the formalism of Egyptian
sculpture
Clenched fists, rigid stance, left foot
forward, and beard and headdress
of the Pharaoh
Supportive stance of wife; hand
around waist and on arm
Relief or sculpture in the round?
Walking
Female behind
92

103. 93
Seated scribe, from
Saqqara, Egypt, Fourth
Dynasty, ca. 2500 BCE.
Painted limestone, 1 ’ 9 ”
high. Louvre, Paris.

106. 96
Ti watching a hippopotamus hunt,
relief in the mastaba of Ti,
Saqqara, Egypt, Fifth Dynasty, ca.
2450 – 2350 BCE. Painted
limestone, 4 ’ high.

109. Goats treading seed and cattle fording a canal, reliefs in the mastaba of Ti, Saqqara,
Egypt, Fifth Dynasty, ca. 2450 – 2350 BCE. Painted limestone.
99