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Delhi Sultanat
Art & Architecture
Abdul Azim Akhtar
Literature
• Al-Beruni- Kitab-ul-Hind
• Ibn Batuta- Rehla
• Amir Khusru (1253-1325): Ejaz-e-Khusravi,
Masnavi, Ghazal, Nasr, Dewal Rani khizr
Kahani, Nuh Siphir, Futuh Salatin- Tutu-e-Hindi
Abdul Azim Akhtar
Literature
• Amir Hasan- Fawaid-ul-Fawad( Conversation of
mystic Nizamuddin)
• Zia Barni- Tarikh-e-Firozshahi & Fatwa e Jahandari
• Fakhruddin Qawas- Farhang i Qawaas, Persian
dictionary composed in India
• Md. Shadiabadi- Miftahul Fuzala ( Dictionary)
• Abdur Rahman- Sandshraska
• Chand Baradai- Prithiviraj Raso
• Malik Md Jaisi- Padmavat
Abdul Azim Akhtar
KHUSRU KAHEIN
• ‘Kishwar-e- Hind Ast Baheshti ba zamin’
‘The land of India is paradise on earth’
Abdul Azim Akhtar
Architecture
• New features emerges
• Indian technique was based on trabeated system;
Beams supported by pillars; Lintel, conical
corbelled
• Islamic art was based on use of arches, domes,
vaults, squinches (elimination of corners &
converting square into an octagonal shape;
Persian element)
• Combination of Persian, central Asian, Regional
Abdul Azim Akhtar
• Use of Arch- True Arch
• Lime & Cement
• Light & Space
• Quwatul Islam Mosque, Dhai Din Ka Jhonpra (
False arches & Eschew Dome)
Abdul Azim Akhtar
First true Arch- Tomb of
Balban ( Location-
Beginning of MB Road
(New Delhi).
First Dome- Alai Darwaza
Abdul Azim Akhtar
Abdul Azim Akhtar
QUTUB MINAR
1206-30
Started by Aibak
Completed by Iltutmish
Rapaired by Firoz Shah Tughlaq,
Sikander Lodi
Original –4 storeys
Repaired & 5th Storey added by
Firoz Tughlaq
379 steps
Diminishing in Size- Last two are
replacements
Decoration- Floral Pietra Dura
H x W- 72.5 Meter x 14.73 M
Abdul Azim Akhtar
Decoration
• Geometry
• Flower- inverted lotus
• Star / Half Moon
• Arabesque- interlacing lines & stems
• Calligraphy- Different scripts of Arabic and sometime
persian used
• Geometrical designs (square, circle, stars)
• Muqarana Design- Honey comb motif- first time
created in Qutub Minar
• Spandrel- the upper cornered triangular space
decorated with geometry
Abdul Azim Akhtar
Monuments
• Khalji Era: Alai Darwaza- 1311; Jamat Khana
Mosque ( Nizamuddin); Siri
• Tughlaq period- Tughlaqabad; Jahanpanah;
Begumpur; Kalu Sarai; Kotla; Hauz Khas
• Lodi- Tombs – Sikander Lodi, Octagonal shape,
Bara Gumbad, Moth Masjid,
Abdul Azim Akhtar
Cities within City
• Qila Rai Pithora
• Mehrauli ( Qutubuddin Aibak)
• Siri- Hauz Khas ( Alauddin Khalji)
• Tughalaqabad (Ghyasuddin Tughalq)
• Jahanpanah ( Md Bin Tughalq)
• Firozabad / Kotla ( Firoze Shah Tughlaq)
• Dinpanah ( unfinished city by Humayun)
• Purana Qila ( Sher Shah)
Abdul Azim Akhtar
Paintings
• Fusion of Persian and Indian Style
• Regional schools like Jain, and Rajasthan style
also influenced the art
• Music – New instruments brought
• Rabab, Sarangi, New regulations, new musical
modes,
• Balban- Dancing and Music society was there
• Gopal Nayak and Amir Khusru were called Nayak(
Master)
Abdul Azim Akhtar
Dance & Music
• Barani talks of dancers at Sultanat Courts of
Jalaluddin Khalji ; Faqai’s daughter & Nusrat
Khatun, Mihir Afroz captivated the audience ; He
also talks of girls being trained
• Barni talks of Indian artisans trained in Persian
and Indian music
• Amir Khusru in 1318 claimed that Indian music
was supreme
• Ghunyatu’l Munya - Anonymous work on Indian
Music (1374-75)
Abdul Azim Akhtar
ARTS
• Amir Khusru- Introduced new ragas- Aiman,
Ghora, Sanam, iman, zilb, sazagiri & Invented
Sitar
• Firoz Shah Tughlaq- Indian work Ragadarpan
translated into Persian launguage
• Books- Ejaze e Khusravi ( Amir Khusru); Lahaat
by Yahya Kabuli during Sikander Lodi time;
Gunyat al Munya written by unknown during
Firoz Shah Tughlaq
Abdul Azim Akhtar

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Delhi sultanat art architecture

  • 1. Delhi Sultanat Art & Architecture Abdul Azim Akhtar
  • 2. Literature • Al-Beruni- Kitab-ul-Hind • Ibn Batuta- Rehla • Amir Khusru (1253-1325): Ejaz-e-Khusravi, Masnavi, Ghazal, Nasr, Dewal Rani khizr Kahani, Nuh Siphir, Futuh Salatin- Tutu-e-Hindi Abdul Azim Akhtar
  • 3. Literature • Amir Hasan- Fawaid-ul-Fawad( Conversation of mystic Nizamuddin) • Zia Barni- Tarikh-e-Firozshahi & Fatwa e Jahandari • Fakhruddin Qawas- Farhang i Qawaas, Persian dictionary composed in India • Md. Shadiabadi- Miftahul Fuzala ( Dictionary) • Abdur Rahman- Sandshraska • Chand Baradai- Prithiviraj Raso • Malik Md Jaisi- Padmavat Abdul Azim Akhtar
  • 4. KHUSRU KAHEIN • ‘Kishwar-e- Hind Ast Baheshti ba zamin’ ‘The land of India is paradise on earth’ Abdul Azim Akhtar
  • 5. Architecture • New features emerges • Indian technique was based on trabeated system; Beams supported by pillars; Lintel, conical corbelled • Islamic art was based on use of arches, domes, vaults, squinches (elimination of corners & converting square into an octagonal shape; Persian element) • Combination of Persian, central Asian, Regional Abdul Azim Akhtar
  • 6. • Use of Arch- True Arch • Lime & Cement • Light & Space • Quwatul Islam Mosque, Dhai Din Ka Jhonpra ( False arches & Eschew Dome) Abdul Azim Akhtar
  • 7. First true Arch- Tomb of Balban ( Location- Beginning of MB Road (New Delhi). First Dome- Alai Darwaza Abdul Azim Akhtar
  • 9. QUTUB MINAR 1206-30 Started by Aibak Completed by Iltutmish Rapaired by Firoz Shah Tughlaq, Sikander Lodi Original –4 storeys Repaired & 5th Storey added by Firoz Tughlaq 379 steps Diminishing in Size- Last two are replacements Decoration- Floral Pietra Dura H x W- 72.5 Meter x 14.73 M Abdul Azim Akhtar
  • 10. Decoration • Geometry • Flower- inverted lotus • Star / Half Moon • Arabesque- interlacing lines & stems • Calligraphy- Different scripts of Arabic and sometime persian used • Geometrical designs (square, circle, stars) • Muqarana Design- Honey comb motif- first time created in Qutub Minar • Spandrel- the upper cornered triangular space decorated with geometry Abdul Azim Akhtar
  • 11. Monuments • Khalji Era: Alai Darwaza- 1311; Jamat Khana Mosque ( Nizamuddin); Siri • Tughlaq period- Tughlaqabad; Jahanpanah; Begumpur; Kalu Sarai; Kotla; Hauz Khas • Lodi- Tombs – Sikander Lodi, Octagonal shape, Bara Gumbad, Moth Masjid, Abdul Azim Akhtar
  • 12. Cities within City • Qila Rai Pithora • Mehrauli ( Qutubuddin Aibak) • Siri- Hauz Khas ( Alauddin Khalji) • Tughalaqabad (Ghyasuddin Tughalq) • Jahanpanah ( Md Bin Tughalq) • Firozabad / Kotla ( Firoze Shah Tughlaq) • Dinpanah ( unfinished city by Humayun) • Purana Qila ( Sher Shah) Abdul Azim Akhtar
  • 13. Paintings • Fusion of Persian and Indian Style • Regional schools like Jain, and Rajasthan style also influenced the art • Music – New instruments brought • Rabab, Sarangi, New regulations, new musical modes, • Balban- Dancing and Music society was there • Gopal Nayak and Amir Khusru were called Nayak( Master) Abdul Azim Akhtar
  • 14. Dance & Music • Barani talks of dancers at Sultanat Courts of Jalaluddin Khalji ; Faqai’s daughter & Nusrat Khatun, Mihir Afroz captivated the audience ; He also talks of girls being trained • Barni talks of Indian artisans trained in Persian and Indian music • Amir Khusru in 1318 claimed that Indian music was supreme • Ghunyatu’l Munya - Anonymous work on Indian Music (1374-75) Abdul Azim Akhtar
  • 15. ARTS • Amir Khusru- Introduced new ragas- Aiman, Ghora, Sanam, iman, zilb, sazagiri & Invented Sitar • Firoz Shah Tughlaq- Indian work Ragadarpan translated into Persian launguage • Books- Ejaze e Khusravi ( Amir Khusru); Lahaat by Yahya Kabuli during Sikander Lodi time; Gunyat al Munya written by unknown during Firoz Shah Tughlaq Abdul Azim Akhtar