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The role, the work, the needs
An insider’s point of view
Cultural Heritage
managed by the
Antiquities Ephorates
Michael Tsioumas
Rural and Surveying Engineer, MSc, BEng
Hellenic Ministry of Culture and Sports
Antiquities Ephorate of Kilkis / Department of archaeological works and studies
The Antiquities Ephorates
Michael Tsioumas – CGI 2016 2
A public service
(department within the Greek Ministry of Culture and Sports)
responsible for the management and administration of
archaeological sites, monuments and cultural objects
within a regional unit
Greek éphoros / Latin ephorus :
overseer, guardian, ruler
The Antiquities Ephorates
Michael Tsioumas – CGI 2016 3
Prehistoric and Classical
Byzantine – Post-Byzantine
Antiquities
The Antiquities Ephorates
Michael Tsioumas – CGI 2016 4
Prehistoric and Classical
Byzantine – Post-Byzantine
Antiquities
The Antiquities Ephorates
Michael Tsioumas – CGI 2016 5
Antiquities Ephorate of Kilkis
ca 85x60km or 50x40mi
Archaeological sites or monuments:
• 63 Prehistoric and Classical
• 132 Byzantine and Post-Byzantine
1 small museum
The role of the Antiquities Ephorates
Michael Tsioumas – CGI 2016 6
Scientific
• Archaeology
• Engineering
• Conservation
Administrative
• Permissions
• Administration of
archaeological sites,
monuments and
facilities
• Protection
(from destruction,
smuggling etc.)
• Archives
Role
The administrative role
Michael Tsioumas – CGI 2016 7
Every work, study,
publication or use of
archaeological
sites, monuments or
cultural objects must
have the permission
of the Ephorate or
the Ministry
Cultural
heritage’s
main
administrator
/manager
• Setting the standards
• Providing the
initial/primary data
• Judging the outcomes
• Restricting the use
• Restricting the works
(even in the
surrounding area)
Permissions:
The administrative role
Michael Tsioumas – CGI 2016 8
Restrictions
especially in private
works e.g. house
building, investments,
real estate etc.
Unhappiness
Heritage considered as a
bad thing
especially when there isn’t
much to see and to understand
(ruins, some ceramic/pottery,
some stones etc.)
The administrative role
Michael Tsioumas – CGI 2016 9
Restrictions
especially in private
works e.g. house
building, investments,
real estate etc.
Unhappiness
Heritage considered as a
bad thing
especially when there isn’t
much to see and to understand
(ruins, some ceramic/pottery,
some stones etc.)
Visualization
Graphics,
MR/VR/AR
People understand
and support
Happiness
Protection and Preservation
is easier when people
know – understand - love - support
The administrative role
Michael Tsioumas – CGI 2016 10
Ephorate
Products
(e.g. Graphics)
as a customer
as a consumer
as a
provider
Public
consumer
Public
consumer
“Market” terms
New data
(data processing, research)
New products
The scientific role
Michael Tsioumas – CGI 2016 11
Archaeology
 Excavations
 Documentation
 Study - research
 Museums –
exhibitions –
museological
studies
 Development and
promotion of
sites/monuments
 Publications
Engineering
 Technical
documentation
 Works and
supervision
 Museographical
studies
 Surveying
 Restoration
Conservation
 Conservation and
aesthetic
restoration
The scientific role
Michael Tsioumas – CGI 2016 12
Interdisciplinary
 Excavations
 Documentation and Analysis
 Archaeological sites and monuments
 Restoration and Conservation
 Museums and Exhibitions
The scientific role
Michael Tsioumas – CGI 2016 13
Excavations
Unveiling the past
Findings
The scientific role
Michael Tsioumas – CGI 2016 14
Excavations
Unveiling the past
Findings
The scientific role
Michael Tsioumas – CGI 2016 15
Excavations
Unveiling the past
Findings
The scientific role
Michael Tsioumas – CGI 2016 16
Excavations
 Fieldwork notes taken by
hand
 On site rough sketches
drawn by hand
 Difficulty in describing the
3D position and the spatial
relation of objects
 Storing (till conservation,
studying, exhibiting)
The scientific role
Michael Tsioumas – CGI 2016 17
Excavations
 Fieldwork notes taken by
hand
 On site rough sketches
drawn by hand
 Difficulty in describing the
3D position and the spatial
relation of objects
 Storing (till conservation,
studying, exhibiting)
Graphics/VR/AR/MR
 Virtual excavation phases and
objects (with position information)
(see where objects where in relation
to the current excavation phase)
 Stromatography modeling
 Virtual notes (aging, bibliography)
 Automated soil color matching
 Pattern recognition
 Less storing
 Faster / on site documentation
The scientific role
Michael Tsioumas – CGI 2016 18
Documentation - Analysis
Archaeological
Technical
• Recording
• Identification
• Aging
• Photography
The scientific role
Michael Tsioumas – CGI 2016 19
Documentation - Analysis
Archaeological
Technical
The scientific role
Michael Tsioumas – CGI 2016 20
Documentation - Analysis
Archaeological
Technical
The scientific role
Michael Tsioumas – CGI 2016 21
Documentation - Analysis
 Object’s identification and
aging based on studier’s
criterion and knowledge
 Photos only from 2-4 angles
 Fixed photo illumination
 Predefined technical
designs (top/side views,
sections)
 Surveying minimum design-
depending points
 The need of the prototype
(damage danger)
Graphics/VR/AR/MR
 Studying/examining the virtual model
not the prototype
 Model’s automated analysis
 Pattern recognition
 Virtual notes (bibliography, aging)
 3D modeling providing designs of all
kinds and photos of all angles
 Virtual illumination unveils hidden
information
 Rapid prototyping (the whole or in
pieces/sections)
The scientific role
Michael Tsioumas – CGI 2016 22
Documentation - Analysis
Graphics/VR/AR/MR
 Studying/examining the virtual model
not the prototype
 Model’s automated analysis
 Pattern recognition
 Virtual notes (bibliography, aging)
 3D modeling providing designs of all
kinds and photos of all angles
 Virtual illumination unveils hidden
information
 Rapid prototyping (the whole or in
pieces/sections)
The scientific role
Michael Tsioumas – CGI 2016 23
Archaeological sites and monuments
Discovering - Locating
Administrating
Preserving,
developing and
promoting
The scientific role
Michael Tsioumas – CGI 2016 24
Archaeological sites and monuments
Discovering - Locating
Administrating
Preserving,
developing and
promoting
The scientific role
Michael Tsioumas – CGI 2016 25
Archaeological sites and monuments
Discovering - Locating
Administrating
Preserving,
developing and
promoting
The scientific role
Michael Tsioumas – CGI 2016 26
Archaeological sites and monuments
 Numerous, scattered, distant
 In bad condition due to lack
of funding and personnel
(workers, guards)
 Lack of information provided
(only some information
stands)
 Lack of visualization, which
drives to poor understanding
 Non-accessible antiquities
e.g. in basements, moved,
covered
The scientific role
Michael Tsioumas – CGI 2016 27
Archaeological sites and monuments
 Numerous, scattered, distant
 In bad condition due to lack
of funding and personnel
(workers, guards)
 Lack of information provided
(only some information
stands)
 Lack of visualization, which
drives to poor understanding
 Non accessible antiquities
e.g. in basements, moved,
covered
Graphics/VR/AR/MR
 More information
 Virtual representation
 Directions (enabling also GPS)
 Virtual tours
 Virtual non accessible antiquities
(even hidden cities)
 Attracting younger audience
The scientific role
Michael Tsioumas – CGI 2016 28
Restoration - Conservation
Monuments
Objects
The scientific role
Michael Tsioumas – CGI 2016 29
Restoration - Conservation
Monuments
Objects
The scientific role
Michael Tsioumas – CGI 2016 30
Restoration - Conservation
 Permanent
 Study never ends
 Expensive
 Lack of (regular) funding
 Lack of (specialized)
personnel
 Large “waiting” list
Graphics/VR/AR/MR
 Virtual recreation/restoration
 Documented visualization
 Research driven (regular) updates (it
can start with a rough model and
constantly evolve)
 Non permanent harm can be done
 Faster
 Cheaper
The scientific role
Michael Tsioumas – CGI 2016 31
Museums - Exhibitions
Small peripheral museums
Exhibitions
The scientific role
Michael Tsioumas – CGI 2016 32
Museums - Exhibitions
Small peripheral museums
Exhibitions
The scientific role
Michael Tsioumas – CGI 2016 33
Museums - Exhibitions
 Small museums > lack of
room for exhibitions /
storing / conserving)
 Scattered/distant museums
but with interesting artifacts
 Too much information in
small notes (only in two
languages)
 Lack of funding for
changes
Graphics/VR/AR/MR
 Exceeding the exhibition’s space
(creating more virtual room)
 Easy to understand information
 Changes can be done easily and
cheap
 Impressive presentation including
sound and video/animation
 Complete/thorough museological
study (artifacts shown in their exact
position)
Examples
Michael Tsioumas – CGI 2016 34
Epilogue
Michael Tsioumas – CGI 2016 35
More projects/jobs
Better understanding of
the market and it’s needs
Better products
Museums must be the center of interest
Infrastructure is ready
Younger generations are the future of the “past”
Graphics must be embedded in the Ephorate’s workflow
Epilogue
Michael Tsioumas – CGI 2016 36
The role, the work, the needs
An insider’s point of view
Cultural Heritage
managed by the
Antiquities Ephorates
Michael Tsioumas
Rural and Surveying Engineer, MSc, BEng
Hellenic Ministry of Culture and Sports
Antiquities Ephorate of Kilkis / Department of archaeological works and studies

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Cultural heritage managed by the antiquities ephorates

  • 1. The role, the work, the needs An insider’s point of view Cultural Heritage managed by the Antiquities Ephorates Michael Tsioumas Rural and Surveying Engineer, MSc, BEng Hellenic Ministry of Culture and Sports Antiquities Ephorate of Kilkis / Department of archaeological works and studies
  • 2. The Antiquities Ephorates Michael Tsioumas – CGI 2016 2 A public service (department within the Greek Ministry of Culture and Sports) responsible for the management and administration of archaeological sites, monuments and cultural objects within a regional unit Greek éphoros / Latin ephorus : overseer, guardian, ruler
  • 3. The Antiquities Ephorates Michael Tsioumas – CGI 2016 3 Prehistoric and Classical Byzantine – Post-Byzantine Antiquities
  • 4. The Antiquities Ephorates Michael Tsioumas – CGI 2016 4 Prehistoric and Classical Byzantine – Post-Byzantine Antiquities
  • 5. The Antiquities Ephorates Michael Tsioumas – CGI 2016 5 Antiquities Ephorate of Kilkis ca 85x60km or 50x40mi Archaeological sites or monuments: • 63 Prehistoric and Classical • 132 Byzantine and Post-Byzantine 1 small museum
  • 6. The role of the Antiquities Ephorates Michael Tsioumas – CGI 2016 6 Scientific • Archaeology • Engineering • Conservation Administrative • Permissions • Administration of archaeological sites, monuments and facilities • Protection (from destruction, smuggling etc.) • Archives Role
  • 7. The administrative role Michael Tsioumas – CGI 2016 7 Every work, study, publication or use of archaeological sites, monuments or cultural objects must have the permission of the Ephorate or the Ministry Cultural heritage’s main administrator /manager • Setting the standards • Providing the initial/primary data • Judging the outcomes • Restricting the use • Restricting the works (even in the surrounding area) Permissions:
  • 8. The administrative role Michael Tsioumas – CGI 2016 8 Restrictions especially in private works e.g. house building, investments, real estate etc. Unhappiness Heritage considered as a bad thing especially when there isn’t much to see and to understand (ruins, some ceramic/pottery, some stones etc.)
  • 9. The administrative role Michael Tsioumas – CGI 2016 9 Restrictions especially in private works e.g. house building, investments, real estate etc. Unhappiness Heritage considered as a bad thing especially when there isn’t much to see and to understand (ruins, some ceramic/pottery, some stones etc.) Visualization Graphics, MR/VR/AR People understand and support Happiness Protection and Preservation is easier when people know – understand - love - support
  • 10. The administrative role Michael Tsioumas – CGI 2016 10 Ephorate Products (e.g. Graphics) as a customer as a consumer as a provider Public consumer Public consumer “Market” terms New data (data processing, research) New products
  • 11. The scientific role Michael Tsioumas – CGI 2016 11 Archaeology  Excavations  Documentation  Study - research  Museums – exhibitions – museological studies  Development and promotion of sites/monuments  Publications Engineering  Technical documentation  Works and supervision  Museographical studies  Surveying  Restoration Conservation  Conservation and aesthetic restoration
  • 12. The scientific role Michael Tsioumas – CGI 2016 12 Interdisciplinary  Excavations  Documentation and Analysis  Archaeological sites and monuments  Restoration and Conservation  Museums and Exhibitions
  • 13. The scientific role Michael Tsioumas – CGI 2016 13 Excavations Unveiling the past Findings
  • 14. The scientific role Michael Tsioumas – CGI 2016 14 Excavations Unveiling the past Findings
  • 15. The scientific role Michael Tsioumas – CGI 2016 15 Excavations Unveiling the past Findings
  • 16. The scientific role Michael Tsioumas – CGI 2016 16 Excavations  Fieldwork notes taken by hand  On site rough sketches drawn by hand  Difficulty in describing the 3D position and the spatial relation of objects  Storing (till conservation, studying, exhibiting)
  • 17. The scientific role Michael Tsioumas – CGI 2016 17 Excavations  Fieldwork notes taken by hand  On site rough sketches drawn by hand  Difficulty in describing the 3D position and the spatial relation of objects  Storing (till conservation, studying, exhibiting) Graphics/VR/AR/MR  Virtual excavation phases and objects (with position information) (see where objects where in relation to the current excavation phase)  Stromatography modeling  Virtual notes (aging, bibliography)  Automated soil color matching  Pattern recognition  Less storing  Faster / on site documentation
  • 18. The scientific role Michael Tsioumas – CGI 2016 18 Documentation - Analysis Archaeological Technical • Recording • Identification • Aging • Photography
  • 19. The scientific role Michael Tsioumas – CGI 2016 19 Documentation - Analysis Archaeological Technical
  • 20. The scientific role Michael Tsioumas – CGI 2016 20 Documentation - Analysis Archaeological Technical
  • 21. The scientific role Michael Tsioumas – CGI 2016 21 Documentation - Analysis  Object’s identification and aging based on studier’s criterion and knowledge  Photos only from 2-4 angles  Fixed photo illumination  Predefined technical designs (top/side views, sections)  Surveying minimum design- depending points  The need of the prototype (damage danger) Graphics/VR/AR/MR  Studying/examining the virtual model not the prototype  Model’s automated analysis  Pattern recognition  Virtual notes (bibliography, aging)  3D modeling providing designs of all kinds and photos of all angles  Virtual illumination unveils hidden information  Rapid prototyping (the whole or in pieces/sections)
  • 22. The scientific role Michael Tsioumas – CGI 2016 22 Documentation - Analysis Graphics/VR/AR/MR  Studying/examining the virtual model not the prototype  Model’s automated analysis  Pattern recognition  Virtual notes (bibliography, aging)  3D modeling providing designs of all kinds and photos of all angles  Virtual illumination unveils hidden information  Rapid prototyping (the whole or in pieces/sections)
  • 23. The scientific role Michael Tsioumas – CGI 2016 23 Archaeological sites and monuments Discovering - Locating Administrating Preserving, developing and promoting
  • 24. The scientific role Michael Tsioumas – CGI 2016 24 Archaeological sites and monuments Discovering - Locating Administrating Preserving, developing and promoting
  • 25. The scientific role Michael Tsioumas – CGI 2016 25 Archaeological sites and monuments Discovering - Locating Administrating Preserving, developing and promoting
  • 26. The scientific role Michael Tsioumas – CGI 2016 26 Archaeological sites and monuments  Numerous, scattered, distant  In bad condition due to lack of funding and personnel (workers, guards)  Lack of information provided (only some information stands)  Lack of visualization, which drives to poor understanding  Non-accessible antiquities e.g. in basements, moved, covered
  • 27. The scientific role Michael Tsioumas – CGI 2016 27 Archaeological sites and monuments  Numerous, scattered, distant  In bad condition due to lack of funding and personnel (workers, guards)  Lack of information provided (only some information stands)  Lack of visualization, which drives to poor understanding  Non accessible antiquities e.g. in basements, moved, covered Graphics/VR/AR/MR  More information  Virtual representation  Directions (enabling also GPS)  Virtual tours  Virtual non accessible antiquities (even hidden cities)  Attracting younger audience
  • 28. The scientific role Michael Tsioumas – CGI 2016 28 Restoration - Conservation Monuments Objects
  • 29. The scientific role Michael Tsioumas – CGI 2016 29 Restoration - Conservation Monuments Objects
  • 30. The scientific role Michael Tsioumas – CGI 2016 30 Restoration - Conservation  Permanent  Study never ends  Expensive  Lack of (regular) funding  Lack of (specialized) personnel  Large “waiting” list Graphics/VR/AR/MR  Virtual recreation/restoration  Documented visualization  Research driven (regular) updates (it can start with a rough model and constantly evolve)  Non permanent harm can be done  Faster  Cheaper
  • 31. The scientific role Michael Tsioumas – CGI 2016 31 Museums - Exhibitions Small peripheral museums Exhibitions
  • 32. The scientific role Michael Tsioumas – CGI 2016 32 Museums - Exhibitions Small peripheral museums Exhibitions
  • 33. The scientific role Michael Tsioumas – CGI 2016 33 Museums - Exhibitions  Small museums > lack of room for exhibitions / storing / conserving)  Scattered/distant museums but with interesting artifacts  Too much information in small notes (only in two languages)  Lack of funding for changes Graphics/VR/AR/MR  Exceeding the exhibition’s space (creating more virtual room)  Easy to understand information  Changes can be done easily and cheap  Impressive presentation including sound and video/animation  Complete/thorough museological study (artifacts shown in their exact position)
  • 35. Epilogue Michael Tsioumas – CGI 2016 35 More projects/jobs Better understanding of the market and it’s needs Better products Museums must be the center of interest Infrastructure is ready Younger generations are the future of the “past” Graphics must be embedded in the Ephorate’s workflow
  • 37. The role, the work, the needs An insider’s point of view Cultural Heritage managed by the Antiquities Ephorates Michael Tsioumas Rural and Surveying Engineer, MSc, BEng Hellenic Ministry of Culture and Sports Antiquities Ephorate of Kilkis / Department of archaeological works and studies