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AMERICAN ACADEMY  IN  ROME PHOTOGRAPHIC ARCHIVE Lavinia Ciuffa  [email_address] design Maria Sole Fabri Procedures in the Photographic Archive:  the acquisition of historical collections  to making them accessible on the web Visual Resource Association 28 th  Annual Conference Atlanta, March 16-21 March, 2010
AMERICAN ACADEMY IN ROME  -  PHOTOGRAPHIC ARCHIVE The Mc The McKim, Mead & White   Building  In the square, the location of the future Photographic Archive, 1913 The Photographic Archive housed in the Library, 1956-1993
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],AMERICAN ACADEMY IN ROME  -  PHOTOGRAPHIC ARCHIVE
 
Masson Collection Van Deman Collection Fototeca Unione Masson Collection Beato Collection Masson Collection Fellows’ Work Collection Vermeule Collection Parker Collection Berman Collection AMERICAN ACADEMY IN ROME  -  PHOTOGRAPHIC ARCHIVE
From the ’20 s  through the ’70 s  the Photo Archive has grown without a specific order ... prints, nitrates, glass plates ...  were placed wherever in the Library AMERICAN ACADEMY IN ROME  -  PHOTOGRAPHIC ARCHIVE
AMERICAN ACADEMY IN ROME PHOTOGRAPHIC ARCHIVE Designer: Cinzia Abbate & Carlo Vigevano Architects Project manager: Cristina Puglisi (1999)
ACQUIRING PROCEDURE This is a preliminary investigation  based  on the information  given in the donation proposal AMERICAN ACADEMY IN ROME  -  PHOTOGRAPHIC ARCHIVE
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],AMERICAN ACADEMY IN ROME  -  PHOTOGRAPHIC ARCHIVE
Organizing steps of workflow In-house  Outsource Defining historical context  Duplication  Inventory   IT Support Conservation expertise   Digitization Cataloguing Sorting images to digitize Storing digital images Estimate of costs for material  and labor involved Organizing staff (roles/implementation ) AMERICAN ACADEMY IN ROME  -  PHOTOGRAPHIC ARCHIVE
Once the donation has been accepted,  an important phase of the procedure follows  … …  professional survey of the photographic materials  AMERICAN ACADEMY IN ROME  -  PHOTOGRAPHIC ARCHIVE
Ordering conservation material  (sleeves, boxes, folders…) Organizing phases of labor Cleaning, repairing, housing, labelling  Storing material preserved    Print preservers/paper folders:  acid free, lignin-free, pH 8.0-8.5, passed P.A.T. Negative preservers/sleeves:  polypropylene (PP), neutral pH,  Melinex (polyester) AMERICAN ACADEMY IN ROME  -  PHOTOGRAPHIC ARCHIVE
Space will also be evaluated either for negatives in the climate controlled room and for positives in the consultation room Centro Berselli -  www. centroberselli .it   Alinari -  www. alinarifondazione . it   Folia -  www. foliarestauro . it   Archivio Segreto Vaticano  -  asv.vatican.va/it/lab/ foto graf.htm   AMERICAN ACADEMY IN ROME  -  PHOTOGRAPHIC ARCHIVE
AMERICAN ACADEMY IN ROME  -  PHOTOGRAPHIC ARCHIVE www. reteurbs . org Cataloguing
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],http://www.iccd.beniculturali.it/Catalogazione/standardcatalografici/normative/scheda-f In 1999 the ICCD (Istituto Centrale per il Catalogo e la Documentazione) has created the  so-called “Scheda F”, a national standard model for data (UNIMARC format) to catalogue images.   AMERICAN ACADEMY IN ROME  -  PHOTOGRAPHIC ARCHIVE
[object Object],http: //aarome . idra .info
http:// findingaids.idra.info /
[object Object],Pantheon, Rome, 2009  Brad Farwell photographer Under the Italian law no. 248/2000 “New rules on copyright protection”, the image is protected whichever the instrument used to realize it … AMERICAN ACADEMY IN ROME  -  PHOTOGRAPHIC ARCHIVE
Amphiteatrum Flavium, Rome, 2009  Marco Delogu photographer Amphiteatrum Flavium, Rome, 1970  Fototeca Unione  A difference is made between Creative/Artistic and Non- creative/Documentary images   AMERICAN ACADEMY IN ROME  -  PHOTOGRAPHIC ARCHIVE
Archives as Places of Memory  Only the integration between the analogue format and the digital format can guarantee the correct conservation of the photographic heritage  The Kunsthistorisches Institute in Florenz  has published a document with the Recommendations for the Preservation of Analogue Photographs:  http://www. khi . fi . it/pdf/florence_declaration_en . pdf AMERICAN ACADEMY IN ROME  -  PHOTOGRAPHIC ARCHIVE
Photographic Archive Staff Alessandra Capodiferro, Curator Lavinia Ciuffa, Assistant Curator Emiliano Di Carlo, Archaeologist - Cataloguer Giulia Ciccarello, Archaeologist - Cataloguer Maria Sole Fabri, Art Historian - Conservator Antonio Palladino and Paola Tirelli, Administration American Academy in Rome Photographic Archive  Via Angelo Masina 5  Rome, Italy  www.aarome.org   [email_address]

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Life on the other side of the pond: VRA Activity in Europe, The American Academy in Rome Photographic Archive

  • 1. AMERICAN ACADEMY IN ROME PHOTOGRAPHIC ARCHIVE Lavinia Ciuffa [email_address] design Maria Sole Fabri Procedures in the Photographic Archive: the acquisition of historical collections to making them accessible on the web Visual Resource Association 28 th Annual Conference Atlanta, March 16-21 March, 2010
  • 2. AMERICAN ACADEMY IN ROME - PHOTOGRAPHIC ARCHIVE The Mc The McKim, Mead & White Building In the square, the location of the future Photographic Archive, 1913 The Photographic Archive housed in the Library, 1956-1993
  • 3.
  • 4.  
  • 5. Masson Collection Van Deman Collection Fototeca Unione Masson Collection Beato Collection Masson Collection Fellows’ Work Collection Vermeule Collection Parker Collection Berman Collection AMERICAN ACADEMY IN ROME - PHOTOGRAPHIC ARCHIVE
  • 6. From the ’20 s through the ’70 s the Photo Archive has grown without a specific order ... prints, nitrates, glass plates ... were placed wherever in the Library AMERICAN ACADEMY IN ROME - PHOTOGRAPHIC ARCHIVE
  • 7. AMERICAN ACADEMY IN ROME PHOTOGRAPHIC ARCHIVE Designer: Cinzia Abbate & Carlo Vigevano Architects Project manager: Cristina Puglisi (1999)
  • 8. ACQUIRING PROCEDURE This is a preliminary investigation based on the information given in the donation proposal AMERICAN ACADEMY IN ROME - PHOTOGRAPHIC ARCHIVE
  • 9.
  • 10. Organizing steps of workflow In-house Outsource Defining historical context Duplication Inventory IT Support Conservation expertise Digitization Cataloguing Sorting images to digitize Storing digital images Estimate of costs for material and labor involved Organizing staff (roles/implementation ) AMERICAN ACADEMY IN ROME - PHOTOGRAPHIC ARCHIVE
  • 11. Once the donation has been accepted, an important phase of the procedure follows … … professional survey of the photographic materials AMERICAN ACADEMY IN ROME - PHOTOGRAPHIC ARCHIVE
  • 12. Ordering conservation material (sleeves, boxes, folders…) Organizing phases of labor Cleaning, repairing, housing, labelling Storing material preserved Print preservers/paper folders: acid free, lignin-free, pH 8.0-8.5, passed P.A.T. Negative preservers/sleeves: polypropylene (PP), neutral pH, Melinex (polyester) AMERICAN ACADEMY IN ROME - PHOTOGRAPHIC ARCHIVE
  • 13. Space will also be evaluated either for negatives in the climate controlled room and for positives in the consultation room Centro Berselli - www. centroberselli .it Alinari - www. alinarifondazione . it Folia - www. foliarestauro . it Archivio Segreto Vaticano - asv.vatican.va/it/lab/ foto graf.htm AMERICAN ACADEMY IN ROME - PHOTOGRAPHIC ARCHIVE
  • 14. AMERICAN ACADEMY IN ROME - PHOTOGRAPHIC ARCHIVE www. reteurbs . org Cataloguing
  • 15.
  • 16.
  • 18.
  • 19. Amphiteatrum Flavium, Rome, 2009 Marco Delogu photographer Amphiteatrum Flavium, Rome, 1970 Fototeca Unione A difference is made between Creative/Artistic and Non- creative/Documentary images AMERICAN ACADEMY IN ROME - PHOTOGRAPHIC ARCHIVE
  • 20. Archives as Places of Memory Only the integration between the analogue format and the digital format can guarantee the correct conservation of the photographic heritage The Kunsthistorisches Institute in Florenz has published a document with the Recommendations for the Preservation of Analogue Photographs: http://www. khi . fi . it/pdf/florence_declaration_en . pdf AMERICAN ACADEMY IN ROME - PHOTOGRAPHIC ARCHIVE
  • 21. Photographic Archive Staff Alessandra Capodiferro, Curator Lavinia Ciuffa, Assistant Curator Emiliano Di Carlo, Archaeologist - Cataloguer Giulia Ciccarello, Archaeologist - Cataloguer Maria Sole Fabri, Art Historian - Conservator Antonio Palladino and Paola Tirelli, Administration American Academy in Rome Photographic Archive Via Angelo Masina 5 Rome, Italy www.aarome.org [email_address]