Conflict in City of God
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The document discusses different types of conflict that can occur in narratives: relational between characters, inner conflict within a character, societal between a person and group, situational from developing situations, and cosmic between a character and supernatural force. It then analyzes the conflicts in the film City of God, including the ongoing war between police and gangs since the 1970s, honesty vs dishonesty, women's values vs men's lifestyles, and rival gangs. Conflict is seen as invading every minute of the film and taking many negative forms that impact the city.
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City of God General Points on Themes
City of God (2002) depicts the urban poverty, violence, and social issues within the favelas of Rio de Janeiro, Brazil between 1960-1980. The film shows how poverty and lack of opportunities lead some characters to turn to crime and join violent drug gangs that battle each other for power and control over the favelas. Conflict is ever-present as gang wars and random violence erupt throughout the community.
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The document discusses themes in the film City of God, including poverty, wealth, gangs, conflict, hope, hopelessness, loyalty, and family/friendship. It asks how the director communicates ideological messages about these themes through narrative events and film techniques. An example is given about how hopelessness is portrayed through the lack of structure and role models in the lives of the young characters, trapping them in a cycle of violence with no hope of escape. Theme statements from the board are also presented without choosing any specifically.
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The document provides background information on Brazil and the film City of God. It discusses key facts about Brazil's economy, population, demographics, crime, and social conditions. It then profiles the film's director Fernando Meirelles and analyzes themes in City of God including power, poverty, conflict, and the representation of youth, authority, gender, and Brazil. Students are prompted to discuss how the film challenges audiences and generates debate about the worlds it represents.
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This document analyzes the cinematography, sound, editing, and mise-en-scene techniques used in the film City of God and how they contribute to its themes, representation, and narrative. It provides key examples of techniques for each category, such as extreme close-ups, Dutch angles, and low/high-angle shots for cinematography. For sound, it examines diegetic and non-diegetic elements like samba music and dialogue. Editing techniques like montage, intercutting, and slow motion are also outlined.
Other Themes in city of god.
The document discusses several themes from the film City of God including hope, hopelessness, loyalty, family, and love. It notes that while some characters like Rocket have hope for a better future outside of crime, others like the Runts have little hope living in the favela where their only role model leads to demise. Loyalty is shown to be both positive when to the right people but can also be destructive. Family is only portrayed positively through Rocket's functional family. Love is depicted negatively, never working out for characters and possibly making them weak.
City of god location context
The document discusses the representation of Rio de Janeiro's favelas in the film City of God, noting that the film depicts the harsh realities of life in the favelas including poverty, violence, and the drug trade. It contrasts this portrayal with the typical images of Rio as a place of leisure and beauty. The location of the favelas is an important character in the film that authentically captures life in these slums.
City of God - Analysis
The document discusses how City of God draws on techniques from modernist fiction and films by Martin Scorsese and Fernando Meirelles. It analyzes the film's nonlinear narrative, use of different camera shots and points of view, fast-paced editing, and how the lighting and colors change to represent the evolving circumstances in the favelas over time. Cinematography, editing, and lighting/color schemes are used differently depending on the era depicted to set the atmosphere and show characters rising or falling from power.
City of god contextual info
Fernando Meirelles is a Brazilian film director born in 1955 in São Paulo, Brazil. He studied architecture in university but developed an interest in filmmaking, making experimental videos with friends. After working in television for nine years, he began directing commercials and a children's TV show. In the 1990s he co-founded a film production company. His breakout film was the 2002 crime drama City of God, adapted from a Brazilian novel, about the violent drug culture in the slums of Rio de Janeiro. The film was a huge success in Brazil and internationally, and earned Meirelles fame and Hollywood offers, though he has stayed focused on independent films telling Brazilian stories.
City of god setting
The document summarizes the history and development of favelas (slums) in Rio de Janeiro from the late 19th century through the 1980s. It describes how freed slaves first began informally occupying hillside areas that lacked infrastructure and housing. Over time, as more people moved in, living conditions became more cramped and dangerous. The roles of women and men are discussed, with women having homemaker roles and little rights, while many men engaged in informal and dangerous work. Education levels remained low, especially in slums, and religion was predominantly Christianity. Crime increased with the rise of drug gangs and police corruption.
City Of God Powerpoint
This document provides an analysis of the film City of God. It examines the film's genre as a crime/gangster action thriller with documentary elements depicting the corrupted society and struggle to survive in the slums of Brazil. Key aspects analyzed include the Portuguese dialogue with an American production company, portrayal of poverty through dirty settings and costumes, use of handheld camera work and editing to convey realism, character development through narrative voiceovers, and representation of the transition to adolescence and social pressures of gangs.
City of god
Here is a potential response to the question:
Both La Haine and City of God use stylistic techniques to represent the social realities of the environments they depict, while also pushing the boundaries of realism.
La Haine employs a documentary-like aesthetic through its handheld camerawork, long takes, and natural lighting. However, it is not a purely observational film, as techniques like crane shots add a sense of stylization. Overall, its black and white cinematography and slower pacing create a gritty sense of realism.
City of God has a more chaotic, kinetic visual style in line with the violence of the favelas. Its use of quick cuts, Dutch angles, and color gives a vivid
Characters in city of god
This document provides brief descriptions of characters from the film City of God and suggests role playing scenarios where students take on the roles of two characters, Lil Ze and Rocket, to discuss their experiences with drugs and crime in the City of God slums and try to convince other students to avoid that path. It includes potential opening speeches and follow up questions students might ask for each role played character.
Psychology in the Green Mile
The Green Mile is about a prison where death row inmates are held before their execution. Paul, the head executioner, discovers one inmate, John Coffey, has an unusual healing ability despite being accused of murder. Coffey heals Paul and the warden's wife of illnesses. However, Coffey is still executed, though Paul receives a gift from him - an unusually long life. The story explores the treatment of prisoners, especially the abuse by guard Percy, and supernatural elements like Coffey's powers and their impact.
The green mile presentation
The document summarizes key scenes and techniques used in the opening of a film. It establishes that the audience sees the action from bushes, hearing distorted sounds that make the scenes seem like a memory or dream. A man finds a scrap of yellow fabric and reacts emotionally to it. Though his words are unclear, he shouts, involving the men in a search. As the men run, the camera tracks with them. An eerie xylophone theme plays throughout and fades into the film's title, then two names are heard along with a mysterious threatening line.
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The document provides an overview of the film "The Green Mile" focusing on the character of John Coffey. John Coffey has been accused of murdering two children but possesses a special healing power. While physically intimidating, John is afraid of the dark and well-respected by the other inmates. The emotional response clip described is the execution scene of John Coffey, which elicits sympathy for his gentle nature despite the crimes, as well as sadness at his undeserved fate and the guards' tears.
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BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
The simplified electron and muon model, Oscillating Spacetime: The Foundation...
The simplified electron and muon model, Oscillating Spacetime: The Foundation...
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
Conflict in City of God
- 1. Conflict in City of God
- 3. Conflict – central to any narrative Relational Conflict - This is conflict between characters over goals and how to achieve goals. Inner Conflict - This is conflict within a character. It could be concerned with their self esteem, insecurities or uncertainties. Societal – This is conflict between a person and a group. This group could be a government, a gang, family, the army, or a country for example. Situational – This is conflict that develops as a result of a situation. Disaster films use this style of conflict a lot. Cosmic – This is conflict between the main character and a supernatural force e.g. God or a universal Good vs Evil idea.
- 4. Conflict • Conflict invades every minute of the film. • The whole film in a way is about one massive war that has been going one since the 1970s. • The conflict between the police and the gangs. • The conflict between honesty and dishonesty. • The conflict between the values of the women – who want their men to settle down and lead a ‘normal’ life. • Conflict between rival gangs • Opposing ideas and ambitions can cause conflict • Conflict takes many forms and most conflict is seen as a negative impact on City of God.
- 5. Rocket
- 6. Lil Ze
- 7. Benny
- 9. Finding Scenes • Now that we have identified the conflicts surround each character you need to look at specific scenes where we see that conflict visualized. • Take notes on what happens (possibly including quotes) narratively and how micro elements are used.