This document discusses class and status through a mind map and related topics. It explores stereotypes about class, such as upper classes being snobby and lower classes being uneducated. It also examines debates around how class affects opportunities and links between class and status. Finally, it provides examples of British television shows, films, and characters that represent different classes through costumes, settings, and appearances.
The document analyzes representations of social groups in various magazine images. Several images portray musicians and artists as young, casual dressed individuals through clothing, poses and lighting. Location and camera angles are also used to represent social class, with brick walls and low camera angles suggesting working class backgrounds. Facial expressions, jewelry and biographical text provide further clues about personalities, backgrounds, and whether representations are conforming to or challenging stereotypes about age, gender and nationality.
The document provides visual analysis of scenes from the film "Furious 7". It analyzes symbolism within the shots including smashed cars representing feelings of anger, characters dressed in black conveying negativity, and closed doors showing the protagonist no longer wanting to be seen. Details like empty chairs and beer bottles are described as portraying loneliness and turning to addiction. Facial expressions, camera angles, and other visual elements are examined for how they further the plot and develop characters.
The document discusses the casting needs for several characters in a film including a main character named Clarissa Downing, her best friend Sarah Johnson, and her ex-boyfriend Michael Higgs. It provides descriptions of each character's personality and physical appearance. Clarissa is described as powerful, sexy, and independent while Sarah has a more innocent and naive aura. Michael is meant to be charming yet portrayed as unfaithful to gain audience sympathy. Photos of actresses and actors are provided as potential casting options that fit the described characteristics.
Lighting is used in film and television to help set the mood and advance the narrative. Dim lighting creates more serious, dramatic, or depressing moods, while lighter lighting produces livelier, light-hearted moods. Lighting is intentionally changed throughout productions to help audiences feel certain moods that progress the story as the producers intend.
This document discusses how the media product represents various social groups through the characters of Jennifer and Tiffany.
[1] Jennifer, who is portrayed as working class, mentally unstable, and an outsider, is represented through her dark, gloomy appearance with pinned back hair and dark makeup. Tiffany, portrayed as middle class and popular, is represented as tidy with fashionable hair, light makeup and clothes, showing her higher social status.
[2] Their personalities are also contrasted - Jennifer is alone and serious while Tiffany is seen socializing and laughing with friends, reflecting their different social circles and statuses.
[3] As teenagers, their ages contribute to Jennifer's jealousy and desire to fit in
The document analyzes key visual elements in the film Black Swan including mirrors, lighting/shadows, costumes, settings, and how they relate to the characters and themes. Mirrors represent loss of identity and foreshadow Nina's transformation. Shadows create mystery, with light symbolizing good and dark symbolizing evil. Nina's costumes transition from light to dark colors as she changes from good to bad. Surrounding characters wear dark clothing, exaggerating Nina's innocence. Settings like Nina's pink bedroom and the grey corridors reflect her mood and loneliness.
The document describes a movie poster created for a teenage audience. It combines elements of horror and comedy genres to appeal to teenagers' most popular film interests. Market research informed the poster's design with dark colors, references to social media, and characters around the target age. The poster depicts an eerie school setting to subvert expectations while hinting at strange events, blending thriller and comedy tones for a "thrillcom" film genre.
The document describes a movie poster created for a teenage audience that advertises a hybrid horror/comedy film called "Period 9". Research was conducted on genres and interests of 11-16 year olds which found horror and comedy most popular. Colors, characters, and social media icons were included to appeal to teens. The poster uses dark colors and a mysterious school setting to convey horror elements while a character's expression hints at comedy. Overall it combines genres teens enjoy in a unique way to attract their interest.
The document analyzes representations of social groups in various magazine images. Several images portray musicians and artists as young, casual dressed individuals through clothing, poses and lighting. Location and camera angles are also used to represent social class, with brick walls and low camera angles suggesting working class backgrounds. Facial expressions, jewelry and biographical text provide further clues about personalities, backgrounds, and whether representations are conforming to or challenging stereotypes about age, gender and nationality.
The document provides visual analysis of scenes from the film "Furious 7". It analyzes symbolism within the shots including smashed cars representing feelings of anger, characters dressed in black conveying negativity, and closed doors showing the protagonist no longer wanting to be seen. Details like empty chairs and beer bottles are described as portraying loneliness and turning to addiction. Facial expressions, camera angles, and other visual elements are examined for how they further the plot and develop characters.
The document discusses the casting needs for several characters in a film including a main character named Clarissa Downing, her best friend Sarah Johnson, and her ex-boyfriend Michael Higgs. It provides descriptions of each character's personality and physical appearance. Clarissa is described as powerful, sexy, and independent while Sarah has a more innocent and naive aura. Michael is meant to be charming yet portrayed as unfaithful to gain audience sympathy. Photos of actresses and actors are provided as potential casting options that fit the described characteristics.
Lighting is used in film and television to help set the mood and advance the narrative. Dim lighting creates more serious, dramatic, or depressing moods, while lighter lighting produces livelier, light-hearted moods. Lighting is intentionally changed throughout productions to help audiences feel certain moods that progress the story as the producers intend.
This document discusses how the media product represents various social groups through the characters of Jennifer and Tiffany.
[1] Jennifer, who is portrayed as working class, mentally unstable, and an outsider, is represented through her dark, gloomy appearance with pinned back hair and dark makeup. Tiffany, portrayed as middle class and popular, is represented as tidy with fashionable hair, light makeup and clothes, showing her higher social status.
[2] Their personalities are also contrasted - Jennifer is alone and serious while Tiffany is seen socializing and laughing with friends, reflecting their different social circles and statuses.
[3] As teenagers, their ages contribute to Jennifer's jealousy and desire to fit in
The document analyzes key visual elements in the film Black Swan including mirrors, lighting/shadows, costumes, settings, and how they relate to the characters and themes. Mirrors represent loss of identity and foreshadow Nina's transformation. Shadows create mystery, with light symbolizing good and dark symbolizing evil. Nina's costumes transition from light to dark colors as she changes from good to bad. Surrounding characters wear dark clothing, exaggerating Nina's innocence. Settings like Nina's pink bedroom and the grey corridors reflect her mood and loneliness.
The document describes a movie poster created for a teenage audience. It combines elements of horror and comedy genres to appeal to teenagers' most popular film interests. Market research informed the poster's design with dark colors, references to social media, and characters around the target age. The poster depicts an eerie school setting to subvert expectations while hinting at strange events, blending thriller and comedy tones for a "thrillcom" film genre.
The document describes a movie poster created for a teenage audience that advertises a hybrid horror/comedy film called "Period 9". Research was conducted on genres and interests of 11-16 year olds which found horror and comedy most popular. Colors, characters, and social media icons were included to appeal to teens. The poster uses dark colors and a mysterious school setting to convey horror elements while a character's expression hints at comedy. Overall it combines genres teens enjoy in a unique way to attract their interest.
The document discusses social class and status by defining the upper, middle, and lower classes. The upper class makes up 1-3% of the population and is defined by wealth and aristocratic lineage. The lower class consists of those in low-paying jobs with little security. A person's class affects factors like education, health, employment, and treatment in the legal system.
The document discusses social class stereotypes portrayed in TV dramas. It defines social class and outlines stereotypes associated with the lower class (portrayed as uneducated and reliant on government benefits), working class (portrayed as unskilled laborers with low incomes), lower middle class (portrayed as stable careers requiring degrees but not top universities), upper middle class (portrayed as highly qualified professionals from prestigious industries), and upper class (portrayed as extremely wealthy landowners with titles and influence in society). Examples from TV shows Downton Abbey and House are analyzed to show how characters conform to these stereotypes through their mannerisms, clothing, jobs, and social hierarchies.
This document discusses how a media product represents different social groups through its main character. The character is described as unemployed, mentally ill, and not in school. This places the character in social class "E" - unemployed or receiving benefits. The document then discusses how the character may be seen as a countertype as she subverts stereotypes of girls but is still portrayed negatively through her mental illness. It notes the character's gender as female may suggest women are of lower social class. Additionally, the character's age as a teen and appearance may perpetuate ideas that teens and those of lower classes are unstable. Finally, the document states the character's ethnicity as Caucasian could depict white people as mentally ill and of lower social status.
Representation of social class in tv dramashallidayhannah
The document discusses stereotypes of social classes portrayed in TV dramas. It outlines stereotypes commonly associated with the upper class (rich, well-dressed, intellectual), middle class (homeowners, white collar jobs, educated), and lower class (alcoholics, criminals, scruffy). It then analyzes how three specific TV shows - Downton Abbey, Modern Family, and Eastenders - represent the upper, middle, and lower classes respectively through factors like clothing, behavior, and body language.
The document defines social class as the way society is divided into lower, middle, and upper classes based on factors like occupation, education, income, and mannerisms. It then provides stereotypes and examples for each class. The working class is divided into skilled and unskilled, and stereotypes include poor manners and hygiene. The middle class is divided into lower and upper, and stereotypes include being well-educated and owning homes. The upper class is considered the elite due to inherited wealth and education, and stereotypes portray them as posh and superior.
This document defines and provides examples of different social classes in society:
- Unskilled working class are general laborers without specialized skills, stereotyped as unintelligent.
- Skilled working class have acquired skills like hairdressing, stereotyped as not too intelligent and manly.
- Lower middle class include low-paid professionals like police officers and small business owners.
- Upper middle class are high-salaried professionals like doctors and executives.
- Upper class occupy the highest social position like aristocracy and royalty.
Examples are given of characters fitting the stereotypes of skilled working, lower middle, and upper middle classes.
The document discusses social class structure in the UK, dividing classes into upper, middle, and working classes. It provides stereotypes associated with each class, such as manners, education, income, housing, and manner of dress. Examples are given of TV characters from each class, like the unkempt and angry Frank from Shameless representing the working class, and the formally dressed aristocratic men from Downton Abbey representing the upper class. The document also discusses how those in higher classes traditionally have more power and influence over media representations that shape public perceptions of different classes.
The document analyzes how class is represented in the Downton Abbey Christmas special through techniques like mise-en-scene, soundtrack, camerawork, and editing. Mise-en-scene shows the maid in earthy, scruffy colors indicating lower class, while the lady is in monochrome signaling higher class. The soundtrack reveals the maids have northern accents while others are more eloquent. Camerawork positions the maids in the kitchen, implying their work is limited to cooking and cleaning. Editing uses shot reverse shot to show a woman looking down on a maid after asking about a hair dryer, displaying her superiority.
This document analyzes how different social groups are represented in the film "The Ruin's Mist". It finds that:
1) Age is portrayed through casting a short 12-year-old girl and showing stereotypes of children disliking school and grandparents caring for grandchildren.
2) Ethnic diversity is shown in a classroom scene to challenge stereotypes about friendship groups.
3) The main character is depicted as middle class through her bedroom and grandmother's clothing.
4) Gender stereotypes are both supported and challenged, such as more female students but the female antagonist's bravery.
5) Physical ability stereotypes of children running and a grandmother brushing hair are both supported and challenged
The document analyzes how the media product represents particular social groups. It discusses how the train station setting represents many social groups as it is a familiar everyday location. The clothing of the girls on the platform represents youth and teenagers. The mystery girl could represent several groups, including those with mental disabilities as her disoriented behavior and isolation suggests struggle. She may also represent loners and outcasts who do not fit into society well due to her lonely depiction. Overall, the media product represents a wide range of audiences and does not focus on one social group in particular. Teenagers may find it most appealing due to the youthful actors and clothing.
The document analyzes how the media product represents various social groups. The antagonist is portrayed as stereotypically male, masculine, aggressive, powerful and dominant over the female character. However, his costume as an educated, middle-class professional contradicts the typical portrayal of villains as lower-class or criminal. The female character conforms to stereotypes of being weak, helpless and feminine. Both works initially hide the antagonist's identity, creating intrigue. They are also both portrayed as white, associated with purity. The antagonist's unshaven appearance contradicts his educated image. As a teenager, he does not conform to stereotypes of that age group. Both films portray female characters stereotypically as delicate and innocent
This document discusses how different social groups are represented in media. It analyzes representations of class, gender, and age in the author's thriller opening as well as in other films and TV shows. The main character in the opening is a dominant working class woman who is independent, going against stereotypes of women being weak and passive. Younger and older female characters are shown as middle class through their tidy appearance. An elderly character in Downton Abbey upholds stereotypes of upper class elderly women wearing luxurious materials.
The document discusses representation of social groups in media. It represents disability through a character with psychosis shown as dangerous and unaware. Social class is represented through an upper class female character's expensive clothing suggesting wealth. Gender is represented through a vulnerable female preyed on by a male, fitting a stereotype of male physical strength over females. Technical aspects like lighting, camera angles, and mise-en-scene were used to further develop these representations of social groups and characters.
The document analyzes how class is represented in the Downton Abbey Christmas special through elements of film technique. It notes that the maid's costume uses earthy colors to signify her lower class status, while the lady wears monochrome colors. Scenes set in fancy locations and of characters wearing jewelry also mark them as upper or middle class. Dialogue reveals the maids have northern accents while others speak more eloquently. Shot reverse shots show a woman looking down on a maid, and medium shots frame maids in the kitchen, implying their limited skills.
The document analyzes the representation of social groups in a media product's opening sequence featuring a single character. The character is described as:
- Caucasian female, 17 years old
- Lower class due to mental illness leaving her unemployed and unable to care for herself
- Shown as weak, lonely, scared, and vulnerable without friends or support
The document evaluates how the character's attributes relate to stereotypes around gender, age, social class, and ethnicity. It suggests the character conforms to stereotypes of females as needing help and younger people as innocent but vulnerable.
How crime media products represent particular social groupstara__p
This is a powerpoint in which I have created as a part of my AS Media Studies Evaluation task. I have made a crime genre opening sequence, and therefore have stated how I have represented particular social groups.
The document discusses how social groups are represented in the opening of a film through location, characters, and costume. It explains that the lower-class location of a Tesco shopping place helps audiences visualize the characters' surroundings and mirrors their social class. The aggressive manner and public outrage of character Tay instantly creates the image of a loud, obnoxious person associated with lower status. Danni's dark, relaxed costume shows she has little care for her self-image and could foreshadow her personality.
The document discusses how a media product represents different social groups through its two characters. It introduces a male character wearing a suit who initially seems dominant but the female character in a hoodie proves stronger. While the male embodies stereotypes of middle-aged, suited professionals, the female challenges expectations for her age and dress. Both characters seem to represent different social classes through their costumes, but find themselves in similar situations which they handle differently.
This document discusses the costume choices needed to portray a middle-upper class family in a short film. It states that the family will be dressed in formal, elegant clothing stereotypical of the middle class, such as business attire for the father, a fancy frock and heels for the mother, and black patent heels as a signifier of wealth. The costumes aim to portray the family as educated, sophisticated and to conform to stereotypes of the middle class taking pride in their appearance. Formal business attire is also chosen for an undercover police constable investigating the family to keep his identity secret while appearing part of the middle-upper class.
This document discusses how different social groups could potentially be represented in a thriller media product. Women could be represented as weak and reliant on men, or alternatively as strong and powerful. Men are initially represented ambiguously as either the one who imprisoned the protagonist or released her out of kindness. Teenagers/young adults may be seen as troublemakers or powerless victims of circumstances beyond their control. The document notes there are clues the protagonist is working class, such as her clothing and language, though the setting of a suburban house suggests she could also be middle class.
This document contains drafts 1 through 5 of a double page newspaper advertisement spread. Each draft is a variation of the advertisement with the same basic elements - a double page spread for a newspaper advert.
Assignment #12 (iiiii) (p1)planning for documentaryAbc Abc
This document outlines the structure for a documentary series and individual episodes examining social media and its influence. The series introduction would discuss how social media controls information and different media platforms. Individual episodes would focus on topics like censorship, the evolution of the internet, and algorithms tailoring search results. Each episode follows a similar structure of introduction, beginning, middle, and end sections. Public interviews, animations, and expert analysis are incorporated throughout to explore how social media both promotes democracy and acts as a tool of control.
More Related Content
Similar to Class and status powerpoint with gledis
The document discusses social class and status by defining the upper, middle, and lower classes. The upper class makes up 1-3% of the population and is defined by wealth and aristocratic lineage. The lower class consists of those in low-paying jobs with little security. A person's class affects factors like education, health, employment, and treatment in the legal system.
The document discusses social class stereotypes portrayed in TV dramas. It defines social class and outlines stereotypes associated with the lower class (portrayed as uneducated and reliant on government benefits), working class (portrayed as unskilled laborers with low incomes), lower middle class (portrayed as stable careers requiring degrees but not top universities), upper middle class (portrayed as highly qualified professionals from prestigious industries), and upper class (portrayed as extremely wealthy landowners with titles and influence in society). Examples from TV shows Downton Abbey and House are analyzed to show how characters conform to these stereotypes through their mannerisms, clothing, jobs, and social hierarchies.
This document discusses how a media product represents different social groups through its main character. The character is described as unemployed, mentally ill, and not in school. This places the character in social class "E" - unemployed or receiving benefits. The document then discusses how the character may be seen as a countertype as she subverts stereotypes of girls but is still portrayed negatively through her mental illness. It notes the character's gender as female may suggest women are of lower social class. Additionally, the character's age as a teen and appearance may perpetuate ideas that teens and those of lower classes are unstable. Finally, the document states the character's ethnicity as Caucasian could depict white people as mentally ill and of lower social status.
Representation of social class in tv dramashallidayhannah
The document discusses stereotypes of social classes portrayed in TV dramas. It outlines stereotypes commonly associated with the upper class (rich, well-dressed, intellectual), middle class (homeowners, white collar jobs, educated), and lower class (alcoholics, criminals, scruffy). It then analyzes how three specific TV shows - Downton Abbey, Modern Family, and Eastenders - represent the upper, middle, and lower classes respectively through factors like clothing, behavior, and body language.
The document defines social class as the way society is divided into lower, middle, and upper classes based on factors like occupation, education, income, and mannerisms. It then provides stereotypes and examples for each class. The working class is divided into skilled and unskilled, and stereotypes include poor manners and hygiene. The middle class is divided into lower and upper, and stereotypes include being well-educated and owning homes. The upper class is considered the elite due to inherited wealth and education, and stereotypes portray them as posh and superior.
This document defines and provides examples of different social classes in society:
- Unskilled working class are general laborers without specialized skills, stereotyped as unintelligent.
- Skilled working class have acquired skills like hairdressing, stereotyped as not too intelligent and manly.
- Lower middle class include low-paid professionals like police officers and small business owners.
- Upper middle class are high-salaried professionals like doctors and executives.
- Upper class occupy the highest social position like aristocracy and royalty.
Examples are given of characters fitting the stereotypes of skilled working, lower middle, and upper middle classes.
The document discusses social class structure in the UK, dividing classes into upper, middle, and working classes. It provides stereotypes associated with each class, such as manners, education, income, housing, and manner of dress. Examples are given of TV characters from each class, like the unkempt and angry Frank from Shameless representing the working class, and the formally dressed aristocratic men from Downton Abbey representing the upper class. The document also discusses how those in higher classes traditionally have more power and influence over media representations that shape public perceptions of different classes.
The document analyzes how class is represented in the Downton Abbey Christmas special through techniques like mise-en-scene, soundtrack, camerawork, and editing. Mise-en-scene shows the maid in earthy, scruffy colors indicating lower class, while the lady is in monochrome signaling higher class. The soundtrack reveals the maids have northern accents while others are more eloquent. Camerawork positions the maids in the kitchen, implying their work is limited to cooking and cleaning. Editing uses shot reverse shot to show a woman looking down on a maid after asking about a hair dryer, displaying her superiority.
This document analyzes how different social groups are represented in the film "The Ruin's Mist". It finds that:
1) Age is portrayed through casting a short 12-year-old girl and showing stereotypes of children disliking school and grandparents caring for grandchildren.
2) Ethnic diversity is shown in a classroom scene to challenge stereotypes about friendship groups.
3) The main character is depicted as middle class through her bedroom and grandmother's clothing.
4) Gender stereotypes are both supported and challenged, such as more female students but the female antagonist's bravery.
5) Physical ability stereotypes of children running and a grandmother brushing hair are both supported and challenged
The document analyzes how the media product represents particular social groups. It discusses how the train station setting represents many social groups as it is a familiar everyday location. The clothing of the girls on the platform represents youth and teenagers. The mystery girl could represent several groups, including those with mental disabilities as her disoriented behavior and isolation suggests struggle. She may also represent loners and outcasts who do not fit into society well due to her lonely depiction. Overall, the media product represents a wide range of audiences and does not focus on one social group in particular. Teenagers may find it most appealing due to the youthful actors and clothing.
The document analyzes how the media product represents various social groups. The antagonist is portrayed as stereotypically male, masculine, aggressive, powerful and dominant over the female character. However, his costume as an educated, middle-class professional contradicts the typical portrayal of villains as lower-class or criminal. The female character conforms to stereotypes of being weak, helpless and feminine. Both works initially hide the antagonist's identity, creating intrigue. They are also both portrayed as white, associated with purity. The antagonist's unshaven appearance contradicts his educated image. As a teenager, he does not conform to stereotypes of that age group. Both films portray female characters stereotypically as delicate and innocent
This document discusses how different social groups are represented in media. It analyzes representations of class, gender, and age in the author's thriller opening as well as in other films and TV shows. The main character in the opening is a dominant working class woman who is independent, going against stereotypes of women being weak and passive. Younger and older female characters are shown as middle class through their tidy appearance. An elderly character in Downton Abbey upholds stereotypes of upper class elderly women wearing luxurious materials.
The document discusses representation of social groups in media. It represents disability through a character with psychosis shown as dangerous and unaware. Social class is represented through an upper class female character's expensive clothing suggesting wealth. Gender is represented through a vulnerable female preyed on by a male, fitting a stereotype of male physical strength over females. Technical aspects like lighting, camera angles, and mise-en-scene were used to further develop these representations of social groups and characters.
The document analyzes how class is represented in the Downton Abbey Christmas special through elements of film technique. It notes that the maid's costume uses earthy colors to signify her lower class status, while the lady wears monochrome colors. Scenes set in fancy locations and of characters wearing jewelry also mark them as upper or middle class. Dialogue reveals the maids have northern accents while others speak more eloquently. Shot reverse shots show a woman looking down on a maid, and medium shots frame maids in the kitchen, implying their limited skills.
The document analyzes the representation of social groups in a media product's opening sequence featuring a single character. The character is described as:
- Caucasian female, 17 years old
- Lower class due to mental illness leaving her unemployed and unable to care for herself
- Shown as weak, lonely, scared, and vulnerable without friends or support
The document evaluates how the character's attributes relate to stereotypes around gender, age, social class, and ethnicity. It suggests the character conforms to stereotypes of females as needing help and younger people as innocent but vulnerable.
How crime media products represent particular social groupstara__p
This is a powerpoint in which I have created as a part of my AS Media Studies Evaluation task. I have made a crime genre opening sequence, and therefore have stated how I have represented particular social groups.
The document discusses how social groups are represented in the opening of a film through location, characters, and costume. It explains that the lower-class location of a Tesco shopping place helps audiences visualize the characters' surroundings and mirrors their social class. The aggressive manner and public outrage of character Tay instantly creates the image of a loud, obnoxious person associated with lower status. Danni's dark, relaxed costume shows she has little care for her self-image and could foreshadow her personality.
The document discusses how a media product represents different social groups through its two characters. It introduces a male character wearing a suit who initially seems dominant but the female character in a hoodie proves stronger. While the male embodies stereotypes of middle-aged, suited professionals, the female challenges expectations for her age and dress. Both characters seem to represent different social classes through their costumes, but find themselves in similar situations which they handle differently.
This document discusses the costume choices needed to portray a middle-upper class family in a short film. It states that the family will be dressed in formal, elegant clothing stereotypical of the middle class, such as business attire for the father, a fancy frock and heels for the mother, and black patent heels as a signifier of wealth. The costumes aim to portray the family as educated, sophisticated and to conform to stereotypes of the middle class taking pride in their appearance. Formal business attire is also chosen for an undercover police constable investigating the family to keep his identity secret while appearing part of the middle-upper class.
This document discusses how different social groups could potentially be represented in a thriller media product. Women could be represented as weak and reliant on men, or alternatively as strong and powerful. Men are initially represented ambiguously as either the one who imprisoned the protagonist or released her out of kindness. Teenagers/young adults may be seen as troublemakers or powerless victims of circumstances beyond their control. The document notes there are clues the protagonist is working class, such as her clothing and language, though the setting of a suburban house suggests she could also be middle class.
Similar to Class and status powerpoint with gledis (20)
This document contains drafts 1 through 5 of a double page newspaper advertisement spread. Each draft is a variation of the advertisement with the same basic elements - a double page spread for a newspaper advert.
Assignment #12 (iiiii) (p1)planning for documentaryAbc Abc
This document outlines the structure for a documentary series and individual episodes examining social media and its influence. The series introduction would discuss how social media controls information and different media platforms. Individual episodes would focus on topics like censorship, the evolution of the internet, and algorithms tailoring search results. Each episode follows a similar structure of introduction, beginning, middle, and end sections. Public interviews, animations, and expert analysis are incorporated throughout to explore how social media both promotes democracy and acts as a tool of control.
The document summarizes feedback from 4 people ages 16-24 on a documentary about social media control. They were asked about their impressions, the main message, interest in future episodes, whether sound/music fit the topic, and effectiveness of the presenter. Overall, responses were positive with the main message seen as debate around social media's influence.
The document summarizes feedback from 4 people ages 16-24 on a documentary about social media control. They were asked about their impressions, the main message, interest in future episodes, whether the sound/music fit, and effectiveness of the presenter. Overall, responses were positive with the main message seen as debate around social media's influence.
Assignment 11 similar products, conventions & channel timeAbc Abc
The document outlines the conventions and channels being explored for a documentary. It discusses exploring Channel 5, its documentaries and sister channels 5* and 5USA. Channel 5 documentaries are unique and inform audiences without trying to impress a specific group. The document also explores conventions like introducing experts and using titles/animation. It examines the channels BBC One, Channel 4 and their target audiences and popular shows.
The document summarizes feedback from 4 people ages 16-24 on a documentary about social media control. They were asked about their impressions, the main message, interest in future episodes, whether sound/music fit the topic, and effectiveness of the presenter. Overall, responses were positive with the main message seen as debate around social media's influence.
The document summarizes feedback from 4 people ages 16-24 on a documentary about social media control. They were asked about their impressions, the main message, interest in future episodes, whether sound/music fit the topic, and effectiveness of the presenter. Overall, responses were positive with the main message seen as debate around social media's influence.
The document summarizes feedback from 4 people ages 16-24 on an ancillary draft for a documentary. When asked about the documentary topic based on the image, responses included technology taking over minds, the internet controlling society, and people becoming cyborgs or consumed by computers. Regarding watching the documentary, one said yes due to the alarming image while another said no due to lack of interest in online sites. On layout, one liked the continuing mouse while another said it was dull. Regarding the image relating to the topic, one recognized the Twitter page while others said no or it was misleading regarding cyborgs.
The document summarizes feedback from 4 people ages 16-24 on an ancillary document for a documentary. They were asked questions about what they thought the documentary was about based on the image and text, if the design caught their eye, and if the image related to the topic. Responses showed they thought it was about technology/internet control or cyborgs/robots based on the image of a person with a wire attached to their head. Opinions varied on if the design caught their eye and if the image related to the topic of social media.
The document summarizes feedback from 4 people ages 16-24 on a documentary about social media control. They were asked about their impressions, the main message, interest in future episodes, relevance of sound/music, and effectiveness of the presenter. Overall, the feedback was positive with respondents finding the topic current, presentation style engaging, and interest in learning more.
The document summarizes feedback from 4 people ages 16-24 on a documentary based on ancillary texts and an image. Overall, they thought the documentary would be about technology and social media overtaking society based on the image of a person connected to a computer by wires and blood, though some felt the image was misleading. Their opinions on watching it and the design were mixed.
The document summarizes feedback from 4 people ages 16-24 on an ancillary draft for a documentary. When asked about the documentary topic based on the image, responses included technology taking over minds, the internet controlling society, and people becoming cyborgs or consumed by computers. Regarding watching it, one said yes due to the alarming image while another said no due to lack of interest in online sites. On layout, one liked the mouse continuing to the end while another said it was dull. Regarding the image relating to the topic, one recognized the Twitter page while others said no or it was misleading regarding cyborgs.
The document summarizes feedback from 4 people ages 16-24 on an ancillary draft for a documentary. When asked about the documentary topic based on the image, responses included technology taking over minds, the internet controlling society, and people becoming cyborgs or consumed by computers. Regarding watching it, one said yes due to the alarming image while another said no due to lack of interest in online sites. On layout, one liked the mouse continuing to the end while another said it was dull. Regarding the image relating to the topic, one recognized the Twitter page while others said no or it was misleading regarding cyborgs.
Assignment 4 – analysis of tv documentary 2Abc Abc
The documentaries being compared are Catfish and Lifers. Catfish documents filmmakers' online friendship that leads to unexpected discoveries, while Lifers provides insight into life sentences in prison. Both documentaries use conventions like handheld footage, titles/credits, and interviews. Catfish develops the convention of supporting images through only showing the subject through photographs. Lifers uses ominous background music to set the tone.
Target audience research for documentary topicAbc Abc
The document discusses targeting a younger audience aged 25-35 for a documentary series about a social media topic. It notes that this age group is the most active on social media based on statistics, so they would be most interested in a topic concerning social media. Additionally, the younger generation has generally embraced social networking more than older generations, so the documentary will aim to engage this key target audience.
The document discusses concepts related to social media and control. It suggests that social media breaks traditional media chains of control, but also subtly invites people in and exerts control over how they express themselves. Various visual concepts are presented, such as strings holding shadows to represent subtle control and a blue hand gripping expression to symbolize Facebook's influence over what people say.
Filming took place on location inside Westfield Shopping Centre and outside the BBC studio. The film crew shot footage of the presenter walking outside the studio and filmed presenter parts inside the shopping centre. During filming, the script holder had to help Kaya read her lines from the script as they were too long to memorize.
The group had previously chosen a park as the filming location for their documentary on social media, but realized a park did not relate well to their topic. They decided to research more effective locations. Potential locations included Camden Town, Oxford Street, Hyde Park, and Covent Garden. Camden Town and Hyde Park were narrowed down as choices because they are well-known areas frequented by youth where socializing is common. Camden Town was ultimately selected because of its urban setting and many social places popular with youth.
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Mick McAteer, Co-Director, The Financial Inclusion Centre
Stuart McDonald MBE, Head of Longevity and Democratic Insights, LCP
Anusha Mittal, Managing Director, Individual Life and Pensions, M&G Life
Shelley Morris, Senior Project Manager, Living Pension, Living Wage Foundation
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Will Sherlock, Head of External Relations, M&G Plc
Daniela Silcock, Head of Policy Research, Pensions Policy Institute
David Sinclair, Chief Executive, ILC
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Rt Hon Sir Stephen Timms, former Chair, Work & Pensions Committee
Nigel Waterson, ILC Trustee
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2. Mind map of class and status.
Working class.
White collar Less manners
+ values. Hegemonic
Job titles.
masculinity.
Class and Aristocracy.
Blue blood. Status.
Wealth.
Mingling with
Political status.
the upper
classes.
High/low status.
Tories/Liberals/ Poverty –
Economic status Social
Labour. status
3. Stereotypes about our topic.
• Common stereotypes concerning class and
status are:
• Lower class families are uneducated and poor. They have bad manners and
are typically engaged in criminal activity.
• Upper class people are snobby, arrogant, rude and tend to look down on
others.
• Another upper class stereotype is that wealthy people usually tend to be
unaware of how people in the ‘real world’ live and the problems they face.
• Being lower class limits your chances to succeed in life.
• Lower classes come from a particular ethnic background, and the negative
stereotypes associated with that ethnicity are then linked to their class.
4. Debates about our topic.
• That your class affects who you become and what you can do.
• Whether class is relevant in today’s society (Boundaries of class are
fragmenting and people are finding it harder to identify themselves as a
particular class.)
• The varying limitations that being a lower class citizen enables, i.e. material
deprivation can stop you from having the funds to purchase things needed
for school (– your class is what has been your downfall).
• The link between class and status (i.e. Being a higher class gives you a
higher status and vice versa.) – If this can enable corruption amongst the
classes.
• Whether it is class that is important in society, or if its your
ethnicity/gender.
5. British TV Drama’s that can relate to
our topic.
• Downton Abbey –
• Upstairs Downstairs –
• - Merlin.
6. British TV Drama’s that can relate to
our topic.
• Trinity –
• Larkrise to Candleford -
7. Films that relate to our topic.
• Ever After – In this film, the character’s class
holds her back, as she is a slave. When she
pretends to be royal, this all changes for her, and
its obvious that her class affected her status.
8. Films that relate to our topic.
• Mona Lisa Smile – A teacher who attended a state university is
hired to teach at an upper class university. She finds that her
students treat her differently because of the school she went to. The
girls that she teach are taught to follow through with the traditional
upper/middle class life, where they marry into a good family and
become home keepers, which is traditional of the upper/middle
class of the 1950s.
9. People.
Brick wall behind,
The hairstyle which could allude to
reinforces her an estate/council
class, as it is housing.
slicked back and
looks quite chav-y.
The big hoops
reinforces the chav
stereotype,. An
audience can gather
Makeup of this this impression
character shows from just looking at
that she may be her face.
lower class, as the
makeup isn’t
conservative and
is overdone.
Soap Opera
10. People.
His neat hairstyle Exterior
reinforces his setting, which
upper class is crisp and
stereotypes as it clean looking,
makes him look which looks
very pristine and like it could be
well-kept. part of a big
garden.
He has a clean His shirt could
shave which again suggest
emphasises the sophistication
stereotype that which is normally
upper class people associated with
are very well-kept. people who are
deemed as ‘posh’ or
‘snobby’.
Soap Opera
11. People.
She looks arrogant, and quite
cocky. Her stance makes her look
like she doesn’t/won’t identify
with those beneath her.
Her makeup is neat,
This character’s but is much more
hair is styled toned down, this
well indicating makes her look more
she has more middle class.
time/money to
spend on her
hair, and may
even be middle
class. Her clothes are nice,
and look like they’re
from the upper end of
the high-street which
again suggests that
she is middle class.
Teen Drama
12. People.
Her makeup is
quite heavy, which
The character’s hair is is usually associated
very messy and wild. This
would enforce certain
with lower class
stereotypes and views people as it looks
which would deem her as quite tacky and
lower or middle class as it
would be assumed that unsophisticated.
she is not well groomed
and doesn't know how to
take care of her
appearance. This is
usually a stereotype of
lower class people. Facial expression: She has a little bit of a
cheeky grin which could suggest she’s up
to no good. This reinforces stereotypes that
Teen Drama lower class people tend to be disruptive
within society.
13. People.
The only part of this image
that suggests their class is
their costume, which
shows how important
costume is. Their costumes
are slightly worn,
suggesting they’re hard
workers, and may even be
manual workers.
Costume Drama
14. People.
Her jewellery and crown not
only imply that she is wealthy
but also of a very high and
important status.
-Crowns are associated with
royalty.
Her costume also emphasises
her wealth and status as it is
expensive clothing worn by
royalty at the time of when
the drama is set.
The pearl necklace implies
Costume Drama wealth as they are an expensive
piece of jewellery.
15. People.
They’re both well
presented and look The use of costume
professional and suggests that both
intelligent, which makes characters have
them seem middle class. well paid jobs and
therefore have a
high status.
Police/Crime Drama
16. People.
They are all well The use of costume
presented as their suggests that the
uniform is neat and so is characters are from a
their hair and make-up well respected
for the females. profession, which
therefore implies they
are most likely middle
class.
Police officers are
usually stereotyped as
being middle class.
Police/Crime Drama
17. Places.
It has connotations
of being quite
rough, where
working class/
It creates a negative under class live.
representation of Locations like this
stereotypes, as usually are low in status, as
in television dramas, an individual can
negative events instantly assume
happen in locations that negative thing
that look like this. will happen there,
e.g. muggings and
general crimes.
18. Places.
This stereotype is
reinforced by the
look of these types
Houses in London of houses.
suburbia are usually E.g. the large green
thought of to be front yard and the
owned by very wealthy size of such houses
upper class families as (quite big).
they are quite
expensive.
Houses such as this once
would normally be placed in a
nice quiet neighbourhood
19. Places.
A location like this usually creates
positive representations of what a
typical middle-class home would look
like. It looks like it is in a good area, so
an audience can instantly assume that
events that may take place here are
more likely to be safe.
This location matches up with what
you could assume the home of the two
barristers may look like, as it is
expensive-looking and is inviting.
20. Places.
Apartments located right in
the middle of major cities
like London are usually
quite expensive to rent out
or buy.
This is not only due to their
convenient location but also
the quality of the
apartments.
E.g. The building has a nice
design and looks quite new
and clean.
Such locations would
stereotypically associated
with people with middle or
upper class people.
21. Places.
This reinforces stereotypes
of the upper class, who
typically spend a lot of
money on massive homes.
This reinforcement in some
ways can be quite negative,
as it can lead to resentment
of the upper classes.
22. Places.
• The isolated location also
implies wealth and high class
as apartments which are on
the outskirts of the city tend
to be more expensive.
• The sleek white tables
suggest sophistication
and wealth.
• The white implies
sterility which is
stereotypically
associated with
someone who could be
hostile.
23. Themes/Topics/Real World Issues.
• A real world issue regarding class and status is the
way that lower class people are represented in the
media.
• E.g. the London riots in the summer of 2011 were
associated with lower class uneducated people.
• The people involved in the rioting were stereotyped
as lower class people who lived in poor estate
buildings.