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Musical theatre evolved in the early 20th century as songwriters integrated music more fully into the plot and character development. Shows like Show Boat and Oklahoma used song to advance the story and provide insight into characters. These shows addressed serious themes through music and helped establish the modern musical. Later musicals in the 1950s by Leonard Bernstein continued innovating the form by incorporating newer musical styles into shows like West Side Story. Musical theatre then became more of an elite form of entertainment as other media like films rose in popularity.
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The document discusses Aaron Copland's iconic 1944 ballet Appalachian Spring. It explores how the work came to be seen as defining the American musical style despite Copland's background being far from rural America. While Appalachian Spring was hugely popular and influential, the document questions whether one work could singlehandedly create a national style, and examines how Copland's music embodied characteristics like folk tunes, diatonicism, and adventurous melody that were seen as American traits.
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William Grant Still was an American composer known as the "Dean of Afro-American Composers". He composed over 150 works including five symphonies and eight operas. A turning point in his career was the 1931 premiere of his Afro-American Symphony by the Rochester Philharmonic, which was then performed by 38 orchestras in the US and Europe. Still was the first African American composer to have an opera produced by the New York City Opera and to conduct major orchestras.
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The document discusses 20th century classical music and some of its major figures. It moved away from late Romanticism's focus on emotion and embraced new styles like Impressionism, Expressionism, and Neo-Classicism. Composers experimented widely with atonality, dissonance, instrumentation, and incorporating other genres. Key composers discussed include Charles Ives, Claude Debussy, Arnold Schoenberg, John Cage, Igor Stravinsky, and Karlheinz Stockhausen. They pioneered modern techniques and influenced all subsequent classical music.
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The document discusses 20th century classical music and some of its major figures. It moved away from late Romanticism's focus on emotion and embraced new styles like Impressionism, Expressionism, and Neo-Classicism. Composers experimented widely with atonality, dissonance, instrumentation, and incorporating other genres. Key composers discussed include Charles Ives, Claude Debussy, Arnold Schoenberg, John Cage, Igor Stravinsky, and Karlheinz Stockhausen. They pioneered modern techniques and influenced all subsequent classical music.
CONTEMPORARY MUSIC
This presentation contains all about Contemporary Music such as:
-Theatre Music
-Musical Theatre
-Modern Musicals
-American Musical Theatres
Could be useful for high school students like me :D useful for reporting. Be sure to give me a credit on this one, I made this overnight, lol.
NO CREDITS = PLAGIARISM
God bless :D
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Theatre in the early 20th century
Theatre in the early 20th century saw its origins in ancient Greek traditions but evolved through Shakespearean plays, the rise of film, and Broadway musicals. Key developments included Shakespeare authoring famous works like Romeo and Juliet, the emergence of major Hollywood film studios in the 1920s which popularized cinema, and Broadway establishing itself in New York City featuring stars and composers that are still influential today.
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1) The Mississippi Delta region in the early 20th century was defined by poverty, racial oppression, and difficult living and working conditions for African Americans. Sharecropping and convict leasing systems trapped many in endless debt.
2) Early Delta blues music developed in this environment, focusing on the hardships of daily life through guitar and harmonica. Charley Patton was a pioneering blues artist who influenced many, including Willie Brown, Tommy Johnson, and Son House.
3) Robert Johnson was a key figure who expanded the rhythmic and stylistic possibilities of the Delta blues tradition before his early death at age 27. His recordings had a profound influence on the development of blues music.
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This document provides an overview of the origins and development of the blues musical form. It discusses how the blues evolved from a combination of African and European influences and sacred and secular folk music traditions in the late 19th century. The blues were a cultural response to the oppression African Americans faced and typically featured solo compositions using a 12-bar structure, guitar accompaniment, and lyrics drawing on personal experiences. Various folk music genres like spirituals, secular songs, work songs, and ballads contributed elements that were blended into the early blues style.
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Latin music entered American popular music in three phases from the early 20th century. The first phase involved exotic novelty songs that incorporated Latin dance rhythms. The tango and rumba became popular dance fads. In the 1930s-1950s, Latin music hybridized with American styles to develop a commercial Latin sound led by Xavier Cugat. The mambo emerged as a fusion of Afro-Cuban son with big band. Artists like Tito Puente and Antonio Carlos Jobim incorporated Latin rhythms into mainstream American pop music. Starting in the 1950s, genres like the bossa nova, salsa, and tejano music became part of the fabric of American popular music.
Ch 7 PowerPoint
This document discusses the evolution of country and folk music from 1925-1955. It describes how early country music emerged from folk music as radio commercialized the genre. Key events and figures mentioned include Ralph Peer's location recordings in the 1920s that helped popularize hillbilly music, the 1927 Bristol Sessions that launched the careers of the Carter Family and Jimmie Rodgers, and the development of subgenres like bluegrass by Bill Monroe in the 1940s and honky-tonk by Hank Williams in the 1950s. It also discusses how folk artists like Woody Guthrie and the Weavers helped popularize folk music during this time period.
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Ragtime introduced complex African rhythms to popular music in the late 19th century through sheet music. Scott Joplin was the most famous ragtime composer. Blues music also developed in the rural South during this time and was performed by early female blues singers. Jazz originated in New Orleans around the early 20th century as African-American and Creole musicians combined elements of marching bands, minstrel shows, ragtime, and blues music through collective improvisation.
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Ch 6 PowerPoint
- 1. Chapter 6 Musical Theatre
- 8. 1920s stage show were mostly fluff - lighthearted
- 11. Talking films and Great Depression ended the popularity of the musical theater.
- 19. Films, records, radio, nightclubs, and TV provided cheaper entertainment, THEREFORE Musical Theatre became elite, or alternative entertainment.
- 20. Original cast recordings dominated pop charts through the early 1960s