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An Introduction
Often regarded as the first
American musical. A 5 ½ hour
melodrama loosely based on
Goethe’s Faust featuring lots of
spectacular scenery along with
songs and dances (by scantily clad
young ladies!).
The playwright initially refused to
have his play “cheapened” by
including musical numbers!
The comic operettas of Gilbert
and Sullivan began in Britain
in the 1870s and quickly
became popular in the US.
The Pirates of Penzance is the
best known and most produced
G&S operetta in the US now.
Non-English comic operettas
such as Austrians Franz
Lehar’s The Merry Widow also
were imported to the US.
African-Americans also
had developed their own
form of musical theatre,
such as Eubie Blake’s
Shuffle Along.
Most American theatre was
and would remain racially
segregated.
The first serious epic
narrative in Broadway
history. It contains what
many believe to be the
greatest score ever.
It was the first time that
serious black and white
characters held the stage
together as equals.
The first great American opera
by one of the country’s most
ambitious composers—George
Gershwin.
It was a series of vignettes of
life in a black Charleston
ghetto called Catfish Row,
where a cripple named Porgy
falls blindly in love with a
woman named Bess.
The first musical to integrate
songs and dances to extend the
narrative and the debut
collaboration between Rodgers
and Hammerstein.
A simple tale of cowhands and
farmers finding love and
community in the Oklahoma
territory.
Cole Porter’s play-within-a-play
that successfully brought
Shakespeare to the musical stage.
A loosely plotted scenario about
the tryout of a musical version of
Shakespeare's “Taming of the
Shrew," starring a man and his
ex-wife, who discover they still
belong together.
Based on Damon Runyon’s
short story, this musical
comedy celebrated and made
fun of native New Yorkers.
It depicted the awkward
romance between an habitual
gambler named Sky
Masterson and a Salvation
Army-type missionary girl
named Sarah.
One of the most impressively
choreographed musicals of all
time; it brought a new tone of
tragedy to musical theatre.
Following Shakespeare's Romeo
& Juliet, the story depicts star-
crossed lovers caught between
rival gangs (whites vs. Puerto
Ricans) in New York City.
The longest running theatre
production in the world (over
50 years!).
Based on Edmond Rostand’s
The Romancers and created by
two Texans, this musical shares
a story of love and the loss of
innocence.
An exploration of different
forms of musical narrative
that brought the conflicted
world of Nazi Germany to the
Broadway stage.
The musical mixed cabaret
numbers with the story of
Sally Bowles, a second-rate
American singer who recently
moved to Berlin.
The first musical to transfer
from Off-Broadway and to
feature a rock score (as well as
full nudity).
With no real plot, it was
simply a revue of song and
dance, showing practically
every aspect of the
counterculture during the
Vietnam era.
The first collaboration between
Stephen Sondheim and Harold
Prince.
A sophisticated and theatrical
collection of vignettes about a
man named Robert and the five
married couples who surround
him.
A backstage saga unlike any
musical before it that
represented the triumph of
the director-choreographer.
A collection of songs and
dances that focuses on 25
dancers desperately
auditioning for eight jobs on
the chorus line of a new
musical.
The first successful stage
adaptation of a movie musical
and the longest running
American musical of the 1980s.
In the story, a Broadway
producer is attempting to
mount a new musical during
the Great Depression (1930s),
but he cannot find the right
leading lady.
The longest running
Broadway musical of all time
and the first of the British
mega-hits to conquer
Broadway.
Based on the writings of T.S.
Eliot (and all of the
characters are—you guessed
it—cats).
A French (music and lyrics)
and British (libretto) creation
about the French Revolution
that premiered in London in
1985 and came to Broadway
in 1987.
Popularly known as “Les
Miz,” there have been over
10,000 performances so far.
A standard romantic
musical comedy about
two mismatched lovers,
who, in this case, are both
men.
The first successful
Broadway musical with a
homosexual love story.
Julie Taymor’s spectacular
adaptation of the Disney
movie featuring life-size
jungle puppets.
Featuring sophisticated
technology and a culturally
diverse cast, the musical was
hugely successful and is still
playing.
A rock musical adaptation
of Frank Wedekind’s 1892
controversial play about
teen angst and sexuality.
During each performance,
a limited number of
audience members sat on
stage with the performers.
A rock musical version of the
comic book with music by
U2’s Bono and Edge.
The most expensive musical
in Broadway history—over
$70 million. Also unusual in
that it had 182 “previews”
before officially opening.
Much of the information for this presentation
comes directly from the PBS series Broadway:
The American Musical and can be found online at
http://www.pbs.org/wnet/broadway/index.html.
The video clips come from youtube.com and
feature recent productions with “non-
traditional” (racially integrated) casts that would
not have been typical of the original productions.
2012 U.S. Fulbright Scholar
Faculty of Arts, University of Prishtina

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American Musical Theatre

  • 2. Often regarded as the first American musical. A 5 ½ hour melodrama loosely based on Goethe’s Faust featuring lots of spectacular scenery along with songs and dances (by scantily clad young ladies!). The playwright initially refused to have his play “cheapened” by including musical numbers!
  • 3.
  • 4. The comic operettas of Gilbert and Sullivan began in Britain in the 1870s and quickly became popular in the US. The Pirates of Penzance is the best known and most produced G&S operetta in the US now.
  • 5.
  • 6. Non-English comic operettas such as Austrians Franz Lehar’s The Merry Widow also were imported to the US.
  • 7.
  • 8. African-Americans also had developed their own form of musical theatre, such as Eubie Blake’s Shuffle Along. Most American theatre was and would remain racially segregated.
  • 9.
  • 10. The first serious epic narrative in Broadway history. It contains what many believe to be the greatest score ever. It was the first time that serious black and white characters held the stage together as equals.
  • 11.
  • 12. The first great American opera by one of the country’s most ambitious composers—George Gershwin. It was a series of vignettes of life in a black Charleston ghetto called Catfish Row, where a cripple named Porgy falls blindly in love with a woman named Bess.
  • 13.
  • 14. The first musical to integrate songs and dances to extend the narrative and the debut collaboration between Rodgers and Hammerstein. A simple tale of cowhands and farmers finding love and community in the Oklahoma territory.
  • 15.
  • 16. Cole Porter’s play-within-a-play that successfully brought Shakespeare to the musical stage. A loosely plotted scenario about the tryout of a musical version of Shakespeare's “Taming of the Shrew," starring a man and his ex-wife, who discover they still belong together.
  • 17.
  • 18. Based on Damon Runyon’s short story, this musical comedy celebrated and made fun of native New Yorkers. It depicted the awkward romance between an habitual gambler named Sky Masterson and a Salvation Army-type missionary girl named Sarah.
  • 19.
  • 20. One of the most impressively choreographed musicals of all time; it brought a new tone of tragedy to musical theatre. Following Shakespeare's Romeo & Juliet, the story depicts star- crossed lovers caught between rival gangs (whites vs. Puerto Ricans) in New York City.
  • 21.
  • 22. The longest running theatre production in the world (over 50 years!). Based on Edmond Rostand’s The Romancers and created by two Texans, this musical shares a story of love and the loss of innocence.
  • 23.
  • 24. An exploration of different forms of musical narrative that brought the conflicted world of Nazi Germany to the Broadway stage. The musical mixed cabaret numbers with the story of Sally Bowles, a second-rate American singer who recently moved to Berlin.
  • 25.
  • 26. The first musical to transfer from Off-Broadway and to feature a rock score (as well as full nudity). With no real plot, it was simply a revue of song and dance, showing practically every aspect of the counterculture during the Vietnam era.
  • 27.
  • 28. The first collaboration between Stephen Sondheim and Harold Prince. A sophisticated and theatrical collection of vignettes about a man named Robert and the five married couples who surround him.
  • 29.
  • 30. A backstage saga unlike any musical before it that represented the triumph of the director-choreographer. A collection of songs and dances that focuses on 25 dancers desperately auditioning for eight jobs on the chorus line of a new musical.
  • 31.
  • 32. The first successful stage adaptation of a movie musical and the longest running American musical of the 1980s. In the story, a Broadway producer is attempting to mount a new musical during the Great Depression (1930s), but he cannot find the right leading lady.
  • 33.
  • 34. The longest running Broadway musical of all time and the first of the British mega-hits to conquer Broadway. Based on the writings of T.S. Eliot (and all of the characters are—you guessed it—cats).
  • 35.
  • 36. A French (music and lyrics) and British (libretto) creation about the French Revolution that premiered in London in 1985 and came to Broadway in 1987. Popularly known as “Les Miz,” there have been over 10,000 performances so far.
  • 37.
  • 38. A standard romantic musical comedy about two mismatched lovers, who, in this case, are both men. The first successful Broadway musical with a homosexual love story.
  • 39.
  • 40. Julie Taymor’s spectacular adaptation of the Disney movie featuring life-size jungle puppets. Featuring sophisticated technology and a culturally diverse cast, the musical was hugely successful and is still playing.
  • 41.
  • 42. A rock musical adaptation of Frank Wedekind’s 1892 controversial play about teen angst and sexuality. During each performance, a limited number of audience members sat on stage with the performers.
  • 43.
  • 44. A rock musical version of the comic book with music by U2’s Bono and Edge. The most expensive musical in Broadway history—over $70 million. Also unusual in that it had 182 “previews” before officially opening.
  • 45.
  • 46. Much of the information for this presentation comes directly from the PBS series Broadway: The American Musical and can be found online at http://www.pbs.org/wnet/broadway/index.html. The video clips come from youtube.com and feature recent productions with “non- traditional” (racially integrated) casts that would not have been typical of the original productions.
  • 47. 2012 U.S. Fulbright Scholar Faculty of Arts, University of Prishtina