This document provides the cast list and script for the first scene of a prison drama titled "Cell Block 33." The opening scene introduces several new inmates to the prison and its leader, Carla, who asserts her dominance over the new prisoners and establishes the prison hierarchy.
The document provides a script for a play set in a women's prison, Cell Block 33. It introduces the main characters, including the leader of a gang named Carla and three new inmates. In the first scene, Carla establishes dominance over the new inmates and warns them of the rules. One new inmate, Yasmine, claims she was wrongly convicted of murder. In the second scene, the governor asks a guard named Boris to spy on the other guards in exchange for her favor with the lead guard, Mr. Watson.
(To Carla) Let's try to listen respectfully and give others a chance to share.
Moorland: Nicole, please continue. How does the lack of respect make you feel?
Nicole: It makes me feel angry and frustrated. Like no one cares about me or
what I want. I'm always being told what to do.
Moorland: I understand, that's a very common feeling. But reacting in anger or
violence will only breed more negativity. We have to find healthier ways to gain
respect and feel heard. Does anyone have any ideas?
Yasmine: Maybe we could try listening to each other more and being kind?
Mo
1) The prisoners are meeting with their therapist Mr. Moorland for a session on respect. However, some of the prisoners like Carla are bored with the topic and want to move on.
2) When Mr. Moorland asks why respect is important, Nicole responds that the prisoners don't have respect and never will because they are now seen as criminals.
3) Carla remains disinterested and is looking at her nails, not engaged in the discussion. Sasha warns through gestures that Carla could get angry if pushed further on the topic.
1) Ms. Sullivan calls Boris into her office to ask him to find dirt on one of the prisoners to spread around the prison in order to liven things up.
2) Boris is hesitant as this would go against the rules, but Ms. Sullivan persuades him by giving him a shoulder massage.
3) Boris agrees to find the dirt in order to please Ms. Sullivan and get her to tell Mr. Watson what a good boy he is. Ms. Sullivan manipulates Boris into breaking the rules for her own amusement.
Cell Block 33 introduces the cast of characters for a prison drama, including the prisoners and guards. Carla is established as the leader of a gang who intimidates the new prisoners. One new prisoner, Yasmine, claims she was wrongly convicted of murder. The governor asks Boris to dig up dirt on a prisoner in exchange for praise from his crush, Mr. Watson, testing his willingness to break the rules.
The document provides a script for a play set in a women's prison, introducing the main characters including prisoners like Carla, Nicole, and Yasmine as well as guards. It describes interactions between the prisoners as new inmates are introduced, scenes with the governor and therapist, and Yasmine being shown to her new cell by the aggressive guard Watson.
Okay, let's try moving our discussion in a more positive direction. What
are some small ways each of you can show respect to others here?
Carla: I ain't showing respect to no one.
Moorland: Carla, respect is how you'll earn people's trust and a second chance.
Think about it - how can you start respecting others, just a little?
Carla sighs loudly but doesn't respond. The other inmates are also silent.
Moorland: Alright, let's end here for today. Think about respect over the week.
Our time is up - I'll see you all next session.
The inmates start filing out. Moorland
The document provides a script for a play set in a women's prison, Cell Block 33. It introduces the main characters, including the leader of a gang named Carla and three new inmates. In the first scene, Carla establishes dominance over the new inmates and warns them of the rules. One new inmate, Yasmine, claims she was wrongly convicted of murder. In the second scene, the governor asks a guard named Boris to spy on the other guards in exchange for her favor with the lead guard, Mr. Watson.
(To Carla) Let's try to listen respectfully and give others a chance to share.
Moorland: Nicole, please continue. How does the lack of respect make you feel?
Nicole: It makes me feel angry and frustrated. Like no one cares about me or
what I want. I'm always being told what to do.
Moorland: I understand, that's a very common feeling. But reacting in anger or
violence will only breed more negativity. We have to find healthier ways to gain
respect and feel heard. Does anyone have any ideas?
Yasmine: Maybe we could try listening to each other more and being kind?
Mo
1) The prisoners are meeting with their therapist Mr. Moorland for a session on respect. However, some of the prisoners like Carla are bored with the topic and want to move on.
2) When Mr. Moorland asks why respect is important, Nicole responds that the prisoners don't have respect and never will because they are now seen as criminals.
3) Carla remains disinterested and is looking at her nails, not engaged in the discussion. Sasha warns through gestures that Carla could get angry if pushed further on the topic.
1) Ms. Sullivan calls Boris into her office to ask him to find dirt on one of the prisoners to spread around the prison in order to liven things up.
2) Boris is hesitant as this would go against the rules, but Ms. Sullivan persuades him by giving him a shoulder massage.
3) Boris agrees to find the dirt in order to please Ms. Sullivan and get her to tell Mr. Watson what a good boy he is. Ms. Sullivan manipulates Boris into breaking the rules for her own amusement.
Cell Block 33 introduces the cast of characters for a prison drama, including the prisoners and guards. Carla is established as the leader of a gang who intimidates the new prisoners. One new prisoner, Yasmine, claims she was wrongly convicted of murder. The governor asks Boris to dig up dirt on a prisoner in exchange for praise from his crush, Mr. Watson, testing his willingness to break the rules.
The document provides a script for a play set in a women's prison, introducing the main characters including prisoners like Carla, Nicole, and Yasmine as well as guards. It describes interactions between the prisoners as new inmates are introduced, scenes with the governor and therapist, and Yasmine being shown to her new cell by the aggressive guard Watson.
Okay, let's try moving our discussion in a more positive direction. What
are some small ways each of you can show respect to others here?
Carla: I ain't showing respect to no one.
Moorland: Carla, respect is how you'll earn people's trust and a second chance.
Think about it - how can you start respecting others, just a little?
Carla sighs loudly but doesn't respond. The other inmates are also silent.
Moorland: Alright, let's end here for today. Think about respect over the week.
Our time is up - I'll see you all next session.
The inmates start filing out. Moorland
A fight breaks out between inmates Carla and Nicole in the prison dining hall after Yasmin accidentally bumps into Carla. Their argument escalates into a physical altercation as they start throwing punches at each other on the floor while other inmates gather around and cheer. The guards Watson and Borris rush in to separate the two fighters and take them, along with Yasmin, away to be locked in their cells for the night as punishment.
Jonas writes about an unexpected event that occurred at a community meeting. [1] The Chief Elder apologized for causing anxiety in the community, which Jonas had never witnessed before. [2] To Jonas's surprise and fear, the Chief Elder then called him on stage after apologizing. [3] She announced that Jonas had been selected as the new Receiver of Memory, a role meant for keeping the community's collective memories, replacing the previous Receiver who failed in his duties.
This screenplay summary introduces the main characters of Jason, Wendy, Gracie, and Will. Will receives a call from Jason saying Gracie has been kidnapped by a mafia led by Wendy Wilson. Jason recruits Will as a double agent to infiltrate Wendy's gang to rescue Gracie and bring down Wendy. Will meets with Wendy and impresses her with his loyalty to gain access to her gang. However, upon later confronting Jason, Will discovers files indicating Gracie may be dead, causing him to point his gun at Jason in anger and distrust.
This screenplay summary introduces the main characters of Jason, Wendy, Gracie, and Will. Will receives a call from Jason saying Gracie has been kidnapped by Wendy Wilson's mafia. Jason recruits Will, a former police officer, to go undercover and infiltrate Wendy's gang to rescue Gracie. Will impresses Wendy and passes her initiation test. However, when Will later confronts Jason, he finds files that reveal Gracie may be dead. Will points his gun at Jason in a rage, accusing Jason of lying to him all along.
Two inmates sneak into the prison administrator's office while it is empty and find files on all the inmates. They discover information about Carla that contradicts her story of why she is in prison. At recreation, the inmates confront Carla and threaten to beat her up. Nicole intervenes and gives a speech urging the inmates not to sink to Carla's level and to remember who they were before prison. Everyone disperses silently. Carla is later shown reflecting in her cell.
Four teenagers wake up in an abandoned school with no memory of how they got there. They are greeted by a distorted voice telling them they must complete deadly tests or they will die. One of the teenagers, Viktor, is found dead with a knife wound. The others suspect each other until they find a note on Viktor's body saying one of them is the killer. They realize they have been drugged and set against each other as part of a deadly game.
This document provides a template for a comprehensive psychiatric evaluation. It includes sections for subjective information such as the chief complaint, history of present illness, past psychiatric history, substance use history, and family history. Objective sections include the physical exam, diagnostic results, mental status examination, differential diagnoses, and reflections. The evaluation is to be completed for a psychiatric nursing course assignment and must follow APA style, include 5 references less than 5 years old, and have zero plagiarism.
A journalist named David interviews 10-year-old Sammie, who claims she witnessed her father Jason murder her mother in Sammie's bedroom two years ago. Sammie refuses to leave the bedroom. That night, Jason secretly moves Sammie to his bedroom while she sleeps. Sammie disappears and cuts Jason, threatening to kill him like he killed her mother. Jason searches the flat but cannot find Sammie. He is then stabbed in the living room. The ending credits reveal that David's interview with Sammie was actually recorded, and Sammie confesses to David that she plans to kill her father for murdering her mother.
Andy wakes up in a strange room where a disembodied voice tells him it has been watching him and knows all about his mistakes and wrongdoings. The voice shows Andy visions of his poor past actions through painful sensations. Andy sees how he mistreated others for his own gain. The voice explains this place is for Andy to understand himself and change. It offers Andy a chance to see the impact of his death on someone he loves. Andy is shown his own body after a car accident and his grieving wife Mary. He realizes the error of his ways. The voice tells Andy someone is waiting for him, and they walk off together as credits roll.
This document appears to be a breakup letter from a person named Andres to an unnamed recipient. Andres thanks the person for the memories but says he feels nobody and uncared for when with them. Andres reveals he has realized he never loved this person and was just seeing his dream girl Lucia in them instead. Andres states he still loves Lucia and wants to be with her, fighting for her despite her being engaged to someone else named Daniel.
David must choose which of three girls, Michal, Abigail, or Ahinoam, to eliminate and pursue a relationship with. He goes on dates with each candidate. After struggling to decide between them, David chooses to pursue both Michal and Abigail instead of eliminating one of them.
Traditional murals in Kerala, India are painted on walls and ceilings using natural pigments and depict mythology and legends through gestures and scenes. Kerala has a unique mural tradition and holds the second largest collection of archaeological mural sites in India. Murals bring art to the public and Kerala's traditional style uses vegetable colors and natural pigments.
Non-traditional or modern graffiti art began as a way to communicate messages but is now considered vandalism by many. Graffiti has evolved from simple words to elaborate wall paintings using spray paint and markers. While some see it as art, others see it merely as property damage without the owner's permission. Graffiti originated in ancient times and is now also
Room 13 students created cultural tiles to display and share different aspects of their diverse cultures. They brainstormed ideas, carefully designed and created tiles representing cultures from China, India, Samoa and more. The tiles were sewn together into a quilt and displayed on the wall to educate others about the cultural backgrounds of students in Room 13.
Their most famous piece and why it was well knowsathma
Leonardo da Vinci created The Last Supper mural painting in Milan between 1495-1498 for his patron Duke Ludovico Sforza and his duchess Beatrice d'Este. It depicts the biblical scene from the Gospel of John of Jesus announcing his betrayal. Leonardo worked for the Duke of Milan for 18 years, and painted this piece both for financial reasons and at the Duke's request. The fresco was intended for a Catholic and Christian audience. To create it, Leonardo used experimental pigments applied directly onto the dry wall, differing from the typical fresco technique of applying pigments mixed with wet plaster.
2013: What to Expect and How to Succeed in the Year of the BuyerJohn Watton
The document discusses expectations for marketing in 2013, including:
1. Big data will start to focus on individual customers rather than aggregates, allowing for more personalized marketing.
2. Companies will invest more in unified marketing platforms centered around customer behavior and automation.
3. Content marketing will need to provide more personalized, uniquely relevant content as demanded by buyers.
4. Social media conversations will impact more marketing channels, from search to websites to email.
5. Customers will expect mobile-friendly experiences across more platforms.
6. Marketing departments will transform to focus on individualized conversations with buyers through new technologies.
The document shares a message with the reader about the value of friendship and spreading kindness. It tells the reader that they are special and important to others, reminding them that a simple email or message can brighten someone's day when they are feeling sad. It encourages the reader to pass the message along to at least four friends in order to spread more kindness in the world.
This document discusses different types of montages that can be used for live performances including theatrical, musical, and art exhibitions. It suggests montages can enhance live performances by interweaving filmed elements with the live elements on stage. A well-crafted montage engages the audience and helps tell the story or theme of the live performance.
Interactive dia3 (dl3) holsten english translationKonstellation
1) The document provides instructions for uploading a photo and filling out contact details to become the "Man of the Year" featured in a TV commercial and movie by Holsten Viral.
2) It allows the user to choose uploading a photo from Facebook, their personal computer, or via camera. It then guides the user through adjusting the photo within the frame and providing their name, email, city, and country contact details.
3) Finally, it prompts the user to join Holsten's fan page and club to receive updates and get access to share the movie video with friends via email, Facebook, or a URL link.
A fight breaks out between inmates Carla and Nicole in the prison dining hall after Yasmin accidentally bumps into Carla. Their argument escalates into a physical altercation as they start throwing punches at each other on the floor while other inmates gather around and cheer. The guards Watson and Borris rush in to separate the two fighters and take them, along with Yasmin, away to be locked in their cells for the night as punishment.
Jonas writes about an unexpected event that occurred at a community meeting. [1] The Chief Elder apologized for causing anxiety in the community, which Jonas had never witnessed before. [2] To Jonas's surprise and fear, the Chief Elder then called him on stage after apologizing. [3] She announced that Jonas had been selected as the new Receiver of Memory, a role meant for keeping the community's collective memories, replacing the previous Receiver who failed in his duties.
This screenplay summary introduces the main characters of Jason, Wendy, Gracie, and Will. Will receives a call from Jason saying Gracie has been kidnapped by a mafia led by Wendy Wilson. Jason recruits Will as a double agent to infiltrate Wendy's gang to rescue Gracie and bring down Wendy. Will meets with Wendy and impresses her with his loyalty to gain access to her gang. However, upon later confronting Jason, Will discovers files indicating Gracie may be dead, causing him to point his gun at Jason in anger and distrust.
This screenplay summary introduces the main characters of Jason, Wendy, Gracie, and Will. Will receives a call from Jason saying Gracie has been kidnapped by Wendy Wilson's mafia. Jason recruits Will, a former police officer, to go undercover and infiltrate Wendy's gang to rescue Gracie. Will impresses Wendy and passes her initiation test. However, when Will later confronts Jason, he finds files that reveal Gracie may be dead. Will points his gun at Jason in a rage, accusing Jason of lying to him all along.
Two inmates sneak into the prison administrator's office while it is empty and find files on all the inmates. They discover information about Carla that contradicts her story of why she is in prison. At recreation, the inmates confront Carla and threaten to beat her up. Nicole intervenes and gives a speech urging the inmates not to sink to Carla's level and to remember who they were before prison. Everyone disperses silently. Carla is later shown reflecting in her cell.
Four teenagers wake up in an abandoned school with no memory of how they got there. They are greeted by a distorted voice telling them they must complete deadly tests or they will die. One of the teenagers, Viktor, is found dead with a knife wound. The others suspect each other until they find a note on Viktor's body saying one of them is the killer. They realize they have been drugged and set against each other as part of a deadly game.
This document provides a template for a comprehensive psychiatric evaluation. It includes sections for subjective information such as the chief complaint, history of present illness, past psychiatric history, substance use history, and family history. Objective sections include the physical exam, diagnostic results, mental status examination, differential diagnoses, and reflections. The evaluation is to be completed for a psychiatric nursing course assignment and must follow APA style, include 5 references less than 5 years old, and have zero plagiarism.
A journalist named David interviews 10-year-old Sammie, who claims she witnessed her father Jason murder her mother in Sammie's bedroom two years ago. Sammie refuses to leave the bedroom. That night, Jason secretly moves Sammie to his bedroom while she sleeps. Sammie disappears and cuts Jason, threatening to kill him like he killed her mother. Jason searches the flat but cannot find Sammie. He is then stabbed in the living room. The ending credits reveal that David's interview with Sammie was actually recorded, and Sammie confesses to David that she plans to kill her father for murdering her mother.
Andy wakes up in a strange room where a disembodied voice tells him it has been watching him and knows all about his mistakes and wrongdoings. The voice shows Andy visions of his poor past actions through painful sensations. Andy sees how he mistreated others for his own gain. The voice explains this place is for Andy to understand himself and change. It offers Andy a chance to see the impact of his death on someone he loves. Andy is shown his own body after a car accident and his grieving wife Mary. He realizes the error of his ways. The voice tells Andy someone is waiting for him, and they walk off together as credits roll.
This document appears to be a breakup letter from a person named Andres to an unnamed recipient. Andres thanks the person for the memories but says he feels nobody and uncared for when with them. Andres reveals he has realized he never loved this person and was just seeing his dream girl Lucia in them instead. Andres states he still loves Lucia and wants to be with her, fighting for her despite her being engaged to someone else named Daniel.
David must choose which of three girls, Michal, Abigail, or Ahinoam, to eliminate and pursue a relationship with. He goes on dates with each candidate. After struggling to decide between them, David chooses to pursue both Michal and Abigail instead of eliminating one of them.
Traditional murals in Kerala, India are painted on walls and ceilings using natural pigments and depict mythology and legends through gestures and scenes. Kerala has a unique mural tradition and holds the second largest collection of archaeological mural sites in India. Murals bring art to the public and Kerala's traditional style uses vegetable colors and natural pigments.
Non-traditional or modern graffiti art began as a way to communicate messages but is now considered vandalism by many. Graffiti has evolved from simple words to elaborate wall paintings using spray paint and markers. While some see it as art, others see it merely as property damage without the owner's permission. Graffiti originated in ancient times and is now also
Room 13 students created cultural tiles to display and share different aspects of their diverse cultures. They brainstormed ideas, carefully designed and created tiles representing cultures from China, India, Samoa and more. The tiles were sewn together into a quilt and displayed on the wall to educate others about the cultural backgrounds of students in Room 13.
Their most famous piece and why it was well knowsathma
Leonardo da Vinci created The Last Supper mural painting in Milan between 1495-1498 for his patron Duke Ludovico Sforza and his duchess Beatrice d'Este. It depicts the biblical scene from the Gospel of John of Jesus announcing his betrayal. Leonardo worked for the Duke of Milan for 18 years, and painted this piece both for financial reasons and at the Duke's request. The fresco was intended for a Catholic and Christian audience. To create it, Leonardo used experimental pigments applied directly onto the dry wall, differing from the typical fresco technique of applying pigments mixed with wet plaster.
2013: What to Expect and How to Succeed in the Year of the BuyerJohn Watton
The document discusses expectations for marketing in 2013, including:
1. Big data will start to focus on individual customers rather than aggregates, allowing for more personalized marketing.
2. Companies will invest more in unified marketing platforms centered around customer behavior and automation.
3. Content marketing will need to provide more personalized, uniquely relevant content as demanded by buyers.
4. Social media conversations will impact more marketing channels, from search to websites to email.
5. Customers will expect mobile-friendly experiences across more platforms.
6. Marketing departments will transform to focus on individualized conversations with buyers through new technologies.
The document shares a message with the reader about the value of friendship and spreading kindness. It tells the reader that they are special and important to others, reminding them that a simple email or message can brighten someone's day when they are feeling sad. It encourages the reader to pass the message along to at least four friends in order to spread more kindness in the world.
This document discusses different types of montages that can be used for live performances including theatrical, musical, and art exhibitions. It suggests montages can enhance live performances by interweaving filmed elements with the live elements on stage. A well-crafted montage engages the audience and helps tell the story or theme of the live performance.
Interactive dia3 (dl3) holsten english translationKonstellation
1) The document provides instructions for uploading a photo and filling out contact details to become the "Man of the Year" featured in a TV commercial and movie by Holsten Viral.
2) It allows the user to choose uploading a photo from Facebook, their personal computer, or via camera. It then guides the user through adjusting the photo within the frame and providing their name, email, city, and country contact details.
3) Finally, it prompts the user to join Holsten's fan page and club to receive updates and get access to share the movie video with friends via email, Facebook, or a URL link.
Reinventing Marketing in the Age of DigitalJohn Watton
The document discusses reinventing marketing in the age of digital. It notes that personalization using consumer data can increase conversion rates, revenue per visitor, and sales. However, the average consumer is exposed to many marketing messages each day, creating noise. Modern buyers have more choice, control multiple online sources, and 70% of business purchases are researched online before contacting vendors. Most IT buyers and web visitors will soon use mobile. To be effective, marketing must deliver the right message at the right time through the right channel using personalization at scale to account for these new realities of digital marketing.
This document provides best practices for designing effective email newsletters based on benchmark email marketing data from 2006. Key recommendations include using company branding in the subject line and logo placement, including both text and image links to boost click rates, and testing designs in various previews before sending. For content, the document advises focusing on helpful tips, answering specific questions from readers, and keeping articles short with an emphasis on reader benefits.
Este documento presenta una serie de "leyes inexorables" o principios que describen situaciones comunes de la vida cotidiana en las que las cosas tienden a salir mal o no como se planea. Algunas de estas leyes incluyen que siempre sonará el teléfono cuando estás en la bañera, que perderás las llaves cuando necesites abrir una puerta con una sola mano disponible, y que llegarás justo a tiempo para escuchar cómo cuelgan el teléfono. En general, estas leyes sugieren que hay fuerzas más allá de nuestro control que a men
This document contains a single name - Catalina Varela. No other information is provided about this person. The document gives no context or details about who Catalina Varela is.
This mural depicts the birth of Jesus Christ in Bethlehem. It shows the place and time period of his birth and portrays people gathering around the newborn holy child. The purpose is to educate new generations about the history of Catholicism and the story of Jesus's birth, as well as represent the church as a sacred place.
The document analyzes data from a questionnaire about interests in live performances. It finds that the 10-15 age group participated most and the 25-30 age group participated least. It also found that females outnumbered and were more interested in live performances than males based on the questionnaire. Most participants had been to a live performance before. Musicals and comedy received more interest than other genres like art. The most popular performance venues and artist types were also identified to help decide what content would appeal most to audiences.
(To Carla) I understand you're bored, but respect is an important topic that can help improve relationships and the environment here. Perhaps sharing how you genuinely feel could help move the discussion forward in a meaningful way.
Carla: Fine. I don't feel respected here. The guards treat us like crap and think they can do what they want. And these so called "therapy" sessions are a joke. No one really cares what we think.
Moorland: I can understand feeling that way Carla. It's not easy being in this environment. But my role is to try and help however I can. Why don't you tell me more about what would make you feel respected? Really listening to understand different
The document provides a script for a play set in a women's prison, Cell Block 33. It introduces the main characters, including the leader of a gang named Carla and three new inmates. In the first scene, Carla establishes dominance over the new inmates and warns them of the rules. One new inmate, Yasmine, claims she was wrongly convicted of murder. In the second scene, the governor asks a guard named Boris to spy on the other guards in exchange for her favor with the lead guard, Mr. Watson.
Okay, let's try moving our discussion in a more positive direction. What
are some small ways each of you can show respect to others here?
Carla: I ain't showing respect to no one.
Moorland: Carla, respect is how you'll earn people's trust and a second chance.
Think about it - how can you start respecting others, just a little?
Carla sighs loudly but doesn't respond. The other inmates are also silent.
Moorland: Alright, let's talk about something else then. Whitney, how are you
finding the art therapy classes? Anything you'd like to share about what you're
working on?
Whitney
Vanya introduces himself as Uncle Vanya, noting the negative connotations of the word "uncle". He describes different archetypes at a restaurant - the schlemiel who spills soup, the schlimazel it gets spilled on, and the "schmo", an uncomfortable outsider. Vanya says he's not the schmo, but rather "Yet Another Other Guy" who isn't even at the restaurant but obsessively thinks about it. The Professor, Pickles, Sonia and Ella return from a walk, with the Professor praising Sonia's garden, though noting it's not as beautiful as the Swiss Alps.
The document summarizes a scene from the play "Cell Block 33". It describes a therapy session led by Mr. Moorland in the prison. The session aims to discuss respect but the prisoners are disruptive and argue with each other. Carla and Nicole in particular get into a heated argument. Moorland tries to calm them down but ends the session frustrated, knowing he needs to find a better way to get through to the prisoners.
Maurio Coles' New Nightmare in the Hood (screenplay)Maurio Coles
Teena tells her brother Deucalion about her nightmare involving their friend Minnie's death. She describes in detail an incident she and Minnie experienced previously where they encountered a killer named Jaxon Volker at an abandoned campsite. Though they escaped, Teena has been having nightmares and a bad feeling since then. She wonders if Minnie's death could be connected to someone associated with Jaxon seeking revenge. Deucalion listens and questions if Minnie's killer could indeed be linked to the past encounter.
Detective Franklin Hall returns to work after time off to find Chief Inspector Bruce interrogating a serial killer named Benjamin En'Zolo. En'Zolo admits to killing 21 people he deemed "unclean." Hall storms out upset, but later learns from Bruce that he let En'Zolo go, believing he can help rid the city of criminals. Hall accuses Bruce of being as mad as En'Zolo and potentially causing more deaths. Bruce argues they need En'Zolo to help with criminals they cannot catch, showing he has lost faith in the system.
Detective Franklin Hall has returned to work after time off following the death of his wife. He is questioning serial killer Benjamin En'Zolo about the murders of 21 people. En'Zolo claims the victims were criminals who deserved to die. When Hall leaves upset, Chief Inspector Bruce remains behind. Bruce has secretly let En'Zolo go free, believing he is doing what the police cannot by ridding the city of dangerous criminals. Hall is furious to discover En'Zolo has escaped. Bruce admits he freed En'Zolo, feeling the killer is doing important work protecting the innocent that the police cannot always do due to rules and corruption within the force.
Detective Franklin Hall has returned to work after time off following the death of his wife. He is questioning serial killer Benjamin En'Zolo about the murders of 21 people. En'Zolo claims the victims were criminals who deserved to die. When Hall leaves upset, Chief Inspector Bruce remains behind. Bruce has secretly let En'Zolo go free, believing he is doing what the police cannot by ridding the city of dangerous criminals. Hall is furious to discover En'Zolo has escaped. Bruce admits he freed En'Zolo, arguing they cannot catch all criminals and some police are corrupt, so En'Zolo is doing what is needed to truly protect the innocent.
The group goes into the forest to celebrate the life of Ana's sister Eva, who disappeared there two years ago along with three friends. While camping near Eva's favorite oak tree, Matt tells a local legend about an asylum patient who was burned alive in the forest after murdering her family and tormenting others with an strange book. Ana becomes worried that the legend may be connected to Eva's disappearance. Later, the group decides to explore the ruins of the old asylum mentioned in the story.
The document provides an overview of three scenes from a film or story. In the first scene, a girl is running terrified through a dark forest at night, injured and lost. In the second scene, two friends prepare to go to the forest to commemorate the disappearance of one of the girl's sisters two years prior. In the third scene, a group of friends including the two girls arrive at the forest under the guise of celebration but with an underlying tension about what may have happened to the missing sister.
The document provides an overview of three scenes from a film or story. In the first scene, a girl is running terrified through a dark forest at night. She stops, calls out a name, and the camera blurs. In the second scene, Anastasia tells her friend Sophia about how her sister disappeared in the forest two years ago. In the third scene, the group has arrived at the forest to celebrate Anastasia's sister's life and in the hopes that she may return. They begin walking into the dark forest together.
This drama depicts a youth group dealing with the influence of worldly friends. Boyo warns her brother Maga and friend Frendy against hanging out with peers engaged in sinful activities like drugs, dancing, and partying. At Frendy's birthday party, Maga and the others are given drugs by Jojo and end up in dangerous condition. Frendy and a delirious Maga come to Boyo for help, showing the negative effects of disobeying biblical teachings to avoid sinful influences. Boyo prays for Maga and warns them both about the dangers of unequal yoking described in scripture.
This document provides an overview of several storylines within a Sims game. It introduces Simon, who had an ectopic pregnancy, and his daughter Sally. It also mentions Charlotte and Dante bringing home friends from school, including redheaded girls. Finally, it notes some strange glitches occurring, such as a breastfeeding censor blur involving Anne and Sally, suggesting a game rebuild is needed. The summary is wrapped up in 3 sentences or less.
Detective Franklin Hall returns to work after time off following the death of his wife. He interrogates serial killer Benjamin En'Zolo, who claims to be a "janitor" cleaning the city of sinful people. En'Zolo overpowers Chief Inspector Bruce in the interrogation. Later, Hall discovers Bruce released En'Zolo, believing he effectively cleans the streets of criminals. Hall accuses Bruce of endangering citizens by freeing the killer.
The guards were having tea and joking around. Joe spiked the tea with something to lighten the mood. Under the influence, the guards began joking harshly. Boris expressed frustration with his boss Mr. Watson, not feeling respected. Mr. Watson overheard and was angry, tearing up a certificate for Boris. He scolded the guards for slacking off. Later, Mr. Watson ran into the governor, Ms. Sullivan, and asked her out for dinner, which she accepted.
The document appears to be a script for a horror film involving three teenage girls who explore an abandoned mental hospital for fun. While conducting a prank ritual inside, strange events occur, and all three girls as well as one of the boy's friends begin experiencing frightening supernatural occurrences. They meet with a woman who claims to be able to help, but she flees, warning that they have gotten themselves into something too dark. Later, at one of the girl's homes, bizarre noises and a dark figure are seen, and the friends begin disappearing one by one.
The document appears to be a script for a horror story involving three friends - Honey, Leah, and Rebecca - who explore an abandoned mental hospital for fun. At the hospital, Rebecca suggests they perform a ritual to curse Leah's boyfriend as a prank. During the ritual, strange events occur, frightening the girls. Later, all four friends - including Leah's boyfriend Trey - experience scary encounters with a dark figure. They meet to discuss these experiences with Elise, a friend of Honey's who can supposedly help explain what is happening.
Nancy is introduced as Gerard's new transitional therapist. Gerard is reluctant to undergo the process after his wife Gloria, Nancy's mentor, died by suicide seven years ago. Nancy meets Gerard's family and tries to get him to open up about Gloria and his reluctance to succeed, but Gerard remains hostile. Their discussion reveals lingering tensions over Gloria's death and the philosophy of the Bureau of Humane Succeeding.
This document provides an evaluation of a group presentation project. It describes various challenges the group faced in preparing and delivering their presentation, as well as their solutions. They struggled to obtain necessary materials on the day of the presentation but improvised solutions. During rehearsal, they improved their script and addressed clarity issues. Right before the presentation, each member took on tasks like setting up technology, arranging refreshments, and hanging photos. Though some photos fell down during the presentation, they carried on smoothly and received good feedback from their audience. Overall, the presenter felt the group completed the challenge well and they gained valuable experience.
This PowerPoint presentation is advertising an event about creativity that will take place on Tuesday March 27th, 2012 from 3:30-4:15pm in room B1O6. The presentation aims to appeal to creative people who enjoy music, art, and getting inspired by creative works.
The document allocates roles for promoting an event. Rajan Handa is responsible for posters, Sathma Nugera is responsible for e-mails/letters and interior design, Logan Jones is responsible for the PowerPoint presentation and script, Khatra Ahmed is responsible for advertisements, and Marie Hughes is responsible for flyers and is the production manager. The document also outlines the specific tasks for the interior designer role, which includes researching styles and materials, presenting designs, creating a schedule, and getting feedback. It also lists tasks for the e-mails/letters role such as sending reminders about the event details.
Designs for three different types of publicity/Letter sathma
Sathma Nugera invites teachers and students to a presentation by the level one Creative and Media students on March 27th at 3:30pm in music room B106. Last year, the Creative and Media students revamped the music practice rooms by creating inspirational murals. They would like to share the results of this project and the process through a brief presentation, with refreshments provided. Teachers and students interested in attending should speak to Miss Saroya.
Designs for three different types of publicity/Lettersathma
Sathma Nugera invites teachers and students to a presentation by the level one Creative and Media students on March 27th at 3:30pm in music room B106. Last year, the Creative and Media students revamped the music practice rooms by creating inspirational murals. They would like to share the results of this project and the process through a brief presentation, with refreshments provided. Teachers and students interested in attending should speak to Miss Saroya.
Sathma Nugera invites teachers and students to a presentation by the level one Creative and Media students on March 27th at 3:30pm in music room B106. Last year, the Creative and Media students revamped the music practice rooms by creating inspirational murals. They would like to share the results of this project and the process through a brief presentation, with refreshments provided. Teachers and students interested in attending should speak to Miss Saroya.
Six different ways to publicize an event are described: posters, leaflets, emails, PowerPoint presentations, invitation cards, and banners. Each method has pros such as being clear, straight-forward, engaging, quick, easy to present or hand out, and appealing through use of images or colors. However, each also has cons like the risk of materials being lost, torn, or not noticed due to size, weather, or brevity. The document compares key benefits and limitations of common publicity options.
Sathma Nugera invites teachers and students to a presentation by the level one Creative and Media students on March 27th at 3:30pm in music room B106. Last year, the Creative and Media students revamped the music practice rooms by creating inspirational murals. They would like to share the results of this project and the process through a brief presentation, with refreshments provided. Teachers and students interested in attending should speak to Miss Saroya.
3 different methods to publicise our presentationsathma
E-mail, posters, and a short video are proposed methods to publicize a presentation. E-mail is an easy way to reach a wide audience quickly and correct any errors. Posters can creatively grab attention and leave a good first impression, showcasing creative abilities. While taking longer to create, a short video would allow audiences to easily recognize creativity and enjoy the video, encouraging attendance at the presentation.
The timings of what will happen on presentation daysathma
The document outlines a schedule for a presentation including tasks like covering walls with paper, editing handouts and scripts, rehearsing the presentation, setting up the room, and preparing refreshments. Various individuals are assigned different preparation tasks like Marie editing the script, Sathma setting up tables and ensuring the venue is ready, and Rajan creating a playlist of music. The schedule includes breaks and runs from 10:05am to 3:30pm.
The design for a smart board setup was disagreed with by a team for three key reasons: 1) the audience would not be able to see the presentation properly due to the layout, 2) it would be difficult for presenters to reach the computer, and 3) the overall setup would be hard to navigate.
This design for a presentation setup was not approved because the tables and chairs were arranged in a way that would block the audience's view of the presentation. There was also too much empty space in the design. The design included a piano, smart board, computer, tables, chairs, and fixed tables but it did not provide a clear view for the audience.
Interior design 1/the chosen interior design for the presentation sathma
The document describes an arrangement of furniture and equipment in a room, including a piano near the entrance, food tables next to the entrance, fixed tables, a smart board at the front of the room in a 'U' shape facing chairs, and images hung above the food tables. The described layout was intended to allow easy access to refreshments for people entering the room and to facilitate viewing of a presentation on the smart board from the seated audience area.
The document contains a schedule for organizing an art exhibition with assigned tasks, deadlines, and individuals responsible. Key tasks included completing minutes, creating a production schedule, risk assessment, designing a logo, arranging the venue, creating a PowerPoint presentation, drawing interior designs, getting feedback, informing the audience, ordering materials, and practicing the presentation. Marie, Khatra, Sathma, Rajan, and Logan were assigned various responsibilities and reported on completed work on different dates leading up to the exhibition.
The document provides information on how to reduce or prevent common risks when painting, what actions to take if dangers occur, and assigns a level of risk to each situation. It lists risks such as spilling paint on the carpet, falling off a ladder, getting paint on a school uniform, and becoming nauseous. For each risk, it suggests ways to reduce the risk like putting down a sheet, having someone hold the ladder, wearing spare clothes or an apron, and wearing a mask. It also lists actions to take if the risks occur, like immediately cleaning paint spills, taking a break if hurt, washing paint off clothes or using spirits, and going outside for fresh air. Each risk is assigned a color coded risk level
This document lists materials needed for a project including colored twine to hang pictures on roofs, a reading lamp for spot lighting images, display paper in white and red to cover walls, staples and a staple gun to attach paper to walls, colored acetate paper to cover lights and darken backgrounds, and blue tack to stick laminated images.
The document provides evidence related to planning for interior designs. It likely contains details about design concepts, materials, budgets, and timelines. The evidence in the document was presumably collected to aid in the planning and execution of interior design projects.
Roles on the actual day (what we have to do)sathma
The document assigns roles and tasks to different people for an art exhibition event taking place on Tuesday. Sathma is tasked with setting up the venue for the theme of the art exhibition. During the second lesson, others will help Sathma set up the venue, while Rajan creates an attendance spreadsheet and Logan researches music. In the third lesson, they will continue setting up and do technical work. They will then rehearse the presentation during the third lesson and lunch time. Afterschool, Sathma and Marie will finish preparations while Logan and Rajan prepare the presentation and sounds.
The minutes from a meeting on March 23rd, 2012 were summarized as follows:
The meeting attendees discussed preparations for an upcoming presentation, including finalizing guest lists, developing a questionnaire for the audience, and setting up the venue. Rajan was tasked with completing the guest list by Monday, while Khatra and Marie would start on the audience questionnaire. Sathma agreed to be responsible for setting up the venue for the presentation.
Your One-Stop Shop for Python Success: Top 10 US Python Development Providersakankshawande
Simplify your search for a reliable Python development partner! This list presents the top 10 trusted US providers offering comprehensive Python development services, ensuring your project's success from conception to completion.
UiPath Test Automation using UiPath Test Suite series, part 6DianaGray10
Welcome to UiPath Test Automation using UiPath Test Suite series part 6. In this session, we will cover Test Automation with generative AI and Open AI.
UiPath Test Automation with generative AI and Open AI webinar offers an in-depth exploration of leveraging cutting-edge technologies for test automation within the UiPath platform. Attendees will delve into the integration of generative AI, a test automation solution, with Open AI advanced natural language processing capabilities.
Throughout the session, participants will discover how this synergy empowers testers to automate repetitive tasks, enhance testing accuracy, and expedite the software testing life cycle. Topics covered include the seamless integration process, practical use cases, and the benefits of harnessing AI-driven automation for UiPath testing initiatives. By attending this webinar, testers, and automation professionals can gain valuable insights into harnessing the power of AI to optimize their test automation workflows within the UiPath ecosystem, ultimately driving efficiency and quality in software development processes.
What will you get from this session?
1. Insights into integrating generative AI.
2. Understanding how this integration enhances test automation within the UiPath platform
3. Practical demonstrations
4. Exploration of real-world use cases illustrating the benefits of AI-driven test automation for UiPath
Topics covered:
What is generative AI
Test Automation with generative AI and Open AI.
UiPath integration with generative AI
Speaker:
Deepak Rai, Automation Practice Lead, Boundaryless Group and UiPath MVP
Project Management Semester Long Project - Acuityjpupo2018
Acuity is an innovative learning app designed to transform the way you engage with knowledge. Powered by AI technology, Acuity takes complex topics and distills them into concise, interactive summaries that are easy to read & understand. Whether you're exploring the depths of quantum mechanics or seeking insight into historical events, Acuity provides the key information you need without the burden of lengthy texts.
5th LF Energy Power Grid Model Meet-up SlidesDanBrown980551
5th Power Grid Model Meet-up
It is with great pleasure that we extend to you an invitation to the 5th Power Grid Model Meet-up, scheduled for 6th June 2024. This event will adopt a hybrid format, allowing participants to join us either through an online Mircosoft Teams session or in person at TU/e located at Den Dolech 2, Eindhoven, Netherlands. The meet-up will be hosted by Eindhoven University of Technology (TU/e), a research university specializing in engineering science & technology.
Power Grid Model
The global energy transition is placing new and unprecedented demands on Distribution System Operators (DSOs). Alongside upgrades to grid capacity, processes such as digitization, capacity optimization, and congestion management are becoming vital for delivering reliable services.
Power Grid Model is an open source project from Linux Foundation Energy and provides a calculation engine that is increasingly essential for DSOs. It offers a standards-based foundation enabling real-time power systems analysis, simulations of electrical power grids, and sophisticated what-if analysis. In addition, it enables in-depth studies and analysis of the electrical power grid’s behavior and performance. This comprehensive model incorporates essential factors such as power generation capacity, electrical losses, voltage levels, power flows, and system stability.
Power Grid Model is currently being applied in a wide variety of use cases, including grid planning, expansion, reliability, and congestion studies. It can also help in analyzing the impact of renewable energy integration, assessing the effects of disturbances or faults, and developing strategies for grid control and optimization.
What to expect
For the upcoming meetup we are organizing, we have an exciting lineup of activities planned:
-Insightful presentations covering two practical applications of the Power Grid Model.
-An update on the latest advancements in Power Grid -Model technology during the first and second quarters of 2024.
-An interactive brainstorming session to discuss and propose new feature requests.
-An opportunity to connect with fellow Power Grid Model enthusiasts and users.
Webinar: Designing a schema for a Data WarehouseFederico Razzoli
Are you new to data warehouses (DWH)? Do you need to check whether your data warehouse follows the best practices for a good design? In both cases, this webinar is for you.
A data warehouse is a central relational database that contains all measurements about a business or an organisation. This data comes from a variety of heterogeneous data sources, which includes databases of any type that back the applications used by the company, data files exported by some applications, or APIs provided by internal or external services.
But designing a data warehouse correctly is a hard task, which requires gathering information about the business processes that need to be analysed in the first place. These processes must be translated into so-called star schemas, which means, denormalised databases where each table represents a dimension or facts.
We will discuss these topics:
- How to gather information about a business;
- Understanding dictionaries and how to identify business entities;
- Dimensions and facts;
- Setting a table granularity;
- Types of facts;
- Types of dimensions;
- Snowflakes and how to avoid them;
- Expanding existing dimensions and facts.
How to Get CNIC Information System with Paksim Ga.pptxdanishmna97
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Have you ever been confused by the myriad of choices offered by AWS for hosting a website or an API?
Lambda, Elastic Beanstalk, Lightsail, Amplify, S3 (and more!) can each host websites + APIs. But which one should we choose?
Which one is cheapest? Which one is fastest? Which one will scale to meet our needs?
Join me in this session as we dive into each AWS hosting service to determine which one is best for your scenario and explain why!
Threats to mobile devices are more prevalent and increasing in scope and complexity. Users of mobile devices desire to take full advantage of the features
available on those devices, but many of the features provide convenience and capability but sacrifice security. This best practices guide outlines steps the users can take to better protect personal devices and information.
Fueling AI with Great Data with Airbyte WebinarZilliz
This talk will focus on how to collect data from a variety of sources, leveraging this data for RAG and other GenAI use cases, and finally charting your course to productionalization.
Main news related to the CCS TSI 2023 (2023/1695)Jakub Marek
An English 🇬🇧 translation of a presentation to the speech I gave about the main changes brought by CCS TSI 2023 at the biggest Czech conference on Communications and signalling systems on Railways, which was held in Clarion Hotel Olomouc from 7th to 9th November 2023 (konferenceszt.cz). Attended by around 500 participants and 200 on-line followers.
The original Czech 🇨🇿 version of the presentation can be found here: https://www.slideshare.net/slideshow/hlavni-novinky-souvisejici-s-ccs-tsi-2023-2023-1695/269688092 .
The videorecording (in Czech) from the presentation is available here: https://youtu.be/WzjJWm4IyPk?si=SImb06tuXGb30BEH .
Driving Business Innovation: Latest Generative AI Advancements & Success StorySafe Software
Are you ready to revolutionize how you handle data? Join us for a webinar where we’ll bring you up to speed with the latest advancements in Generative AI technology and discover how leveraging FME with tools from giants like Google Gemini, Amazon, and Microsoft OpenAI can supercharge your workflow efficiency.
During the hour, we’ll take you through:
Guest Speaker Segment with Hannah Barrington: Dive into the world of dynamic real estate marketing with Hannah, the Marketing Manager at Workspace Group. Hear firsthand how their team generates engaging descriptions for thousands of office units by integrating diverse data sources—from PDF floorplans to web pages—using FME transformers, like OpenAIVisionConnector and AnthropicVisionConnector. This use case will show you how GenAI can streamline content creation for marketing across the board.
Ollama Use Case: Learn how Scenario Specialist Dmitri Bagh has utilized Ollama within FME to input data, create custom models, and enhance security protocols. This segment will include demos to illustrate the full capabilities of FME in AI-driven processes.
Custom AI Models: Discover how to leverage FME to build personalized AI models using your data. Whether it’s populating a model with local data for added security or integrating public AI tools, find out how FME facilitates a versatile and secure approach to AI.
We’ll wrap up with a live Q&A session where you can engage with our experts on your specific use cases, and learn more about optimizing your data workflows with AI.
This webinar is ideal for professionals seeking to harness the power of AI within their data management systems while ensuring high levels of customization and security. Whether you're a novice or an expert, gain actionable insights and strategies to elevate your data processes. Join us to see how FME and AI can revolutionize how you work with data!
In the rapidly evolving landscape of technologies, XML continues to play a vital role in structuring, storing, and transporting data across diverse systems. The recent advancements in artificial intelligence (AI) present new methodologies for enhancing XML development workflows, introducing efficiency, automation, and intelligent capabilities. This presentation will outline the scope and perspective of utilizing AI in XML development. The potential benefits and the possible pitfalls will be highlighted, providing a balanced view of the subject.
We will explore the capabilities of AI in understanding XML markup languages and autonomously creating structured XML content. Additionally, we will examine the capacity of AI to enrich plain text with appropriate XML markup. Practical examples and methodological guidelines will be provided to elucidate how AI can be effectively prompted to interpret and generate accurate XML markup.
Further emphasis will be placed on the role of AI in developing XSLT, or schemas such as XSD and Schematron. We will address the techniques and strategies adopted to create prompts for generating code, explaining code, or refactoring the code, and the results achieved.
The discussion will extend to how AI can be used to transform XML content. In particular, the focus will be on the use of AI XPath extension functions in XSLT, Schematron, Schematron Quick Fixes, or for XML content refactoring.
The presentation aims to deliver a comprehensive overview of AI usage in XML development, providing attendees with the necessary knowledge to make informed decisions. Whether you’re at the early stages of adopting AI or considering integrating it in advanced XML development, this presentation will cover all levels of expertise.
By highlighting the potential advantages and challenges of integrating AI with XML development tools and languages, the presentation seeks to inspire thoughtful conversation around the future of XML development. We’ll not only delve into the technical aspects of AI-powered XML development but also discuss practical implications and possible future directions.
1. Cell Block 33 1
Cell Block 33
Cast:
Prisoners:
Carla–Laden
Carla Gang:
Sasha – Zahra Printer
Tasha - Gabriella
Basha - Deborah
Nicole–Sara Khan
Yasmine– Prableen
Andi –Navina
Cash – Hazel
Whitney–Najma
Newbie 1 – SathmaNugera
Newbie 2 – NazishHussain
Inmate 1 – Marie Hughes
Inmate 2–Yasmine
Inmate 3 – Khatra
Inmate 4 – Payal
Inmate 5 – Sahi
Inmate 6 – Salma
Guards:
Ms Stella Sullivan–ParnyanIslamzadeh
Mr. Mitchell Watson–George Streather
Mr.Rajan Chandra–Jay Gohil
Mr. Joe Strang–Hassan
Mr. Boris McKenzie–Logan Jones
Therapist – Mr. Moorland–Michael McCauley
Extras:
Victim – Kate –
Boyfriend– Zak - Michael McCauley
Edited By George Streather (Director) and NazishHussain (Assistant Director)
2. Cell Block 33 2
Cell Block 33
Pre Show – JOE patrols up and down the balcony whilst BORIS walks up and down
the centre of the stage. A few prisoners hang around in various places on the stage
giving evil looks.
Scene 1– Marie
Welcome Song
You get 10 to 20 or life here, for murder in the first degree you will never get free
from cell block 33.
Guards:
We are guards here and we are disgusted
But we work here by force
And we get paid a lot
So we are
Saving you life
Welcome to our fine institution! Discipline works here, rewards make us all stay in line.
Welcome to the great justice system! We all behave now but watch out because we'll
get out in time.
1.
On the inside just one thing will matter, Hold your head up and don't be afraid. Stay
alert, watch for blades.
We will cut you and eat out your liver or threaten your children and friends if you end up
inside Watch your behind.
Guards:
We are guards here and we are disgusted
But we work here by force
And we get paid a lot
So we are
Saving your life
Welcome to our fine institution! Discipline works here, rewards make us all stay in line.
Welcome to the great justice system! We all behave now but watch out We all behave
now but watch out We all behave now but watch out Cause we'll get out in time!
WATSON and CHANRA enter with the 3 newbie’s.
Watson :(to the prisoners) Oi Ladies, fresh meat!
WATSON starts to walk out butCHANDRA is day dreaming.
Watson:Chandey… Chandey… Chandey!!
Edited By George Streather (Director) and NazishHussain (Assistant Director)
3. Cell Block 33 3
Chandra: Oh sorry, I wasn’t listening.
Watson:(Points and shout)Pay more attention Chandey!
Chandra: It’s Chandra sir.
Watson: It’s all the same isn’t it! Come on let’s leave them to it!
Chandra: Bye ladies enjoy your day and may I just say how wonderful you all
look in your outfits and-
Watson:-CHANDREY!
Chandra: Coming Sir…
CHANDRA runs after WATSON and exits.
CARLA and her gang start to surround the NEWBIES in a rotating circle. CARLA
steps forward so she’s face to face with the 3 girls and circles them.
YASMINE hides behind other NEWBIES and isn’t noticed by CARLA.
Carla:Oi you(To newbie 1) what you in for?
Tasha: She said what you in for?
Newbie 1:(Confidently) Murder
Carla:Not Bad. (Looking pleased)
Sasha: Not bad at all!
Carla:what about you?(looks at newbie 2)
Newbie 2:(Embarrassed) Drink driving
Carla and her gang start to laugh. When Carla stops laughing her gang stop
laughing too, except one who Carla looks at and she stops.
Carla: Listen yeh, this is MY territory, I rule this place no one else!
All the newbie’s look scared
Carla: Do you understand me?!
No one reply’s
Sasha: Do you understand her?
Carla:(Gets in one of the newbie’sfaces, angry voice) I said do you understand me?!
Edited By George Streather (Director) and NazishHussain (Assistant Director)
4. Cell Block 33 4
(All the newbie’s):YES, YES DEFINITELY!
Carla:(Aggressive)I’m Carla yeah. This is (Points to other 3 girls)Sasha, Tasha
and (Pause) Basha.
Tasha moves forward to hit Newbie 1 but Carla grabs her.
Carla: What the hell you doing?
Tasha: You said bash her!
Carla: Na! That’s her name (Pointing to Basha.
Tasha: Oh yeah, soz I forgot.
Carla: You Twit!
Newbie 1 laughs
Sasha: What the hell you laughing at?
Newbie 1:(Scared) Nothing Sorry.
Carla: Whatever! Just a few rules so you don’t get in my way…When I arrive for
meals, you move out the way ,if I ask you for something you give it to me and if i
say something funny, you BLOODY laugh. And if you don’t do any of these, your
dead meat! GOT IT?
Tasha: Got it have you!
All newbie’s shake their heads up and down.
Carla:Good, enjoy your stay losers! And watch it!(smirking)
Sasha: Yeah, Just watch it!
CARLA and Gang leave followed by the other prisoners. Only the 3 Newbie’s remain
on stage.
New 1:(sarcastically) well they seem nice.
New 2: Shut the hell up would you. God how we gonna survive in this place?
New 1: Yea, (Looking at Yasmine)and how come she missed you out?
Yasmine:(Scared) just lucky I guess.
New 1: What you in here for anyway?
Edited By George Streather (Director) and NazishHussain (Assistant Director)
5. Cell Block 33 5
Yasmine:(quietly) murder
New 2:(looking her up and down) you don’t seem the type.
Yasmine:I’m innocent… It wasn’t me, I’m not meant to be in here. I didn’t
murder anyone!
New 1:(sarcastically) yea, sure you didn’t
Yasmine: But I didn’t… I wouldn’t… I couldn’t.
New 2: So what happened then?-
New 1:-Yea, how can you get nicked for something you didn’t do?
Yasmine stand silently, fumbling with her hands
New 2: Oh come on…(getting annoyed)
Yasmine: I was just walking home and I heard this scream-so I ran over and
foundthis person lying on the floor…She was still alive you see, so I knelt down
and held her and she died in my arms (puts her hand to head, and turns away
momentarily from the newbies) The next thing I know there’s Police all around
me and they arrested me. (Crying) They put me in here(points to the floor) and I
didn’t do it… I honestly didn’t do it …and I’m going to be stuck in here for life.
Yasmine breaks down into tears
New 2: Look (goes over to Yasmine, and puts hand on her shoulder to comfort her)
maybe someone will find something-
New 1:You just have to keep your head down. That Carla really does look vicious.
Watson, Joe and Boris walk into the room.
Watson: Right you two, (To Newbie’s) go with Joe and Boris. You(looks at
Yasmine), what’s your name?
Yasmine:Yasmine sir.
Watson: You come with me. The Governor wants a word.
They all exit in opposite directions.
Scene 2 – Logan
Edited By George Streather (Director) and NazishHussain (Assistant Director)
6. Cell Block 33 6
Governor’s office;Ms SULLIVAN (the Governor) sitsat her desk looking very bored
and wants something exciting to happen. BORISenters the room.
Boris: You wanted to see me Governor?
Sullivan:Yes I did McKenzie, please take a seat and please, call me Ms.
Sullivan.
Boris: Oh! Ok you can call me Boris if you like?
Sullivan:(Sniggers to herself) I’d rather not thank you. (Gesturing to chair)Please
take a seat.
Boris:Thank you Ms. Sullivan (Sits down)
There is an awkward silence, which makes BORIS uncomfortable.Ms SULLIVAN
finally starts to speak.
Sullivan: Ok I’m going to get to the point and tell you why I’ve sent for you.
She stands up from her desk and starts to walk around the room.
Sullivan:You have been working for us for a while and according to Mr. Watson-
As soon as she says Mr. WATSON, BORIS jumps out of his seat and becomes excited
like a puppy
Boris: - MR. WATSON!!! What did he say about me? Did he say he was impressed
with my skills? Did he say I gave him sharp answers in best training? Or did he
say how much I remind him of himself in his younger days?
Sullivan:(sarcastically)Let me think ummmm… NO (gets serious) He actually said
you’re a show off and that you are nothing but a useless pathetic swine who does
nothing but follow him around all day.
Boris:(shocked) Mr. Watson said that?
BORIS is shocked and then bursts into tears. Ms. SULLIVAN comforts him by putting
his head on her chest and holds him.
Sullivan: There, there; it will be all right, Ms. Sullivan will make everything
better. (She starts stroking his hair.)
Boris:(Boris starts sobbing like a pathetic child) I just wanted him to like me Ms.
Sullivan, is that too much to ask?
Sullivan: Of course not McKenzie; I tell you what, if you do something for me I
will put in a good word with Mr. Watson.Howdoes that sound?
Edited By George Streather (Director) and NazishHussain (Assistant Director)
7. Cell Block 33 7
Boris:What do I need to do?
Sullivan:(Ms. Sullivan is still stroking his hair) Oh nothing much.Just keep an eye
out for anything the other guards are up to that isn’t f the other guards are up to
that isn’t quite in the rule book. Especially Joe!
Boris: but, but …. That’s like spying! They don’t tell us to do that in ‘best
training’. What if Mr. Watson finds out, what if……
Ms. SULLIVAN smoothly puts her finger on BORIS mouth so he knows she wants
him to be quiet
Sullivan:(Sexy tone of voice) you do want to make me happy don’t you McKenzie
Boris:(Boris hesitates) but…. but…. Mr. Watson? What if he-
Ms. SULLIVAN feels Boris’s hand
Sullivan:-Oh my goodness!! You poor dear, you’re shaking like a leaf, let me help
you relax…
Boris:Ms. Sullivan I am sorry but, but,
SULLIVAN interrupts BORIS
Sullivan:(flirtatiously) you know young man; I alwaysget what I want!
Boris: Oh I bet you do Ms Sullivan!!! (Boris is enjoying the massage)
Sullivan: You do want to make me happy and make me tell Mr. Watson what a
good boy you are? Right…
Boris:Ohhhhhhhhh YES Ms Sullivan!!! (Boris is REALLY enjoying the massage)
Sullivan:Get out of here and keep your eyes open!
Boris:Ohhhhhhhmyyyy god yes, yes, yes! (He pulls out his note book with a pen
and runs off)
Exit BORIS
WATSON and YASMINE enter the office. Ms SULLIVAN goes back to her desk and
sits down.
Sullivan: Oh, I see and what’s her name?
Yasmine: My name is Yasmine!
Edited By George Streather (Director) and NazishHussain (Assistant Director)
8. Cell Block 33 8
Watson:(Shouting at Yasmine.) Only speak if the Governor asks you to speak you
stupid piece of-
WATSON was about to hit her but SULLIVAN interrupts him so he stops himself, he
smiles at the Governor
Sullivan: -It’s okayMr Watson; I’ll let it slide this time.
Watson:(nervously) as you wishMs Sullivan (Watson smiles at Ms Sullivan)
Sullivan: Well Yasmine,now you’re in my prison, all I ask of you is to behave and
keep your nose clean and keep away from Carla, She is the worstone to get
involved with. Now any questions?
Yasmine:No Miss.
Sullivan: Mr. Watsonpleases would you show our new guest to her cell...
Watson: My pleasure Ms Sullivan, okay you, get a move on now. I don’t have all
day!
WATSON pushes YASMINE out the door. SULLIVAN puts her hand on his shoulder
and he turns round. She straitens out his collar.
Sullivan: There, we don’t want you looking untidy do we Mr. Watson.
They stand face to face about to kiss. YASMINEsays something before they do.
Yasmine: Are we going then?
Watson: Yes, yes off we go.
He hurries YASMINE out the door and both exit. Mr. SULLIVAN smiles to herself and
exits in opposite direction.
Scene 3 -Sathma
Edited By George Streather (Director) and NazishHussain (Assistant Director)
9. Cell Block 33 9
Girls sit around the therapist’s room waiting for Mr MOORLAND to arrive.
MOORLAND walks in the room and sits down. He takes a deep breath and begins to
speak.
Moorland:Hello ladies, who wants to start us off today? Is there anything anyone
wants to share?
Andi:I had toast for breakfast, with jam on top, yummy....
Moorland:Thank you Andi but that's not quite what I meant. Last session we
were talking about respect.
Andi:(Towards Audience) so it’s about Respect this week!
Whitney:Yes I loved that session!
Andi:Oh Whitney, can you stop flirting with Mr. Moorland and stop talking about
respect. (Sarcastically)We can always see it when we’re in our cells, (To
Audience)especially between Carla and Nicole.
Nicole:Oi, if you gotta say something just say it out loud,init!
Carla:I’m getting bored, can we just carry on-
Moorland:-Yes thank you! So we were talking about respect. How to get it, what
it means and how we feel about it. Has anyone had any thoughts?
Nicole:(Aggressive tone) Yeah. We don't have it and it’s never going to happen-
Carla:(towards audience) I swear I just said I’m getting bored so why is he
carrying on this respect thing?
Sasha: (To audience) you don’t want to see her when she gets mad.
Moorland:-And why is that?
Carla:Cause we're nothing but criminals now.-(Looking at nail tips not actually
interested)
Whitney:I’m not a criminal!
Nicole:Oh just shut up!
Moorland:-That’s not true; you’ve all got a second chance!
Carla:Oh Really? You think anyone is going to give me,(Pointing at herself) me a
chance when I get out of here? You're dreaming man!
Andi:(looking confused)(To audience)Now it’s about dreaming?
Edited By George Streather (Director) and NazishHussain (Assistant Director)
10. Cell Block 33 10
Moorland:You have to earn a second chance. Start by learning respect, you know
what they say;respect is the key to success.
Cash: Yeah well somebody stole the key.
Whitney:Considering your history, are you sure it wasn't you?
Cash:Are you accusing me of nicking stuff?
Nicole:(Laugh out loud) I swear that’s why you're in here?
Cash:Mistaken identity. dahh
Whitney:Tell it to the judge.
Cash:I did!
Nicole:Yea, after you bloody nicked his wallet.
Carla: Shut up you idiot.
Nichole:How about you shut up first.
Carla: Do you want a punch in the face.
Sasha: (To Nicole) Back off or well get you!
Tasha: Just watch!
Nicole can’t be bothered to start and sits down kissing her teeth.
Moorland:Ladies, LADIES! Keep it together. Look, I know you're angry but
fighting each other is not going to help! Respect is the key... (To audience) No let’s
not start all that again.
Carla:Why the heck am I even in here?
Nicole:Shut up you knows why you’re in here!
Sasha:You can’t talk to her like that!
Nicole:I am, do you have a problem with that?
Carla:I do init!
Moorland:Alright ladies cut it out, God I need to get a vacation. Look, that's the
end of the session today but maybe next week we can talk about writing a letter
to the Governor about conditions? We can try to make a positive change.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
11. Cell Block 33 11
Carla:Whatever
Nicole:Get lost Carla!
NICOLE and CARLA storm out in opposite different directions. Others follow. Mr
MOORLAND holds his head in his hand.
Moorland: Oh GOD!
Lights black out.
Scene 4 –Navina
Edited By George Streather (Director) and NazishHussain (Assistant Director)
12. Cell Block 33 12
YASMINE has been dismissed from Ms SULLIVAN’S office and is now being taken by
WATSON to her new cell. YASMINEwalks slowly through the corridor looking
around.
WATSON turns around and looks at YASMINE with an aggressive face.
Watson:(Angrily) come on there! Walk a bit faster, don’t dilly dally.
YASMINE gets scared on hearing WATSON’S angry voice and quickly stops looking
around; instead she looks down and starts to walk faster to catch up with
WATSON.WATSON angrily holds YASMINE’S arm and pulls her to walk at the same
speed as him. Once they reach the cell, Watson lets go of YASMINE’S arm and
*kicks open the cell door.
Watson: Right, come on in then
WATSON goes inside the dark cell and tries to find the light switch.
EnterYASMINE, as the lights are being switched on. She hears a noise.
Yasmine: What’s this weird noise?
Watson: What noise?(Looks around)
Yasmine: Can’t you hear it? It’s like someone’s breathing heavily and it’s coming
from this direction.
YASMINE points and moves towards the direction, from where she could hear the
noise. The noise gradually gets louder.All the lights are fully on now. YASMINE
stops walking towards the direction and gazes at the person who is sleeping and
snoring in front of her.
Yasmine: Who is she?(Shocked)
Watson:(points at Nicole and smugly)that’s who you’re sharing this cell with
Yasmine: What…but…
Watson: Shut it and no moaning. At the moment all the cells are taken, so you’ll
stay here till we find you another cell… which will take us a while. (Pause) Right
then! (To Nicole) Come on, wake up you lazy git.
After yawning and stretching, NICOLE opens her eyes fully and stares at YASMINE,
who is standing just a few steps away from her.
Nicole: Who’s she? (Looks Yasmine up and down)And what do you want? (Kisses
her teeth and gives evil looks to both Yasmine and Watson.)
Watson: Say hello to your new cell mate – Yasmine!
Edited By George Streather (Director) and NazishHussain (Assistant Director)
13. Cell Block 33 13
Nicole: Ugh, what, that’s not fair, why’s she in here, put her in with Gracieor
someone?
Watson:Now you know why we don’t put anyone in with Gracie…I don’t want
any fuss in here.
Watson:Now settle in and I better see you two for the drill at 11 sharp!
WATSON leaves the cell. YASMINEwalks over and sits on the bottom bunk.There is
a moments silence after WATSON leaves.
Nicole: Why you in ‘ere then ‘ey?
Yasmine: I don’t know why I’m in here. It just wasn’t my fault okay(Soft voice)
YASMINE just sits for a few moments and looks around the room. Inmate 2 and 4
walk intothe cell.
Inmate 2: Alright Nicole?
Nicole: Yea, been worse.
Inmate 4: You know there’s gonna be a fight?
Nicole:Aint been one of them for a while.
Inmate 4: You comin?
Nicole:Na, can’t be asked!
Inmate 2 stares at Yasmine
Inmate 2: New cell mate?
Nicole:(passively) yea she just arrived
Inmate 2: You better watch yourself in here!
Inmate 4: Yeah, we aint had a really good punch up for a while now.
Inmate 2: She’s got one of those faces that could do with a bit of alteration.
Nicole jumps down from the bunk bed
Nicole:Oi, don’t you lay a finger on her, alright? She’s in my cell now so you don’t
touch her, you know the rules!
Inmate 2: Yea what ever. Catch you later Nic!
Edited By George Streather (Director) and NazishHussain (Assistant Director)
14. Cell Block 33 14
Nicole grabs Inmate 2 by the throat.
Nicole: It’s Nicole to you yea, say Nic again and I’ll break it!
She lets go and they run away.
Yasmine:(sheepishly) Thanks.
Nicole:Don’t get too happy, it’s just the rules; youHAVE to look after your cell
mate.
Yasmine begins to read. Nicole goes to pour some water from a jug.
Nicole:What you reading?
Yasmine:Beatrix Potter.
Nicole: I used to read loads before I came in here. Mine got taken away.
Yasmine: Why?
Nicole: I kept throwing them at Watson.
Yasmine laughs and Nicole laughs too.
Nicole:(Sighs)Anyway I aint got any more books with me.
Yasmine:Well if you ever want to borrow mine you can. Just whenever you feel
like reading, ask me if I’m around or just take it.But DON’T throw the at anyone
(smiles)
Nicole:Really? Thanks!
Freeze Frames,mimeshowing developing friendship between Yasmine
Song:
Nicole:
I see the old me in you
Making a change was the bad thing to do
Feeling broken and so bruised
I wish I could go back and become someone new
I was Just like you, just had to tell you
Yasmin
I thought I would never get a friend
Edited By George Streather (Director) and NazishHussain (Assistant Director)
15. Cell Block 33 15
Because I was so afraid
Didn’t know what to do
But now I feel safe
Just make a change
And you might hit fame
Never put yourself down
Or call yourself lame
We are just the same
We are just the same
The buzzer for the inspection rings.
Nicole: Hey, Yasmine …
Yasminecuts through Nicole’s dialogue.
Yasmine: Just call me Yas! (Smiles at Nicole)
Nicole:(Smiles back at Yasmine.)Yas, that was the buzzer for the inspection.Come
let’s go.
They walk around the stage and walk down to the court yard.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
16. Cell Block 33 16
Scene 5 –Nazish
All the girls stand around the stage, where WATSON and CHANDRA are standing.
Whilst, WATSON and CHANDRA are talking amongst themselves, NICOLE sneaks
YASMINEaway with her, as she’s not keen on the inspection, and they get away.
Watson: Alright Ladies shut your gobs! (All the girls stop talking)I don’t have
enough time to waste on this inspection, so that’s why you’re going to be
inspected by Mr Chandra (Chandra waves at the girls and they start laughing,
which makes Watson angry) SHUT IT! I have more important things to do as I
have a very important meeting with Ms Sullivan (He starts smiling)
Carla:(shouts out from crowd) I bet it is VERY important.
Girls whistle and laugh CHANDRA joins in.
Watson:(Looks at Chandra) Think that’s funny, do you?
Chandra: I’m so sorry, I didn’t-
WATSON doesn’t let CHANDRA finish what he’s saying and storms off
Chandra:(smiles at the girls) let’s carry on. (Looks really confused)What were we
supposed to do again? Oh yes, the inspection thing followed by some PE. Listen
up ladies, would you mind awfully, standing in nice three neat rows, quick as you
can now…
Carla:(sarcastically) Okay, watch us make the prettiest lines ever Mr Kanda!
Chandra: Oh my gosh, Carla, do you still not know how to say my name? IT’S
CHANDRA!
Inmate 1: It’s a difficult name to say Changrey
Chandra:Let’s just try to get it right shall we. On the count of three would you all
mind just shouting ‘Chandra’ as loud as you possibly can, then we can all get it
right. Ok? One, two, three!
All girls:(Shouting)CHANDRA!
Chandra:Now, enough of this nonsense, let’s get this check over and done with
before Watson comes back, otherwise all of us will be in an awful lot of trouble.
Carla:(sarcastically laughs) did you not hear where he said he’s going,Ms
Sullivan’s office! (Pause) He won't be coming back for a while.
All the girls start laughing
Chandra:(daydreams) Ahhh…he’s such a lucky guy. (Stops daydreaming) Now
Edited By George Streather (Director) and NazishHussain (Assistant Director)
17. Cell Block 33 17
come on, didn't I tell you girls to get in a nice line? Come on then…
Routine in mime to music showing inspection and exercise.
Girls get into 3 lines
Lighting begins to dim on CHANDRA and the girls.Exit CHANDRA and INMATES.
The spotlight changes to the rear of the stage, Enter NICOLE and YASMINE. NICOLE
sits on her bed and YASMINE walks up and down their cell room.
Nicole:(looks at Yasmine) what’s up with you?
Yasmine: I don’t get it, why are you so relaxed about sneaking out of the
inspection I mean-
Nicole: - Oh shut up! Nothing will happen. You know Mr Chandra, he’s a nice guy
but he lives in a fantasy world. He doesn’t know about anything that goes on in
here.
Yasmine: (interferes) – yeah but-
Nicole: -Just stop worrying, and seriously stop walking up and down, its making
me feel giddy. Just sit down.
NICOLE takes out beers from under her bed.
Yasmine:(Worryingly)What’s that?
Nicole: Ah, here we go again. Relax already. (Opens up a beer can) You know, Joe?
-he brings us these(holds up beer can) So it’s okay. You’re such a worrier (shakes
her head from side to side)
Yasmine:(does a sarcastic laugh) just pass one here.
Nicole:Oooh, good girl gone bad eh?
Laughs and throws a beer can to YASMINE, and takes a sip of beer herself.
Nicole:Ahh, this reminds me so much of the good times. Being out, being free,
and doing what you wanted and when you wanted.
(Pause)
Yasmine:(starts thinking) I hope you don’t mind me asking but how did you get
in here?
YASMINE gets up, goes and sits beside NICOLE on her bed, after seeing her eyes
water, NICOLEmoves towards her.
Yasmine: Come on, you can trust me. I won’t tell anyone- and even if I wanted
Edited By George Streather (Director) and NazishHussain (Assistant Director)
18. Cell Block 33 18
to,who would I tell?
Nicole:(sniffs and pretends to laugh)Hmm, well, around 4 years ago, me and Carla
(pauses)
Yasmine:You and Carla ….I swear you guys hate each other, don't you?
Nicole: Just listen will you? (Getting a little angry)
Yasmine: But I don't get it-
Nicole: (angry tone) -WHAT'S UP WITH YOU? I SAY ONE THING; YOU ASK A
MILLION QUESTIONS AND THEN YOU-
Yasmine:-Sorry. Calm down.
Nicole calms down
Nicole:Me and her were such good friends, we used to do everything together.
Suddenly she just completely changed. And it all started on that day, that day…..
Lights begin to dim to the sound of music, Blackout. Exit YASMINE and NICOLE.
Scene 6 – Michael
Edited By George Streather (Director) and NazishHussain (Assistant Director)
19. Cell Block 33 19
Flashback
Enter on stage NICOLE, walks towards sofa, and sits down.
NICOLE is sitting at home when CARLA bursts through the door.
Carla: That stupid girl, cheated behind my back…with my boyfriend, he cheated
on me, me and it’s all that idiots fault, that Kate. (Paces up and down quickly)
Carla’s Boyfriend, ZAK runs in the room
Zak: Carls listen!
Carla: Just go away would you!
Zak: Listen...
Michael Rap
I used to love you but I’ve moved on now
I’m with someone else
In a relationship
We got something new don’t get me wrong I love you to
Just as a friend I hope that’s cool
You must be over me I’m just a fool
Carla: I just want you to go and I don’t want you to come back.
Zak: I’m really sorry Carls.
ZAK holds her hand.
Carla: JUST GO!
ZAK walks out.
Nicole: What are you going to do then? I told you he was a no good for nothing
liar.
Carla: I know Nicole; I should have listened to you.
Nicole: Told ya so.
Long pause, CARLA realises something and turns round to NICOLE.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
20. Cell Block 33 20
Carla:Kate’s going to get it, she’ll get it back hard - and I mean hard.
Backstabbing me, how dare she. Ohhh just wait till I get my hands on her.
Nicole: Carla you’re not going to kill her are you?
Carla:Don’t worry I just want to scare her off. (getting frustrated Carla turns
away from Nicole)She ruined my relationship and (sadly)broke my heart
(aggressively and turns towards Nicole) Do you understand?
Nicole: Yeah, I do… but violence isn’t the way. (Mumbles and looks scared)
Promise me you won’t seriously hurt her. Promise me you won’t kill her.
Carla:Alright, we’ll just shake her up? Help me please?
Both CARLA and NICOLEleave the house
Nicole:(Checks phone)Julie just texted me (Shows Carla her phone) she’s at the
park.
Carla:Right, let’s pay her a visit.(begins to walk)
NICOLE and CARLAarrive at the park and see KATE who’s sitting on the bench
Carla:Oi you.
Kate: Are you talking to me love, I’m waiting for someone.
Carla: Yeah,MY Boyfriend.
Nicole: You filthy little brat we know about(prods Kate) you.
Carla: Do you have any last words to say?(Carla clinches her knuckles)
Kate: Leave me alone, I didn’t even do any….
CARLA interrupts and swings a punch at her face.
Carla: That’s right shut your mouth
Fight scene. CARLA pulls out knife and stab’s KATE. KATE falls to the ground still
moving. NICOLE is so shocked she just stares at KATE and can’t move.
Carla:(looks at Nicole)Come on, let’s get out of here (grabs onto her hand to run
away)
Nicole:(gets free of Carla’s hand)I’m going home.
Carla:She got what she deserved.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
21. Cell Block 33 21
Nicole: You stabbed her. We said scare not stab, you psycho!
CARLA grabs NICOLE by the hand
Carla: We need to get out of here! Come on!
Police Sirensring and a load of armed, police officers approach the girls. NICOLE
gives up but CARLA makes a run for it but is police tackled to the floor.
Court Room
CARLA is sentenced to seven years and NICOLE is sentenced to five years as KATE
survived.
Judge voice over: I sentence you Carla Louise Hughes to seven years in prison
for the stabbing of an innocent girl. I sentence you Nicole Harper to five years in
jail for GBH and assisting a stabbing.
Both girls are being taken to different police vans and look each other
Lights begin to dim. Exit CARLA, NICOLE, and POLICE OFFICERS.
Back out of flash back
Enter NICOLE and YASMINE, both are sitting in their cell.
Nicole: So that’s why I’m in here…
Yasmine: But why is everybody scared of Carla.
Nicole: She made up all sorts of lies to make her seem worse than she really is.
Yasmine: So why not tell the others?
Nicole: Coz I made a promise a long time ago that I would never go against her.
I’m going to get some fresh air.(Pointing to beer can and walks out)
YASMINE sits for a moment trying to take in what NICOLE just said
Lights Black Out
Scene 7 –Parnyan
Edited By George Streather (Director) and NazishHussain (Assistant Director)
22. Cell Block 33 22
Several of the guards sit around in the officers mess room whilst JOE, CHANDRA
and BORIS are standing over by the sink.
Joe:Cup of tea for you all (said suspiciously) and something interesting to go with
it.
Chandra: oh really? (Wide smile)I’m really excited what is it?
Joe:You’ll know once you taste it
Mckenzie: No, I’m not up for anything like that, Mr Watson wouldn’t like it.
Joe: You guys need to know how to have REAL FUN! Changra, here have some.
Chandra: Its Chandra not Changra and thanks(takes a cup of tea from JOE)
BORIS, JOE and CHANDRA drink the tea with a mixture of something else and it has
an effect on them. The three guards laugh and get out of control.
MOORLAND enters the room
Moorland: Alright guys?
Boris: Tea?
Moorland: No thanks, where do you lot see yourself in fiveyear’s time?
Joe:Random question but I’ll be long gone, in a job where people don’t hate you.
Boris: Better not become a banker though!
Moorland: What about you Chandra, here in five years?
Chandra:Oh no, I see myself with a perfect wife, with seven perfect children and
a perfect job (not this one) NOT THIS ONE!
Joe: Oh really, but you missed out on the bit where your wife’s blind and doesn’t
know who on earth she’s married to(smirks)
Chandra: (Punch Joe)
(JOE gives and awkward look to CHANDRA)
Moorland: I need to get away for a vacation. I can’t stand being here anymore.
Chandra: Why not move to India?
Moorland: I couldn’t stand the heat.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
23. Cell Block 33 23
Joe:Boris why are you so quiet? (Confused)
Boris: Well I want to have the same status as Mr Watson and dothings very
differently to impress him, but he’s not willing to give me a chance
CHANDRA and JOEsee Mr WATSON coming and deliberately make BORIS insult MR
WATSON
Joe: That’s really shocking to hear, tell us more!
Boris:He is the worst creature God has ever created; I mean he looks like
medusa, with the snakes hissing at everyone they see.
Chandra: He is a wonderful boss to us, I don’t understand why you’re saying
this?
Joe: Mr Watson always has control over everything
Boris: Are you all feeling alright, he treats us all with no respect, so the next time
I see him, I will say no to whatever he demands for and stand up for
myself(stands up and points at guards) you all just watch!
Watson: Very interesting Boris, I was about to give you a certificate on how
supportive you are of me. May be not now!
Mr WATSON tears up the certificate in front of BORIS and throws it up in the air
Watson: Now you all pay attention.I’m going to start the Best Training class right
now.
Boris: But sir...
Watson:Shut up Boris! Now my lecture today will start with how to deal with
fight situations. I hope you’re all making notes on this (waves a pen at them)
Chandra: Oh I don’t like fighting Mr Watson. Somebody might get hurt (looks
around sheepishly)
Watson: No you idiot not how to get into a fight, how to stop it!
All Guards: Ahhh!
Watson: God give me strength. Now I would like a volunteer (looks at the guards,
but stops at Boris)Hmm, Boris you’ll do. Chandra you stand behind me. I want
you to do this. Stand with your back to me(Chandra stands with his back to
Watson) Yes that’s right. Now I need you to fall back and I’ll catch you. (To
Chandra) I’ll do it first then you can have a go. Just lean back on the count of
three; one-two three...
Edited By George Streather (Director) and NazishHussain (Assistant Director)
24. Cell Block 33 24
Just before BORIS leans back SULLIVAN enters the room. WATSON moves quickly
towards her and BORIS falls. CHANDRA manages to catch him but they both fall.
Sullivan:(Seductively) Hello Watson, I just wondered if I could have a word.
(Looks back at CHANDRA and BORIS who have fallen on the floor)Oh my god,
what’s going on here?
Watson: Well, I was just teaching them to trust each other. I just wanted them to
have faith in each other.
Sullivan: Wow, I’ve never seen such a wonderful man who worries about his
colleagues so much. What a lovely man you are Mr Watson!
WATSON smiles and bows
Watson:(flirty tone) Please call me Mitchell or Michy for short
Moorland: Do you need me sir because I just need to go and buy a gun and a
length of rope.
Watson:Oh, I’m sorry I completely forgot about you all (looks towards Sullivan
and smiles, and then looks back at guards)you can all go.
All the GUARDSexit
Sullivan: how sweet, Michy. You’re such a sweetheart.
Ms Stella Sullivan’s papers fall to the floor and they both kneel to get it, Ms Sullivan
and Mr Watson makes close eye contact.
Watson: Allow me to pick up your papers, my lady
Sullivan:You’re such a gentleman!
Mr Watson on one knee gives the papers to Ms Sullivan
Sullivan: What are your plans for today?
Watson: Well nothing much, but I was thinking we could go somewhere for
dinner.
Sullivan: That’s really nice, so your paying for it cherry-pie, right?
Watson: Anything you want
Song:
Edited By George Streather (Director) and NazishHussain (Assistant Director)
25. Cell Block 33 25
Verse (Guard)
Every day I look at you
I wonder if you look back.
Do you feel the way I feel for you?
In my heart I wonder that.
Verse (Governor)
Never new I’ll find love here
I wonder if he knows that
In my heart there are some feelings
I’m falling that’s a fact
Corus (Both)
I know I feel something strange
I don’t know if you feel the same
But honestly if I agree
It will be plain to see,
That I’m falling for you.
Both lean in for kiss and lights black out.
Scene 8 -Sara
Edited By George Streather (Director) and NazishHussain (Assistant Director)
26. Cell Block 33 26
The bell rings for dinner and all the inmates come marching in a sequence. At one
end of the concert hall 3 dinner ladies are standing waiting to serve the inmates
with WATSON on one side and BORIS on the other.
Watson: COME ON LADIES!Chop, chop now get in line and get your slop!
Boris: YEA! You heard him, don’t waste our time!
Inmate 3: How’s about you just shut it, we don’t take orders from a(looks Boris
up and down) little man like you.
Watson: Alright then, listen to a big man like me! So as he said, get a move on!
Inmates:Whatever
Boris: Um, Mr Watson. You’ve got some Lipstick on your mouth.
Watson:(touches his lips) Just-um- trying on some disguises.
Tannoy announcement.
Sullivan’s Voice:Could all guards report my office immediately please?
Watson:Come on Boris.
The guards leave unnoticed.
As all the inmates sit down in lines to eat their food .YASMINE walks to the canteen
after everyone’s sat down then CARLA walks in and over to the canteen followed by
NICOLE a few minutes later. YASMINE looks around the dining hall to see where
she can sit, after other inmates showing her that she is not welcome to sit anywhere
she slips and falls into CARLA.
Carla:(stands up) whatthe...
CARLA takes a deep breath and looks down at herself, while all of the inmates look
at them in the middle of the dining hall in shock whispering to each other and
moving away from them, YASMINE is stuck on the spot, really scared and speaking
with a stutter.
Yasmine:Oh my god I’m, I’m so, so, so sorry!
Sasha: What have you done you idiot?
Carla:Yea you will besorrywhen I’m finished with you, you lil brat...
Yasmine: I didn’t mmm…Mean it!
Edited By George Streather (Director) and NazishHussain (Assistant Director)
27. Cell Block 33 27
Carla:(closes fists) Well I’ll mean every single bruise and cut I leave on your
body!
Sash:Basha. BASH HER.
Tasha:(To audience)Now you know why she’s called Basha!
SASHAgrabs YASMINE by the hair and CARLA starts to speak to the other inmates
as they gather around.
Carla:(Trying to mimic her sweet voice)new girl wants to know what it’s really
like in here, don’t you.
Sasha: She wants to be taught a lesson.
Tasha: We’ll show her one she’ll never forget!
NICOLE walks over and pushes people out the way and shouts out
Nicole:Oiiii, why don’t you mess with someone your own size!
All inmates move right back now even more shocked and completely silent to what
has just happened. CARLA lets go and pushes YASMINE, who falls to the floor hurt,
and looks up slowly at NICOLE who are now facing each other at a distance in the
middle of the hall.
Carla:Excuse me?
Nicole:You heard me, why are you acting like your something big, you worthless,
bag of filth!
Tasha:(points at Nicole) watch your mouth!
Carla:Oh …so big man decides to speak up now yea? Just get out of here before I
do some real harm!
CARLA looks at the other inmates smiling and shaking her head left and right.
NICOLE starts walking in circles around CARLA.
Nicole:Well we all know what you can do, don’t we! We all know how messed up
that mind of yours is! How many gruesome murders you’ve committed!
NICOLE’S tone in voice changes to a much softer and hurtful tone
Carla: Shut up Nicole, just stop right there.
Nicole:Why what are you afraid of, that I’ll tell everyone what a big lie it is, how
you betrayed your best friend, how you’ve never really killed a single person.
How all of this is just for show.
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28. Cell Block 33 28
Tasha: Shut up that aint true.
Nicole: Don’t you want to know how she sent me down, by lying to me all for one
pathetic guy.
Carla:You knew how much he meant to me! How can some random nobody
come along and decide to try it with my man, I thought you would understand.
Nicole: I guess I thought our friendship meant more to you. Well you know
what,I’m doing much better without you.
NICOLE turns around to walk away when CARLA mutters a comment about her.
Carla:You are nothing and never will be.
NICOLE forgets about everything that just happens and thinks about the last words
CARLA just said and turns around, leaping onto CARLA from behind. Here both
CARLA and NICOLE are fighting and ripping, scratching and punching each other
on the floor.
Inmates are now gathered around shouting and cheering at both girls on the
floor.WATSON, BORIS and JOE now re-enter the hall, realising what is happening
and running in at the same time calling for back up.
WATSON grabs CARLA and BORIS grabs NICOLE
The prisoners are still too shocked to move
Song:
(Nicole)
Before I got to prison, I lived a good life,
It was Carla who then pulled out the knife.
It’s her fault I’m here, yet she doesn’t care,
Why all the betrayal, it’s just not fair.
(Chorus)
I’m living my life; I’m living in hell,
I’m living in prison and I’m here to tell.
It’s bad in here I’m in so much pain,
It’s such a shame, no one knows my name.
(Carla)
I don’t care about her; I am who I am,
It’s not my fault; it’s just the way I am.
I know it was a mistake, yet there’s no turning back,
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29. Cell Block 33 29
And from my mistakes, I’m learning that,
(Chorus)
I’m living my life; I’m living in hell,
I’m living in prison and I’m here to tell.
It’s bad in here I’m in so much pain,
It’s such a shame, no one knows my name.
(Yasmin)
Forget about the past, it’s all about now,
The hard bit is figuring a way out.
You were both good friends, what went wrong.
It’s about time, you both get along.
(Chorus)
I’m living my life; I’m living in hell,
I’m living in prison and I’m here to tell.
It’s bad in here I’m in so much pain,
It’s such a shame, no one knows my name.
Scene 9 –Zahra
Carla: (Stands Up)WHAT THE HELL IS GOING ON AROUND HERE?
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30. Cell Block 33 30
Inmate 1:(Viciously sits Carla down.) You best shut your mouth.
Inmate 6:(To Carla) what was it again you’re in here for?
Carla: I’ve told you all before already…Murder.
Everyone starts laughing and then suddenly stop.
Inmate 3: (Holding Carla’s neck from the back.) Wrong answer, try again.
CARLA gets more and more nervous.
Carla:Okay, Okay… I only stabbed the damn girl now get the hell off me.
Inmate 4: Uh, not so fast. Now you see; you’ve been a right cow around here.
Things are about to change!
Inmate 2: A girl with only one record of stabbing someone has been messing
with the wrong bunch of girls.
Inmate 1: Girls! Let’s say we show little miss bad girl, what it really means to be
bad.
Freeze the scene with INMATE 2 holding the back of CARLA’S head whilst INMATE
1 is about to violently punch her, meanwhile everyone else is gathered round
cheering and yelling abuse at CARLA.
Scene cuts to Yasmine and Nicole
Yasmine: Nicole, look at this, is this really what you want to happen to your best
friend?
Nicole:She’s not my best friend and never will be; no friend of mine would do the
thingsshe did.
Yasmine:I know your upset at her and I know you have no intensions of
becoming friends again. But there’s no harm in trying.
Nicole:You would never understand how it felt; to see your own friend lie and
set you up. It’s all her fault I’m stuck in here!
Yasmine:You’re right. I won’t ever understand, but I do know deep inside, you
want to go and help her right now. It’s never too late to change things between
you two andholding a grudge against her won’t ever change what’s happened.
NICOLE sighs and realises the right thing to do. Girls unfreeze, yelling abuse and
cheering on INMATE 1, who is about to punch CARLA.
Newbie 1: PUNCH HER! WHAT YOU WAITING FOR!
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31. Cell Block 33 31
Inmate 3:Carla you’re a liar!
All inmates are now getting very aggressive.
All Inmates: PUNCH HER! PUNCH HER! PUNCH HER!
Nicole: (Stands Up)STOP!
Everyone stops suddenly and turns around.
Inmate 1:SHUT UP!
Nicole:Oi just listen to me for two minutes.
Cash:Go on then, this better be worth it.
Nicole: (Takes a deep breath)How is beating up Carla, going to solve anything.
Don’t you realise by acting this way you’re becoming everything that you hated
about Carla and the way she treated you. Carla was only as petrified as you all
were when you first came here. We all made stupid mistakes and tried covering
up how scared we were by putting on this fake shield that truly doesn’t need to
be there. If you lot feel that the onlyway left is to stoop to Carla’s level, then we’re
all only as bad as her. Just take a second to think about who you all werebefore
you came here, I know that I for one have become so different from the person I
used to be. I barley recognise myself. Maybe we all need to look hard to find our
true selves.
There’s a silence within the group, everyone is left speechless. WATSON and
CHANDRA enter.
Watson:Okay you lot; now get to your cells.
Everyone goes without a single word; NICOLE and CARLA exit last, each looking at
each other in disbelief.CARLA is now shown in her cell thinking about what’s just
happened.
Then lights begin to dim.
Scene 10 – Rajan
Chandra walks past inmates who are standing around and talking.
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32. Cell Block 33 32
Newbie 1: You know Watsons dating Sullivan don’t you?
Andi: Really?
Newbie 2: Yea! She’s all over him.
Inmate 3:Oh, do you think Chandra knows about it. The poor guys besotted.
Whitney: Don’t know; let’s find out, it’ll be fun!
They all look at Chandra
Andi: Hey, Mr Chandra, I heard Ms Sullivan likes you.
Chandra: Don’t be silly, why would she like me.
Whitney: She does, she told me.
Chandra: Well it would be nice for someone to care for me, other than my
mother (shakes head in shame)
Cash:Why not try and ask her out?
Chandra: Oh no, I couldn’t possibly! She’d think I was being silly.
Andi:You should go for it, she REALLY likes you!
Chandra:(With excitement)does she really?
All Girls: YES!
Chandra:Maybe I should try then!
Inmate 4:Yea you should.
Andi: Go,for it
Chandra: But I really don’t know what to say!
Andi starts to write on Chandra’s hand.
Andi: Just say that and you’ll be fine.
Chandra: Wish me luck girls and try not to do anything too naughty whilst I’m
gone.
CHANDRA walks quickly and nervously toward the governor’s office. He arrives at
the office and knocks on the door. There’s no answer so he just opens the door and
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33. Cell Block 33 33
walks in. He glances at SULLIVAN and starts to read the words of his hand not
looking up.
Chandra:(rushing)Ms Sullivan I need to tell you something…no don’t stop me,I
love you and I always have and I think you feel the same way actually I know you
do and I love you and I want to spend long evenings by the fire with you and...
CHANDRA looks and sees SULLIVAN with WATSON who she has just been kissing.
Chandra: Oh, I’m terribly sorry I didn’t know you had someone with you.
Sullivan: Oh dear, this is a bit sticky isn’t it. You see Chaudry...
Chandra: Chandra!
Sullivan: Chandra, I’m with Watson. I’m very sorry.
Chandra:(Sad) No, I understand. I’m sorry, sorry
CHANDRA walks towards the door, he opens it, looks over his shoulder at
SULLIVAN, pulls a handkerchief out of his pocket, wipes his eyes and leaves.
SULLIVAN and WATSON freeze for a few moments; look at each other and start to
kiss again.
Lights Black out
Scene 11–George
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34. Cell Block 33 34
JOE is sitting in the officers mess room singing along to ‘Singing in the Rain’ on his
portable radio. He mimics the dance from the film and WATSON walks in followed
by NICOLE.
WATSON and NICOLE stand in the door way for a few moments until Watson
speaks.
Watson:(Trying not to laugh) what the hell are you doing?
Joe:(Stunned and embarrassed) Oh, sorry sir, I was just… just practicing my
routine for the PE session tomorrow.
Watson: But you don’t take the PE class tomorrow!
Joe: No…well… I was working on it for Friday.
Watson: (Sarcastically) Yes. (Gets serious)Anyway,Nicole wants a word with you
Joe, I said you weren’t busy.
Joe: Nono,I’m free.
Watson:(To Nicole). Well I’ll leave you in Joe’s capable hands.
Nicole:(Realising what’s she’s done),Thanks MR. Watson.
WATSON gives NICOLE and JOE a disapproving look and leaves.
Nicole: Joe I need to speak to you...
Joe: Now listen, (Very defensive)I can explain about the beer, see my friend
shipped...
Nicole: No it’s not about the beer!
Joe: Fags?
Nicole: Just listen for crying out loud! Right…
JOE gets upand pours himself a glass of water and begins to drink
Nicole: I’d like to go on one of the Education courses...
As she says education Joe spits out his water in shock! He turns round and stares at
NICOLE.
Joe:(SHOCKED) you what?
Nicole: Well I didn’t pass my A levels!
Joe:Right, well that’s a huge change what were you thinking you’d you like to do,
A level Maths, English, Drama...
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35. Cell Block 33 35
Nicole: English! I want to write a book.
Joe: Oh really, what kind of book?
Nicole: A book about my life!
Joe: Right, well, that should be an interesting read! I tell you what; I’ll have a
word with Ms Sullivan and get you on it as soon as I can… Ok?
Nicole: Cheers Joe, I owe you one.-
Joe:-Two in fact.
Nicole: What?
Joe: You still haven’t paid for those beers!
BORIS walks in.
Boris: What’s this then, ay Joe? Smuggling to the prisoners?(Getting excited)I’ve
got you this time; I’ve waited ages for this and now it’s finally here! I’m going to
take this to the top. All illegal I bet?
Joe: Yep, yep they are!
Boris: Brilliant, I’ll probably get a promotion out of this!
Joe: Boris?
Boris: No Joe…don’t try and wheedle out of it because you won’t change my
mind.
Joe: Where did you get the bottle of Whiskey?
Boris:(Not realising) off (Realises) you! Oh my GOD!
Joe: Yes! So unless you want Sullivan or Watson to find out about this, I’d keep
your mouth shut. Ok?
Boris:(Annoyed)You, you, you. I’ll get you one day you, you! Ahhhrrrr!
BORIS storms out
Joe: That’s the way to handle that little,(He looks at Nicole)man. (Pause) Right,
get on your way now.
Nicole: Cheers Joe! See ya!
Scene 12– Sara and Zahra
Edited By George Streather (Director) and NazishHussain (Assistant Director)
36. Cell Block 33 36
All the INMATES are in the recreation room during their free time. Scene begins
with CARLA’S and a few inmates arm wrestling, CARLA has just won the game.
Carla: Thrashed you all…AGAIN!
Sasha: She beat you, she beat you!
Inmate 3: What, you cheated!
Tasha: She didn’t cheat!
She gets up and starts to boast
Carla:Better luck next time!
Inmate 3: Whatever.
Carla: Who’s next?
Basha: I’ll play with you.
Carla: No thanks Bash! How about you go play hopscotch or something. So who
want a go then?
NICOLE at this point is observing what is happening and smiling at how CARLA is
showing off , and walks up to the group, and sits in front of CARLA.
Nicole: Round 4(smirks)
Carla: bring it on(Smirks back)
Game carries on, all inmates gather round eager to see the outcome of this game.
NICOLE wins
Carla:(disappointed)what?
Nicole: Game over!
NICOLE gets up with a smirk on her face while everyone’s turns silent.
Carla: That doesn’t change the past, remember how I used thrash you(Almost
laughing)
NICOLE turns around with a soft smile
Nicole: Yeah how we used to argue about it, then 10 seconds later laugh about it?
CARLA’S face drops
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37. Cell Block 33 37
Carla: (To other prisoners) go do something somewhere else (TURNS BACK TO
NICOLE)I hear your getting out soon?
Nicole: Yea, 3 weeks?
Carla: You told Yasmine?
Nicole: Not yet.
Carla: She’s done a lot for you, you know. And for me.
Nicole:You’ll look after her won’t you?
Carla: Yeah, sure!
Spot light on CARLA
Carla: I’m starting to realise that being together with everyone even Nicole is not
so bad, I actually miss my times with Nicole and I guess I’ve been too big headed
to actually admit that I was wrong all along and Nicole wouldn’t be here if it
wasn’t for me, but there is no going back so I guess I should make the most of
these moments.
Spotlight now turns onto NICOLE
Nicole: Why wasn’t it like this from the beginning, even though so much has
happened, I can’t go back and change things and I really do miss my best friend?,
I’m gonna make sure before I go it’s never too late…
Carla: What do you think you’ll do when you get out?
Nicole: Thinking of writing a book.
Carla: What you going to call it?
Nicole: The Promise …I’ll send you a copy when it’s done.
Carla:(Smiling)you better. I’m so sorry I let you down.
Nicole: Hey, the past is forgotten, so don’t worry bout it.
Carla: Friends again?
Nicole: Of course we are!
NICOLE and CARLA hug
Lights fade out.
Scene 13–Parnyan
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38. Cell Block 33 38
Yasmine: Are you alright? You don’t look too good.
Nicole: look Yasmine, I just want you to know that I will always be your friend
and no matter what I will always remember you as a sister.
Yasmine: something is wrong isn’t it, just tell me, please, is it me, are you
planning on…
Nicole:Yasmine listen!
NICOLE and YASMINE look at each other for a few seconds and they both look very
upset
Nicole: I’m leaving, I’ve done my time and now it’s time for me to go and make
something out of myself.
Yasmine: Nicole I’m so proud of you.
Nicole:I couldn’t have done it without you. Yas you’re a brilliant mate and you’ll
be fine. You taught me a lot of things I will always remember, no matter where or
who I’m with.
Song BetweenYasmine and Nicole
First verse
I started of confused, not knowing what to do,
Giving up on hope realising I couldn’t cope
I was betrayed and I try to move on
But that wasn’t the case, I’m far from gone
Second verse
You changed me for the best, didn’t care about the rest,
Now I’m standing here, thinking you’re so blessed,
My time has come, were near to an end,
But don’t believe I’m not here till the end
Chorus
Goodbye my Friend, good bye my angel
You made me be who I am today
Goodbye my inmate, Goodbye my miracle
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39. Cell Block 33 39
Forever I’ll remember you in my prayers
Third Verse
I’ve waited so long to find a friend
I guess we got to part Cuss it’s our final bend,
I don’t want you to go and I’ll miss you so
We made it for a reason only time will show
Chorus
Goodbye my Friend, good bye my angel
You made me be who I am today
Goodbye my inmate, Goodbye my miracle
Forever I’ll remember you in my prayers
Fourth verse
You got to make the most of the freedom that will come
So make sure you say Hi to my mum,
Jokes now aside, should have never lied
Baby you know you’re one of a kind
Chorus
Goodbye my Friend, good bye my angel
You made me be who I am today
Goodbye my inmate, Goodbye my miracle
Forever I’ll remember you in my prayers
Chorus (Acapella)
Goodbye my Friend, good bye my angel
You made me be who I am today
Goodbye my inmate, Goodbye my miracle
Forever I’ll remember you in my prayers
Song finishes and NICOLE turns away then runs to hug YASMINE
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40. Cell Block 33 40
Light black out.
Mime scene with music to show Nicole saying final goodbye’s and leaving.
All the prisoners sing the final song!
We know we can be strong
We know we were here so long
Giving up isn’t our game
We are bursting like flames
At first we were not coping
But we kept on Hoping
Now we have come to an End
Now we can no longer blend
Freedom we scream
Freedom we Yell
Freedom is what we have achieved
We Know we were here so long
we know we can be strong
we are bursting like a flame
giving up isn’t our game
At first we were hoping
but now we are coping
We are no longer blending
we have come to an End, End, and End
THE END
Edited By George Streather (Director) and NazishHussain (Assistant Director)