1) Ms. Sullivan calls Boris into her office to ask him to find dirt on one of the prisoners to spread around the prison in order to liven things up.
2) Boris is hesitant as this would go against the rules, but Ms. Sullivan persuades him by giving him a shoulder massage.
3) Boris agrees to find the dirt in order to please Ms. Sullivan and get her to tell Mr. Watson what a good boy he is. Ms. Sullivan manipulates Boris into breaking the rules for her own amusement.
Cell Block 33 introduces the cast of characters for a prison drama, including the prisoners and guards. Carla is established as the leader of a gang who intimidates the new prisoners. One new prisoner, Yasmine, claims she was wrongly convicted of murder. The governor asks Boris to dig up dirt on a prisoner in exchange for praise from his crush, Mr. Watson, testing his willingness to break the rules.
The document provides a script for a play set in a women's prison, introducing the main characters including prisoners like Carla, Nicole, and Yasmine as well as guards. It describes interactions between the prisoners as new inmates are introduced, scenes with the governor and therapist, and Yasmine being shown to her new cell by the aggressive guard Watson.
The document provides a script for a play set in a women's prison, Cell Block 33. It introduces the main characters which include prisoners like Carla and her gang, as well as guards like Mr. Watson. In the first scene, Carla establishes dominance over the new prisoners and intimidates them. One new prisoner, Yasmine, claims she was wrongly convicted of murder. In the second scene, the corrupt prison governor Ms. Sullivan manipulates guard Boris McKenzie into spying on the other guards for her in exchange for her favor with Mr. Watson.
(To Carla) Let's try to listen respectfully and give others a chance to share.
Moorland: Nicole, please continue. How does the lack of respect make you feel?
Nicole: It makes me feel angry and frustrated. Like no one cares about me or
what I want. I'm always being told what to do.
Moorland: I understand, that's a very common feeling. But reacting in anger or
violence will only breed more negativity. We have to find healthier ways to gain
respect and feel heard. Does anyone have any ideas?
Yasmine: Maybe we could try listening to each other more and being kind?
Mo
1) The prisoners are meeting with their therapist Mr. Moorland for a session on respect. However, some of the prisoners like Carla are bored with the topic and want to move on.
2) When Mr. Moorland asks why respect is important, Nicole responds that the prisoners don't have respect and never will because they are now seen as criminals.
3) Carla remains disinterested and is looking at her nails, not engaged in the discussion. Sasha warns through gestures that Carla could get angry if pushed further on the topic.
The document provides a script for a play set in a women's prison, Cell Block 33. It introduces the main characters, including the leader of a gang named Carla and three new inmates. In the first scene, Carla establishes dominance over the new inmates and warns them of the rules. One new inmate, Yasmine, claims she was wrongly convicted of murder. In the second scene, the governor asks a guard named Boris to spy on the other guards in exchange for her favor with the lead guard, Mr. Watson.
Okay, let's try moving our discussion in a more positive direction. What
are some small ways each of you can show respect to others here?
Carla: I ain't showing respect to no one.
Moorland: Carla, respect is how you'll earn people's trust and a second chance.
Think about it - how can you start respecting others, just a little?
Carla sighs loudly but doesn't respond. The other inmates are also silent.
Moorland: Alright, let's end here for today. Think about respect over the week.
Our time is up - I'll see you all next session.
The inmates start filing out. Moorland
Cell Block 33 introduces the cast of characters for a prison drama, including the prisoners and guards. Carla is established as the leader of a gang who intimidates the new prisoners. One new prisoner, Yasmine, claims she was wrongly convicted of murder. The governor asks Boris to dig up dirt on a prisoner in exchange for praise from his crush, Mr. Watson, testing his willingness to break the rules.
The document provides a script for a play set in a women's prison, introducing the main characters including prisoners like Carla, Nicole, and Yasmine as well as guards. It describes interactions between the prisoners as new inmates are introduced, scenes with the governor and therapist, and Yasmine being shown to her new cell by the aggressive guard Watson.
The document provides a script for a play set in a women's prison, Cell Block 33. It introduces the main characters which include prisoners like Carla and her gang, as well as guards like Mr. Watson. In the first scene, Carla establishes dominance over the new prisoners and intimidates them. One new prisoner, Yasmine, claims she was wrongly convicted of murder. In the second scene, the corrupt prison governor Ms. Sullivan manipulates guard Boris McKenzie into spying on the other guards for her in exchange for her favor with Mr. Watson.
(To Carla) Let's try to listen respectfully and give others a chance to share.
Moorland: Nicole, please continue. How does the lack of respect make you feel?
Nicole: It makes me feel angry and frustrated. Like no one cares about me or
what I want. I'm always being told what to do.
Moorland: I understand, that's a very common feeling. But reacting in anger or
violence will only breed more negativity. We have to find healthier ways to gain
respect and feel heard. Does anyone have any ideas?
Yasmine: Maybe we could try listening to each other more and being kind?
Mo
1) The prisoners are meeting with their therapist Mr. Moorland for a session on respect. However, some of the prisoners like Carla are bored with the topic and want to move on.
2) When Mr. Moorland asks why respect is important, Nicole responds that the prisoners don't have respect and never will because they are now seen as criminals.
3) Carla remains disinterested and is looking at her nails, not engaged in the discussion. Sasha warns through gestures that Carla could get angry if pushed further on the topic.
The document provides a script for a play set in a women's prison, Cell Block 33. It introduces the main characters, including the leader of a gang named Carla and three new inmates. In the first scene, Carla establishes dominance over the new inmates and warns them of the rules. One new inmate, Yasmine, claims she was wrongly convicted of murder. In the second scene, the governor asks a guard named Boris to spy on the other guards in exchange for her favor with the lead guard, Mr. Watson.
Okay, let's try moving our discussion in a more positive direction. What
are some small ways each of you can show respect to others here?
Carla: I ain't showing respect to no one.
Moorland: Carla, respect is how you'll earn people's trust and a second chance.
Think about it - how can you start respecting others, just a little?
Carla sighs loudly but doesn't respond. The other inmates are also silent.
Moorland: Alright, let's end here for today. Think about respect over the week.
Our time is up - I'll see you all next session.
The inmates start filing out. Moorland
The document lists the top 10 break up songs with lyrics, including songs by Alanis Morissette, Kelly Clarkson, The Cranberries, Bow Wow featuring T-Pain, Justin Timberlake, Beyonce, Vertical Horizon, Madonna, and Ne-Yo. It provides lyrics for 5 of the songs, including "You Oughta Know" by Alanis Morissette, "Since U Been Gone" by Kelly Clarkson, "Linger" by The Cranberries, "Outta My System" by Bow Wow featuring T-Pain, and "Cry Me a River" by Justin Timberlake.
This poem is about the speaker's regret over a past relationship. In 3 sentences: The speaker felt pain when their partner contradicted something they had said confidently before. The speaker hates themselves and their partner for how the relationship made them feel and who they became. While the speaker suffers inside, their partner remains blissfully ignorant of the speaker's true feelings and continues talking confidently about life's possibilities.
This is what I needed to take out off my chest as to all of whom are so called friends in my world there are no friends at least for now because friendship is given between two people not only me.
The poem discusses the experience of feeling invisible or like an outcast. It encourages the reader that they are not alone, there is more to life than what they are currently feeling, and one day the pain they feel will be invisible when looking back. It promotes being true to yourself and not hiding who you are, as your confidence and individuality make you strong.
This screenplay summary introduces the main characters of Jason, Wendy, Gracie, and Will. Will receives a call from Jason saying Gracie has been kidnapped by a mafia led by Wendy Wilson. Jason recruits Will as a double agent to infiltrate Wendy's gang to rescue Gracie and bring down Wendy. Will meets with Wendy and impresses her with his loyalty to gain access to her gang. However, upon later confronting Jason, Will discovers files indicating Gracie may be dead, causing him to point his gun at Jason in anger and distrust.
This screenplay summary introduces the main characters of Jason, Wendy, Gracie, and Will. Will receives a call from Jason saying Gracie has been kidnapped by Wendy Wilson's mafia. Jason recruits Will, a former police officer, to go undercover and infiltrate Wendy's gang to rescue Gracie. Will impresses Wendy and passes her initiation test. However, when Will later confronts Jason, he finds files that reveal Gracie may be dead. Will points his gun at Jason in a rage, accusing Jason of lying to him all along.
Jonas writes about an unexpected event that occurred at a community meeting. [1] The Chief Elder apologized for causing anxiety in the community, which Jonas had never witnessed before. [2] To Jonas's surprise and fear, the Chief Elder then called him on stage after apologizing. [3] She announced that Jonas had been selected as the new Receiver of Memory, a role meant for keeping the community's collective memories, replacing the previous Receiver who failed in his duties.
The song "Weak" describes the singer's feelings of weakness and loss of control when thinking about a romantic interest. The chorus expresses that the person makes the singer feel weak in the knees and unable to speak when they are together. Their love is described as amazing but knocks the singer off their feet and leaves them unable to explain their powerful effect.
This document is a screenplay summary for a detective story. It describes two detectives, Wei Shen and Cole Phelps, investigating the murder of a woman in an alley. They examine the crime scene but find little evidence. Phelps questions the victim's husband who claims he didn't do it. Later at their agency, a shy Asian woman named Clara drops off an envelope with potential evidence, including photos and a note asking Shen to meet the sender at a cafe the next day.
The document contains lyrics from multiple songs that deal with themes of love, loss, regret, and longing for a past relationship. The songs express missing an ex-partner and the pain of separation, as well as apologizing for past mistakes and wishing for a second chance to fix things. One song talks about moving forward and finding their own voice after an unhealthy relationship.
Four teenagers wake up in an abandoned school with no memory of how they got there. They are greeted by a distorted voice telling them they must complete deadly tests or they will die. One of the teenagers, Viktor, is found dead with a knife wound. The others suspect each other until they find a note on Viktor's body saying one of them is the killer. They realize they have been drugged and set against each other as part of a deadly game.
Andy wakes up in a strange room where a disembodied voice tells him it has been watching him and knows all about his mistakes and wrongdoings. The voice shows Andy visions of his poor past actions through painful sensations. Andy sees how he mistreated others for his own gain. The voice explains this place is for Andy to understand himself and change. It offers Andy a chance to see the impact of his death on someone he loves. Andy is shown his own body after a car accident and his grieving wife Mary. He realizes the error of his ways. The voice tells Andy someone is waiting for him, and they walk off together as credits roll.
I'm Starting To Question My Sanity Episode 1Kayleigh Moyer
Alice travels back in time to save friends who died and recruit others to help rebuild the Third Street Saints empire. She saves Aisha first, bringing her to the present to reunite with Johnny. Alice then recruits Carlos and Shaundi from the past as well. Carlos saves Alice's life when she stops breathing after arriving back in the present.
This document provides the cast list and script for the first scene of a prison drama titled "Cell Block 33." The opening scene introduces several new inmates to the prison and its leader, Carla, who asserts her dominance over the new prisoners and establishes the prison hierarchy.
The document provides a script for a play set in a women's prison, Cell Block 33. It introduces the main characters which include prisoners like Carla and her gang, as well as guards like Mr. Watson. In the first scene, Carla establishes dominance over the new prisoners and intimidates them. One new prisoner, Yasmine, claims she was wrongly convicted of murder. In the second scene, the corrupt prison governor Ms. Sullivan manipulates guard Boris McKenzie into spying on the other guards for her in exchange for favors.
This document provides the cast list and script for the first scene of a prison drama titled "Cell Block 33." The opening scene introduces several prisoners, including new inmates, and establishes Carla as the leader who asserts her dominance over the new prisoners. It also briefly features some of the prison guards and the governor.
(To Carla) I understand you're bored, but respect is an important topic that can help improve relationships and the environment here. Perhaps sharing how you genuinely feel could help move the discussion forward in a meaningful way.
Carla: Fine. I don't feel respected here. The guards treat us like crap and think they can do what they want. And these so called "therapy" sessions are a joke. No one really cares what we think.
Moorland: I can understand feeling that way Carla. It's not easy being in this environment. But my role is to try and help however I can. Why don't you tell me more about what would make you feel respected? Really listening to understand different
The document provides a script for a play set in a women's prison, Cell Block 33. It introduces the main characters, including the leader of a gang named Carla and three new inmates. In the first scene, Carla establishes dominance over the new inmates and warns them of the rules. One new inmate, Yasmine, claims she was wrongly convicted of murder. In the second scene, the governor asks a guard named Boris to spy on the other guards in exchange for her favor with the lead guard, Mr. Watson.
Okay, let's try moving our discussion in a more positive direction. What
are some small ways each of you can show respect to others here?
Carla: I ain't showing respect to no one.
Moorland: Carla, respect is how you'll earn people's trust and a second chance.
Think about it - how can you start respecting others, just a little?
Carla sighs loudly but doesn't respond. The other inmates are also silent.
Moorland: Alright, let's talk about something else then. Whitney, how are you
finding the art therapy classes? Anything you'd like to share about what you're
working on?
Whitney
A fight breaks out between inmates Carla and Nicole in the prison dining hall after Yasmin accidentally bumps into Carla. Their argument escalates into a physical altercation as they start throwing punches at each other on the floor while other inmates gather around and cheer. The guards Watson and Borris rush in to separate the two fighters and take them, along with Yasmin, away to be locked in their cells for the night as punishment.
The White Legacy - Generation 9, College (Part 2)Keika20
This document is a chapter summary for "The White Legacy: Generation Nine, College (Part Two)". It describes the events after several members of the White legacy are killed by vampires led by Arc. Bay comforts a upset Saffron. Clary apologizes to Saffron for her harsh words. Saffron decides the survivors will stay together and let the wolf pack protect them until the legacy is complete. The chapter ends with Bay and June starting a romantic relationship, though their first date is awkwardly supervised by a wolf guardian.
The document lists the top 10 break up songs with lyrics, including songs by Alanis Morissette, Kelly Clarkson, The Cranberries, Bow Wow featuring T-Pain, Justin Timberlake, Beyonce, Vertical Horizon, Madonna, and Ne-Yo. It provides lyrics for 5 of the songs, including "You Oughta Know" by Alanis Morissette, "Since U Been Gone" by Kelly Clarkson, "Linger" by The Cranberries, "Outta My System" by Bow Wow featuring T-Pain, and "Cry Me a River" by Justin Timberlake.
This poem is about the speaker's regret over a past relationship. In 3 sentences: The speaker felt pain when their partner contradicted something they had said confidently before. The speaker hates themselves and their partner for how the relationship made them feel and who they became. While the speaker suffers inside, their partner remains blissfully ignorant of the speaker's true feelings and continues talking confidently about life's possibilities.
This is what I needed to take out off my chest as to all of whom are so called friends in my world there are no friends at least for now because friendship is given between two people not only me.
The poem discusses the experience of feeling invisible or like an outcast. It encourages the reader that they are not alone, there is more to life than what they are currently feeling, and one day the pain they feel will be invisible when looking back. It promotes being true to yourself and not hiding who you are, as your confidence and individuality make you strong.
This screenplay summary introduces the main characters of Jason, Wendy, Gracie, and Will. Will receives a call from Jason saying Gracie has been kidnapped by a mafia led by Wendy Wilson. Jason recruits Will as a double agent to infiltrate Wendy's gang to rescue Gracie and bring down Wendy. Will meets with Wendy and impresses her with his loyalty to gain access to her gang. However, upon later confronting Jason, Will discovers files indicating Gracie may be dead, causing him to point his gun at Jason in anger and distrust.
This screenplay summary introduces the main characters of Jason, Wendy, Gracie, and Will. Will receives a call from Jason saying Gracie has been kidnapped by Wendy Wilson's mafia. Jason recruits Will, a former police officer, to go undercover and infiltrate Wendy's gang to rescue Gracie. Will impresses Wendy and passes her initiation test. However, when Will later confronts Jason, he finds files that reveal Gracie may be dead. Will points his gun at Jason in a rage, accusing Jason of lying to him all along.
Jonas writes about an unexpected event that occurred at a community meeting. [1] The Chief Elder apologized for causing anxiety in the community, which Jonas had never witnessed before. [2] To Jonas's surprise and fear, the Chief Elder then called him on stage after apologizing. [3] She announced that Jonas had been selected as the new Receiver of Memory, a role meant for keeping the community's collective memories, replacing the previous Receiver who failed in his duties.
The song "Weak" describes the singer's feelings of weakness and loss of control when thinking about a romantic interest. The chorus expresses that the person makes the singer feel weak in the knees and unable to speak when they are together. Their love is described as amazing but knocks the singer off their feet and leaves them unable to explain their powerful effect.
This document is a screenplay summary for a detective story. It describes two detectives, Wei Shen and Cole Phelps, investigating the murder of a woman in an alley. They examine the crime scene but find little evidence. Phelps questions the victim's husband who claims he didn't do it. Later at their agency, a shy Asian woman named Clara drops off an envelope with potential evidence, including photos and a note asking Shen to meet the sender at a cafe the next day.
The document contains lyrics from multiple songs that deal with themes of love, loss, regret, and longing for a past relationship. The songs express missing an ex-partner and the pain of separation, as well as apologizing for past mistakes and wishing for a second chance to fix things. One song talks about moving forward and finding their own voice after an unhealthy relationship.
Four teenagers wake up in an abandoned school with no memory of how they got there. They are greeted by a distorted voice telling them they must complete deadly tests or they will die. One of the teenagers, Viktor, is found dead with a knife wound. The others suspect each other until they find a note on Viktor's body saying one of them is the killer. They realize they have been drugged and set against each other as part of a deadly game.
Andy wakes up in a strange room where a disembodied voice tells him it has been watching him and knows all about his mistakes and wrongdoings. The voice shows Andy visions of his poor past actions through painful sensations. Andy sees how he mistreated others for his own gain. The voice explains this place is for Andy to understand himself and change. It offers Andy a chance to see the impact of his death on someone he loves. Andy is shown his own body after a car accident and his grieving wife Mary. He realizes the error of his ways. The voice tells Andy someone is waiting for him, and they walk off together as credits roll.
I'm Starting To Question My Sanity Episode 1Kayleigh Moyer
Alice travels back in time to save friends who died and recruit others to help rebuild the Third Street Saints empire. She saves Aisha first, bringing her to the present to reunite with Johnny. Alice then recruits Carlos and Shaundi from the past as well. Carlos saves Alice's life when she stops breathing after arriving back in the present.
This document provides the cast list and script for the first scene of a prison drama titled "Cell Block 33." The opening scene introduces several new inmates to the prison and its leader, Carla, who asserts her dominance over the new prisoners and establishes the prison hierarchy.
The document provides a script for a play set in a women's prison, Cell Block 33. It introduces the main characters which include prisoners like Carla and her gang, as well as guards like Mr. Watson. In the first scene, Carla establishes dominance over the new prisoners and intimidates them. One new prisoner, Yasmine, claims she was wrongly convicted of murder. In the second scene, the corrupt prison governor Ms. Sullivan manipulates guard Boris McKenzie into spying on the other guards for her in exchange for favors.
This document provides the cast list and script for the first scene of a prison drama titled "Cell Block 33." The opening scene introduces several prisoners, including new inmates, and establishes Carla as the leader who asserts her dominance over the new prisoners. It also briefly features some of the prison guards and the governor.
(To Carla) I understand you're bored, but respect is an important topic that can help improve relationships and the environment here. Perhaps sharing how you genuinely feel could help move the discussion forward in a meaningful way.
Carla: Fine. I don't feel respected here. The guards treat us like crap and think they can do what they want. And these so called "therapy" sessions are a joke. No one really cares what we think.
Moorland: I can understand feeling that way Carla. It's not easy being in this environment. But my role is to try and help however I can. Why don't you tell me more about what would make you feel respected? Really listening to understand different
The document provides a script for a play set in a women's prison, Cell Block 33. It introduces the main characters, including the leader of a gang named Carla and three new inmates. In the first scene, Carla establishes dominance over the new inmates and warns them of the rules. One new inmate, Yasmine, claims she was wrongly convicted of murder. In the second scene, the governor asks a guard named Boris to spy on the other guards in exchange for her favor with the lead guard, Mr. Watson.
Okay, let's try moving our discussion in a more positive direction. What
are some small ways each of you can show respect to others here?
Carla: I ain't showing respect to no one.
Moorland: Carla, respect is how you'll earn people's trust and a second chance.
Think about it - how can you start respecting others, just a little?
Carla sighs loudly but doesn't respond. The other inmates are also silent.
Moorland: Alright, let's talk about something else then. Whitney, how are you
finding the art therapy classes? Anything you'd like to share about what you're
working on?
Whitney
A fight breaks out between inmates Carla and Nicole in the prison dining hall after Yasmin accidentally bumps into Carla. Their argument escalates into a physical altercation as they start throwing punches at each other on the floor while other inmates gather around and cheer. The guards Watson and Borris rush in to separate the two fighters and take them, along with Yasmin, away to be locked in their cells for the night as punishment.
The White Legacy - Generation 9, College (Part 2)Keika20
This document is a chapter summary for "The White Legacy: Generation Nine, College (Part Two)". It describes the events after several members of the White legacy are killed by vampires led by Arc. Bay comforts a upset Saffron. Clary apologizes to Saffron for her harsh words. Saffron decides the survivors will stay together and let the wolf pack protect them until the legacy is complete. The chapter ends with Bay and June starting a romantic relationship, though their first date is awkwardly supervised by a wolf guardian.
Vanya introduces himself as Uncle Vanya, noting the negative connotations of the word "uncle". He describes different archetypes at a restaurant - the schlemiel who spills soup, the schlimazel it gets spilled on, and the "schmo", an uncomfortable outsider. Vanya says he's not the schmo, but rather "Yet Another Other Guy" who isn't even at the restaurant but obsessively thinks about it. The Professor, Pickles, Sonia and Ella return from a walk, with the Professor praising Sonia's garden, though noting it's not as beautiful as the Swiss Alps.
Alyzza's parents die in an accident, leaving her to be cared for by her grandfather. Her friend Cristy tricks her into working at a restaurant bar. While working there, Alyzza is approached by a police officer who offers her a job as a police asset, and her grandfather's health declines prompting her to worry for his well-being.
Maurio Coles' New Nightmare in the Hood (screenplay)Maurio Coles
Teena tells her brother Deucalion about her nightmare involving their friend Minnie's death. She describes in detail an incident she and Minnie experienced previously where they encountered a killer named Jaxon Volker at an abandoned campsite. Though they escaped, Teena has been having nightmares and a bad feeling since then. She wonders if Minnie's death could be connected to someone associated with Jaxon seeking revenge. Deucalion listens and questions if Minnie's killer could indeed be linked to the past encounter.
The document summarizes a scene from the play "Cell Block 33". It describes a therapy session led by Mr. Moorland in the prison. The session aims to discuss respect but the prisoners are disruptive and argue with each other. Carla and Nicole in particular get into a heated argument. Moorland tries to calm them down but ends the session frustrated, knowing he needs to find a better way to get through to the prisoners.
The group goes into the forest to celebrate the life of Ana's sister Eva, who disappeared there two years ago along with three friends. While camping near Eva's favorite oak tree, Matt tells a local legend about an asylum patient who was burned alive in the forest after murdering her family and tormenting others with an strange book. Ana becomes worried that the legend may be connected to Eva's disappearance. Later, the group decides to explore the ruins of the old asylum mentioned in the story.
The document provides an overview of three scenes from a film or story. In the first scene, a girl is running terrified through a dark forest at night, injured and lost. In the second scene, two friends prepare to go to the forest to commemorate the disappearance of one of the girl's sisters two years prior. In the third scene, a group of friends including the two girls arrive at the forest under the guise of celebration but with an underlying tension about what may have happened to the missing sister.
The document provides an overview of three scenes from a film or story. In the first scene, a girl is running terrified through a dark forest at night. She stops, calls out a name, and the camera blurs. In the second scene, Anastasia tells her friend Sophia about how her sister disappeared in the forest two years ago. In the third scene, the group has arrived at the forest to celebrate Anastasia's sister's life and in the hopes that she may return. They begin walking into the dark forest together.
Julius is worried about living up to his role as heir to his father's mission. At his wedding to Marsha, there is some disapproval from shyer guests like Dion and Tavi. Marsha tells Solan that she is pregnant, bringing the next generation. Amy also gets pregnant at her wedding to Marc Antony. At Tavi and Meadow's wedding, Meadow demands pink butterflies on the cake which aren't available. Meanwhile, Dalen is raising Hope and Jason at the Temple of Ares, but Jason discovers his real mother is Mokosh after meeting his older brother Aiden.
This document provides an overview of several storylines within a Sims game. It introduces Simon, who had an ectopic pregnancy, and his daughter Sally. It also mentions Charlotte and Dante bringing home friends from school, including redheaded girls. Finally, it notes some strange glitches occurring, such as a breastfeeding censor blur involving Anne and Sally, suggesting a game rebuild is needed. The summary is wrapped up in 3 sentences or less.
Two inmates sneak into the prison administrator's office while it is empty and find files on all the inmates. They discover information about Carla that contradicts her story of why she is in prison. At recreation, the inmates confront Carla and threaten to beat her up. Nicole intervenes and gives a speech urging the inmates not to sink to Carla's level and to remember who they were before prison. Everyone disperses silently. Carla is later shown reflecting in her cell.
The document appears to be a script for a horror film involving three teenage girls who explore an abandoned mental hospital for fun. While conducting a prank ritual inside, strange events occur, and all three girls as well as one of the boy's friends begin experiencing frightening supernatural occurrences. They meet with a woman who claims to be able to help, but she flees, warning that they have gotten themselves into something too dark. Later, at one of the girl's homes, bizarre noises and a dark figure are seen, and the friends begin disappearing one by one.
The document appears to be a script for a horror story involving three friends - Honey, Leah, and Rebecca - who explore an abandoned mental hospital for fun. At the hospital, Rebecca suggests they perform a ritual to curse Leah's boyfriend as a prank. During the ritual, strange events occur, frightening the girls. Later, all four friends - including Leah's boyfriend Trey - experience scary encounters with a dark figure. They meet to discuss these experiences with Elise, a friend of Honey's who can supposedly help explain what is happening.
Cell Block 33 is a performance piece set in a prison cell block. The performers take on roles as inmates and guards confined within the space of the cell block. Through movement, dialogue, and interaction the performance explores the psychological dynamics and tensions that arise within the close quarters of the prison environment.
Cell Block 33 is a performance piece set in a prison cell block. The performers take on roles as inmates and guards confined within the space of the cell block. Through movement, dialogue and interaction the performance explores the psychological dynamics and tensions that arise within the close quarters of the prison environment.
Cell Block 33 is a performance piece set in a prison cell block. The performers take on roles as inmates and guards confined within the space of the cell block. Through movement, dialogue, and interaction the performance explores the psychological dynamics and tensions that arise within the close quarters of the prison environment.
Cell Block 33 is a performance piece set in a prison cell block. The performers take on roles as inmates and guards confined within the space of the cell block. Through movement, dialogue and interaction the performance explores the psychological tensions that arise within the close quarters of the prison environment.
This document provides links to 4 web pages for a paper week campaign website: the homepage created by Michael, an "About us" page by Nazish, a "Facts and statistics" page by Navina, and a "Contact us" page also by Michael.
The document contains questions from a questionnaire about a "Paper Week" environmental campaign. Respondents were asked about their gender, year of study, awareness and understanding of the campaign, whether it persuaded them to reduce paper waste, what they learned, which activities they enjoyed and why, something specific they learned from the website or quiz, and how the campaign could be improved.
This document summarizes the responses from a questionnaire about a "Paper Week" environmental campaign. Students provided feedback on their gender, year of study, awareness of the campaign, understanding of its purpose, whether it persuaded them to reduce paper waste, what they learned, which activities they enjoyed, and how the campaign could be improved. The key activities mentioned were an online quiz for older students and paper model making for younger students. Students reported learning the most from facts on the website and from discussing answers to the quiz questions with their form groups. Respondents suggested opening the campaign to all grade levels and promoting it more extensively around the school.
This document contains a 7 question survey about a "Paper Week" campaign aimed at reducing paper waste. The survey asks about the respondent's gender and year, their awareness and understanding of the campaign through various promotions, whether the campaign persuaded them to reduce paper waste, if they learned something new, and if they enjoyed the campaign activities.
Questionnaire for Success of 'Paper Week' CampaignNazish
This questionnaire collects feedback about a "Paper Week" campaign created by students as part of a creative media course. It asks respondents about their gender, year in school, awareness of the campaign, understanding of its purpose to reduce paper waste, whether it persuaded them to waste less paper, if they learned something new, and liked the activities, then provides free response fields to elaborate on favorite activities, new things learned, and suggested improvements.
Questionnaire for Success of 'Paper Week' CampaignNazish
This questionnaire collects information about a "Paper Week" campaign created by students for a creative media course. It asks respondents about their demographics, awareness and understanding of the campaign, whether it persuaded them to reduce paper waste and what they learned, and how the campaign could be improved. The final question thanks participants for completing the survey.
Questionnaire for Success of 'Paper Week' CampaignNazish
This questionnaire collects information about a "Paper Week" campaign created by students for a creative media course. It asks respondents about their demographics, awareness and understanding of the campaign, whether it persuaded them to reduce paper waste, what they learned, and how they think the campaign could be improved.
Questionnaire for Success of 'Paper Week' CampaignNazish
This questionnaire collects information about a "Paper Week" campaign created by students for a creative media course. It asks respondents about their demographics, awareness and understanding of the campaign, whether it persuaded them to reduce paper waste, what they learned, and how they think the campaign could be improved.
This questionnaire collects information about a "Paper Week" campaign created as part of a Creative and Media Diploma course. It asks respondents about their gender, school year, awareness and understanding of the campaign, whether it persuaded them to reduce paper waste, what they learned, and how they think the campaign could be improved.
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Cell block 33 (3)
1. Cell Block 33 1
Cell Block 33
Cast:
Prisoners:
Carla–
Carla Gang:
Sasha – Zahra Printer
Tasha -
Basha -
Nicole–Sara Khan
Yasmine–
Andi –Navina
Cash –
Whitney–
Newbie 1 – SathmaNugera
Newbie 2 – NazishHussain
Inmate 1 – Marie Hughes
Inmate 2–
Inmate 3 – Khatra
Inmate 4 –
Inmate 5 –
Inmate 6 –
Guards:
Ms Stella Sullivan–ParnyanIslamzadeh
Mr. Mitchell Watson–George Streather
Mr.Rajan Chandra -
Mr. Joe Strang -
Mr. Boris McKenzie–Logan Jones
Therapist – Mr. Moorland–RajanHanda
Extras:
Victim – Kate –
Boyfriend– Zak - Michael McCauley
Director -
Card Holder 1-
Card Holder 2 –
Edited By George Streather (Director) and NazishHussain (Assistant Director)
2. Cell Block 33 2
Cell Block 33
Pre Show – JOE patrols up and down the balcony whilst BORIS walks up and down
the centre of the stage. A few prisoners hang around in various places on the stage
giving evil looks.
Scene 1– Marie
WATSON and CHANRA enter with the 3 newbie’s.
Watson :(to the prisoners) Oi Ladies, fresh meat!
WATSON starts to walk out butCHANDRA is day dreaming.
Watson:Chandey… Chandey… Chandey!!
Chandra: Oh sorry, I wasn’t listening.
Watson:(Points and shout)Pay more attention Chandey!
Chandra: It’s Chandra sir.
Watson: It’s all the same isn’t it! Come on let’s leave them to it!
Chandra: Bye ladies enjoy your day and may I just say how wonderful you all
look in your outfits and-
Watson:-CHANDREY!
Chandra: Coming Sir…
CHANDRA runs after WATSON and exits.
CARLA and her gang start to surround the NEWBIES in a rotating circle. CARLA
steps forward so she’s face to face with the 3 girls and circles them.
YASMINE hides behind other NEWBIES and isn’t noticed by CARLA.
Carla:Oi you(To newbie 1) what you in for?
Tasha: She said what you in for?
Newbie 1:(Confidently) Murder
Carla:Not Bad. (Looking pleased)
Sasha: Not bad at all!
Edited By George Streather (Director) and NazishHussain (Assistant Director)
3. Cell Block 33 3
Carla:what about you?(looks at newbie 2)
Newbie 2:(Embarrassed) Drink driving
Carla and her gang start to laugh. When Carla stops laughing her gang stop
laughing too, except one who Carla looks at and she stops.
Carla: Listen yeh, this is MY territory, I rule this place no one else!
All the newbie’s look scared
Carla: Do you understand me?!
No one reply’s
Sasha: Do you understand her?
Carla:(Gets in one of the newbie’sfaces, angry voice) I said do you understand me?!
(All the newbie’s):YES, YES DEFINITELY!
Carla:(Aggressive)I’m Carla yeah. This is (Points to other 3 girls)Sasha, Tasha
and (Pause) Basha.
Tasha moves forward to hit Newbie 1 but Carla grabs her.
Carla: What the hell you doing?
Tasha: You said bash her!
Carla: Na! That’s her name (Pointing to Basha.
Tasha: Oh yeah, soz I forgot.
Carla: You Twit!
Newbie 1 laughs
Sasha: What the hell you laughing at?
Newbie 1:(Scared) Nothing Sorry.
Carla: Whatever! Just a few rules so you don’t get in my way…When I arrive for
meals, you move out the way ,if I ask you for something you give it to me and if i
say something funny, you BLOODY laugh. And if you don’t do any of these, your
dead meat! GOT IT?
Tasha: Got it have you!
Edited By George Streather (Director) and NazishHussain (Assistant Director)
4. Cell Block 33 4
All newbie’s shake their heads up and down.
Carla:Good, enjoy your stay losers! And watch it!(smirking)
Sasha: Yeah, Just watch it!
Welcome Song
CARLA and Gang leave followed by the other prisoners. Only the 3 Newbie’s remain
on stage.
New 1:(sarcastically) well they seem nice.
New 2: Shut the hell up would you. God how we gonna survive in this place?
New 1: Yea, (Looking at Yasmine)and how come she missed you out?
Yasmine:(Scared) just lucky I guess.
New 1: What you in here for anyway?
Yasmine:(quietly) murder
New 2:(looking her up and down) you don’t seem the type.
New 1:(laughing)Welcome to the murderer’s gang
Yasmine: No, I didn’t…I’m innocent… It wasn’t me, I’m not meant to be in here. I
didn’t murder anyone!
New 1:(sarcastically) yea, sure you didn’t
Yasmine: But I didn’t… I wouldn’t… I couldn’t.
New 2: So what happened then?-
New 1:-Yea, how can you get nicked for something you didn’t do?
Yasmine stand silently, fumbling with her hands
New 2: Oh come on…(getting annoyed)
Yasmine: I was just walking home and I heard this scream-so I ran over and
foundthis person lying on the floor…She was still alive you see, so I knelt down
and held her and she died in my arms (puts her hand to head, and turns away
momentarily from the newbies) The next thing I know there’s Police all around
me and they arrested me. (Crying) They put me in here(points to the floor) and I
didn’t do it… I honestly didn’t do it …and I’m going to be stuck in here for life.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
5. Cell Block 33 5
Yasmine breaks down into tears
New 2: Look (goes over to Yasmine, and puts hand on her shoulder to comfort her)
maybe someone will find something-
New 1:-OR if you did do it you deserve to be in here.
Yasmine: But I didn’t. I…I… just tried to help. I don’t deserve to be in here. What
the hell am I going to do?
New 1:You just have to keep your head down. If that Carla hears about it, she’ll
probably kill you. She really does look vicious.
New 2: Stop it would you! That isn’t helping.
Watson, Joe and Boris walk into the room.
Watson: Right you two, (To Newbie’s) go with Joe and Boris. You(looks at
Yasmine), what’s your name?
Yasmine: Yasmine sir.
Watson: You come with me. The Governor wants a word.
They all exit in opposite directions.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
6. Cell Block 33 6
Scene 2 – Logan
Governor’s office;Ms SULLIVAN (the Governor) sitsat her desk looking very bored
and wants something exciting to happen. BORISenters the room.
Boris: You wanted to see me Governor?
Sullivan:Yes I did McKenzie, please take a seat and please, call me Ms.
Sullivan.
Boris: Oh! Ok you can call me Boris if you like?
Sullivan:(Sniggers to herself) I’d rather not thank you. (Gesturing to chair)Please
take a seat.
Boris:Thank you Ms. Sullivan (Sits down)
There is an awkward silence, which makes BORIS uncomfortable.Ms SULLIVAN
finally starts to speak.
Sullivan: Ok I’m going to get to the point and tell you why I’ve sent for you.
She stands up from her desk and starts to walk around the room.
Sullivan:You have been working for us for a while and according to Mr. Watson-
As soon as she says Mr. WATSON, BORIS jumps out of his seat and becomes excited
like a puppy
Boris: - MR. WATSON!!! What did he say about me? Did he say he was impressed
with my skills? Did he say I gave him sharp answers in best training? Or did he
say how much I remind him of himself in his younger days?
Sullivan:(sarcastically)Let me think ummmm… NO (gets serious) He actually said
you’re a show off and that you are nothing but a useless pathetic swine who does
nothing but follow him around all day.
Boris:(shocked) Mr. Watson said that?
BORIS is shocked and then bursts into tears. Ms. SULLIVAN comforts him by putting
his head on her chest and holds him.
Sullivan: There, there my little soldier; it will be all right, Ms. Sullivan will make
everything better. (She starts stroking his hair.)
Boris:(Boris starts sobbing like a pathetic child) I just wanted him to like me Ms.
Sullivan, is that too much to ask?
Edited By George Streather (Director) and NazishHussain (Assistant Director)
7. Cell Block 33 7
Sullivan: Of course not McKenzie; I tell you what, if you do something for me I
will say nice things about you to Mr. Watson.Howdoes that sound?
Boris:Ok, if it makes him think I’m special!
Sullivan: Oh, he does think you’re,(Sarcastically) ‘SPECIAL’.
Boris:What do I need to do?
Sullivan:(Ms. Sullivan is still stroking his hair) Oh nothing much.All I want you to
do is find some dirt on one of the prisoners and then come tell me and then we
can spread it around the prison? Yeah, that would be fun… since there hasn’t
been anything fun for ages?
Boris: but, but …. That’s against the rules! They don’t tell us to do that in ‘best
training’. What if Mr. Watson finds out, what if……
Ms. SULLIVAN smoothly puts her finger on BORIS mouth so he knows she wants
him to be quiet
Sullivan:(Sexy tone of voice) you do want to make me happy don’t you McKenzie
Boris:(Boris hesitates) but…. but…. Mr. Watson? What if he-
Ms. SULLIVAN feels Boris’s hand
Sullivan:-Oh my goodness!! You poor dear, you’re shaking like a leaf, let me help
you relax…
Boris:Look Ms. Sullivan now that I know Mr. Watson doesn’t like me for some
reason, I am going to do my best to impress him and I can’t mess things up any
more, so I am sorry but the answer is…
BORIScannot remember what he was saying as SULLIVANstarts to give him a
shoulder massage.
Boris: the answer is…
Sullivan:(flirtatiously) you know young man, I always gets what I want!
Boris: Oh I bet you do Ms Sullivan!!! (Boris is enjoying the massage)
Sullivan: You do want to make me happy and make me tell Mr. Watson what a
good boy you are? Right…
Boris:Ohhhhhhhhh YES Ms Sullivan!!! (Boris is REALLY enjoying the massage)
Edited By George Streather (Director) and NazishHussain (Assistant Director)
8. Cell Block 33 8
Sullivan: Than get out of here and find me some dirt on one of the prisoners you
naughty boy!
Boris:Ohhhhhhhmyyyy god yes, yes, yes! (He pulls out his note book with a pen
and runs off)
Exit BORIS
WATSON and YASMINE enter the office. Ms SULLIVAN goes back to her desk and
sits down.
Watson: We got a newbie!
Sullivan: Oh, I see and what’s her name?
Yasmine: My name is Yasmine!
Watson:(Shouting at Yasmine.) Only speak if the Governor asks you to speak you
stupid piece of-
WATSON was about to hit her but SULLIVAN interrupts him so he stops himself, he
smiles at the Governor
Sullivan: -It’s okayMr Watson; I’ll let it slide this time.
Watson:(nervously) as you wishMs Sullivan (Watson smiles at Ms Sullivan)
Sullivan: Well Yasmine, I don’t know why you’re here andI don’t really care. All I
ask of you is to behave and keep your nose clean. Now before Mr Watson, takes
you to your cell, I just wantedto warn you about Clara. She is the worst inmate
we have. Now any questions?
Yasmine: What’s the food like?
Watson:CRAP!It tastes like crap, and looks like crap because it is CRAP!
Sullivan: Ok then that’s all I’ve got to say.Mr. Watsonpleases would you show
our new guest to her cell...
Watson: My pleasure Ms Sullivan, okay you, get a move on now. I don’t have all
day!
WATSON pushes YASMINE out the door. SULLIVAN puts her hand on his shoulder
and he turns round. She straitens out his collar.
Sullivan: There, we don’t want you looking untidy do we Mr. Watson.
They stand face to face about to kiss. YASMINEsays something before they do.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
9. Cell Block 33 9
Yasmine: Are we going then?
Watson: Yes, yes off we go.
He hurries YASMINE out the door and both exit. Mr. SULLIVAN smiles to herself and
exits in opposite direction.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
10. Cell Block 33 10
Scene 3 -Sathma
Girls sit around the therapist’s room waiting for Mr MOORLAND to arrive.
MOORLAND walks in the room and sits down. He takes a deep breath and begins to
speak.
Moorland:Hello ladies, who wants to start us off today? Is there anything anyone
wants to share?
Andi:I had toast for breakfast, with jam on top, yummy....
Moorland:Thank you Andi but that's not quite what I meant. Last session we
were talking about respect.
Andi:(Towards Audience) so it’s about Respect this week!
Whitney:Yes I loved that session!
Andi:Oh Whitney, can you stop flirting with Mr. Moorland and stop talking about
respect. (Sarcastically)We can always see it when we’re in our cells, (To
Audience)especially between Carla and Nicole.
Nicole:Oi, if you gotta say something just say it out loud,init!
Carla:I’m getting bored, can we just carry on-
Moorland:-Yes thank you! So we were talking about respect. How to get it, what
it means and how we feel about it. Has anyone had any thoughts?
Nicole:(Aggressive tone) Yeah. We don't have it and it’s never going to happen-
Carla:(towards audience) I swear I just said I’m getting bored so why is he
carrying on this respect thing?
Sasha: (To audience) you don’t want to see her when she gets mad.
Moorland:-And why is that?
Carla:Cause we're nothing but criminals now.-(Looking at nail tips not actually
interested)
Whitney:I’m not a criminal!
Nicole:Oh just shut up!
Moorland:-That’s not true; you’ve all got a second chance!
Edited By George Streather (Director) and NazishHussain (Assistant Director)
11. Cell Block 33 11
Carla:Oh Really? You think anyone is going to give me,(Pointing at herself) me a
chance when I get out of here? You're dreaming man!
Andi:(looking confused)(To audience)Now it’s about dreaming?
Moorland:You have to earn a second chance. Start by learning respect, you know
what they say;respect is the key to success.
Cash: Yeah well somebody stole the key.
Andi:(really confused) Now it’s about a key (Itching her hair)
Whitney:Considering your history, are you sure it wasn't you?
Cash:Are you accusing me of nicking stuff?
Nicole:(Laugh out loud) I swear that’s why you're in here?
Cash:Mistaken identity. dahh
Whitney:Tell it to the judge.
Cash:I did!
Nicole:Yea, after you bloody nicked his wallet.
Cash:Say that to my face in it!
Nicole:Ok. Bring it on!
Carla: Shut up Nics Bowel.
Nichole: Shut up Parla.
Carla: Do you want a punch round the face.
Sasha: (To Nicole) Back off or well get you!
Tasha: Just watch!
Nicole can’t be bothered to start and sits down kissing her teeth.
Moorland:Ladies, LADIES! Keep it together. Look, I know you're angry but
fighting each other is not going to help! Respect is the key... (To audience) No let’s
not start all that again.
Andi:Why is it we have nothing to do. We haven't got Sky, no internet and no
BBM.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
12. Cell Block 33 12
Moorland: That’s not true actually Andi, you could sit a few exams you know or
grow some veg or...
Andi: But i’m not Alan-um- Tit-um
Moorland: Titchmarsh
Carla:Why the heck am I even in here?
Nicole:Shut up you know why you’re in here!
Sasha: Shut up don’t talk to her!
Tasha: Yeah don’t talk to her!
Carla: You not go find someone else to bully coz Basha hear could beat the crap
out of you.
Nicole: Yea! Now shut the hell up!
Carla:Are you like telling me to shut up?
Nicole:Yeah I am, do you have a problem with that?
Carla:I do init!
Moorland:Alright ladies cut it out, God I need to get a vacation. Look, that's the
end of the session today but maybe next week we can talk about writing a letter
to the Governor about conditions? We can try to make a positive change.
Whitney:(To Moorland)Aw I don’t want this to end!
Andi:Uh huh. (Sarcastically)Maybe she'll buy me that pony I wanted as well.
Whitney bursts out laughing
Carla:Whatever
Nicole:Piss off Carla!
NICOLE and CARLA storm out in opposite different directions. Others follow. Mr
MOORLAND holds his head in his hand.
Moorland: Oh GOD!
Lights black out.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
13. Cell Block 33 13
Scene 4 –Navina
YASMINE has been dismissed from Ms SULLIVAN’S office and is now being taken by
WATSON to her new cell. YASMINEwalks slowly through the corridor looking
around.
WATSON turns around and looks at YASMINE with an aggressive face.
Watson:(Angrily) come on there! Walk a bit faster, don’t dilly dally.
YASMINE gets scared on hearing WATSON’S angry voice and quickly stops looking
around; instead she looks down and starts to walk faster to catch up with
WATSON.WATSON angrily holds YASMINE’S arm and pulls her to walk at the same
speed as him. Once they reach the cell, Watson lets go of YASMINE’S arm and
*kicks open the cell door.
Watson: Right, come on in then
WATSON goes inside the dark cell and tries to find the light switch.
EnterYASMINE, as the lights are being switched on. She hears a noise.
Yasmine: What’s this weird noise?
Watson: What noise?(Looks around)
Yasmine: Can’t you hear it? It’s like someone’s breathing heavily and it’s coming
from this direction.
YASMINE points and moves towards the direction, from where she could hear the
noise. The noise gradually gets louder.All the lights are fully on now. YASMINE
stops walking towards the direction and gazes at the person who is sleeping and
snoring in front of her.
Yasmine: Who is she?(Shocked)
Watson:(points at Nicole and smugly)that’s who you’re sharing this cell with
Yasmine: What…but…
Watson: Shut it and no moaning. At the moment all the cells are taken, so you’ll
stay here till we find you another cell… which will take us a while. (Pause) Right
then! (To Nicole) Come on, wake up you lazy git.
WATSON walks over and pulls down a blanket over the barred window.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
14. Cell Block 33 14
Watson:(shouts over at Nicole) and what have I told you about covering this
window up?
The snoring stops and NICOLE gets up still half asleep
Watson: Come on…come on…wake up now, the cheek of it (looks over at Yasmine
and sighs)
After yawning and stretching, NICOLE opens her eyes fully and stares at YASMINE,
who is standing just a few steps away from her.
Nicole: Who’s she? (Looks Yasmine up and down)And what do you want? (Kisses
her teeth and gives evil looks to both Yasmine and Watson.)
Watson: Say hello to your new cell mate – Yasmine!
Nicole: Ugh, what, that’s not fair, why’s she in here, put her in with Gracieor
someone?
Watson:Now you know why we don’t put anyone in with Gracie…I don’t want
any fuss in here. Okay?
Nicole:(Aggressive face) Listen, I aint sharing my room with no one. Move her
somewhere else.
Watson: Shut up!Ms Sullivan decided to put Yasmine with you,so she’s staying
right here, and that’s final.
Nicole:(annoyed and frustrated at the decision made by Ms Sullivan) Argh. But...
If…
Watson:Excuse me, no ifs and NO butts. (Watson turns around and starts walking
towards the door.)
Watson:Now settle in and I better see you two for the drill at 11 sharp!
WATSON leaves the cell. YASMINEwalks over and sits on the bottom bunk.There is
a moments silence after WATSON leaves.
Nicole: Why you in ‘ere then ‘ey?
Yasmine: I don’t know why I’m in here. It just wasn’t my fault okay(Soft voice)
Nicole: What? What did you say? (Whispers to herself) What’s she on about? Ugh,
whatever… (Giving her evil looks.)
YASMINE just sits for a few moments and looks around the room. Inmate 2 and 4
walk intothe cell.
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15. Cell Block 33 15
Inmate 2: Alright Nicole?
Nicole: Yea, been worse.
Inmate 4: You know there’s gonna be a fight?
Nicole:Aint been one of them for a while.
Inmate 4: You comin?
Nicole:Na, can’t be asked!
Inmate 2 stares at Yasmine
Inmate 2: New cell mate?
Nicole:(passively) yea she just arrived
Inmate 2: You better watch yourself in here!
Inmate 4: Yeah, we aint had a really good punch up for a while now.
Inmate 2: She’s got one of those faces that could do with a bit of alteration.
Nicole jumps down from the bunk bed
Nicole:Oi, don’t you lay a finger on her, alright? She’s in my cell now so you don’t
touch her, you know the rules!
Inmate 2: Yea what ever. Catch you later Nic!
Nicole grabs Inmate 2 by the throat.
Nicole: It’s Nicole to you yea, say Nic again and I’ll break it!
She lets go and they run away.
Yasmine:(sheepishly) Thanks.
Nicole:Don’t get too happy, it’s just the rules; youHAVE to look after your cell
mate.
Yasmine begins to read. Nicole goes to pour some water from a jug.
Nicole:What you reading?
Yasmine:Beatrix Potter.
Nicole: Cool. I used to read loads before I came in here. Mine got taken away.
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16. Cell Block 33 16
Yasmine: Why?
Nicole: I kept throwing them at Watson.
Yasmine laughs and Nicole laughs too.
Nicole:(Sighs)Anyway let’s not talk about this. I aint got any more books with
me.
Yasmine:Well if you ever want to borrow mine you can. Just whenever you feel
like reading, ask me if I’m around or just take it.But DON’T throw the at anyone
(smiles)
Nicole:Really? Thanks!
The buzzer for the inspection rings.
Nicole: Uh damn it, its 11 already.
Yasmine: What was that buzzer for?
Nicole: Hey, Yasmine …
Yasmine cuts through Nicole’s dialogue.
Yasmine: Just call me Yas! (Smiles at Nicole)
Nicole:(Smiles back at Yasmine.) Yeah, Yas, that was the buzzer for the
inspection.Come let’s go.
They walk around the stage and walk down to the court yard.
Nicole: You see that guard over there … (Points at Mr Chandra who is standing in
his own little world.)
Yasmine: Oh … over there? (Points and squints her eyes.) That one? Oh yeah,
yeah, what about him? He looks arrogant to me.
Nicole:no, no, no,he’s the nicest one out of all these guards(looks around)that one
there, (Pointing to Watson), he’s a right stuck up git and that one (pointing to
Boris), he’s always sucking up to Watson and that one (Pointing to Joe), he’s a
good one. Anything you need under the counter(nudges and winks at Yasmine)
just ask him. Come on we better go mix in with the others.
Song:
Nicole:
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17. Cell Block 33 17
I see the old me in you
Making a change was the bad thing to do
Feeling broken and so bruised
I wish I could go back and become someone new
Just had to tell you
I was just like you always on the hype
Had dreams too that would make me touch the sky
Sometimes I know you feel to cry
But I will be there for you
And I promise you that’s true
Chorus (duet):
Just make a change
And you might hit fame
Never put yourself down
And call yourself lame
Where just the same
Nicole:
I was just like you all so true
I had dreams too not only you
I read in my house whenever there was a fight
And put myself somewhere else where I could hide
So don’t make yourself feel alone
Put yourself in the peace and loving zone
Listen to the lyrics from this song
It comes from my heart where it belongs
Chorus (duet):
Just make a change
And you might hit fame
Never put yourself down
And call yourself lame
Where just the same
Yasmin
I thought I would never get a friend
Because I was so afraid
But now you thought me a lesson
To be who I am not fake
Because we know who we are
And we are not going to change ourselves
For someone who were not
Chorus (duet):
Just make a change
And you might hit fame
Never put yourself down
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18. Cell Block 33 18
And call yourself lame
Where just the same
X2
Where just the same - Carla
Where just the same – Yasmin
Where just the same - together
Scene 5 –Nazish
All the girls stand around the stage, where WATSON and CHANDRA are standing.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
19. Cell Block 33 19
Whilst, WATSON and CHANDRA are talking amongst themselves, NICOLE sneaks
YASMINEaway with her, as she’s not keen on the inspection, and they get away.
Watson: Alright Ladies shut your gobs! (All the girls stop talking)I don’t have
enough time to waste on this inspection, so that’s why you’re going to be
inspected by Mr Chandra (Chandra waves at the girls and they start laughing,
which makes Watson angry) SHUT IT! I have more important things to do as I
have a very important meeting with Ms Sullivan (He starts smiling)
Carla:(shouts out from crowd) I bet it is VERY important.
Girls whistle and laugh CHANDRA joins in.
Watson:(Looks at Chandra) Think that’s funny, do you?
Chandra: I’m so sorry, I didn’t-
WATSON doesn’t let CHANDRA finish what he’s saying and storms off
Chandra:(smiles at the girls) well now that the drama queen’s gone, let’s carry
on. (Looks really confused)So, what were we supposed to do again? Oh yes, the
inspection thing followed by some PE. Listen up ladies, would you mind awfully,
standing in nice three neat rows, quick as you can now…
Carla:(sarcastically) Okay, watch us make the prettiest lines ever Mr Kanda!
Chandra: Oh my gosh, Carla, do you still not know how to say my name? IT’S
CHANDRA!
Inmate 1: It’s a difficult name to say Changrey
Chandra:Let’s just try to get it right shall we. On the count of three would you all
mind just shouting ‘Chandra’ as loud as you possibly can, then we can all get it
right. Ok? One, two, three!
Inmate 6: Won’t that just annoy someone.
All girls:(Shouting)CHANDRA!
Watson runs out onto Balcony.
Watson: Chandra? What are you doing?
Chandra: Just practicing my name sir.
Watson: Well you should know your own name by now.
Watson goes back into the room
Chandra:(To girls)well that was absolutely fantastic. Well done everyone. Yes
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20. Cell Block 33 20
rather good.
Inmate 5: Who chose your name Mr Chandra?(Saying name slowly to prove she
said it right)
Chandra: It was my dear father actually; you see he was named Chandra too.
Inmate 2: Not very good is it!(sniggers)
Chandra:Well at least it’s better than Boris.
Girls burst out laughing
Chandra:Now, enough of this nonsense, let’s get this check over and done with
before Watson comes back, otherwise all of us will be in an awful lot of trouble.
Carla:(sarcastically laughs) did you not hear where he said he’s going,Ms
Sullivan’s office! (Pause) He won't be coming back for a while.
All the girls start laughing
Chandra:(daydreams) Ahhh…he’s such a lucky guy. (Stops daydreaming) Now
come on, didn't I tell you girls to get in a nice line? Come on then…
Girls get into 3 lines
Chandra: Alright, would you all mind emptying your pockets please.
Inmate 4: What’s the point? We don’t have anything;you people don’t even let us
keep cigarettes.
Chandra: I’ll tell you what, if this inspection goes smoothly, and I have no more
trouble; I will give you girl’s lollipops. How about that?
Girls start to giggle
Carla: Oh my god! Your sucha wasteman, but you got yourself a deal.
Chandra: Okay good. But please don’t call me names, it hurts my feelings.
Inmate 6:Sorry Chandry
Chandra: Oh, really!
Inmate 6: Chandra!
CHANDRA begins the inspection, checks everyone’s pockets.
Chandra: Come on girls, now for your favourite part, EXERCISE!
All girls moan but start exercising in a dance routine with tune
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21. Cell Block 33 21
Chandra:(getting emotional) oh my gosh, that wasabsolutely fantastic. Even
though I promised myself I wouldn’t cry, I just can’t help it (sniffs)
Lighting on CHANDRA and the girls begin to dim.
NICOLE sits on her bed and YASMINE walks up and down their cell room.
Nicole:(looks up at Yasmine) what’s up with you?
Yasmine: I don’t get it, why are you so relaxed about sneaking out of the
inspection I mean-
Nicole: - Oh shut up! Nothing will happen. You know Mr Chandra, he’s a nice guy
but he lives in a fantasy world. He doesn’t know about anything that goes on in
here, and even if he does, he’s too dumb to understand. So stop worrying, and
seriously stop walking up and down, it’s making my feel giddy. Just sit down.
NICOLE takes out beers from under her bed.
Yasmine: What’s that? (Starts to worry)
Nicole: Ah, here we go again. Relax already. (Opens up a beer can) You know,
whats his name, Joe - he brings us these. So it’s okay. You’re such a worrier (nods
her head in shame)
Yasmine:Whoa, seriously? Joe, actually brings you things like this?
Nicole:(sarcastically) No, they just let us run out of here every now and then and
let us buy things like this. You didn’t know?
Yasmine:(does a sarcastic laugh) hahaha. You’re so funny. Well, if that’s true, and
one of the guards does bring you beer, then just pass one here.
Nicole:Oooh, good girl gone bad eh?
Laughs and chucks a beer can to YASMINE, and takes a sip of beer herself.
Nicole:Ahh, this reminds me so much of the good times. Being out, being free,
and doing what you wanted and when you wanted.
(Pause)
Yasmine:(starts thinking) I hope you don’t mind me asking but how did you get
in here?
Nicole:(She snaps at Yasmine)Sure, like I’ll just tell you every single thing about
me shall I?!
YASMINE gets up, goes and sits beside NICOLE on her bed, after seeing her eyes
water, NICOLEmoves towards her.
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22. Cell Block 33 22
Yasmine: Come on, you can trust me. I won’t tell anyone- and even if I wanted
to,who would I tell? Let’s face it; I’m not really liked around here.
Nicole:(sniffs) Hmm, that’s true (pretends to laugh) Well, around 4 years ago, me
and Carla (pauses) …you know Carla right?
Yasmine: Yeah I do (looks and sounds confused)But you and Carla ….I swear you
guys hate each other, don't you?
Nicole: Just listen will you? (Getting a little angry)
Yasmine: But I don't get it-
Nicole: (angry tone) WHAT'S UP WITH YOU? I SAY ONE THING; YOU ASK A
MILLION QUESTIONS AND THEN YOU-
Yasmine:Sorry. Calm down. Okay, trust me I won't say a word at all. Just go on…
Nicole calms down
Nicole:Me and her were such good friends, we used to do everything together.
Suddenly she just completely changed. And it all started on that day, that day…..
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23. Cell Block 33 23
Scene 6 – Michael
Flashback
NICOLE is sitting at home when CARLA bursts through the door.
Carla: That stupid girl, cheated behind my back…with my boyfriend, he cheated
on me, me and it’s all that idiots fault, that Kate. (Paces up and down quickly)
Carla’s Boyfriend, ZAK runs in the room
Zak: Carls listen!
Carla: Just go away would you!
Zak: Listen...
Short Rap showing Zak loves Kate but they always want to be friends with
Carla.
Zak: Do you understand?
Carla: Just naff off!
Zak: I’m really sorry.
ZAK walks out.
Nicole: What are you going to do then?
Long pause, Carla realises something and turns round to Nicole.
Carla: Let’s go scare her.
Nicole: I told you he was a no good for nothing liar.
Carla: I know Nicole; I should have listened to you. Don’t worry, she’ll get it back
hard - and I mean hard. Backstabbing me how dare she, ohhh just wait till I get
my hands on her.
Nicole: Carla you’re not going to kill her are you?
Carla: No I’m going to do worse.
Nicole: Please Carla calm down.
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24. Cell Block 33 24
Carla: I need to get back at her, she ruined my relationship and (said really
sad)broke my heart (Said aggressively) Do you understand!!
Nicole: Yeah, I do… but violence isn’t the way. Promise me you wont seriously
hurt her. Promise me you won’t kill her.(Mumbles and looks scared)
Carla:Alright, we’ll just shake her up then? Help me please? I PROMISE(Defining
Moment) we won’t hurt her.
Nicole: How about the cheater
Carla: Don’t care, he’s just a guy, doesn’t matter to me. Let’s go!
Both CARLA and NICOLEleave the house
Nicole:(On phone)Julie just texted me, she’s at the park. (Shows Carla her phone)
Carla:Right, let’s make the girl pay
Nicole: Carla just leave it, she aint worth it.
Carla: Don’t care, you’re my girl, I respect you but when someone messes with
me, I ain’t just going to let them walk over me I need to be strong.
Nicole:Ok, I’ll help you.
Carla:Are you going to do it then!
Nicole: Yeah all right, why should you let this drop, what’s the worst that could
happen.
Carla:Exactly, let’s go
NICOLE and CARLAarrive at the park and see KATE who’s sitting on the bench
Carla:Oi you.
Kate: Are you talking to me love, i’m waiting for someone.
Carla: Yeah my Boyfriend.
Nicole: You filthy little brat we know about you.
Carla: Do you have any last words to say?(Carla clinches her knuckles)
Kate: Leave me alone, I didn’t even do any….
CARLA interrupts on what KATE was going to say and swings a punch at her face.
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25. Cell Block 33 25
Carla: That’s right shut your mouth
Fight scene. CARLA pulls out knife and stab’s KATE. KATE falls to the ground still
moving. NICOLE is so shocked she just stares at KATE and can’t move.
Carla:(looks at Nicole) Let’s go!
Nicole: I’m going home.
Carla:She got what she deserved.
Nicole: You stabbed her. We said scare not stab, you psycho!
CARLA grabs NICOLE by the hand
Carla: We need to get out of here! Come on!
Police Sirensring and a load of armed, police officers approach the girls. NICOLE
gives up but CARLA makes a run for it but is police tackled to the floor.
Court Room
Carla is sentenced to seven years and NICOLE is sentenced to five years as KATE
survived
Judge voice over: I sentence you Carla to seven years in prison for the stabbing
of an innocent girl. I sentence you Nicole to five years in jail for GBH and assisting
a stabbing.
Both girls are taken to different police vans and see each other
Nicole: Look what you have done, I hate you!
Carla: shut up
Nicole: I didn’t kill her, I tried to warn you but you never listened!! You promised
me, you promised me you wouldn’t do it you liar. I hate you, I hate you!
Back out of flash back
Nicole: So that’s what happened. That’s why I’m in here!
Yasmine: But why is everybody scared of Carla, she didn’t murder her or kill
loads of people.
Nicole: She lied. She made up all sorts of things that weren’t true.
Yasmine: So why not tell the others?
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26. Cell Block 33 26
Nicole: Coz I made a promise a long time ago that I would never go against her.
And unlike her I stick to my promises. I’m going to get some fresh air, hide them
would you. (Pointing to beer can and walks out)
Yasmine sits for a moment trying to take in what Nicole just said
Lights Black Out
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27. Cell Block 33 27
Scene 7 –Parnyan
Several of the guards sit around in the officers mess room whilst Joe, Chandra and
Boris are standing over by the sink.
Joe:Cup of tea for you and something interesting to go with it.
Chandra: oh really? I’m really excited what is it?
Joe:You’ll know once you taste it
Mckenzie: No, I’m not up for anything like that, Mr Watson wouldn’t like it.
Joe: You guys need to know how to have REAL FUN! Changra, here have some.
Chandra: Its Chandra not Changra and thanks.
Joe: Oh come on you, grow up and drink it like it’s your last day on earth.
BORIS, JOE and CHANDRA drink the tea with a mixture of something else and it has
an effect on them. The three guards laugh and get out of control
Chandra: Boris, Boris guess what?
Boris: And what exactly is that?
Chandra: Your mums so fat she doesn’t realise when she’s floating on water!
Joe: Oh really well that not what happened when I saw her, well she was stuck
between a two way door, I mean how massive is that!?
Boris:hahahahayou’re quite funny but you wouldn’t like it when karma hits you
hard.
Moorland enters the room
Moorland: Alright guys?
Boris: Tea?
Moorland: No thanks, where do you lot see yourself in 5 years time?
Joe: I’ll be long gone, into a Job where people don’t hate you.
Boris: Better not become a banker then!
Moorland: What about you Chandra, here in 5 years?
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28. Cell Block 33 28
Chandra:Oh no, I see myself with a perfect wife, with 7 perfect children and a
perfect job. NOT THIS ONE!
Joe: Oh really, but you missed out on the bit your wife being blind and not
knowing who she’s married
Chandra: That’s really rather rude Joe.
Joe:Sorry mate.
Chandra: Why do you ask?
Moorland: I need to get away for a vacation. I can’t stand being here anymore.
Chandra: Why not move to India?
Moorland: I couldn’t stand the heat. Do you know i think i’ll move to America!
Chandra: Well it’s awfully hot there as well you know!
Moorland: No it’s not, it’s right near the North Pole.
Joe:Boris why you so quiet? It’s shocking to see you not talking about Mr Watson
and how wonderful he is
Boris: Well I want to have the same status as Mr Watson and doing things very
differently, but he’s not willing to give me a chance. I do like him but right now I
wish I could spill this tea in his hat.
CHANDRA and JOEsees Mr WATSON coming and deliberately makes BORIS insult
Mr WATSON
Joe: That’s really shocking to hear, tell us more!
Boris:He is the worst creature God has ever created; I mean he looks like
medusa, with the entire snakes hissing at everyone they see.
Chandra: He is a wonderful boss to us, I don’t understand why your saying this
Joe: Mr Watson always has control over everything
Boris: Are you all feeling alright, he treats us with no respect, so the next time I
see him. I will say no to whatever he demands for and stand up for myself, you all
just watch!
Watson: Very interesting Boris, I was about to give you a certificate on how
supportive you are of me, since you made it very clear, nope you’re not
interspersed in having it.
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29. Cell Block 33 29
Mr WATSON tears up the certificate in front of BORIS and chucks it up in the air
Watson: Now you all pay attention. What is this nuisance?
Drink your tea quick because I’m going to start the Best Training class right now.
Boris: But sir..
Watson:Silence Boris! Now my lecture today will start with how to deal with
fight situations. I hope you’re all making notes in this.
Chandra: Oh I don’t like fighting Mr Watson. Somebody might get hurt.
Watson: No not how to get into a fight, how to stop it!
All the guards think he mean get into a fight and all say ’ahhh’ to show they all
thought the wrong thing.
Watson: God give me strength. Now I would like a volunteer. Boris. You’ll do.
Chandra you stand behind me. I want you to do this. Stand with your back to me.
Yes that’s right. Now I need you to fall back and I’ll catch you. (To Chandra) I’ll do
it first then you can have a go. Just lean back on the count of three; one-two
three...
Just before Boris leans back Sullivan enters the room. Watson moves quickly
towards her and Boris falls. Chandra manages to catch him.
Sullivan: Hello Watson. (Seductively) I just wondered if I could have a word.
(Looks back at CHANDRA and BORIS who have fallen on the floor.)Oh what’s going
on here?
Watson: Well, I was just teaching them to trust each other. I didn’t want them to
not trust each other.
Sullivan: Wow, I’ve never seen such a wonderful man who worries about his
colleges so much. What a lovely man you are Mr Watson!
Watson: Please call me Mitchell or Michy for short
Ms Sullivan touches her hair and plays with it while talking to Mr Watson and acts
very sweet
Moorland: Do you need me sir because i just need to go and buy a gun or a
length of rope.
Watson: No, no. You can all go.
Joe: No, I’m alright thanks.
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30. Cell Block 33 30
Watson: I said GO!
All the guards leave
Sullivan: how sweet, Michy. You’re such a sweetheart.
Watson:Yesss Stella
Sullivan: I was thinking, cherry-pie would suit you best as you’re such a delight
to be around.
Ms Sullivan plays with Mr Watsons tie
Watson: oh stop it; you speak so spoonley, um smoothly.
Sullivan: and you cherry-pie, you make my name sound so sophisticated and
hot, yeah call me Stella.
Ms Stella Sullivan’s papers fall to the floor and they both kneel to get it, Ms Sullivan
and Mr Watson makes close eye contact.
Watson: Allow me to pick up your papers, my lady
Sullivan:You’re such a gentleman!
Mr Watson on one knee gives the papers to Ms Sullivan
Watson: is it me or is there a star in your eye?
Sullivan: So what are your plans for today?
Watson: Well nothing much, but I was thinking we could go somewhere for
dinner.
Sullivan: so…
Watson: So… can I take you out for dinner?
Sullivan: That’s really nice, so your paying for it cherry-pie, right?
Watson: Anything you want
Song:
Verse (Guard)
Every day I look at you
I wonder if you look back
Do you feel the way I feel for you?
In my heart I wonder that
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31. Cell Block 33 31
Verse (Governor)
Never new I’ll find love here
I wonder if he knows that
In my heart there are no feelings
I not falling that a fact
Corus (Both)
I know I feel something strange
I don’t know if you feel the same
But honestly if I agree
You won’t be pleased with me
Watson: I better make sure all ok with the prisoners.
Sullivan: Well just something before you go.
Both lean in for kiss and lights black out.
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32. Cell Block 33 32
Scene 8 -Sara
The bell rings for dinner and all the inmates come marching in a sequence. At one
end of the concert hall 3 dinner ladies are standing waiting to serve the inmates
with Watson on one side and Boris on the other.
Watson: COME ON LADIES!Chop, chop now get in line and get your slop!
Boris: YEA! You heard him, don’t waste our time!
Inmate: How’s about you just shut it, we don’t take orders from a little man like
you.
Watson: Alright then, listen to a big man like me! So as he said, get a move on!
Inmates:Whatever
Boris: Um, Mr Watson! You’ve got some Lipstick on your mouth.
Watson: Just-um- trying on some discusses.
Tannoy announcement.
Sullivan’s Voice:Could all guards report my office immediately please?
Watson:Come on Boris, Mrs Sullivan needs us.
Boris: But we shouldn’t really leave...
Watson: NO BUTS BORIS, The lady has spoken; we’ll only be 5
minutes.(Straightens tie)
Boris:You’re right what can happen in those five minutes...
The guards leave unnoticed.
As all the inmates sit down in lines to eat their food .Yasmine walks to the canteen
after everyone’s sat down then Carla walks in and over to the canteen followed by
Nicole a few minutes later. Yasmine looks around the dining hall to see where she
can sit, after other inmates showing her that she is not welcome to sit anywhere she
slips and falls into Carla.
Carla: What the...
Carla takes a deep breath and looks down at herself, while all of the inmates look at
them in the middle of the dining hall in shock whispering to each other and moving
away from them, Yasmine is stuck on the spot, really scared and speaking with a
stutter.
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33. Cell Block 33 33
Yasmine:Oh my god I’m, I’m so, so, so sorry!
Sasha: What have you done you idiot?
Carla:Yea you will be when I’m finished with you, you lil brat...
Yasmine: I didn’t mmm..meaan it!
Carla: Well I’ll mean every single bruise and cut I leave on your body!
Sash:Basha. BASH HER.
Tasha:(To audience)Now you know why she’s called Basha!
Sasha grabs Yasmine by the hair and Carla starts to speak to the other inmates as
they gather around.
Carla:New girl wants to know what it’s really like in here, don’t you. (Trying to
mimic her sweet voice)
Sasha: She wants to be taught a lesson.
Tasha: We’ll show her one she’ll never forget!
Nicole walks over and pushes people out the way and shouts out
Nicole:Oiiii, why don’t you mess with someone your own size, you good for
nothing tart!
All inmates move right back now even more shocked and completely silent to what
has just happened. Carla lets go and pushes Yasmine, who falls to the floor hurt,
and looks up slowly at Nicole who are now facing each other at a distance in the
middle of the hall.
Carla:Excuse me!
Nicole:You heard me, why are you acting like your something big, you worthless,
bag of filth!
Tasha: Watch your mouth!
Carla:Oh so big man decides to speak up now yea, just get out of here before I do
some real harm!
Nicole: Oh I get it; the truth hurts, does it?
Carla: What are you on about you stinking animal?
Carla looks at the other inmates smiling and shaking her head left and right
Edited By George Streather (Director) and NazishHussain (Assistant Director)
34. Cell Block 33 34
Nicole:Well I don’t know my dearest friend, why don’t you tell me, or how’s
about you tell everyone here how messed up that mind of yours is, how you lied
in court about me knowing that you were going to stab Kate!
Nicole’s tone in voice changes to a much softer and hurtful tone
Nicole: How you tricked your best and only friend for a selfish and stupid reason
and yet I didn’t think anything bad, coz you meant everything to me and I would
do anything I can for you!
Tasha: Shut up that aint true.
Carla:You’re actually the Stupid one! You knew how much he meant to me! How
can some random nobody come along and decide to try it with my man, I thought
you would understand.
Nicole: I guess what we used to be is nomore. Well you know what, I thank god I
don’t see you in the same way, cozI’m doing so much better without you.
Nicole turns around to walk away when Carla mutters a comment about her.
Carla: I always was the stronger and better one, even when we were little girls,
people will never change.
Nicole forgets about everything that just happens and thinks about the last words
Carla just said and turns around, leaping onto Carla from behind. Here both Carla
and Nicole are fighting and ripping, scratching and punching each other on the
floor.
Inmates are now gathered around shouting and cheering at both girls on the
floor.Watson, Boris and Joe now re-enter the hall, realising what is happening and
running in at the same time calling for back up.
Watson: EVERYONE GET THE HELL OUT OF THE WAY!
Watson grabs Carla and Boris grabs Nicole
Watson: SHUT IT!
Girls continue to shout. Chandra enters.
Chandra:(Nice and calmly), Girls please, please girls, girls now you really must
be quiet. Please be quite girls (Shouts angrily, really loud) QUIET!
Everybody stops including the Guards and look at Chandra in disbelief.
Chandra:(Back to usual self) that’s much, much better! Now please all go back to
your cells nice and quietly and as quickly as possible please.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
35. Cell Block 33 35
The prisoners are still too shocked to move!
Chandra: Quickly now please!
Everybody starts moving again still in disbelief.
The three girls are separated and taken away by Joe and Boris.
Chandra is still standing in the centre of the stage blowing his nose.
Watson: Well done Chandra. That was bloody good work,most unlike you.
Chandra: Well I just cannot stand people talking over me I find it frightfully
rude.
Once everyone else has exited the stage, the three girls are walking back in this
time handcuffed with Boris standing in front and Joe at the back being led to their
cell.One by one they are let into their individual cells.(which are right next to each
other)
Boris: Well after your clever moves, you guys are locked up in here till
tomorrow, no Free time you disgraceful Idiots! I think Watson will be very
pleased with me today.
Joe:I’m going to see Mrs Sullivan! See you later.
Both Guards leave the three Women who are sitting thinking and looking down.
Song:
(Nicole)
Before I got to prison, I lived a good life,
It was Carla who then pulled out the knife.
It’s her fault I’m here, yet she doesn’t care,
Why all the betrayal, it’s just not fair.
(Chorus)
I’m living my life; I’m living in hell,
I’m living in prison, I’m here to tell.
It’s bad in here I’m in so much pain,
It’s such a shame, no one knows my name.
(Carla)
I don’t care about her; I am who I am,
It’s not my fault; it’s just the way I am.
I know it was a mistake, yet there’s no turning back,
Edited By George Streather (Director) and NazishHussain (Assistant Director)
36. Cell Block 33 36
And from my mistakes, I’m learning that,
(Chorus)
I’m living my life; I’m living in hell,
I’m living in prison, I’m here to tell.
It’s bad in here I’m in so much pain,
It’s such a shame, no one knows my name.
(Yasmin)
Forget about the past, it’s all about now,
The hard bit is figuring a way out.
You were both good friends, what went wrong.
It’s about time, you both get along.
(Chorus)
I’m living my life; I’m living in hell,
I’m living in prison, I’m here to tell.
It’s bad in here I’m in so much pain,
It’s such a shame, no one knows my name.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
37. Cell Block 33 37
Scene 9 –Zahra
Ms Sullivan’s Office: Ms Sullivan and Mr Watson are having a friendly chat.
Watson: Did I ever tell you how amazing you are at your job.
Sullivan: Oh Please Cherrie Pie, you’re too kind. Besides, have you got the paper
work I asked you to do?
Watson: Oh ermm...Of course. Come with me madam and I’ll show you exactly
where it is!
Watson and Sullivan hold hands and both leave, not realising they leave the door
open behind them, whilst inmate 1 and inmate 2 are allowed on parole, realise that
Sullivan’s door is left open.
Inmate 1:Oi look, Ms Sullivan’s door is open.
Inmate 2: Well is anyone inside?
Inmate 1:Errrm... (Looks through the door) Nope!
Inmate 2: Go in and see if there’s anything good in there!
Inmate 1: We can’t just go in there!
Inmate 2: What you in here for?
Inmate 1: Breaking and entering!
Inmate 2: Well off you go then! I’ll keep watch and see if you can dig something
up about Carla.
Inmate 1 starts looking through files very rapidly, whilst inmate 2 is on look out by
the door.
Inmate 1: There are files on all of us!
Inmate 2:You found Carla’s yet?
Inmate 1 comes across Carla’s file and starts the read.)
Inmate 1:Well, well, well! Looks like Carla isn’t little Miss bad girl after all.
Inmate 2: What you on about?
Inmate 1:Well...
Inmate 2: WAIT! I think someone’s coming. Quick, let’s get back to the others.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
38. Cell Block 33 38
Inmate 1 slams file cabinet shut and both run.The two inmates are back with the
others in the recreation room, where everyone is busy doing their own thing.Inmate
1 and Inmate 2 gather round a few of the girls and tell them what they’ve just
found out. Whispers go round the group.
Carla:What’s the gossip over there?
Sasha:Who cares, probably a load of rubbish anyways!
Carla: Yea I guess. (Looking quite suspicious)
A few of the girls get up and start whispering to the girls seated around Carla,
Carla is feeling very left out and slightly nervous as all the girls are now staring at
her.
Carla:(Stands Up)WHAT THE HELL IS GOING ON AROUND HERE!
Inmate 1:(Viciously sits Carla down.) You best shut your mouth.
Inmate 6:(To Carla)What was it again you’re in here for?
Carla:I’ve told you all before already,(Pause) Murder.
Everyone starts laughing with a suddenly stop.
Inmate 3: (Holding Carla’s neck from the back.) Wrong answer, try again.
Carla gets more and more nervous.
Carla:Okay, Okay, I only stabbed the damn girl, now get the hell of me.
Inmate 4: Uh, not so fast. Now you see; you’ve been a right cow around here.
Things areabout to change!
Inmate 2:A girl with only one record of stabbing someone has been messing
with the wrong bunch of girls.
Inmate 1: Girls! Let’s say we show little miss bad girl, what it really means to be
bad.
Freeze the scene with Inmate 2 holding the back of Carla’s head whilst inmate 1 is
about to violently punch her, meanwhile everyone else is gathered round cheering
and yelling abuse at Carla.
Scene cuts to Yasmine and Nicole
Yasmine: Nicole, look at this, is this really what you want to happen to your best
friend?
Edited By George Streather (Director) and NazishHussain (Assistant Director)
39. Cell Block 33 39
Nicole:She’s not my best friend and never will be; no friend of mine would do the
thingsshe did.
Yasmine:I know your upset at her and I know you have no intensions of
becoming friend again. But there’s no harm in trying.
Nicole:You would never understand how it felt; to see your own friend lie and
set you up. It’s all her fault I’m stuck in here!
Yasmine:You’re right! I won’t ever understand, but I do know deep inside you
want to go and help her right now. It’s never too late to change things between
you two andholding a grudge against her won’t ever change what’s happened.
Nicole sighs and realises the right thing to do. Girls unfreeze, yelling abuse and
cheering on inmate 1, who is about to punch Carla.
Inmate 6: PUNCH HER! WHAT YOU WAITING FOR!
Inmate 3:Carla you’re a liar!
All inmates now getting very aggressive.
All Inmates: PUNCH HER! PUNCH HER! PUNCH HER!
Nicole: (Stands Up)STOP!
Everyone stops suddenly and turns around.
Inmate 1:SHUT UP!
Nicole:WAIT! Just listen to me for two minutes.
Inmate 5:Go on then, this better be worth it.
Nicole: (Takes a deep breath)How is beating up Carla, going to solve anything.
Don’t you realise by acting this way you’re all only becoming what you hated day
by day.Carla was only as petrified as you all were when you first came here. We
all made stupid mistakes and tried covering up how scared we were by putting
on this fake shield that truly doesn’t need to be there. If you lot feel that the
onlyway left is to stoop to Carla’s level, then were all only as bad as her. I’m sure
shedoesn’t mean a thing of what she’s done, I mean come on; I should know
herbetter than anyone in here. Just take a second to think about who you all
werebefore you came here
There’s a silence within the group, everyone is left speechless. Watson and Chandra
enter.
Watson:Okay you lot, fun time over; now get to your cells.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
40. Cell Block 33 40
Everyone goes without a single word; Nicole and Carla exit last, each looking at
each other in disbelief.Carla is now shown in her cell thinking about what’s just
happened.
Scene 10 – Rajan
Edited By George Streather (Director) and NazishHussain (Assistant Director)
41. Cell Block 33 41
Therapy room, girls sit around waiting for Mr Moorland to arrive. Mr Chandra
walks in instead.
Chandra: Good afternoon ladies,how is everybody?
All girls: Fine thanks.
Chandra: Today I will be taking your therapy session.
Carla:Oi Where is the normal Therapist?
Chandra: Mr Moorland has had some personal trouble so has had the week off.
Andi: So, you’re taking our therapy session?
Chandra: Well it seems so. Today we will be discussing... Um, what are we
supposed to be discussing?
Andi: Relationship Mr Chandra.
Chandra:Relationship, have any of you had any past relationships??
Yasmine: Yes (quietly)
Chandra:umm was it a good relationship?
Yasmine:Yeah, it was I guess.
Chandra:Aw, how lovely, oh I do like a good love story.
Inmate 3: What about you Mr Chandra?
Chandra:Oh no, nothing like that. I’m afraid I haven’t found the right one yet.
Inmate 6: I’m sure there’s someone out there for you.
Chandra: Well how lovely of you to say so!
Newbie 1: You know Watson dating Sullivan don’t you?
Inmate 6: Really?
Newbie 1: Yea! She’s all over him.
Inmate 3: I bet you’d like that wouldn’t you Mr Chandra?
Chandra: Well it would be nice for someone to care for me, other then my
mother.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
42. Cell Block 33 42
Cash:Why not try and ask her out?
Chandra: Oh no, I couldn’t possibly! She’d think i was being silly.
Inmate 3:You should go for it, I think she likes you!
Chandra:Do you really?(With excitement)
Everyone: YES!
Chandra:Maybe I should try then!
Inmate 2:Go tell her then!
Inmate 4:Yea you should.
Andi: Go, go,go!
Chandra: But I wouldn’t possibly know what to say to her.
Everyone starts speaking at once
Chandra: Hold one, one at a time please girls.
Whitney:You should say she’s pretty.
Cash: Na, say (Over the top) ‘I love you’.
Yasmine: Just say what you think!
Chandra: Do I have to go now?
Everyone: YES!
He starts to walk out but stops nervous.
Chandra: Can one of you come with me?
Everyone: NO!
Andi: Wimp.
Chandra: But I really don’t know what to say!
Andi starts to write on Chandra’s hand.
Andi: Just say that and you’ll be fine.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
43. Cell Block 33 43
Chandra: Wish me luck girls and try not to do anything too naughty whilst I’m
gone.
Chandra walks quickly and nervously toward the governor’s office. He arrives at
the office and knocks on the door. There’s no answer so he just opens the door and
walks in. He glances at Sullivan and starts to read the words of his hand not looking
up.
Chandra: Ms Sullivan I need to tell you somethingno don’t stop meI love you and
I always have and I think you feel the same way actually I know you do and I love
you and I want to spend long evenings by the fire with you and...
Chandra looks and sees Sullivan with Watson who she has just been kissing.
Chandra: Oh, I’m terribly sorry I didn’t know you had someone with you.
Sullivan: Oh dear, this is a bit sticky isn’t it. You see Chaudry...
Chandra: Chandra!
Sullivan: Chandra, I’m with Mitch..-Watson now. I’m very sorry.
Chandra:(Sad) No, I understand. I’m terribly sorry to disturb you.
Chandra walks towards the door, he opens it, looks over his shoulder at Sullivan,
pulls a handkerchief out of his pocket, wipes his eyes and leaves.
Sullivan and Watson freeze for a few moments; look at each other and start to kiss
again.
Lights Black out
Scene 11–George
Edited By George Streather (Director) and NazishHussain (Assistant Director)
44. Cell Block 33 44
Joe is sitting in the officers mess room singing along to ‘Singing in the Rain’ on his
portable radio. He mimics the dance from the film and Watson walks in followed by
Nicole.
Watson and Nicole stand in the door way for a few moments until Watson speaks.
Watson: What the hell are you doing? (Trying not to laugh)
Joe:(Stunned and embarrassed) Oh, sorry sir, I was just, just practicing my
routine for the PE session tomorrow.
Watson: But you don’t take the PE class tomorrow!
Joe: No, well, I was working on it for Friday.
Watson: Yes! (Sarcastically)Anyway,Nicole wants a word with you Joe, I said you
weren’t busy.
Joe: No, no I’m free.
Watson:(To Nicole). Well I’ll leave you in Joe’s capable hands.
Nicole: Thanks Watson.
Watson turns round and stars at Nicole.
Nicole:(Realising what’s she’s done), I mean MR. Watson.
Watson: Better!
Watson gives Nicole and Joe a disapproving look and leaves.
Joe: Well thank God he’s gone.
Nicole: Joe I need to speak to you...
Joe: Now listen, (Very defensive)I can explain about the beer, see my friend
shipped...
Nicole: No it’s not about the beer!
Joe: Fags?
Nicole: No!
Joe:Perfume?
Nicole: Just listen for crying out loud! Right!
Joe gets upand pours himself a glass of water and begins to drink
Nicole: I’d like to go on one of the Education courses...
Edited By George Streather (Director) and NazishHussain (Assistant Director)
45. Cell Block 33 45
As she says education Joe spits out his water in shock! He turns round and stares at
Nicole.
Joe: You what?
Nicole: I want to go on one of the Education courses.
Joe: Really?
Nicole: Yes!
Joe: That’s brilliant. Hold on! (Gets note book out of his pocket!) Right, what kind
of thing do you have in mind?
Nicole: Well I didn’t pass my A levels!
Joe:Right, let’s get you doing some A levels then shall we!
Nicole: Ok.
Joe: Right, would you like to do, A level Maths, English, Drama...
Nicole: English! I want to write a book.
Joe: Oh really, what kind of book?
Nicole: A book about my life!
Joe: Right, well, that should be an interesting read! I tell you what; I’ll have a
word with the Gov and get you on it ASAP! Ok?
Nicole: Cheers Joe, I owe you one.-
Joe: You do and all! Two in fact!
Nicole: What?
Joe: You still haven’t paid for those beers!
Nicole: Oh, sorry Joe. How much was it?
Joe: Fiver!
Nicole: Ok, here you go.
As Nicole hands him the money, Boris walks in.
Boris: What’s this then, ay Joe? Smuggling to the prisoners?(Getting excited)I’ve
got you this time; I’ve waited ages for this and now it’s finally here! I’m going to
take this to the top. All illegal I bet?
Joe: Yep, yep they are!
Edited By George Streather (Director) and NazishHussain (Assistant Director)
46. Cell Block 33 46
Boris: Brilliant, I’ll probably get a promotion out of this!
Joe: Boris?
Boris: No Joe don’t try and wheedle out of it because you won’t change my mind.
Joe: Where did you get those fags, (Pointing to shirt pocket.) and the bottle of
Whiskey?
Boris:(Not realising) off (Realises) you! Oh my GOD!
Joe: Yes! So unless you want the Gov or Watson to find out about this, I’d keep
your mouth shut. Ok?
Boris:(Annoyed)You, you, you. I’ll get you one day you, you! Ahhhrrrr!
Boris storms out
Nicole: Nice one!
Joe: Ta. That’s the way to handle that little,(He looks at Nicole)man. (Pause) Right,
get on your way now.
Nicole: Cheers Joe! See ya!
Nicole walks out and Joe lights a fag.
Scene 12– Sara and Zahra
All the inmates are in the recreation room during their free time. Scene begins with
Carla’s and a few inmates arm wrestling, Carla has just one the game.
Carla: Thrashed you all…AGAIN!
Edited By George Streather (Director) and NazishHussain (Assistant Director)
47. Cell Block 33 47
Sasha: She beat you, she beat you!
Inmate 3: What, you cheated!
Tasha: She didn’t cheat!
She gets up and starts to boast
Carla:Better luck next time!
Inmate 3: Whatever.
Carla: Who’s next?
Inmate 1: Try playing with yourself?
Basha: I’ll play with you.
Carla: No thanks Bash! How about you go play hopscotch or something.
Carla:So who want a go then?
Nicole at this point is observing what is happening and smiling at how Carla is
showing off , and walks up to the group, and sits in front of Carla.
Nicole: Round 4(Smiling)
Carla: bring it on(Smiling to)
Game carries on, all inmates gather round eager to see the outcome of this game.
Nicole wins
Carla: What?
Nicole: Game over!
Nicole gets up with a smirk on her face while everyone’s turns silent.
Carla: That doesn’t change the past, remember how I used thrash you(Almost
laughing)
Nicole turns around with a soft smile
Nicole: Yeah how we used to argue about it, then 10 seconds later Laugh about
it?
Carla’s face drops
Edited By George Streather (Director) and NazishHussain (Assistant Director)
48. Cell Block 33 48
Carla: (To other prisoners) go do something somewhere else!I hear your getting
out soon?
Nicole: Yea, 3 weeks?
Carla: You told that Yasmine?
Nicole: Not yet.
Carla: She’s done a lot for you, you know. And for me.
Nicole: You’ll look after her wont you?
Carla: Yeah, sure!
Spot light on Carla
Carla: I’m starting to realise that being together with everyone even Nicole is not
so bad, I actually miss my times with Nicole and I guess I’ve been to big headed to
actually admit that I was wrong all along and Nicole wouldn’t be here if it wasn’t
for me, but there is no going back so I guess I should make the most of these
moments.
Spotlight now turns onto Nicole
Nicole: Why wasn’t it like this from the beginning, even though so much has
happened, I can’t go back and change things and I really do miss my best friend?,
I’m gonna make sure before I go it’s never too late…
Carla: What do you think you’ll do when you get out?
Nicole: Thinking of writing a book!
Carla: What you going to call it?
Nicole: The Promise! I’ll send you a copy when it’s done.
Carla:(Smiling)you better. I’m so sorry i let you down.
Nicole: I know!
Carla: Friends again?
Nicole: Of course we are!
Nicole and Carla hug
Lights fade out.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
49. Cell Block 33 49
Scene 13–Parnyan
Yasmine: Hey you, (To Nicole)I want to tell you something.
Nicole:Yas, there’s something I also need to talk to you about
Edited By George Streather (Director) and NazishHussain (Assistant Director)
50. Cell Block 33 50
Yasmine: Are you alright? You don’t look to good.
Nicole: look Yasmine, after what I’m about to tell you, I just want you to know
that I will always be your friend and no matter what I will always remember you
as a sister.
Yasmine: something is wrong isn’t it, just tell me, please, is it me, are you
planning on…
Nicole: Yasmine listen!
Nicole and Yasmine look at each other for a few seconds and they both look very
upset
Nicole: I’m leaving, I’ve done my time and now it’s time for me to go and make
something out of myself.
Yasmine: Nicole but… but I’m going to be alone, isolated, depressed
Nicole: No nono, please Yas you’re a brilliant mate and you’ll be fine. You taught
me a lot of things I will always remember, no matter where or who I’m with.
Please trust me, do you trust me?
Yasmine: I… I… I do but… You can’t go, you just can’t.
Nicole: see your saying it yourself, you don’t’ really need me. You will cope and
you do not deserve to be here. Do you understand what I’m saying to you?
Yasmine: wait hold on, what’s wrong with me. I should be happy with what’s
happened. I was waiting for this day for a very long time. I’m really sorry. What
sort of a friend am I.
Nicole tries to lie to Yasmine about her leaving
Nicole: You know what I’m not leaving; I was just playing around with you.
Hahahahaha, GOTTYA!
Yasmine: You idiot! Look what you just put me through.
Nicole talking to herself while Yasmine is frozen
Nicole: I can’t just leave like this, I have to stay and be with her. She’s my one and
only decent friend who is caring, loving and an amazing person to be around. I
have to do something stupid so that I can stay and be here for her.
Nicole talking to Yasmine
Nicole: You know what I’m going to be back in just a minute, don’t go anywhere.
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51. Cell Block 33 51
Yasmine: oh ok, can I come
Nicole: no you stay here and I’ll be back, just like I said so
Nicole Walks off, as she’s walking away she suddenly drops a letter on the floor.
Nicole stops half way and looks at the letter and so does Yasmine, Yas mine runs
and picks the letter up
Nicole:Yas please give me my letter, I need it
Yasmine: hmmm I would what’s written in this letter, you never get letters.
Nicole: Yasmine please give it to me, you don’t want to read it, trust me!
Nicole struggles to get the letter of Yasmine, but Yasmine reads it
Yasmine: It is true, isn’t it?
Nicole: No it’s a mistake, please
Yasmine: Oh my God, what’s wrong with you? You idiot, you was about to risk
all that for me? And not get the freedom you deserve?
Nicole: You’re worth it, that’s why
Yasmine: I might have been very upset before but, now I’m telling you myself go
and get out of here.
Nicole: no I can’t I’ve already made up my mind
Yasmine: please, if you stay here I will never forgive myself
Nicole: Promise me something Yas
Yasmine: anything
Nicole: promise me you will keep out from danger, promise me that you will
never give up, no matter how worst matters get and finally promise me that you
will never forget this love between to sisters. Me and You
Yasmine: I promise you, but you will need to go out there and show everyone
the real you
Song Between Yasmine and Nicole
Scene 13
First verse
I started of confused, not knowing what to do,
Giving up on hope realising I couldn’t cope
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52. Cell Block 33 52
I was betrayed and I try to move on
But that wasn’t the case, I’m far from gone
Second verse
You changed me for the best, didn’t care about the rest,
Now I’m standing here, thinking you’re so blessed,
My time has come, were near to an end,
But don’t believe I’m not here till the end
Chorus
Goodbye my Friend, good bye my angel
You made me be who I am today
Goodbye my inmate, Goodbye my miracle
Forever I’ll remember you in my prayers
Third Verse
I’ve waited so long to find a friend
I guess we got to part Cuss it’s our final bend,
I don’t want you to go and I’ll miss you so
We made it for a reason only time will show
6.
Chorus
Goodbye my Friend, good bye my angel
You made me be who I am today
Goodbye my inmate, Goodbye my miracle
Forever I’ll remember you in my prayers
Fourth verse
You got to make the most of the freedom that will come
So make sure you say Hi to my mum,
Jokes now aside, should have never lied
Baby you know you’re one of a kind
Chorus
Goodbye my Friend, good bye my angel
You made me be who I am today
Goodbye my inmate, Goodbye my miracle
Forever I’ll remember you in my prayers
Chorus (Acapella)
Goodbye my Friend, good bye my angel
You made me be who I am today
Goodbye my inmate, Goodbye my miracle
Forever I’ll remember you in my prayers
Song finishes and Nicole turns away then runs to hug Yasmine
Both girls let go and walk the opposite ways, Nicole, turns back and calls her one
more time
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53. Cell Block 33 53
Nicole:Yas there’s something very important which I have missed out and I want
you to know. Please listen very carefully to what I’m about to say.
Yasmine looks up confused and Nicole whispers something in her ear
Nicole: I PROMISE…
Nicole whispers and looks at her one more time
Yasmine:(Realising)She promised!
Yasmine runs off stage with Nicole.
Scene 14 –George and Nazish
‘Speak up’ Talk Show set. Sally and Johnny host show. Both of them are sitting on
sofas, whilst holding Que Cards before show begins. Director of the show comes on
set.
Director: Right, we’re going live in 5.
Two people walk onto set with cards telling audience, to laugh, cheer, clap etc.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
54. Cell Block 33 54
Card Holder 1: Okay, so we need real energy from you guys, you need to laugh,
cry, and just really show your emotions okay.
Director:(shouting) where the hell is my chair!(Walks towards his chair)
Cameraman filming and then show goes live.
Director: And action!
Sally:Hello, and welcome to ‘Speak Up’, where we share with you real life stories.
Johnny: Today on the show we have a book award nominee, Miss Nicole Harper.
Audience Cheer and Clap, whilst Nicole walks onto set. Sally and Johnny both shake
hands with Nicole.
Sally: Thanks for coming Nicole
Nicole: Well I’m getting paid aren’t I? (Laughs)
Johnny:Course you are.
Sally:(looks interested) so, what exactly inspired you to write this book, I mean
it’s a pretty interesting name ‘The Promise’.
Nicole:well, the whole book is based around a promise that I made to a very dear
cellmate of mine, Yasmine, whilst I was in Prison.
Johnny: So what was the promise?
Nicole: Come on, if I say it, then it would give everything away
Johnny: Ah, so that’s obviously a key feature in the book.
Nicole:Yeah, that and many other things like, how me and Yasmine met, how she
changed me as a person and that I owe my life to her.
Sally: So where is this Yasmine?
Nicole: Well, the situation is Sally, Yasmine is still in prison, but she won’t be
staying there for too long-
Sally: - What do you mean ‘too long’?
Nicole: I’ve made a commitment to Yasmine, and I’m afraid I can’t reveal that to
you just yet.
Johnny interferes
Johnny: You’re not giving much away are you? (Laughs)
Edited By George Streather (Director) and NazishHussain (Assistant Director)
55. Cell Block 33 55
Nicole: I’m sorry; I just can’t say much right now (smiles back at Johnny)
Jonny looks at audience
Johnny: Our guest host is definitely a tough cookie and someone who we are
unable to crack! But we will be back with you in 5 to know more ‘The Promise’.
Johnny looks at Sally, who holds up the book. They both look at Nicole who smiles at
the audience. Lights begin to dim and audience cheer and clap. Lights fade out.
Scene 15 - George
NICOLE is standing outside the prison gates. The door opens and WATSON appears
followed by YASMINE.
Yasmine: Well goodbye Mr Watson!
Watson: Just keep your nose clean ok!
Yasmine: Oh I will, don’t worry.
Watson: On your way now!
Edited By George Streather (Director) and NazishHussain (Assistant Director)
56. Cell Block 33 56
CHANDRA walks out of the prison
Yasmine: Bye Mr Chandra!
Chandra: Good by Yasmine. Have fun.
CHANDRA starts to cry. MR SULLIVAN comes out looking for WATSON.
Sullivan:Ah there you are! CanI just introduce you to our new Therapist?
An Indian woman follows her and CHANDRA falls in love the moment he sees her.
Yasmine:(Whispers in Chandra’s ear) Good Luck Chandra.
WATSON and SULLIVAN go inside. CHANDRA begins to sing an Indian Love song
but WATSON shouts and they both follow him in.
YASMINEsmiles-turns around and runs towards NICOLE. After hugging, they begin
to talk.
Yasmine:Nicole, I just want to say how grateful I am to you. You got them to see I
was innocent. Thank you so much. You kept your promise to help set me free.
Thank you.
Nicole:Don’t thank me Yasmine, you helped me when I was in need, and now I’ve
done the same for you. (Puts hand on Yasmine’s shoulder)I’m just so pleased
you’re free
NICOLE moves her hand off YASMINE’S shoulder, who looks at her and smiles.
Yasmine:By the way Carla says hi. She’s had her sentence shortenedfor good
behaviour.
Nicole: Well, if what I’ve heard is true, she deserves it! Come on… let’s go get
something to eat ey?
Yasmine: Yea, why not?
NICOLE and YASMINE walk off. Enter on stage WATSON and SULLIVANthey are
holding hands.JOE walks up to BORIS.
Cut to inside prison
All the girls are standing for inspection
Watson: as you all know, Yasmine is now a free person so I’m sure you’re all
happy about that. This does not mean however that you can just have a day of.
Joe has been practicing a PE session for you. Well Joe you may start.
Joe: Yes right sir. Just copy me girls. Chandra, press the play button.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
57. Cell Block 33 57
CHANDRA is talking to the new THERAPIST.
Joe: Boris would you mind.
BORIS presses the play button on the CD player and Singing in the rain starts to
play and JOE starts to dance, Boris joins in but can’t do it properly.
Carla: You are kidding aren’t you!
She walks over to the CD player and clicks through a few tracks and plays the final
song.
NICOLE and YASMINE enter on stage.
All the prisoners sing the final song!
THE END
Edited By George Streather (Director) and NazishHussain (Assistant Director)