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English Artists   (the XVIII-XIXth centuries) by Kseniya Shilova group 753
An Outline of English Painting  of the XVIII-XIXth centuries ,[object Object],[object Object],[object Object],[object Object],[object Object]
William Hogarth Satirist. Engraver. Portrait painter ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
W. Hogarth’s Innovations ,[object Object],[object Object],[object Object],[object Object]
The Moralistic Narrative “Marriage a-la Mode” ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
“ The Portrait of Captain Coram”(1740)  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Joshua Reynolds ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
J. Reynolds’ Innovations ,[object Object],[object Object]
“ Mrs. Siddons as the Tragic Muse” (1783) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
“ The Portrait of Admiral Keppel” (1780) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Thomas Gainsborough Painter and Musician Birth: Suffolk, England (1727); Acquired love of rustic scenes; Diversified interests (an amateur violinist and lover of the drama). Depicted both, the rich and the poor; Had a longing for painting landscapes more than for portraits; Influenced his successors; Death: 1788.
T. Gainsborough’s Innovations ,[object Object],[object Object],[object Object],[object Object]
“ The Portrait of Mr. and Mrs. Andrews” (1749) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
John Constable A Foremost Landscapist of his Century Birth: 1776; Suffolk, England; Came from a  family of a mill-owner; Cultivated naturalistic approach to the nature and depicting it; Excelled in landscape painting;  Was rewarded firstly abroad (France); Was a member of the Royal Academy in the twilight of his life; Was a master of realistic landscape painting; Influenced young artists, mostly French; Death: 1837.
J. Constable’s Innovations ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
“ The Hay Wain” (1821) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
William Turner A Life-Long Admirer of the Sea Birth: 1775, London; From the childhood was a keen and inspired observer of the Thames; Perfected his mastery from topographical painting to water-colour and oil masterpieces; Worked in the genre of marine landscape; Subject matter: seascapes, later – light, colour and air; Became a member of the Royal Academy; Anticipated the Impressionists; Death: 1851.
W. Turner’s Innovations ,[object Object],[object Object]
“ The Fighting Temeraire” (1838) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
“ Burning of the Houses of Parliament” (1834) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
My Impressions  ,[object Object],[object Object],[object Object],[object Object]
As far as my personal liking is concerned, best of all I was impressed by the creative works and artistic style of John Constable whose masterful combination of Romantic and Realistic conceptions made his landscapes team with life and memorable. Studying his masterpieces, I was captivated by his faithful reproduction of the ever-changing sky. J. Constable’s conception of natural phenomena as vehicles for human emotions extremely  appealed to me. To my taste, it is hard to tear oneself from Constable’s canvases  thanks to their strong attractiveness and great emotional depth.  Constable’s works as well as the masterpieces by Hogarth, Reynolds, Gainsborough and Turner are once seen and  never forgotten !

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British Painters Presentation

  • 1. English Artists (the XVIII-XIXth centuries) by Kseniya Shilova group 753
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  • 13. Thomas Gainsborough Painter and Musician Birth: Suffolk, England (1727); Acquired love of rustic scenes; Diversified interests (an amateur violinist and lover of the drama). Depicted both, the rich and the poor; Had a longing for painting landscapes more than for portraits; Influenced his successors; Death: 1788.
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  • 17. John Constable A Foremost Landscapist of his Century Birth: 1776; Suffolk, England; Came from a family of a mill-owner; Cultivated naturalistic approach to the nature and depicting it; Excelled in landscape painting; Was rewarded firstly abroad (France); Was a member of the Royal Academy in the twilight of his life; Was a master of realistic landscape painting; Influenced young artists, mostly French; Death: 1837.
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  • 21. William Turner A Life-Long Admirer of the Sea Birth: 1775, London; From the childhood was a keen and inspired observer of the Thames; Perfected his mastery from topographical painting to water-colour and oil masterpieces; Worked in the genre of marine landscape; Subject matter: seascapes, later – light, colour and air; Became a member of the Royal Academy; Anticipated the Impressionists; Death: 1851.
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  • 25.
  • 26.
  • 27. As far as my personal liking is concerned, best of all I was impressed by the creative works and artistic style of John Constable whose masterful combination of Romantic and Realistic conceptions made his landscapes team with life and memorable. Studying his masterpieces, I was captivated by his faithful reproduction of the ever-changing sky. J. Constable’s conception of natural phenomena as vehicles for human emotions extremely appealed to me. To my taste, it is hard to tear oneself from Constable’s canvases thanks to their strong attractiveness and great emotional depth. Constable’s works as well as the masterpieces by Hogarth, Reynolds, Gainsborough and Turner are once seen and never forgotten !