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PUBLIC SPEAKING
Our voice is like electric current
Our mouth is like a Speaker
Our face is like a Computer Screen
Our Brain acts like a Hard-disk
PUBLIC SPEAKING
 “The biggest weapon human-being is blessed with is
his voice which can make him win all the battles of
life”
………….…….. Rohit Dubey
SPEAKING OPPORTUNITIES
 At work
 Selling your ideas
 Technical Presentations
 Interaction with colleagues
 Customer Presentations and Reviews
 Daily Life
 School Board Meetings
 Town Zoning Board Meetings
 PTA Meetings
 Boy and Girl Scout Meetings
SIMILARITIES BETWEEN PS AND
CONVERSATION
 Organize your thoughts
Giving someone directions to your house
 Tailor your message to the audience
Your 5 year old asks you where babies come from
Your 14 year old asks you where babies come from
Your 22 year old asks the same question
 Telling a story for maximum impact
Don’t tell the “punch line” of a story first
 Adapting to listener feedback
Watch for non-verbal feedback – looks of confusion,
looks of pain or hurtfulness
DIFFERENCES BETWEEN PS AND
CONVERSATION
 PS is more structured
 Usually time limited
 Questions not allowed to interrupt the speech,
 usually left for at end (time permitting)
 PS requires more formal language
 No slang, jargon or bad grammar
 Speeches should be something special so that they qualify as life events
and are remembered
 PS requires a different method for delivery
 More formal delivery
 No vocalized pauses – “uh”, “ah”, “um”
 Don’t use stock phrases repeatedly – “you know”, “basically”, “I mean”
THE SPEECH COMMUNICATION PROCESS
 Speaker - speech communication starts here
 Message - whatever is communicated
 Channel – means by which a message is communicated
 Listener – the receiver of the communicated message
 Feedback – comes in many forms and must be
understood
 Interference - anything impeding the communication of
the message
 Situation – the time and place of occurrance
LISTENING
 Listening is important
Over our lives we will listen to many more
speeches than we will deliver
Helps develop critical thinking
Many Fortune 500 companies provide employees
with listening training
Studies show a direct link between academic
success and the ability to listen
Listening and hearing are two different things
LISTENING AND CRITICAL THINKING
 There are four types of listening:
 Appreciative
 Listening for pleasure or enjoyment
 Music, movies, comedy, plays…
 Empathetic
 Listening to provide emotional support for speaker
 A shrink listens to a patient; you listen to a friend’s rant
 Comprehensive
 Listening to understand the speakers message
 Direction to a friend’s house; in a class or seminar
 Critical
 Listening to evaluate a message
 A campaign speech; a peer’s research paper
 Critical Thinking
 Comprehensive and Critical Thinking require you to think and
evaluate while listening, this helps develop Critical Thinking skills
CAUSES OF POOR LISTENING
 Not Concentrating
Daydreaming, mind wandering, dozing
 Listening Too Hard
Trying to remember every fact, no matter how
minute
 Jumping To Conclusions
Putting words into the speakers mouth;
interrupting speaker, anticipating what speaker
will say/do next
 Focusing On Delivery Instead Of Message
Speakers accent, clothes, stuttering, presentation
tools
BETTER LISTENING
 Take Listening Seriously
 Like any skill it takes practice and self-descipline
 Resist Distractions
 When you catch your mind wandering make a conscious effort to pull it
back on track; try to anticipate what the speaker will say/do next
 Don’t be Diverted by Appearance or Delivery
 Lincoln and Gandhi were strange in appearance but were excellent
speakers
 Suspend Judgment
 “a closed mind is an empty mind”
 Focus Your Listening
 Listen for main points
 A good speech only has a few
 Listen for evidence
 Is it accurate
 Are the sources objective
 Is it relevant
 Is it sufficient to support the speakers claim
 Listen for technique
 Study the speakers technique as a learning tool
ANALYZING THE AUDIENCE
 Good speakers are audience-centered
 Primary purpose of a speech is to get a desired response
 Keep the audience foremost in mind at every step of
preparation and presentation
 To whom are you speaking?
 What is it you want them to know, believe or do as a result?
 What is the most effective way to compose and present your
speech to accomplish those ends?
THE PSYCHOLOGY OF AUDIENCES
 It’s up to the speaker to make the audience choose to
pay attention.
 Every speech contains two messages:
 One from the speaker
 One received by the listener
 “People hear what they want to hear and disregard the rest.”
– Paul Simon’s The Boxer
 People are egocentric
 Egocentrism – the tendency for people to be most
interested in themselves, their own problems and the way to
solve them.
 They pay closest attention to what affects their own values,
beliefs and well being.
DEMOGRAPHIC AUDIENCE ANALYSIS
 Look for observable audience traits
 Identify the general features
 Gauge their importance to the situation
 Traits
 Age
 Whatever your age, you’re a product of your world
 Gender
 Old stereotypes no longer apply
 Avoid sexist language and references
 Racial, Ethnic or Cultural Background
 Be aware of differences and be able to adapt
 Religion
 Highly charged emotional issue, be sure to consider the religious
orientation or you might end up being embarassed.
 Group Membership
 Guilt by association – people judge you by the company you keep
SITUATIONAL AUDIENCE ANALYSIS
 Builds on demographic analysis ; identifies traits
unique to the speaking situation
 Size
 Physical Setting
 Disposition toward the Topic
 Interest
 Knowledge
 Attitude
 Disposition toward the Speaker
 Disposition towards the Occasion
ADAPTING TO THE AUDIENCE
 Before the Speech
 Assess how the audience is likely to respond
 Adjust what you say to make it
 Clear
 Appropriate
 Convincing
 During the Speech
 Things may/will not go exactly as you plan
 Don’t panic, remain calm and adapt
 Remember:
 Who am I speaking to?
 What do I want them to know, believe or do?
 What is the best way to accomplish this?
 Practice, practice, practice
ORGANIZING A SPEECH – MAIN
POINTS
 Main Points
 Number of main points
 It is better to be remembered for covering 3 or 4 points well
than to leave the audience confused and sorting out 7 or 8
points you made.
 Strategic Order of Main Points
 Chronological Order
 Spatial Order
 Casual Order
 Problem Solution Order
 Topical Order
MAIN POINTS (CONT.)
 Each main point should be independent of the other
main points.
 Use the same pattern of wording for each main point
 Balance the amount of time spent on each main
point.
ORGANIZING A SPEECH –
SUPPORTING MATERIALS
 Supporting Materials
 The “flesh” that fills out the skeleton of your speech
 By themselves main points are only assertions.
 Listeners need supporting materials to accept what the speaker says
 Three major types of supporting materials:
 Examples
 Statistics
 Testimony
 Always provide sources to give credibility to the supporting materials
ORGANIZING A SPEECH
 Connectives
 Transitions
 Words or phrases that indicate speaker has finished one thought and is
moving to another:
 “In addition” , “also” , “Not only” , “That brings me to the next topic”
 Internal Previews
 Lets the audience know what the speaker will take up next
 “now that we realize the seriousness, I will address three solutions”
 Internal Summaries
 Remind the audience of what they have just heard
 “Let me reiterate…”
 Signposts
 Brief statements that let you know where you are in the speech
 Numerate – “First this…, second this …”
 Introduce a main point with a question – “What make this so…”
 Simple phrase – “The most important thing to remember…”
BEGINNING AND ENDING
 Get Attention and Interest
 Reveal the Topic
 Establish Credibility and Goodwill
 Preview the body of the speech
 Signal the End of the speech
 Reinforce the central idea
USE OF LANGUAGE
 Language is Important
 How well do you use language?
 Do you confuse the use of good/well?
 Do you use phrases like “terrible disaster” or “a good benefit”?
 Do you use “in the eventuality” instead of “if”?
 Do you clutter your speech with meaningless words as “you
know”, “like”, “basically”, “man”, and really”?
 Classics:
 “Dean of Students promises to stop drinking on campus.”
 “For Sale: Unique home in downtown Craigsville. Large lot.
Many trees. One you would enjoy living in.”
 Headline: “Lost sisters reunited after 18 years at grocery
checkout counter.”
MEANINGS OF WORDS
 Words have two kinds of meanings:
 denotative
 the literal or dictionary meaning of a word or phrase.
 connotative
 the meaning suggested by the associations or emotions
triggered by a word or phrase
 give words their intensity and emotional power
 the same words may have completely different effects on
different audiences
MORE THINGS TO REMEMBER...
 Use language accurately
 “say what you mean”
 Use language clearly
 Use familiar words
 Choose concrete words
 Eliminate clutter
 Use Language vividly
 Imagery
 Concrete words
 Simile
 Metaphor
 Rhythm
 Parallelism
 Repetition
 Alliteration
 Antithesis
USE LANGUAGE APPROPRIATELY
 To the occasion
 To the Audience
 To the topic
 To the speaker
USE NONSEXIST LANGUAGE
 Sexist Language
 Language that promotes the stereotyping of people on the basis
of gender.
 Nonsexist Language
 Language that does not stereotype people on the basis of gender
 Avoid:
 generic use of “he”
 use of “man” when referring to both men and women
 stereotyping job or social roles based on gender
 unnecessary or patronizing labels
SPEECH DELIVERY
 Types of Delivery
 Read from manuscript
 only done when absolute accuracy is required
 Reciting from memory
 seldom done, if done rehearse until you’re very comfortable doing it
 Impromptu
 speaking with little or no preparation
 avoid unless you are extremely comfortable with the subject
 Extemporaneously
 carefully prepared and delivered from a brief set of notes
 Should sound spontaneous even if it has been rehearsed
extensively
VOCALIZATION
 Volume – loudness or softness
 adjust to the situation (electronically if necessary, don’t yell)
 Pitch – highness or lowness of the voice
 use inflections in your voice to avoid “monotone”
 Rate speed at which you speak
 120-150 wpm is normal, too slow leaves people hanging on your words, too fast and they get
confused and miss information
 Pauses – momentary breaks in your speaking
 takes experience to know when to pause, pause at the end of thought units
 avoid vocalized pauses (“uh”, “er”, “um”...)
 Variety
 vary the loudness, pitch and rate to make the speech sound more natural and interesting
 Pronunciation – use correct pronunciation of common words
 genuine, arctic, theater, err, nuclear, February, library
 Articulation – physical production of speech sounds
 we habitually chop, slur and mumble, rather than enunciating
 “ought to”, “didn’t”, “for”, “don’t know”, “ask”
 Dialect – variety of language distinguished by variations of accent, grammar or
vocabulary
NONVERBAL COMMUNICATIONS
 kinesics – the study of nonverbal body motions as a
systematic node of communication
 People trust their ears less than their eyes.
 when a speaker’s body language is inconsistent with their words
the listeners will tend to believe their eyes
 Other aspects of nonverbal communications
 Personal appearance
 Body action
 Gesticulation
 Eye contact
VISUAL AIDS
 Kinds of visual aids
 Objects
 Models
 Photographs
 Drawings
 Graphs
 Charts
 Slides and Videotapes
 Computer-Generated Graphics
 Transparencies
 Multimedia
VISUAL AID PREPARATION
 Prepare them well in advance
 K.I.S.S. – Keep It Simple Stupid
 Make sure they are large enough
 should be able to be seen by “all” viewers when presented, not just
those “up front”.
 Use easy to read fonts – there is a reason for Times-Roman
 non-serif fonts are harder to read
 Use a limited number of fonts
 Use color effectively
 highlighting
 used well proven color schemes, what colors work well together is a
tough choice for most people
BOLLYWOOD SONGS THAT TEACHES US
HOW TO SPEAK WHERE
 Bol na halke halke
o We should never speak slowly, because our voice won’t be
audible to the listeners, maybe the hooting of back sitters will
create lack in communication between us.
 Meri awaaz hi meri pehchan hai
o Singers are not judged for their looks, but their voice makes their
identity. Lataji, Bachchan Sahab, Kishore da are some examples
who are known for their voice. So we must practice to make our
voice flow melodious and clear to attract our listeners.
BOLLYWOOD SONGS THAT TEACHES US
HOW TO SPEAK WHERE CONT..
 Pyar hua ikrar hua hai pyar se fir kyu darta hai dil
o We prepared our speech , practiced it thoroughly got good
response from our boss and teachers, then why are we feeling
hesitated to give Presentation or Speech. Fear will work as
 Sun raha hai na tu……..ro raha hu main
o It sometimes happen that the speaker seems to be so nervous ,
like he/she is crying or is about to cry, instead we should make
our listeners cry by making our speech so emotional by using
stories or incidents.
THANK YOU
By
Rohit Dubey
8878695818
treejee.webs.com

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Best way of Public Speaking by Rohit Dubey (Treejee)

  • 1. PUBLIC SPEAKING Our voice is like electric current Our mouth is like a Speaker Our face is like a Computer Screen Our Brain acts like a Hard-disk
  • 2. PUBLIC SPEAKING  “The biggest weapon human-being is blessed with is his voice which can make him win all the battles of life” ………….…….. Rohit Dubey
  • 3. SPEAKING OPPORTUNITIES  At work  Selling your ideas  Technical Presentations  Interaction with colleagues  Customer Presentations and Reviews  Daily Life  School Board Meetings  Town Zoning Board Meetings  PTA Meetings  Boy and Girl Scout Meetings
  • 4. SIMILARITIES BETWEEN PS AND CONVERSATION  Organize your thoughts Giving someone directions to your house  Tailor your message to the audience Your 5 year old asks you where babies come from Your 14 year old asks you where babies come from Your 22 year old asks the same question  Telling a story for maximum impact Don’t tell the “punch line” of a story first  Adapting to listener feedback Watch for non-verbal feedback – looks of confusion, looks of pain or hurtfulness
  • 5. DIFFERENCES BETWEEN PS AND CONVERSATION  PS is more structured  Usually time limited  Questions not allowed to interrupt the speech,  usually left for at end (time permitting)  PS requires more formal language  No slang, jargon or bad grammar  Speeches should be something special so that they qualify as life events and are remembered  PS requires a different method for delivery  More formal delivery  No vocalized pauses – “uh”, “ah”, “um”  Don’t use stock phrases repeatedly – “you know”, “basically”, “I mean”
  • 6. THE SPEECH COMMUNICATION PROCESS  Speaker - speech communication starts here  Message - whatever is communicated  Channel – means by which a message is communicated  Listener – the receiver of the communicated message  Feedback – comes in many forms and must be understood  Interference - anything impeding the communication of the message  Situation – the time and place of occurrance
  • 7. LISTENING  Listening is important Over our lives we will listen to many more speeches than we will deliver Helps develop critical thinking Many Fortune 500 companies provide employees with listening training Studies show a direct link between academic success and the ability to listen Listening and hearing are two different things
  • 8. LISTENING AND CRITICAL THINKING  There are four types of listening:  Appreciative  Listening for pleasure or enjoyment  Music, movies, comedy, plays…  Empathetic  Listening to provide emotional support for speaker  A shrink listens to a patient; you listen to a friend’s rant  Comprehensive  Listening to understand the speakers message  Direction to a friend’s house; in a class or seminar  Critical  Listening to evaluate a message  A campaign speech; a peer’s research paper  Critical Thinking  Comprehensive and Critical Thinking require you to think and evaluate while listening, this helps develop Critical Thinking skills
  • 9. CAUSES OF POOR LISTENING  Not Concentrating Daydreaming, mind wandering, dozing  Listening Too Hard Trying to remember every fact, no matter how minute  Jumping To Conclusions Putting words into the speakers mouth; interrupting speaker, anticipating what speaker will say/do next  Focusing On Delivery Instead Of Message Speakers accent, clothes, stuttering, presentation tools
  • 10. BETTER LISTENING  Take Listening Seriously  Like any skill it takes practice and self-descipline  Resist Distractions  When you catch your mind wandering make a conscious effort to pull it back on track; try to anticipate what the speaker will say/do next  Don’t be Diverted by Appearance or Delivery  Lincoln and Gandhi were strange in appearance but were excellent speakers  Suspend Judgment  “a closed mind is an empty mind”  Focus Your Listening  Listen for main points  A good speech only has a few  Listen for evidence  Is it accurate  Are the sources objective  Is it relevant  Is it sufficient to support the speakers claim  Listen for technique  Study the speakers technique as a learning tool
  • 11. ANALYZING THE AUDIENCE  Good speakers are audience-centered  Primary purpose of a speech is to get a desired response  Keep the audience foremost in mind at every step of preparation and presentation  To whom are you speaking?  What is it you want them to know, believe or do as a result?  What is the most effective way to compose and present your speech to accomplish those ends?
  • 12. THE PSYCHOLOGY OF AUDIENCES  It’s up to the speaker to make the audience choose to pay attention.  Every speech contains two messages:  One from the speaker  One received by the listener  “People hear what they want to hear and disregard the rest.” – Paul Simon’s The Boxer  People are egocentric  Egocentrism – the tendency for people to be most interested in themselves, their own problems and the way to solve them.  They pay closest attention to what affects their own values, beliefs and well being.
  • 13. DEMOGRAPHIC AUDIENCE ANALYSIS  Look for observable audience traits  Identify the general features  Gauge their importance to the situation  Traits  Age  Whatever your age, you’re a product of your world  Gender  Old stereotypes no longer apply  Avoid sexist language and references  Racial, Ethnic or Cultural Background  Be aware of differences and be able to adapt  Religion  Highly charged emotional issue, be sure to consider the religious orientation or you might end up being embarassed.  Group Membership  Guilt by association – people judge you by the company you keep
  • 14. SITUATIONAL AUDIENCE ANALYSIS  Builds on demographic analysis ; identifies traits unique to the speaking situation  Size  Physical Setting  Disposition toward the Topic  Interest  Knowledge  Attitude  Disposition toward the Speaker  Disposition towards the Occasion
  • 15. ADAPTING TO THE AUDIENCE  Before the Speech  Assess how the audience is likely to respond  Adjust what you say to make it  Clear  Appropriate  Convincing  During the Speech  Things may/will not go exactly as you plan  Don’t panic, remain calm and adapt  Remember:  Who am I speaking to?  What do I want them to know, believe or do?  What is the best way to accomplish this?  Practice, practice, practice
  • 16. ORGANIZING A SPEECH – MAIN POINTS  Main Points  Number of main points  It is better to be remembered for covering 3 or 4 points well than to leave the audience confused and sorting out 7 or 8 points you made.  Strategic Order of Main Points  Chronological Order  Spatial Order  Casual Order  Problem Solution Order  Topical Order
  • 17. MAIN POINTS (CONT.)  Each main point should be independent of the other main points.  Use the same pattern of wording for each main point  Balance the amount of time spent on each main point.
  • 18. ORGANIZING A SPEECH – SUPPORTING MATERIALS  Supporting Materials  The “flesh” that fills out the skeleton of your speech  By themselves main points are only assertions.  Listeners need supporting materials to accept what the speaker says  Three major types of supporting materials:  Examples  Statistics  Testimony  Always provide sources to give credibility to the supporting materials
  • 19. ORGANIZING A SPEECH  Connectives  Transitions  Words or phrases that indicate speaker has finished one thought and is moving to another:  “In addition” , “also” , “Not only” , “That brings me to the next topic”  Internal Previews  Lets the audience know what the speaker will take up next  “now that we realize the seriousness, I will address three solutions”  Internal Summaries  Remind the audience of what they have just heard  “Let me reiterate…”  Signposts  Brief statements that let you know where you are in the speech  Numerate – “First this…, second this …”  Introduce a main point with a question – “What make this so…”  Simple phrase – “The most important thing to remember…”
  • 20. BEGINNING AND ENDING  Get Attention and Interest  Reveal the Topic  Establish Credibility and Goodwill  Preview the body of the speech  Signal the End of the speech  Reinforce the central idea
  • 21. USE OF LANGUAGE  Language is Important  How well do you use language?  Do you confuse the use of good/well?  Do you use phrases like “terrible disaster” or “a good benefit”?  Do you use “in the eventuality” instead of “if”?  Do you clutter your speech with meaningless words as “you know”, “like”, “basically”, “man”, and really”?  Classics:  “Dean of Students promises to stop drinking on campus.”  “For Sale: Unique home in downtown Craigsville. Large lot. Many trees. One you would enjoy living in.”  Headline: “Lost sisters reunited after 18 years at grocery checkout counter.”
  • 22. MEANINGS OF WORDS  Words have two kinds of meanings:  denotative  the literal or dictionary meaning of a word or phrase.  connotative  the meaning suggested by the associations or emotions triggered by a word or phrase  give words their intensity and emotional power  the same words may have completely different effects on different audiences
  • 23. MORE THINGS TO REMEMBER...  Use language accurately  “say what you mean”  Use language clearly  Use familiar words  Choose concrete words  Eliminate clutter  Use Language vividly  Imagery  Concrete words  Simile  Metaphor  Rhythm  Parallelism  Repetition  Alliteration  Antithesis
  • 24. USE LANGUAGE APPROPRIATELY  To the occasion  To the Audience  To the topic  To the speaker
  • 25. USE NONSEXIST LANGUAGE  Sexist Language  Language that promotes the stereotyping of people on the basis of gender.  Nonsexist Language  Language that does not stereotype people on the basis of gender  Avoid:  generic use of “he”  use of “man” when referring to both men and women  stereotyping job or social roles based on gender  unnecessary or patronizing labels
  • 26. SPEECH DELIVERY  Types of Delivery  Read from manuscript  only done when absolute accuracy is required  Reciting from memory  seldom done, if done rehearse until you’re very comfortable doing it  Impromptu  speaking with little or no preparation  avoid unless you are extremely comfortable with the subject  Extemporaneously  carefully prepared and delivered from a brief set of notes  Should sound spontaneous even if it has been rehearsed extensively
  • 27. VOCALIZATION  Volume – loudness or softness  adjust to the situation (electronically if necessary, don’t yell)  Pitch – highness or lowness of the voice  use inflections in your voice to avoid “monotone”  Rate speed at which you speak  120-150 wpm is normal, too slow leaves people hanging on your words, too fast and they get confused and miss information  Pauses – momentary breaks in your speaking  takes experience to know when to pause, pause at the end of thought units  avoid vocalized pauses (“uh”, “er”, “um”...)  Variety  vary the loudness, pitch and rate to make the speech sound more natural and interesting  Pronunciation – use correct pronunciation of common words  genuine, arctic, theater, err, nuclear, February, library  Articulation – physical production of speech sounds  we habitually chop, slur and mumble, rather than enunciating  “ought to”, “didn’t”, “for”, “don’t know”, “ask”  Dialect – variety of language distinguished by variations of accent, grammar or vocabulary
  • 28. NONVERBAL COMMUNICATIONS  kinesics – the study of nonverbal body motions as a systematic node of communication  People trust their ears less than their eyes.  when a speaker’s body language is inconsistent with their words the listeners will tend to believe their eyes  Other aspects of nonverbal communications  Personal appearance  Body action  Gesticulation  Eye contact
  • 29. VISUAL AIDS  Kinds of visual aids  Objects  Models  Photographs  Drawings  Graphs  Charts  Slides and Videotapes  Computer-Generated Graphics  Transparencies  Multimedia
  • 30. VISUAL AID PREPARATION  Prepare them well in advance  K.I.S.S. – Keep It Simple Stupid  Make sure they are large enough  should be able to be seen by “all” viewers when presented, not just those “up front”.  Use easy to read fonts – there is a reason for Times-Roman  non-serif fonts are harder to read  Use a limited number of fonts  Use color effectively  highlighting  used well proven color schemes, what colors work well together is a tough choice for most people
  • 31. BOLLYWOOD SONGS THAT TEACHES US HOW TO SPEAK WHERE  Bol na halke halke o We should never speak slowly, because our voice won’t be audible to the listeners, maybe the hooting of back sitters will create lack in communication between us.  Meri awaaz hi meri pehchan hai o Singers are not judged for their looks, but their voice makes their identity. Lataji, Bachchan Sahab, Kishore da are some examples who are known for their voice. So we must practice to make our voice flow melodious and clear to attract our listeners.
  • 32. BOLLYWOOD SONGS THAT TEACHES US HOW TO SPEAK WHERE CONT..  Pyar hua ikrar hua hai pyar se fir kyu darta hai dil o We prepared our speech , practiced it thoroughly got good response from our boss and teachers, then why are we feeling hesitated to give Presentation or Speech. Fear will work as  Sun raha hai na tu……..ro raha hu main o It sometimes happen that the speaker seems to be so nervous , like he/she is crying or is about to cry, instead we should make our listeners cry by making our speech so emotional by using stories or incidents.