SlideShare a Scribd company logo
Created By:
  Maria Avery
February 2012
 This is an online module connected to the
  research study Understanding Creatively Gifted
  Students: Pre-Service Teachers’ Understandings
  and Professors’ Practices.
 This module will cover characteristics of
  creatively gifted students, identification of
  creatively gifted students, and how to support
  creatively gifted students.
 There will be a short scenario of a potential
  student.
 A brief quiz will be given at the end of this
  module in order for the participate to assess
  their own learning.
Section 1:
 Remember:   Not all students are alike. These
 are just a few common characteristics of
 creatively gifted students.

 Notall of the following characteristics will
 be present in each child.

 Youmust observe each student with a new
 view and understanding because of this.
Creatively gifted students . . .

   Think in different ways
       An example of this is thinking in terms of fantasy and
        reality.
   Think about their work in more than one way
       This means that they are able to critique their own
        work and defend it at the same time.
   Talented at solving problems with what is around
    them
       If a student needs to fix a broken shelf they can find
        a way to do so with the limited about of supplies in
        the classroom.
Gifted students . . .
 Are very aware of events going on around them


   Enjoy observing their surroundings

   Can be perceived as inattentive
       They work better on their own schedule, when they
        can focus and not be distracted by their surroundings.
   Are risk takers
       They like to push boundaries in order to create new
        things.
 Being
      boastful about accomplishments is
 uncommon

 Thrive   on encouragement
    If too many rewards are used with these types of
     students they will become disinterested in
     school.
 Motivatedto learn through own
 accomplishments
    The knowledge that they can improve in an area
     is what pushes them to learn more.
Section 2:
Section 3:
 Just
     like all student types, creatively gifted
 students should be offered appropriate
 support in the classroom.

 We have already seen that the
 characteristics can vary among creatively
 gifted students, and so can the type of
 creativity.

 Thisneeds to be noted so that all forms of
 creativity can be supported, not just the
 stereotypical forms of it.
 The ways in which students are trained, even
 in elementary classrooms, to solve problems
 directly relates to how they will solve them
 in adulthood.

 Therefore,creatively gifted students must
 prepare starting today to be the creative
 problem solvers the world needs.

 American classrooms are not doing an
 effective job on this.
 The “textbook” way of solving problems,
 which American classrooms focus on, does
 not leave room for discovering “new” ways
 to solve the problems, look at situations, or
 even find new problems.

 When creative assignments are assigned,
 they are typically just extra activities and
 often times they are not required.
   Most teaching strategies are effective to use
    with these students. There may need to be
    slight adjusts, such as the ones listed below.

   Teachers can use flexible rubrics.
     Rubric identifies the content to be covered
     Depth of information expected
     Other professional criteria (ex. neatness)
     Means of presenting the information is up to the
      student!


   Teachers set the standards for classroom learning
       Students utilize creativity to demonstrate higher
        order thinking skills
Student Scenario:
   Emma is a student in a 7th grade
    classroom. Her teacher has noticed
    that Emma is always concerned about
    what is going on around her. Emma
    likes to watch her classmates and
    seems to have a hard time paying
    attention during parts of the day.
    The teacher has also noticed that
    Emma develops creative solutions to
    problems and does so by pushing
    boundaries. When Emma finishes her
    work she points out things that can
    improved but can still point out
    elements she is proud of. When
    Emma sees that an academic area
    can be improved, she is intrinsically
    motivated to learn more. However,
    her test scores do not qualify her for
    AIG support.
 Would  you identify Emma as a creatively
  student? Why or why not?
 If you would identify her as a creatively
  gifted student, how would you help her
  succeed in English? Math? Social Studies?
  Science?
 Would you do anything to help address the
  fact that she seems inattentive in class?
  What?
 Would you use this adjustments for all
  students in your class or just Emma?
Please follow this link to take
   the quiz associated with this
              module.

http://www.surveymonkey.com/s.aspx?PREVIE
  W_MODE=DO_NOT_USE_THIS_LINK_FOR_COL
  LECTION&sm=JZmO88uCjdqHDtEMccGmc9lf
        WgX%2f%2fCTE4PVE7hHL1lY%3d
Csikszentmihalyi, M. (1997). Creativity: Flow and
  the psychology of discovery and invention. New
  York, New York: Harper Perennial.
Davis, G. A. (2000). Creativity is forever (4th ed.).
  Dubuque, IA: Kendall Hunt Publishers.
Hennessey, B.A. (2004). Developing creativity in
  gifted children: the central importance of
  motivation and classroom climate. The National
  Research Center on the Gifted and Talented
  (RM04202).
Smutny, J. F., & von Fremd, S. E. (2009). Igniting
  creativity in gifted learners, k-6. Thousand
  Oaks, CA: Corwin Press.
 Imageof “Emma” retrieved from
 http://realdealphotography.smugmug.com/M
 odels/Andrena-Hilstock/RDP5810-
 01web/127435429_EeoSV-L.jpg
As the researcher, I would just like to thank
you for taking part in this study. I hope you
have learned something through your
participation and that you will take this new
found knowledge with you into your
classrooms. Good luck to you all!

                             Best wishes,
                             Maria Avery

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Avery maria online module

  • 1. Created By: Maria Avery February 2012
  • 2.  This is an online module connected to the research study Understanding Creatively Gifted Students: Pre-Service Teachers’ Understandings and Professors’ Practices.  This module will cover characteristics of creatively gifted students, identification of creatively gifted students, and how to support creatively gifted students.  There will be a short scenario of a potential student.  A brief quiz will be given at the end of this module in order for the participate to assess their own learning.
  • 4.  Remember: Not all students are alike. These are just a few common characteristics of creatively gifted students.  Notall of the following characteristics will be present in each child.  Youmust observe each student with a new view and understanding because of this.
  • 5. Creatively gifted students . . .  Think in different ways  An example of this is thinking in terms of fantasy and reality.  Think about their work in more than one way  This means that they are able to critique their own work and defend it at the same time.  Talented at solving problems with what is around them  If a student needs to fix a broken shelf they can find a way to do so with the limited about of supplies in the classroom.
  • 6. Gifted students . . .  Are very aware of events going on around them  Enjoy observing their surroundings  Can be perceived as inattentive  They work better on their own schedule, when they can focus and not be distracted by their surroundings.  Are risk takers  They like to push boundaries in order to create new things.
  • 7.  Being boastful about accomplishments is uncommon  Thrive on encouragement  If too many rewards are used with these types of students they will become disinterested in school.  Motivatedto learn through own accomplishments  The knowledge that they can improve in an area is what pushes them to learn more.
  • 9.
  • 10.
  • 12.  Just like all student types, creatively gifted students should be offered appropriate support in the classroom.  We have already seen that the characteristics can vary among creatively gifted students, and so can the type of creativity.  Thisneeds to be noted so that all forms of creativity can be supported, not just the stereotypical forms of it.
  • 13.  The ways in which students are trained, even in elementary classrooms, to solve problems directly relates to how they will solve them in adulthood.  Therefore,creatively gifted students must prepare starting today to be the creative problem solvers the world needs.  American classrooms are not doing an effective job on this.
  • 14.  The “textbook” way of solving problems, which American classrooms focus on, does not leave room for discovering “new” ways to solve the problems, look at situations, or even find new problems.  When creative assignments are assigned, they are typically just extra activities and often times they are not required.
  • 15. Most teaching strategies are effective to use with these students. There may need to be slight adjusts, such as the ones listed below.  Teachers can use flexible rubrics.  Rubric identifies the content to be covered  Depth of information expected  Other professional criteria (ex. neatness)  Means of presenting the information is up to the student!  Teachers set the standards for classroom learning  Students utilize creativity to demonstrate higher order thinking skills
  • 17. Emma is a student in a 7th grade classroom. Her teacher has noticed that Emma is always concerned about what is going on around her. Emma likes to watch her classmates and seems to have a hard time paying attention during parts of the day. The teacher has also noticed that Emma develops creative solutions to problems and does so by pushing boundaries. When Emma finishes her work she points out things that can improved but can still point out elements she is proud of. When Emma sees that an academic area can be improved, she is intrinsically motivated to learn more. However, her test scores do not qualify her for AIG support.
  • 18.  Would you identify Emma as a creatively student? Why or why not?  If you would identify her as a creatively gifted student, how would you help her succeed in English? Math? Social Studies? Science?  Would you do anything to help address the fact that she seems inattentive in class? What?  Would you use this adjustments for all students in your class or just Emma?
  • 19. Please follow this link to take the quiz associated with this module. http://www.surveymonkey.com/s.aspx?PREVIE W_MODE=DO_NOT_USE_THIS_LINK_FOR_COL LECTION&sm=JZmO88uCjdqHDtEMccGmc9lf WgX%2f%2fCTE4PVE7hHL1lY%3d
  • 20. Csikszentmihalyi, M. (1997). Creativity: Flow and the psychology of discovery and invention. New York, New York: Harper Perennial. Davis, G. A. (2000). Creativity is forever (4th ed.). Dubuque, IA: Kendall Hunt Publishers. Hennessey, B.A. (2004). Developing creativity in gifted children: the central importance of motivation and classroom climate. The National Research Center on the Gifted and Talented (RM04202). Smutny, J. F., & von Fremd, S. E. (2009). Igniting creativity in gifted learners, k-6. Thousand Oaks, CA: Corwin Press.
  • 21.  Imageof “Emma” retrieved from http://realdealphotography.smugmug.com/M odels/Andrena-Hilstock/RDP5810- 01web/127435429_EeoSV-L.jpg
  • 22. As the researcher, I would just like to thank you for taking part in this study. I hope you have learned something through your participation and that you will take this new found knowledge with you into your classrooms. Good luck to you all! Best wishes, Maria Avery