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AUDIENCE THEORY
THE EFFECTS MODEL
 The consumption of media texts has an effect or influence upon the
audience. Normally it is considered the effect is negative. A lot of the
time the power lies with the message from the text. ‘The Effects Model’
is also known as the ‘Hypodermic Model’. The messages are injected
into the audience by powerful ‘syringe like’ media. Due to this the
audience can’t resist and the audience is doped by it. A lot of media
corporations, politicians and extreme religious organisations use this
theory to help gather peoples attention and get them to believe
everything they say.
THE USES AND GRATIFICATION MODELS
 This theory is the complete opposite to the Effects Model, the audience
is active and the audience uses the text and is not ‘used’ by it. They use
the text for their own pleasure and gratification. In this situation the
power lies with the audience rather than the producers.
 As the audience hasn’t been dictated by the text they are free to play,
reject or use the media. The audience can use the text for other devices
such as: Escapism, pleasure and information. The consumption of this
media can help with issues such as relaxation, emotional satisfaction
and can help with issues of aggression and violence.
RECEPTION THEORY
 Due to problems The Effects Model and Gratification Theory have, Stuart
Hall the academic at Birmingham University came up with a new theory in
the 1970’s. The theory considers how producers created with meaning by
the producers and understood by the voyeurs.
 The theory suggests that the producer creates a story with a message or
meaning and which they want to convey to the audience. In some cases the
audience will decode the message and meaning straight away, in other
circumstances the message or meaning can be harder to decode, or they
may even fail in understanding the message/meaning.
 Stuart Hall identified three different types of audience de-coding: Preferred,
negotiated and oppositional.
SAFETY VALVE EFFECT
 The Safety Valve Effect is the glamorization of the world which the
media provides for us, the voyeurs. It allows us to live almost a fantasy
and escape reality and their mundane lives. It allows people to take out
their anxieties and frustrations through media.
THE EFFECTS DEBATE
 The Effects Debate involves producers having to think carefully about
identifying their target audience and finding a text that will engage and
interest them. However, because the media is such a major influence
and part of peoples lives that one of the major debates in media is that
the effect that the media may possibly have on its audience.
THE LAW OF DIMINISHING RETURNS
 This is the theory of a media audiences reactions growing weaker after
a lot of exposure to violence, sex and death in films. It is the decrease in
fear towards taboo subjects and extremely aggressive behaviour. Their
threshold becomes higher and it takes more extreme measures to
effect them. Film violence has increased over the years, people believe
this is due to social issues.

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A Level Audience Theory

  • 2. THE EFFECTS MODEL  The consumption of media texts has an effect or influence upon the audience. Normally it is considered the effect is negative. A lot of the time the power lies with the message from the text. ‘The Effects Model’ is also known as the ‘Hypodermic Model’. The messages are injected into the audience by powerful ‘syringe like’ media. Due to this the audience can’t resist and the audience is doped by it. A lot of media corporations, politicians and extreme religious organisations use this theory to help gather peoples attention and get them to believe everything they say.
  • 3. THE USES AND GRATIFICATION MODELS  This theory is the complete opposite to the Effects Model, the audience is active and the audience uses the text and is not ‘used’ by it. They use the text for their own pleasure and gratification. In this situation the power lies with the audience rather than the producers.  As the audience hasn’t been dictated by the text they are free to play, reject or use the media. The audience can use the text for other devices such as: Escapism, pleasure and information. The consumption of this media can help with issues such as relaxation, emotional satisfaction and can help with issues of aggression and violence.
  • 4. RECEPTION THEORY  Due to problems The Effects Model and Gratification Theory have, Stuart Hall the academic at Birmingham University came up with a new theory in the 1970’s. The theory considers how producers created with meaning by the producers and understood by the voyeurs.  The theory suggests that the producer creates a story with a message or meaning and which they want to convey to the audience. In some cases the audience will decode the message and meaning straight away, in other circumstances the message or meaning can be harder to decode, or they may even fail in understanding the message/meaning.  Stuart Hall identified three different types of audience de-coding: Preferred, negotiated and oppositional.
  • 5. SAFETY VALVE EFFECT  The Safety Valve Effect is the glamorization of the world which the media provides for us, the voyeurs. It allows us to live almost a fantasy and escape reality and their mundane lives. It allows people to take out their anxieties and frustrations through media.
  • 6. THE EFFECTS DEBATE  The Effects Debate involves producers having to think carefully about identifying their target audience and finding a text that will engage and interest them. However, because the media is such a major influence and part of peoples lives that one of the major debates in media is that the effect that the media may possibly have on its audience.
  • 7. THE LAW OF DIMINISHING RETURNS  This is the theory of a media audiences reactions growing weaker after a lot of exposure to violence, sex and death in films. It is the decrease in fear towards taboo subjects and extremely aggressive behaviour. Their threshold becomes higher and it takes more extreme measures to effect them. Film violence has increased over the years, people believe this is due to social issues.