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ART EDUCATION
ART EDUCATION: 1800
 • PUBLIC SCHOOLS EMPHASIZED
   DRAWING SKILLS TO KEEP PACE WITH
   OTHER COUNTRIES DURING THE
   INDUSTRIAL REVOLUTION
 • THIS EARLY ART CURRICULUM WAS
   NAMED ‘FREEHAND DRAWING’.
 • ART EDUCATION WAS NOT STATIC; AT
   THE TURN OF THE CENTURY, A NEW
   FOCUS EMERGED.
ART EDUCATION 1900
 THE TURN OF THE CENTURY BROUGHT
THE STUDY OF GREAT PICTURES, USUALLY
  HISTORIC OR SENTIMENTAL. MORAL
  VALUES WERE TAUGHT IN THIS WAY.
THESE WERE THE SEEDS OF ART HISTORY
   AND ART CRITICISM IN THE PUBLIC
  SCHOOLS. ‘MANUAL ARTS’, OR THE
  PRODUCTION OF USEFUL PRACTICAL
HOME ITEMS WAS ALSO EMPHASIZED AT
             THIS TIME.
ART EDUCATION 1920’S
• THE NEXT CHANGE IN PUBLIC EDUCATION WAS USING ART
  AS A KEY TO UNDERSTANDING THE MENTAL AND
  EMOTIONAL GROWTH OF CHILDREN.

• ART WAS NOW CONSIDERED A SOURCE OF PERSONAL AND
  CREATIVE EXPRESSION.

• EDUCATOR JOHN DEWEY WAS A POWERFUL INFLUENCE
  AND ADVOCATED A CHILD-CENTERED CURRICULUM,
  CREATIVITY, AND PLAY.

• ARTHUR WESTLY DOW PROMOTED THE IMPORTANCE OF
  THE PRINCIPLES AND ELEMENTS OF ART.
ART EDUCATION 1970’S
•IN THE LATE 1970’S, VIKTOR LOWENFELD,
 PSYCHOLOGIST AND ART EDUCATOR
 PROMOTED THE IDEA OF THE ‘INATE
 CREATIVITY’ OF THE CHILD.
•HE ADVOCATED A HANDS-OFF APPROACH TO
 ART EDUCATION.
•TEACHERS WERE NOT TO TRY TO “TEACH
 ART OR INFLUENCE THE CHILD IN ANY WAY”.
•UNFORTUNATELY, AS A RESULT, MUCH OF
 WHAT WAS DONE IN THE SCHOOLS SIMPLY
 DISINTEGRATED INTO ONLY HOLIDAY CRAFTS
 AND DECORATIONS.
ART EDUCATION 1980-1990
•IN THE 1980’S-1990’S, THE GETTY CENTER FOR EDUCATION
IN THE ARTS BEGAN SUPPORTING A COMPREHENSIVE
APPROACH TO ART.
•IT WAS CALLED, DISCIPLINE BASED ART EDUCATION, OR
D.B.A.E.
•THIS COMPREHENSIVE PROGRAM INCLUDES FOUR AREAS
OF ACADEMIC STUDY...FOUR ACADEMIC DISCIPLINES.
•ART HISTORY, ART CRITICISM, AESTHETICS AND STUDIO.
•THE NATIONAL STANDARDS WERE CREATED AT THIS TIME
AND ARE USED TODAY AS A BASIS FOR CREATING ART
LESSONS IN THE CLASSROOM.
•THE STANDARDS OUTLINE THE COMPETENCIES
THAT CHILDREN SHOULD ATTAIN AT EACH GRADE LEVEL.
ART EDUCATION TODAY
•TODAY, WE FOLLOW THE NATIONAL STANDARDS AND
DISCIPLINE BASED ART EDUCATION FOR CREATING ART
CURRICULUM.
•ART HISTORY GIVES THE STUDENT VALUABLE INSIGHTS BY
PLACING THE ARTWORK IN A HISTORICAL CONTEXT.
(‘GRAPES’)
•ART CRITICISM IS ACTUALLY ART ‘EVALUATION’ WHERE THE
STUDENT ASSESSES THE MERITS OF AN ARTWORK BASED
ON SET CRITERIA.
•AESTHETICS IS THE AREA THAT INVESTIGATES ALL OF THE
QUESTIONS SURROUNDING ART...IT IS THE PHILOSOPHICAL
BRANCH OF ART.
•STUDIO IS ANOTHER NAME FOR ART PRODUCTION.
“We know from long experience that
no one can claim to be truly
educated who lacks basic knowledge
and skills in the arts.”
ART EDUCATION

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Art 326 Art Education Timeline

  • 2. ART EDUCATION: 1800 • PUBLIC SCHOOLS EMPHASIZED DRAWING SKILLS TO KEEP PACE WITH OTHER COUNTRIES DURING THE INDUSTRIAL REVOLUTION • THIS EARLY ART CURRICULUM WAS NAMED ‘FREEHAND DRAWING’. • ART EDUCATION WAS NOT STATIC; AT THE TURN OF THE CENTURY, A NEW FOCUS EMERGED.
  • 3. ART EDUCATION 1900 THE TURN OF THE CENTURY BROUGHT THE STUDY OF GREAT PICTURES, USUALLY HISTORIC OR SENTIMENTAL. MORAL VALUES WERE TAUGHT IN THIS WAY. THESE WERE THE SEEDS OF ART HISTORY AND ART CRITICISM IN THE PUBLIC SCHOOLS. ‘MANUAL ARTS’, OR THE PRODUCTION OF USEFUL PRACTICAL HOME ITEMS WAS ALSO EMPHASIZED AT THIS TIME.
  • 4. ART EDUCATION 1920’S • THE NEXT CHANGE IN PUBLIC EDUCATION WAS USING ART AS A KEY TO UNDERSTANDING THE MENTAL AND EMOTIONAL GROWTH OF CHILDREN. • ART WAS NOW CONSIDERED A SOURCE OF PERSONAL AND CREATIVE EXPRESSION. • EDUCATOR JOHN DEWEY WAS A POWERFUL INFLUENCE AND ADVOCATED A CHILD-CENTERED CURRICULUM, CREATIVITY, AND PLAY. • ARTHUR WESTLY DOW PROMOTED THE IMPORTANCE OF THE PRINCIPLES AND ELEMENTS OF ART.
  • 5. ART EDUCATION 1970’S •IN THE LATE 1970’S, VIKTOR LOWENFELD, PSYCHOLOGIST AND ART EDUCATOR PROMOTED THE IDEA OF THE ‘INATE CREATIVITY’ OF THE CHILD. •HE ADVOCATED A HANDS-OFF APPROACH TO ART EDUCATION. •TEACHERS WERE NOT TO TRY TO “TEACH ART OR INFLUENCE THE CHILD IN ANY WAY”. •UNFORTUNATELY, AS A RESULT, MUCH OF WHAT WAS DONE IN THE SCHOOLS SIMPLY DISINTEGRATED INTO ONLY HOLIDAY CRAFTS AND DECORATIONS.
  • 6. ART EDUCATION 1980-1990 •IN THE 1980’S-1990’S, THE GETTY CENTER FOR EDUCATION IN THE ARTS BEGAN SUPPORTING A COMPREHENSIVE APPROACH TO ART. •IT WAS CALLED, DISCIPLINE BASED ART EDUCATION, OR D.B.A.E. •THIS COMPREHENSIVE PROGRAM INCLUDES FOUR AREAS OF ACADEMIC STUDY...FOUR ACADEMIC DISCIPLINES. •ART HISTORY, ART CRITICISM, AESTHETICS AND STUDIO. •THE NATIONAL STANDARDS WERE CREATED AT THIS TIME AND ARE USED TODAY AS A BASIS FOR CREATING ART LESSONS IN THE CLASSROOM. •THE STANDARDS OUTLINE THE COMPETENCIES THAT CHILDREN SHOULD ATTAIN AT EACH GRADE LEVEL.
  • 7. ART EDUCATION TODAY •TODAY, WE FOLLOW THE NATIONAL STANDARDS AND DISCIPLINE BASED ART EDUCATION FOR CREATING ART CURRICULUM. •ART HISTORY GIVES THE STUDENT VALUABLE INSIGHTS BY PLACING THE ARTWORK IN A HISTORICAL CONTEXT. (‘GRAPES’) •ART CRITICISM IS ACTUALLY ART ‘EVALUATION’ WHERE THE STUDENT ASSESSES THE MERITS OF AN ARTWORK BASED ON SET CRITERIA. •AESTHETICS IS THE AREA THAT INVESTIGATES ALL OF THE QUESTIONS SURROUNDING ART...IT IS THE PHILOSOPHICAL BRANCH OF ART. •STUDIO IS ANOTHER NAME FOR ART PRODUCTION.
  • 8. “We know from long experience that no one can claim to be truly educated who lacks basic knowledge and skills in the arts.”