Analysis Of Inception

Analysis Of Inception
Vinay Bakrania
Professor Sipiora
Film and Culture
August 2, 2017
Inception
Inception, a science–fiction thriller, was directed by Christopher Nolan and released in 2010. The
film's protagonist, played by Leonardo DiCaprio, works for various corporations, stealing
information from the subconscious of each of his subjects. He is tasked with planting an idea into
the mind of an heir to a business empire, a process known as inception. Nolan's use of cinematic
techniques fully engages the viewer and leaves the audience speculating about the film's conclusion.
In this essay, I will analyze the various film techniques used throughout the film to portray the
separation of order and chaos, the perception of time, and the idea that absolutely nothing is certain.
Throughout the film, Dominic Cobb uses a spinning top to determine if he is in a dream or in the
real world. This totem serves as a motif, allowing the audience to understand the film with more
clarity as the story becomes more complex. This level of clarity begins to diminish as the team goes
deeper into Fischer's subconscious and almost disappears completely by the end of the film. In the
final scene of the movie, Cobb spins the totem and goes outside to greet his children. Before the
closing credits, the audience sees that the spinning top has not fallen. This leads the viewer to
question whether or not Cobb is still in a dream, turning a clear–cut conclusion into one that is filled
with uncertainty. Cobb does not have an
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Cinematic Techniques In Remember The Titans
The opening scene of the film "Remember the Titans" sets a scene of chaos, and cinematic
techniques used within the film. The film begins with a violent scene between African–Americans
and whites on the street separated by the police. The blacks were very angry, aggressive and
shouting with loud voices. There was use of panning technique as the camera pans from the crowd
of African–American protesting against the murder of a teenager to the crowd of white people being
held back by the police. Furthermore, violent and training of the footballers, their sport dressing and
helmets reflects that the film was set in America because that type football which players dress like
that is only in America. The cinematic techniques used in this opening ... Show more content on
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At the beginning of their camps Julius and Gerry fought each other over the stupid issue of the
poster. This shows that their relationship was very bad. Julius was racist and arrogant, he does not
see African American teammates as people that are useful. He referred them as the animals. Both the
two treated each other with ignorance and hatred. Gerry became the team leader through his ability
to work very hard as a team regardless of the colour. The film reflects that as the time goes on their
relationship started to develop slowly through their leadership qualities and as they work and
sharing ideas together. They started to trust and respect each other. At the end of the film the theme
of friendship was portrayed as Julius was involved in a fatal car accident. He asked his African
American friend Gerry to visit him at his bedside in the hospital. The express given by Gerry as he
got in the hospital also gave a clear concern on his white friend Julius which also reflects that their
relationship had developed to a friendly one. In their conversation Gerry confesses that he was
afraid of Julius when he said, I was afraid of you Julius. I don't understand what I was afraid of, but
I was. I know I was only hating my

Cinematic Techniques In The Sapphires
The Sapphires directed by Wayne Blair represents the theme of war throughout the film with the use
of cinematic techniques and setting. The Sapphires follows four aboriginal girls; Julie, Cynthia, Gail
and Kay on their adventure to Vietnam in the midst of the Civil Rights Movement and the Vietnam
War. The film follows the four girls on their journey around Vietnam performing for American
troops while fulfilling their dreams of becoming a famous singing group. Throughout the film, Blair
explores the theme of war through a variety of scenes and techniques. War ruins the lives of many
people and this is demonstrated through the film with the use of cinematic techniques, setting and
with the support of other themes. By exploring the theme of war, Blair is able to help the audience
make connections to the film through the events and setting the characters experience. ... Show more
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Through the use of setting, the devastation of war is displayed with the change of scenery as they
travel further within the country. When the girls and Dave are first travelling through, the setting is
bright and cheerful; they are happy and excited which is shown through a medium long shot of the
characters and their transport. As they travel further into the country, the scenery changes as it
becomes gloomy and is destroyed. Through the tracking medium long shot, the scenery is displayed
while showing the reaction of the girls faces as they lose excitement, being overtaken by sadness
and concern. By the director utilising the medium long shot, it allows the audience to see the
emotions on the character's faces while gauging an understanding of the setting. With Blair applying
a setting change and utilising a shot that shows the scenery while still being able to see emotion, it
allows the audience to see the affect war has; not only the environment but the people experiencing

Analysis Of Buffy The Vampire Slayer
Buffy the Vampire Slayer directed by Joss Whedon was an American television series which came
to air on March the 10th, 1997 until the last season in May, 2003. Buffy the Vampire Slayer was
based on a young woman named Buffy Summers, who battled against vampires and demons in her
hometown Sunnydale. Buffy was depicted as a strong female role model who was extremely loyal to
her sister Dawn and her best friend Willow. She also gained a lot of power through fighting the
vampires and demons, again showing her strong female role modelling in the series. Buffy was also
a good listener to Giles her watcher/mentor and surrogate father figure, many of the techniques he
taught her helped with her strength when fighting against the demons. Some of the features and film
devices used to describe Buffy as a character included the camera angles and shots as well as the
lighting techniques. These film devices and techniques were used throughout the series to help
present Buffy as a strong female character. Buffy can also be compared to other strong fictional
female role models such as, Katniss Everdeen from The Hunger Games (22ndMarch 2012), and a
slightly weaker character, Elle Woods from Legally Blonde (11thOctober 2001). Consequently,
Katniss was presented as a great role model because her qualities were admired and she was hard to
like by other characters in the story, she also comes across as tough and hostile, whereas Elle was
able to face challenges of being labelled as 'the dumb

Tim Burton's Cinematic Techniques
Tim burton uses many cinematic techniques to create many moods and a imaginary world of his
own throughout his movies. To create these moods he uses lighting, music, and shots. These
techniques are what help make a Tim Burton movie. Tim Burton is known for his unique style of
making wicked and creepy movies. In the following paragraphs I will describe how Tim Burton uses
these cinematic techniques to create his movies. Tim Burton uses many cinematic techniques such
as lighting. An example of Tim Burton's use of lighting is the movie Charlie and the chocolate
factory. When Charlie and the others entered the factory the lighting became brighter and displayed
joy and wonder. Another example of lighting swaying the mood of the movie is Edward

Cinematic Techniques Essay examples
Cinematic Techniques
The extraordinary film The 400 Blows (Francois Truffaut, 1959) skillfully uses cinematic devices
appropriately within the context of the theme. Part of the underlying theme of this movie as
explained by Truffaut himself is, "... to portray a child as honestly as possible..."(Writing About
Film, 1982). It is the scenes in this movie that are most helpful in disclosing the overall theme of the
film. Within the scenes, the camera angles in this film play an important role in accentuating the
emotions behind the scene. The camera angles used in this film will be the primary focus of this
paper. The high angle shots utilized in The 400 Blows are effective in helping to develop the overall
feel of a scene. This movie ... Show more content on Helpwriting.net ...
There is a definite correlation here between the angle selected and the sense of childhood innocence.
However, this particular camera angle does not always hold the same meaning in every shot.
A latter high angle shot involves the elementary school teacher. Mr. Bigey (Georges Flamant), the
teacher, is first demonstrated in this film by using a high angle close–up. This angle presents the
teacher as a figure of authority and rule. Furthermore it establishes a feeling control. Humans are
most likely to look up to, figuratively speaking, figures of authority and control. As to follow with
the storyline, the teacher is almighty and can direct the children in any sort of fashion he pleases. He
has the control. This particular angle is appropriate for this scene because it establishes, right away,
that Mr. Bigey is a force to be reckoned with. For example, when someone is knocked out in a
fistfight and the first view they see upon awakening is the opponent towering over them, they are
more apt to recognize the authority and control considering the view. That is why this angle works.
Speaking of view, the next shot that will be discussed gives an entirely different feel, partly because
of the view, but it does remain within the definition of a high angle shot.
In the reformatory, immediately after exiting the patty wagon, another high angle shot is employed
to reveal the reinforced bars on the ceiling giving the audience a

Film Analysis Of Edward Scissorhands
Tim Burton's Edward Scissorhands film was nothing less than phenomenal from all perspectives.
The moral is not to judge someone based off appearances or on the basis that they are different from
you. This was all achieved by using cinematic elements such as lighting, sound, camera an–gles, and
wardrobe. This film's message really made the audience think and feel as if they were playing a role
in the movie themselves. The fantasy film Edward Scissorhands offers insight into reality using
immoderation, to show people's prejudices, which were created by the deficiency of knowledge
amongst the towns people. The first technique that plays a key factor in the moral of this film is the
lighting, the lighting changes throughout the film to capture emotion, especially from the audience.
In the opening scenes of Edward Scissorhands the lighting is darker, also a lot of low light to show
spookiness or mystery. When Peg has her first encounter with Edward in his mansion on the hill
there is a use on low light on Edward to spark danger, although it wasn't until he comes fully out of
the dark corner in the attic to reveal that he is a innocent looking boy. Edward also softly told Peg to
not leave even though she was frightened, which catered to his innocence. Throughout the movie the
lighting remains neutral, showing that everything is in full color, except for some in–stances at the
end. It is not until Edward gets in trouble for Kim, the daughter of Peg who he is love with. At this

Cinematic Techniques In Life Of Pi
When producing any film there are a numerous amounts of different aspects that initally need to
come together to create a film that will be succesful. The producers of said film need to hire a crew,
actors, set a buedget, find a place to shoot the film, and have a number of other resources that are
vital to the production of a film. For example, cinematic technique is a very important part of a film.
Cinematic technique includes and is not limited to, how the director decides to use camera shots,
angles, movmeent, and lighting to his or her advantage. Thus hoping to leave the viewer feeling a
certain way. In the film version of Life of Pi cinematic techniques are heavily visible in the opening
scene. The scene starts with the gate of an zoo,

Cinematic Techniques In Edward Scissorhands
The Cinematic Techniques of Edward Scissorhands On a high isolated mountain, an unhuman
creature resides. His inventor died before he could give him hands. One day, an Avon cosmetics
salesperson stops at his mansion. Besides his inventor, nobody knew who he was or has seen him.
When Peg, the salesperson, stumbles into his home; she was bewildered. Once she collects herself,
she steps toward the dark creature, Black haired sprawled everywhere and a dark suit. What catches
her eye the most is his shiny hands. Scissors. Peg is taken back, but she suddenly asks his name. He
replies slowly, "Edward." Tim Burton uses a gothic and childlike feel in all of his movies. His work
usually has eerie storylines with dark lighting and shots and framing. In the movie Edward
Scissorhands, Tim Burton's mysterious styles is conveyed through his use of shots and ... Show
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The purpose of this element is to show suspense, danger, evil, innocence, or goodness. With lowkey
lighting, it is suspenseful. With bottom or side lighting, it makes the subject appear evil or
dangerous. Lastly, with front/ back lighting it makes the subject look innocent or good. At the
beginning of this film, Edward's mansion is on a dark and creepy hill. Once Peg comes back to the
neighborhood with Edward, it is flooded with highkey lighting and very vibrant colors. Also, when
he saw Kim's picture, Kim has a front/back lighting on her face. At night, it is very dark making it
look suspenseful. During the day, it is very bright. This example implies that Edward appears to be
evil or dangerous, but really he shows innocence. He puts his family before anyone else. Also, that
he is just trying to fit in and be like everyone else. This is similar to Charlie and the Chocolate
Factory. All throughout the time they are in the factory, it is lowkey lighting. This shows that the
kids and adults don't know what will happen next. This implies suspicion or

Cinematic Techniques In Apocalypse Now
Second Term Research Essay: Cinematic Aspects of "Apocalypse Now"
Humanities for a Global Age
AP/HUMA 2600 6.0A
Sara Ducic
Apocalypse Now is a film directed by Francis Ford Coppola, and although it comes across as a war
film at first glance, Apocalypse Now is a thriller/drama about the human psyche. Using no surrealist
imagery, and a grounded realistic mis–en–scene, the film effectively uses cinematic techniques such
as lighting, camera angles, camera movements and shots, colour and an array of other techniques to
situate the viewer within a surrealist world of war and darkness. The film provides us with an
intimate look into the mental struggles of each character, and the torment that they face when
embarking ... Show more content on Helpwriting.net ...
Willards voice over plays an essential part in the film; since he is the protagonist, the voice over
gives context to everything that is happening, and functions to create his character. Willards voice
over serves to provide context, which is demonstrated in the opening shot. Without the voice–over,
the viewer would be unaware whether they were seeing actual Vietnam, but the Vietnam Willard is
thinking about. The voice–over begins with "Saigon, shit. I'm still only in Saigon.", therefore
situating Willard in a space within the diegesis, and goes on to explain the rest of the scene.
Secondly, "the voice–over is autobiographical and self–revealing. To borrow a phrase from Doane, it
turns the body "inside out," displaying what is "inaccessible to the image, what exceeds the
visible."28"(Silverman). Willards voice–over is used to express his most intimate thoughts and
feelings that the viewer would otherwise not know, or would be unable to be expressed in a medium
such as a play. The viewer would be unable to understand the actions of Willards, "The voice in
question functions almost like a searchlight suddenly turned upon a character's thoughts; it makes
audible what is ostensibly inaudible, transforming the private into the

Tim Burton Cinematic Techniques
Tim Burton used to be a brand new movie director and was fired from Disney because he couldn't
draw. Instead he went out my himself and created his own movies with his own drawings. Not only
does drawings help create animated movies but different cinematic movies help too. Burton uses
Lighting and Camera Movement to display a feeling of quirkiness in his viewers and communicate
an overall theme of how it doesn't take a super talented person to create a movie all it takes is some
Cinematic Techniques and your imagination. One cinematic technique that he uses is lighting and it
is mainly used to display the tone or mood of the movie. In the movie Charlie and the Chocolate
Factory, Tim Burton uses High–key lighting on the Chocolate Factory.

Consequences Of Change In Tuesdays With Morrie
How has your understanding of the consequences of change been shaped by the techniques used in
Tuesdays with Morrie ( TWM):
The film Tuesdays with Morrie ( TWM) has shaped my understanding of the consequences of
change through the main themes of change in perspective, change in relationship power dynamics,
Mitch's increased commitment and the ripple effect that change causes.
The representation of mitch's perspective throughout Tuesdays with Morrie, has shifted my
understanding of the consequences of change through the importance of various relationships Mitch
has developed and the importance of an alternative perspective to initiate self–improvement. The
film Tuesdays with Morrie speculates the change of the protagonist Mitch Albom, and the process of
how that change was achieved. The genesis of the film shows Mitch to have a very overloaded
lifestyle, this is shown in the basketball scene when we are first introduced to Mitch. In this scene
Mitch is shown multitasking many different tasks at once, this is emphasized by the non–diegetic
sound in the movie; which is very fast past and cluttered. Another film technique that shows Mitch's
hectic lifestyle is the quick jump cuts in the early scenes, these quick changes in footage may
provoke the audience to feel overwhelmed; causing them to empathize with the protagonist. As the
movie progresses Mitch is affected by the lessons that Morrie is giving him about life; Morrie is
teaching Mitch about all the things that he previously was afraid of in life. An example of this is
when Morrie teaches Mitch about silence, Morrie states " what is it about the silence that makes
people so uneasy? Why do people only feel comfortable when they are filling the air with words?"
when Morrie states this it is evident that it has an impact on Mitch by his body language in the scene
and also the extreme close–ups of Mitch and Morrie's facial expressions as the conversation
progresses. The change in Mitch is not immediately evident but it is shown when Mitch states "Why
are we embarrassed by silence? What comfort do we find in all the noise?" this statement shows
Mitch's changing perspectives towards everyday aspects of life. The techniques that are used in
Tuesdays with Morrie

"One person's craziness is another person's reality" This is a quote from Tim Burton. This quote
shows his creativity or what other people might is crazy, it really shows in his movies. Tim Burton
uses multiple techniques to enhance the mood in his scenes and he includes his audience in the
movie with his imagery. Tim Burton knows how to use his cinematic techniques well. His main
techniques was his Music, Lighting and camera angles and I will explain how he uses it movies such
as Charlie's Chocolate factory, Edward ScissorHands and The Big Fish.
Tim Burton uses music for an emotional way to relate to the audience. Without the music how can
you feel the temperature or the smell of the scene because you would only have one sense while
watching a movie but the music gives you an idea of the feeling the character in the story is
experiencing. Tim Burton persecuted this very well in, especially in one scene in the movie "Edward
Scissorhands" When Edward was sculpting the ice statue and snowflakes were falling Kim was
dancing, the soft romantic tune in the background enhances the sense that Kim's feelings toward
Edward grows. The music in this one scene is a good example of Tim ... Show more content on
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Lighting sets a particular mood, if the scene is bright and colorful it often brings a cheerful mood
while dark colors describe mystery or sinister. So it must be hard to understand or to really feel
when watching a colorless tv unless the mood was intended to stay gloomy, like "Corpse Bride"
where the neutral colors of Blue, Black and white to set the dark and monotone feeling. A good
example of switching the lighting for different moods is in the movie "Charlie and the Chocolate
Factory". Every time WillyWonka had a flashback, it was full of color and life (with the exception
of his childhood) But in their reality in the town, it was a darker and sad shade. You can change the
entire mood with a little

Eric And Dylan Film Techniques
Film is a theme and character driven film that documents the progression of the two main characters
from regular teenagers to violent criminals. Unlike most movies that document lives in a fly on the
wall style, Film often shows the scenes from the points of view of the main characters. It does this
by showing many close ups on their faces allowing the actors performances to be clear and visible to
the audience and also by the editing and composition; shots showing exactly what the characters are
seeing. This allows the audience to truly understand the characters and to provoke a personal
emotional response. Here I will analyse the elements of film, describing techniques and why they
are used.
The major theme of film is isolation, throughout ... Show more content on Helpwriting.net ...
Because of this Eric grows to trust what he knows (which is his secluded life with Dylan) and
distrust the rest of society which Dylan teaches him is to be feared or attacked.
Throughout each scene the time of day changes from dawn in scene 1 to nighttime in scene 5 and
the final scene being morning again. The time of day symbolises Eric's ability to see clearly and
change the path he's on. In the beginning, when it's morning, he's impressionable, learning brutality
from Dylan. By the fifth scene he is trapped in a chain of violence, he has no choice but to allow
dylan to scar him. By the final scene it's morning and this is when Eric takes the authority to choose
what he wants to do and not follow in Dylan's footsteps.
Cinematography techniques are used throughout film to develops the characters and create a
relationship of understanding between the audience and the characters, this relationship allows the
audience to understand the main theme of isolation and hopefully leaves an impression on

Tim Burton Cinematic Techniques Analysis
Many people have wondered about Director Tim Burton's movies and how come they have a
childlike innocence. Burton uses different cinematic techniques to create a peculiar, and childlike
innocent mood. Some of these cinematic techniques are, lighting, sound and camera movements..
Burton used many different lighting techniques throughout all of the movies he directed. For
example, Tim Burton uses a mix of high–key and low–key lighting in the cookie factory flashback
scene. In the background during this flashback, it is dark, and the machines are well lit and the
audience can see the machines very clearly. When the inventor walks in, he has warm and bright
lighting showing his facial expressions and his actions. The mood that the viewers might get from
this scene, is most probably going to be happy. When Burton added in this scene, he meant to make
the lighting the way it is to make the "very eerie" or "spooky" castle, less "spooky" and "eerie".
Seeing the inventor happy, might make ... Show more content on Helpwriting.net ...
Burton uses sound in many ways, and it's mainly to create a certain mood and tone for that scene.
The non–diegetic sound creates the mood of each scene, for example, during the opening of
"Edward Scissorhands", the music starts out as heavenly, then proceeds to transition into ghastly
music and foreshadows that something has gone wrong. Something has happened and now the
inventor has passed away. Kind of like in "Charlie and the Chocolate Factory", the oompa loompas
start to sing every time one of the children are taken away. Why? Because it's foreshadowing that
the child has gone wrong, is spoiled and disobeys almost everything and anything their parents say.
This technique is a different way to show viewers boring facts and turn them into interesting facts,
to make viewers want to watch again. Burton uses sound in many ways, and he does it to create
tone, mood and to show the emotions of current actors

Cinematic Techniques In The Dressmaker
"The Dressmaker" has many similar elements and features to spaghetti westerns. How has the
director used this style to engage a modern audience? By Tallulah Stacey–Bateman "The
Dressmaker" is a movie based on the book written by Rosalie Ham. It tells the story of a woman
named Tilly determined to figure out the mysteries of her past. The classic spaghetti westerns have
many things in common with "The Dressmaker". Some similar cinematic techniques include camera
angles and shots, setting, costuming and themes. These techniques were captured by the director to
engage the modern audience. Camera angles and shots are essential technique for the director to
draw meaning to the character's stories. A key camera angle is a high angle. In classic westerns the
antagonists are presented in high ... Show more content on Helpwriting.net ...
Some themes that are included are justice and love. In 'Lone Ranger' (Directed by Stuart Heisler), it
is seen that a hero dubbed the Lone Ranger, a western version of Robin Hood, is depicted as a
saviour of the innocent. When he is enlisted to unknowingly help the bad guys Lone Ranger decides
to help the Indian Tribal people recover their lands. In 'The Dressmaker', Tilly seeks a personal
injustice that happened to herself when she was blamed for the murder of her half–brother, Stewart,
when in truth he killed himself by mistake. Here we can see that both themes of injustice are battled
by each of the protagonist's own moral code and abilities. Having a faulted yet lovable protagonist
can make the modern audience want to support them in their adventures and trials, and also able to
relate to the character's situations. Love is another key theme in spaghetti westerns with the classic
idea of 'damsels in distress'. Having this stereotype makes the audience believe that the hero and
their 'damsel' are meant to be. When Teddy dies, it gives Tilly the courage to be fearless towards the
curses she proclaims to

Romeo And Juliet Film Techniques
Baz Luhrmann, on completing the, "red curtain trilogy" has earned much success, which can be
traced from Luhrmann's evolution of cinematic techniques as well as philosophy of cinema. This
essay will examine Luhrmann's use of postmodern film techniques, by analyzing the, "red curtain
trilogy". From Strictly Ballroom's, "flattening of affect" as Scott's rigid false perception of winning
the San Pacific Ballroom dance completion. To Romeo + Juliet's multi–voiced narratives. Climaxing
to The Great Gatsby's intertextuality of the book to the current movie. All of these techniques and
much more discusses, develops Luhrmann's film of philosophy, to Strictly Ballroom, "a life lived in
fear is a life half lived", to Romeo + Juliet's endearment of love and finally The Great Gatsby's
social commentary on society, capitalism and history.
In Strictly Ballroom, Baz Luhrmann has done a phenomenal job of utilizing the conventional
philosophy of cinema ... Show more content on Helpwriting.net ...
The Elizabethan play is re–imagined as a modern action, love film, Bricolage. Luhrmann's Romeo +
Juliet takes aspects of the original Romeo and Juliet, pastiche, and includes them in scenes such as
the prologue, taking the original artifice and adapting its relevance to today. The techniques of
metafiction are also found, as Mercutio in Luhrmann's film is a black bisexual male. There is also
techniques of, "flattening of effect" where violence detaches the families' members from emotional
lives. Baz Luhrmann's Romeo and Juliet's multi voiced narrative, setting his movie in a country and
culture unfamiliar to himself contra to Strictly Ballroom, Luhrmann implementing Shakespearian
prose in place of modern communication within his film and filming Romeo + Juliet in a much
larger area, with more diverse areas for scenes, indicates the development of Luhrmann becoming a
more courageous and expressive

as a director Tim Burton has more abilities as opposed to a writer to depict mood/tone.In some of his
older movies, He utilized a multitude of cinematic techniques to show off sinister tones and mood in
movies such as "Batman". The moods and tones of his movies are practically always eerie and dark.
Tim Burton uses lighting, camera movements and sound to depict a distinct, gothic film experience.
Lighting is important to tell the mood of a film. Burton depicts sinister and scary images with low–
key lighting. Tim Burton's lighting techniques are completely unique. In "Edward Scissorhands"he
contrasts lighting. Peg lives in a town that is bright and cheerful looking. Edward's castle is
depressing and gloomy. Tim Burton again shows off his ... Show more content on Helpwriting.net ...
Tim burton, in "Charlie and The Chocolate Factory" uses many different cinematic techniques.
When Willy Wonka opens up the door to the first room the camera zooms in. This increases
excitement and anticipation. As it zooms in on the door, it opens and it switches to a crane technique
of the immense room. By using a boom shot the whole room is in view. This shows the immense
beauty of Willy Wonka's edible room. The audience can see the waterfall made of chocolate and all
the other fictional parts of the breathtaking room. Earlier in the film Burton uses dolly–tracking to
announce the Golden Tickets, posters are put up around the city. Dolly–tracking is utilized to show
bike riding oompa loompas placing the posters on posts. Oompa–Lumpas ride away from the
factory on tiny bikes as the camera follows along around the town. The camera tracks one rider as he
veers off from the others, puts a poster up on a lamp post, and rides off. Tim Burton uses camera
movement techniques to his advantage to depict a unique gothic style.
In conclusion, Tim Burton uses lighting, camera movements, and music/sound to depict unique
cinematic masterpiece. He utilizes reverse lighting in "Edward Scissorhands" and in a multitude of
his movies. He uses diegetic and non–diegetic sounds to depict mysterious scenes. Burton also uses
camera movement to make even more to the immense wonder and suspense of his films. Tim Burton
has a

The Cinematic Technique of Nausicaa Essay
Our scene is set at Sandymount Shore where Leopold Bloom is attempting to rest for a moment. In
what I feel is a sweet, sentimental style James Joyce writes, "Far away in the west the sun was
setting and the last glow of all too fleeting day lingered lovingly on sea and strand..." (U 13. 284).
The waves of the bay splash near the weedgrown rocks. A quiet stillness washes over the bay and
Bloom notices three girls sitting on the rocks enjoying the fresh air. That is the feeling that I get
from reading the first few lines and my cinematically inspired rendition of the events in the first
page. Thematically "Nausicaa" presents several motifs that resonate throughout the chapter and have
lasting effects on the overall novel. Stuart Gilbert ... Show more content on Helpwriting.net ...
The subject in reference to the concept of the painting in this chapter is chiefly Gerty MacDowell.
Joyce lays the scene like an establishing shot of a movie, slowly revealing specific details about the
setting. I can scarcely think of the sublime nature and aesthetics of painting without thinking of the
mythology surrounding the Roman goddess, Venus and her representation of sex. Like Venus, Gerty
acts as a vehicle of seduction. "Her woman's instinct told her that she had raised the devil in him and
at the thought a burning scarlet swept from throat to brow till the lovely colour of her face became a
glorious rose" (U 13. 295). The art of the painting functions as an approach to describing Gerty's
seductive venture as Bloom's detumescence.
Unlike any other chapter, "Nausicaa" coincides with more than one organ, the eye and nose. The eye
represents sight and visual perception. In a sense, the eye represents what is called the lens of the
camera. Similar to film, the perception of an image is immediately changed upon being captured.
Essentially upside down upon first glance, the eye operates similarly to a camera lens and turns the
images right side up. Sight through the eye is the manner in which Bloom spots Gerty. The eye
allows for Bloom's recurrent tendencies of voyeurism. The narrator comments, "...looking and he
kept on looking, looking... O! then the Roman candle burst and it was like a sigh of O!" (U 13. 300)
In this

William Shakespeare 's Twelfth Night
One of the many comedic plays written by William Shakespeare, Twelfth Night, or What You Will,
was produced into a film. The key actors within this film are Frances Barber, Chris Hollis, Caroline
Langrishe, Christopher Ravenscroft, and Richard Briers. The 1988 film, directed by Paul Kafno,
kept an almost perfect faithfulness to the text and it was very easy for me to follow along in the
book. Although the film was not the most entertaining one, it did a great job of portraying the
famous Shakespeare play. The plot of the film begins with Viola and the Captain discussing the
storm that has just gone by and the film does a great job of incorporating character's costumes,
lights, special effects and sounds to set the scene of the aftermath from the storm. Viola's brother,
Sebastian, is lost at sea. The next part of the film shows a snowy scenery where the Duke speaks
with Curio and Valentine about his love for Olivia. Following, the scene changes to what I think is
Olivia's home and we get to meet odd characters, who are Sir Toby, Maria, and Sir Andrew, who all
serve Olivia in some way. Next in the film, Viola, who is actually dressed a boy named Cesario,
speaks with the Duke about trying to woo Olivia to fall in love with him. Viola then goes to speak
with Olivia where she must encounter the clown, along with Olivia's many servants. Olivia seems to
be falling for Viola, because she believes she is actually a man, Cesario. Malvolio is in love with
Olivia and does everything

Cinematic Techniques in Strictly Ballroom Essay
Extended Film Response
How the film techniques used by Baz Luhrman to influence the portrayal and development of
characters in the film Strictly Ballroom?
In the film Strictly Ballroom, the director Baz Luhrman uses many different film techniques to
influence the portrayal and development of characters. Costume and makeup is used as a vital
technique to show the audience the characters' personalities and also the development of some
characters. Camera angles and lighting is another technique that is used to exaggerate the characters'
personalities and the scenes they are in. Luhrman also uses character behaviors as an effective
technique in portraying each characters' personality.
In the film Luhrman uses costume and makeup to ... Show more content on Helpwriting.net ...
Even though Fran became more confident, her costume and makeup still suited her personality. For
example at the Pan–Pacific Grand Prix, all of the other female dancers wore bright coloured,
revealing outfits, Fran wore a traditional red Spanish dress. At the end of the film Fran's physical
appearance changed dramatically and so did her confidence. These characters are good examples of
how Luhrman uses costume and makeup to effectively influence the portrayal and development of
characters in the film.
In Strictly Ballroom, Luhrman uses many different camera angles and lighting techniques to
exaggerate scenes, settings and even characters' personalities. An example of this is at the start of the
film, when Scott Hastings is dancing by himself in a room, there is a bright, white spotlight on him
as he dances, drawing the audience to watch him. This happens whenever Scott dances and it shows
the audience that Scott has a sense of purity and that he is the protagonist of the film. Luhrman uses
low angle shots when Scott and Fran are dancing at the end of the film, this is a good technique used
so the audience can see them dancing and also gives the audience the impression that they are
dominate and confident. Another character who is a good example of camera angles and film
techniques being used on them to portray their personality is Barry Fife. Barry is a mean character
and Luhrman uses dark, reddish lighting to make him seem evil.

Tim Burton uses cinematic techniques, to set mood, and tone. Burton uses certain cinematic
techniques for a desired effect. For example, if Burton wants to set a scary, dark mood he can use
lighting and music, a dark lighting and mysterious music would create suspense. Each cinematic
technique has an important role. In this essay I will be explaining how Tim Burton uses lighting,
music and camera angles to set a mood throughout his films.
Tim Burton uses lighting to set the mood and create suspense. One example is in the film "Edward
Scissorhands" , when Peg goes into Edward's house to look for him and Edward is hiding in the dark
corner. Burton uses lighting to set the mood because in the scene Edward is hiding in the dark corner
and Peg ... Show more content on Helpwriting.net ...
In the film " Edward Scissorhands" music was used to set and change the tone. Music was changed
from happy to scary, very often in this film. For example, when Kim goes outside and sees Edward
slicing ice, creating snow the music is happy and cheerful because Kim is happy. However, when
Jim comes and sees Edward slice Kim the music changes into a dark, angry music because it reflects
off what the character is feeling during the scene and Jim was very angry. Another example, is in the
film "Charlie and the Chocolate Factory" when the oompa Loompa Sings every time a rotten child is
taken away. This is a way that Burton shows that there is something wrong with this child. It also
makes the boring facts interesting. Also, in the film "Big Fish" the music changes during the
flashbacks. For example when Edward Bloom had a flashback when he was you the music and
lighting would change to a cheerful music, this helps shows that Edward Bloom was happier when
he was young then he is know lying in the bed being sick. Therefore, this shows that Burton uses
music to set the mood and tone throughout his films so that the audience become more engaged to
parts that don't seem important or

Cinematic Techniques In Jaws
Throughout this oral i will be reviewing the themes, cinematic techniques and props. Jaws is based
on Peter Benchley's best selling book. Steven Spielberg transformed this best seller into a horror
movie in which scared 95% of people out of the water. This could have easily been one of those
cheesy movies where you can just tell what is going to happen but the way Spielberg has
incorporated the techniques into the movie is outstanding. Spielberg has used props such as music,
sound effects and he has also used many boats to enhance the effects that the shark had on the area.
The sound producer has used the same "Duh na... duh na.... dun dun dun dun...." music before
something bad is about to happen so that it builds the tension up for the watcher. ... Show more
content on Helpwriting.net ...
In one scene he could have 25 different angles and you wouldn't know because you would be so
interested in whats happening to focus on the angles of the camera. In the scene where everyone is
at the beach there are all the types of camera angles. Close up is used to show the juxtaposition. In
one scene where the camera is close up on the sheriffs face it shoes tat he is wearing more clothes
then everyone else this shows that he has no intention on going in the water whatsoever. He has a
very grumpy or angry look on his face whereas everyone else on the beach is smiling or laughing
and having a good time and enjoying the water. On two occasions the sheriff is having a
conversation with two people but his attention is o the water because he can see people swimming in
the water and he looks like he's getting ready to go save someone if someone gets in trouble. A
young man is throwing a piece of wood into the water for his dog to go and fetch. He throws it one
last time and the dodgiest return. He is franticly looking for her until the shark attacks. There is
another part of this scene when there is a close up of a mother whom has lost her child. Little does
she know her son has been eaten by a shark and didn't survive. She sees something wash up about
25m from her and she realises that its her sons floating device and she the starts screaming for her

The Help Directed By Tate Taylor
Hi. I'm Rose and I just recently finished watching the film entitled The Help directed by Tate Taylor,
as well as reading the literary equivalent by Kathryn Stockett from which it was adapted. This movie
is set during the civil rights movement of the 1960s in Jackson, Mississippi. This movie stars
Skeeter Phelan (Emma Stone), a white women fresh out of college who is an aspiring writer. She
teams up with Aibileen Clark (Viola Davis) and Minny Jackson (Octavia Spencer) to collect stories
from the point of view of African–American maids, in an attempt to expose the hardships of being
black and inflict change on their little town. Those who have read the book may judge the movie too
quickly, but after analysing and comparing the two objectively I have come to the conclusion that
Tate Taylor has done an impeccable job at creating an accurate adaptation of the original novel and
tries his best to recreate the cast, plot, themes, and setting whilst condensing it into 2 hours of
entertainment. Theme– Throughout the book, there are many themes; the most obvious one being
racism. The whole book is centred around bringing awareness to the dilemma both to the characters
and the reader. The movie does an exceptional job at making sure this theme is achieved in a way
that has a similar effect. Another theme is violence and this one is not so accurately portrayed.
Throughout the book, the writer makes mention of some of the iconic events that took place during
the time this book was set

Inarritu Essay
Alejandro G. Inarritu utilises an extensive array of literary techniques to display the main themes of
greatness, power, and the struggle between reality and madness in his cinematic and literary triumph
Birdman or (The Unexpected Virtue of Ignorance).
Inarritu explores the nature and pursuit of greatness through the character of Riggan using a
multitude of techniques. An intertextual allusion to the story of Icarus is a motif throughout the film,
appearing in the opening shot and subsequent times throughout. Icarus is a character in pursuit of
greatness. The myth eventually ends with his death, aiming ambitiously for the sky and falling from
eminence to the ocean below. Innumerable parallels between Icarus and Riggan foreshadow
Riggan's ... Show more content on Helpwriting.net ...
Throughout the film the lines between diegetic and non–diegetic are blurred, especially concerning
the use of music. Twice in the film Riggan walks past a drummer seemingly playing the non–
diegetic score. This simple act hurls the audience into an anomalous abeyance. Correspondingly, the
scene in which Riggan takes flight and the music swells to its pinnacle disturbs this diegetic/non–
diegetic Dichotomy. When Riggan says "stop the music", this deliberate ambiguity is designed to
perplex the audience; is Riggan aware of the film being made around him? Or is the seemingly non–
diegetic music actually a figment of Riggan's imagination? These are all questions that Inarritu
forces the audience to ponder upon. Inarritu also uses the score as an extension of Riggan's mental
state; in moments of madness or delusion of greatness the unconventional, vigorous drums fall
away, revealing a swelling, beautiful orchestral score. This clearly depicts the importance of these
moments to Riggan; he values the escapism of his perspective and often rejects harsh realities such
as his drug–addicted daughter, instead immersing himself in his play, a fictional work. This is a
harsh juxtaposition to the characterisation of Mike Shiner. The two men form a dichotomy that
illustrates this theme; Mike's obsession with method acting, and naturalism is highlighted in the first
preview, where Mike publicly argues with Riggan yelling at the audience, "have some self–respect...
[and] have a real experience". This tension highlights the internal struggle in Riggan's mind:
constant conflict between reality and madness caused by the alter–ego Birdman, and his pursuit of
greatness. Therefore, Inarritu uses the blurring of diegetic and non–diegetic, the score, and the
dichotomy between Mike and Riggan to highlight the importance of both reality and

Summary Of Alfred Hitchcock's Rope
Film innovator and auteur Alfred Hitchcock is renowned for his genius in building tension, fear and
suspense throughout his films. Hitchcock used visual cinema techniques including cinematography,
symbolism and colour in films such as Rope and Vertigo to invoke a response from his audience.
Hitchcock wanted us to identify with the psychological and physical situations that his protagonists
and antagonists experience.
In Rope, Hitchcock uses innovative cinematography techniques so that the audience feel as if they
are a part of the unfolding drama. The camera–work is choreographed so that the action is filmed in
one continuous shot. In this way, in Rope Hitchcock attempted to create the effect of a live stage
show. The effect of the 'real–time' footage has the result upon the audience of a constant unrelenting
sense of uncertainty and suspense that anything could happen at any time, such as a dinner guest
opening the chest containing the body of David. Because the audience is constantly on edge, their
reactions, such as fear, are heightened. The camera journeys through the unfolding drama in a point
of view style that is immediate and personal in terms of the characters and objects Hitchcock wants
his audience to see. This camera movement not only gives the audience a sense of involvement, but
creates a sensation of unease and claustrophobia in their minds. Due to the close–up
cinematography, the audience becomes drawn into the film, feeling as if they are experiencing the

Leah Seifert
Lantz
English 9 P.5
20 January 2015 Style through burtons eyes Tim burton as a director shows mood and tone through
cinematic techniques. In the movies Edward Scissor hands and Charlie and the Chocolate factory he
used these techniques to create his original mood and tone. These cinematic techniques are camera
movement, lighting, and sound to create his cinematic technique.
Lightning is key to show the mood of the film. Burton uses High key lighting to show happiness.
Burton also uses low key lighting to show scary scenes. In Edward Scissorhands he changes the
lighting. In the neighborhood its colorful and bright when in reality the town is judgmental and
mean. The women of the town gossip and are not welcoming. Edward is scary and not inviting when
really he is surprisingly sweet and kind.In Charlie and the chocolate factory the factory is gloomy
and shadowy but inside it is filled with color and cheerful. this shows that not everything is how it
appears. Lighting is a main part of burton's style.
Burton enjoys sound as part of his style. ... Show more content on Helpwriting.net ...
The best technique he used throughout the films was zoom. Burton used zoom to show characters
emotions and to focus on something specific throughout the film. In Edward Scissorhands Burton
zooms in on Edward as he is cutting the bushes in the town it showed that Edward is talented and
used it to his advantage by helping out the community and that Edward is very artistic with his
scissors.In Charlie and the chocolate factory He used zoom when Willy wonka opens the door to the
edible room and increses excitment and anticipation.While this occurs they switch the camera over
to the boom/crane and shows the whole room alowing the audience to see the whole room including
the chocolate waterfall and the river. In Edward Scissorhands, High angles are used to make
Characters seem lonely and small. When Edward gets trapped in jims house showing how small and
helpless

A Comparison of Olivier and Branagh's Adaptations of Henry...
A Comparison of Olivier and Branagh's Adaptations of Henry V
Media Comparative Essay: (in the medium of film) concerning the 2 well known film versions of
Shakespeare's Henry V of Olivier (1944) and Branagh (1989) in the specific scenes of "A Little
Touch of Harry in the Night" and "The Crispin Crispian Speech"
A comparison of these scenes in the two film versions of Henry V indicated above in a discussion of
all the major cinematic issues in integrating a story like Shakespeare's and to include some
discussion of the relative success in conveying to a cinema audience the director's message.
"...We few, we happy few, we band of brothers. For he today who sheds his blood with me shall be
my ... Show more content on Helpwriting.net ...
Laurence Olivier directed and starred in it himself as a patriotic call to the barricades. Olivier greatly
aspired to become one of the greatest actors of the twentieth century. His attempt in the role of the
main character 'Henry' was nothing short of this by delivering an epic performance in the midst of a
gay, colourful depiction of battle. Kenneth Branagh's production (1989) attempted greater realism in
the battle scenes and focused more on Henry's inner conflicts. There was not as much emphasis on
the patriotic elements of the play as in Olivier's. Branagh's film was constructed many years after
Olivier's predominant original – when it was considered a classic. Olivier created a total advance in
Shakespearean film and gave dawn to colour filming. A young Branagh would have to direct and act
admirably to stand alongside the preceding version. He would have to successfully comply as a
Shakespearean actor to "take the familiar and make it new". Branagh heavily scrutinised Olivier's
epic work, employing and enhancing many of the methods Olivier inspired and developed, causing
Branagh's film to be labelled sometimes as an emulation. Still there is an obvious (yet often subtle)
extent to which Branagh tries

V For Vendett Cinematic Techniques
Topic: How does the director use cinematic techniques to explore the themes of oppression, love and
freedom in the text V for Vendetta? Intro: The film 'V for Vendetta' directed by James McTeigue,
follows a vigilante known as 'V' who uses terrorist methods to attempt to bring down London's
autocratic government. McTeigue explores various themes, including oppression, love, and freedom,
furthermore, McTeigue discovers a range of cinematic techniques which consist of camera angles,
light, and colour. V for Vendetta is set to be in London, in the 'future' in which the government has
total power over its citizens and keeps control through propaganda and force. Evey undergoes a
dramatic change in her behaviour. At the beginning of the film, she ... Show more content on
Helpwriting.net ...
McTeigue uses characterisation and cinematic techniques including camera angles, light and music
to convey this theme. The government uses oppression by establishing ridiculous laws that force the
people to fear the world without them. These laws include curfews, rethatching free speech and
getting tortured if they speak out. The media is also a way to control people throughout their actions
and behaviour, Fear is also instilled through the lies dispelled through media sources that demonise
undesirables such as Muslims, blacks and homosexuals. Example when Chancellor Sutler uses the
media for his own gain 'Lewis Prothero carries out orders of the Chancellor'. Chancellor Sutler is a
character who is in control of the citizen's daily life in every way. In addition camera angles are used
to show his power within the state, example when Chancellor Sutler is seen is the large in the
screen, as the rest of his workers are seen small and fearful, this symbolises that he has power over
the people, by promoting the citizens to fear and obey unlike using the media to convey his message
across London as 'mind control'. Chancellor Sutler is message on the news becomes more
unbelievable and contrived to the point where his evil motives are obvious to the public. In the
panning camera angle, when Chancellor Sutler was on the screen the lighting was dark below him
shows the public is no longer watching and that V's idea of freedom and surrounding

The Hobbit Cinematic Techniques
In the film The Hobbit: An Unexpected Journey, Peter Jackson utilised cinematic techniques like
low key lighting and non–diegetic sounds to amplify the emotional intensity of particular scenes. A
case of these cinematic techniques applied to a scene, is just before Gandalf executes the Great
Goblin under the Misty Mountains. Low key lighting was used throughout that scene enhancing and
extending dark shadows generating action which leads to a theoretical execution. The shadow of the
Great Goblin is flaunted over the dwarfs and Gandalf advocating and demonstrating the Great
Goblin's overpowering reign, size and authority, symbolising the great fear, anxiety and horror felt
by the antagonists. Non–diegetic background music was supplemented and

Tim Burton has a great deal of cinematic techniques that make his movie stand out more than others,
but the three techniques that make it come through more to me is the Music, Lighting, and Shot. So
in this essay I will be explaining how these techniques will generate a world of Tim Burton's own.
The first cinematic technique that stands out to me is music. Music in movies really can do a lot to
change the tone and mood. In the movie " Edward Scissors Hands " (made in 1990) The music is
everything. For example in one part of the movie the girl is dancing under the snow, they play a
happy song that enlightens the mood. But Edward accidentally cuts her hands then the song stops
and a dark dramatic song starts to play. Changing the mood from happy

Alfred Hitchcock Identity And Identity
The greatest art in films is by the means of the ability to create an emotion in the viewers of the film
and by the means of and imagery. Alfred Hitchcock, for long time, has been a household name since
he began filmmaking. Hitchcock has been able to accumulate a well known and distinct cinematic
techniques making him stand out as one of the best filmmakers around the globe. What makes
Hitchcock's films 'must watch' movies are how he draws his viewers' emotion and leave them in
suspense (Maher 246). Hitchcock's The Birds is an American horror–film dropped in 1963. The film
is loosely based on the 1952 story of Daphne Du Maurier and focuses on a sudden series,
unexplained powerful and violent birds attacking the people of Bodega Bay (Maher 247). In this
movie, the fact that viewers do not get to know the details of the birds makes it an interesting but a
suspense film, which evokes thoughts of the audience to know much about the birds. On the other
hand, Identity, which was directed by James Mangold in 2003, revolves around the life of ten people
who seeks refuge in an isolated motel when a vicious storm breaks out in the desert of Nevada
(Falsafi, Khorashad, and Khorashad 2521). As they seek refuge, a serious murderer, Taylor Vince
awaits his execution for killing a group of motel guests. This paper, using terminology resources and
cinematic techniques, seeks to expatriate the similar technique styles adopted in the two films to
enhance suspense. The cinematic techniques

Use Of Cinematic Techniques In Citizen Kane
The 1940s film industry favored films that were based on reality, such as Citizen Kane. Orson
Welles is the director of the 1941 film, Citizen Kane, which uses the cinematic techniques of long
takes and deep focus shots. Long takes and deep focus shots are associated with space and time. I
will be writing about scene D where Susan, the second Ms. Kane, is in the middle of a singing
lesson. Scene D contains examples of long takes, deep focus takes, and camera movements. Firstly,
a long take is defined as a take that has no cuts and continues for a while without being interrupted.
Susan's singing lesson scene is an example of a long take because the scene in uninterrupted. The
scene begins when older Susan recalls her husband, Mr. Kane's obsession with her singing voice.
Then the shot turns into Susan's memory of a singing lesson where her singing coach does not
believe she has a talent for singing. Furthermore, as the coach is complaining about Susan's voice,
Mr. Kane walks into the room and reprimands the teacher. The function of the long shot in this scene
is to depict the power Mr. Kane has in the scene, even though he is not present throughout the entire
shot. Additionally, the singing coach, the pianist, and Susan are all present for Mr. Kane's benefit.
Furthermore, Mr. Kane was attempting to salvage his image in the media. Mr. Kane forced Susan to
be a singer and therefore he hired a singing coach to train her, and the pianist, which is why the
characters were all

Corpse Bride Cinematic Techniques
Be who you are and say what you feel, because those who mind don't matter and those who matter
don't mind(Tim Burton). Who knew that a movie could be so much like the real world events? Two
subjects projected in two single clips. One from sorrow and the other formed by fright, yet you can
only overcome a fear if you face it. As shown in the Tim Burton clips. Tim Burton in Corpse Bride,
uses low angle as a cinematic technique in order to display how a character has more control. First
example of evidence was at the time the priest was losing his temper. The level of the shot began to
lower for a certain reason.This scene achieved its desired effect by, camera angle displays. The
priest was or is in more control. This angle is important because this allows the audience to have a
sense that the priest is older,more respected and can't forget he always has more control. ... Show
more content on Helpwriting.net ...
second example of evidence is Violet, the little girl who makes all the trouble of making a very bad
decision by chewing the three course meal gum. During the point in time she started to look like a
blueberry and the camera angle started to lower. The scene achieved the desired effect when Violet
appearance has control over Mr. Wonka by eating the gum. Therefor the angle lowering just made
the purpose of the scene more noticeable. The purpose was she looked bigger than everyone

Cinematic Techniques In 127 Hours
Aron Ralston Comparative Paragraphs (127 Hours)
In the film 127 Hours, Aron Ralston is depicted as a very intelligent individual as he uses his
ingenuity to help him survive the accident that occurred in The Blue John Canyon. Danny Boyle
uses cinematic techniques to capture important occurrences whilst Ralston is trapped, such as close–
up shots that follow Aron's hand while he places several objects down. This affect's the audience to
believe that the objects have a very significant meaning towards Aron's escape. A bird's eye view
shot is also provided by Danny Boyle from when Aron has finished unpacking his belongings,
Ralston is seen to be thinking of how to use his tools in a beneficial way to save energy. The
audience is influenced to ... Show more content on Helpwriting.net ...
Aron's tragic accident allowed him to reconsider his relationship with his peers. The director Danny
Boyle provides cinematic techniques such as close ups, side views, birds eye views and point of
views to capture the different family occurrences in Ralston's life. An example is when Danny Boyle
provides the audience with a close up of Ralston's phone box whilst a message from his mother
plays through, giving no attention Ralston ignores the message. This allows the audience to view
Aron as a very isolated person who does not give attention to his loved ones such as his mother.
Another cinematic technique that has significance is when a flashback of Ralston and his dad is
played through, they are seen to be sitting upon a canyon with eyes focused into the distance. This
resembles his close relationship with his Dad which can be compared with his Mothers relationship
as he regrets all of his bad decisions. The audience is influenced by these cinematic techniques as
they reach out on a personal level, describing Aron's close relationship with his Dad and his
disconnected relationship with his Mother. Similarly, in Aron Ralston's motivational speech, he talks
about how important family is. He then speaks about the memories that passed him and how every
memory he had was connected to a person he loved in his life, Ralston influenced himself to find the
courage by the "will to live" and the "will to love" both resembling the relationship of family and

Burton's Style Tim Burton uses cinematic techniques to create his movies. Through his use of
cinematic techniques in Charlie and the Chocolate Factory, Edward Scissorhands, and Beetlejuice.
Some of Burton's cinematic techniques are lighting, music, and costumes. Cinematic techniques are
camera shots used to demonstrate different aspects of a films setting, characters and themes. In at
least three of his movies, Burton uses similar cinematic techniques to portray mood to his audience.
Burton, in Charlie and the Chocolate Factory uses clothes in order to portray the characters.They all
were different kinds of clothes like Veruca had on rich clothes,and Violet and her mom had
matching clothes on.The parents and kids had different

Aldrin gadot
Pd: 3
Essay
Tim Burton uses cinematic techniques to create a magical and creepy movies by using camera
angles, lighting, and music/sound. In this essay i will explain what parts did he use it in the movie he
made, and how it made the movie more create and fun to watch. First of all, Tim burton use camera
angles such as long shots. Tim Burton used this cinematic techniques in the movie called Charlie
and the chocolate factory. In the very first room that they entered called the candy room, Tim Burton
use lighting to make the room look enjoyable and fun. The room was very colorful and fun to watch.
Without the lighting the room wouldn't look as nice as it did. Second of all, Tim Burton used
lighting in the movie called Charlie

The Weep Camel Essay
The Weeping Camel is a film made to look like a documentary, it follows the life of a family in
Mongolia. Through the movie, we can see into the lives of a family that is so different from ours.
The film focuses on teaching the audience about the Mongolian culture through a mixture of reality
and drama. The film techniques used in The Weeping Camel set apart this movie from others as a
cinematic masterpiece.
The values that are shown in The Weeping Camel greatly differ from common values in Australia.
The family believes in generosity. This is shown as when travellers pass through, they are given a
meal and company. The film demonstrates the this is common practice throughout that area of
Mongolia as when the two children travel a long distance. They are greeted along the way by kind
people who allow them to watch their television and eat their food.
The relationship between tradition and modern is an underlying theme in this movie. The children
are shown coming into contact with technology they have not seen before and being astounded by it.
AT the end of the movie the family bought a television, this shows how they are excepting
technology into their everyday life. I believe that the filmmakers were trying to make a statement,
that there is no reason to distinguish between traditional and modern, These technologies are just
different aspects of different peoples lives.
The music played in the background of the film is generally very peaceful. The sounds are diegetic,

Analysis Of Inception

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