Intellectual Property basics for H2020 Proposers. Good for everyone looking for a quick understanting of the main players and organisations in the IP Rights.
IPR: Legal Issues in Research Data Collection and Sharing by EUDAT | www.euda...EUDAT
| www.eudat.eu | v1.0, June 2014 - The development of skills and competence to manage IPR and leverage its influence requires increasing focus. However, how much detail do you know? Take copyright for example, What exactly is protected?, What rights are reserved and for how long? This presentation addresses such questions on copyright and other topics such as Database Right, Trade Secret and Licensing.
Who is it for?: Researchers, Data Managers, General public.
IPR: Legal Issues in Research Data Collection and Sharing by EUDAT | www.euda...EUDAT
| www.eudat.eu | v1.0, June 2014 - The development of skills and competence to manage IPR and leverage its influence requires increasing focus. However, how much detail do you know? Take copyright for example, What exactly is protected?, What rights are reserved and for how long? This presentation addresses such questions on copyright and other topics such as Database Right, Trade Secret and Licensing.
Who is it for?: Researchers, Data Managers, General public.
Mirra Burri (Universität Bern) - Digital Technologies and Cultural Heritageinfoclio.ch
Présentation par Mirra Burri (World Trade Institute, University of Bern) lors du colloque infoclio.ch à Berne le 2 novembre 2012 sur le thème "Droits d'accès et d'utilisation des sources historiques sur le web".
Digital rights: have you checked the license? (Spread Humanism Online Project...Simone Aliprandi
A clear introduction to copyright, fair use, public domain, licensing and Creative Commons, understandable even for those without a legal background.
[Slides used for a webinar organized on 23 September 2021 by Humanists International and UAAR within the "Spread Humanism Online" project]
Copyright has always been very confusing in academia across the continents. It will remain so forever with the changing technological as well as socio-cultural perspectives from time to time. Among all, teacher-learner exceptions are considered to be the most debatable one. Academicians should always promote and practice fair use of the copyrighted materials in academia and scholarship. This is the basic premise to encourage creativity and proliferation of knowledge in the years to come. File sharing through internet, use of social media for academic work, submitting scholarly works in cloud has blurred the difference between copyright owners, creators and copyright file keepers or servers. Identifying, establishing and enforcing copyright for scholarly digital content gradually has become a challenging task. There can not be any simple solution to the present complexities to satisfy all kind of stakeholders in academia. Balancing al the stakeholders interests is the only key to keep afloat in the ocean of new scholarly ecosystem.
Mirra Burri (Universität Bern) - Digital Technologies and Cultural Heritageinfoclio.ch
Présentation par Mirra Burri (World Trade Institute, University of Bern) lors du colloque infoclio.ch à Berne le 2 novembre 2012 sur le thème "Droits d'accès et d'utilisation des sources historiques sur le web".
Digital rights: have you checked the license? (Spread Humanism Online Project...Simone Aliprandi
A clear introduction to copyright, fair use, public domain, licensing and Creative Commons, understandable even for those without a legal background.
[Slides used for a webinar organized on 23 September 2021 by Humanists International and UAAR within the "Spread Humanism Online" project]
Copyright has always been very confusing in academia across the continents. It will remain so forever with the changing technological as well as socio-cultural perspectives from time to time. Among all, teacher-learner exceptions are considered to be the most debatable one. Academicians should always promote and practice fair use of the copyrighted materials in academia and scholarship. This is the basic premise to encourage creativity and proliferation of knowledge in the years to come. File sharing through internet, use of social media for academic work, submitting scholarly works in cloud has blurred the difference between copyright owners, creators and copyright file keepers or servers. Identifying, establishing and enforcing copyright for scholarly digital content gradually has become a challenging task. There can not be any simple solution to the present complexities to satisfy all kind of stakeholders in academia. Balancing al the stakeholders interests is the only key to keep afloat in the ocean of new scholarly ecosystem.
The information is prepared by the team of the COMPACT project (http://compact-media.eu/).
COMPACT is a Coordination and Support Action funded European Commission under framework Horizon 2020.
The objective of the COMPACT project is to increase awareness (including scientific, political, cultural, legal, economic and technical areas) of the latest technological discoveries among key stakeholders in the context of social media and convergence. The project will offer analyses and road maps of related initiatives. In addition, extensive research on policies and regulatory frameworks in media and content will be developed.
The BROAD and EPHR projects (Barcelona, Spain – 27 Feb. 2010)Cédric Laurant
Guest speaker's presentation at the workshop: “Informing and sensitizing young European citizens on the protection of their personal data” (LDH, AEDH, EDRi, IuRe, Pangea) - Barcelona, Spain – 27 Feb. 2010.
The Mass diffusion of digital media and the explosive growth of telecommunication are reshaping the lifestyles of ordinary people, research and industry. Over the last decades, the rise of digital telecommunication technologies has fundamentally altered how people work, think, communicate, and socialize. Despite the obvious progress of multimedia communications, these developments carry with them a number of risks such as copyright violation, prohibited usage and distribution of digital media, secret communications, and network security. Therefore, security, scalability and manageability amongst other become issues of serious concern, as current solutions do not satisfy anymore the growing demands of multimedia communications. Security has been in a center stage of international attention since we first-handedly witnesses the pervasiveness of terrorism activities. Lately, more and more government and industry resources are located to the researches of security systems. How can we ensure the trustworthiness of multimedia data? How can analysts extract intelligence from enormous video streams? How can visual or audio biometric features help to identity suspects? This research work examines multimedia security, its impact on our society and the place of our law on it, adopting literature review methods. This paper examines the meaning of multimedia security, its usefulness to our society and the place of our law on it and some possible interventions.
Presentation at the International ITAPA Congress (Medzinárodný kongres ITAPA - http://www.itapa.sk/3552-en/kongres-itapa-2012-zaostrene-na-vysledky/),
Bratislava, 24 October 2012.
2013 11 01 Fighting Counterfeiting: A Comparative Study on the Legal Means to...EmmanuelGillet
Presented at: the Hong Kong Baptist University (18 October 2013) and Chinese University of Hong Kong (1st November 2013) — Conferences jointly organized by the European Union Academic Programme (EUAP) and respective University.
Abstract: Counterfeiting is a global phenomenon. It would be mistaken to believe that comparative studies related to counterfeiting could ignore Chinese law, China being the main source of counterfeit goods, as well as Hong Kong law (a large part of counterfeit goods transit through Hong Kong), and EU law (final destination of the goods).
License CC BY-NC-ND 4.0 | 2013
Linksvayer, M. (2009, July 28). Panel on Open Source, The Commons as a collective intelligence meta-innovation. Retrieved Retrieved May 7, 2010, from http://slidesha.re/9ZXtHl.
Similar to An introduction to IPR for Horizon 2020 (20)
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What running has to do with entrepreneurship and startups? More than you can imagine. In running, especially in long distances, like marathons and ultras, you can find all the values and principles you'll ever need when you throw yourself into a business adventure. It is one of the most valuable, educational, fulfilling and life changing activities you can try, and most importantly, it is absolutely free. After all, life and business is more like a marathon than a sprint race.
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Strategic use of emerging communication technologies for crisis stakeholders, Presentation in COSMIC Project Workshop @Goteborg, May 2014 (on behalf of Hellenic Rescue Team)
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In Search of Innovation – The INNOPOLIS project Final Conference in Thessaloniki (06/09/2012).
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Implicitly or explicitly all competing businesses employ a strategy to select a mix
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2. What is Intellectual Property?
“Intellectual property (IP) refers to
creations of the mind, such as:
inventions;
literary and artistic works;
designs;
symbols, names and images used in
commerce.” *
*According to WIPO, World Intellectual Property Organisation
2
3. Categories of Intellectual Property?
• Industrial property: inventions (patents),
trademarks, industrial designs
• Artistic work protected by copyright:
original literary and artistic works, music,
television broadcasting, software, databases,
architectural designs, advertising creations and
multimedia
• Commercial strategies: trade secrets, know-
how, confidentiality agreements.. *
*According to European Union (europa.eu)
3
4. How IP is created?
• Research
• Experimentation
• Creativity
• EXAMPLES:
• Scientific Invention: electronics, drug, etc.
• Product of Creativity: Movie, song, book, article,
slogan, name, drawing, design etc.
4
5. Why IP is important?
5
• Your ideas
• Your work
• Your business advantage
• A valuable asset that must be
protected (it can be traded)
6. But what are IP Rights (IPR)?
“IP Rights (IPR) are the rights given to
persons over the creations of their minds.
They usually give the creator an exclusive
right over the use of his/her creation for a
certain period of time.”
e.g. Patents, Copyrights, Trade marks …
*According to WTO, World Trade Organisation
6
7. Types of IP Rights
• Copyrights
• Patents
• Trademarks
• (Trade secrets)
• ‼Protection still in national level rather than EU*
• Apply to European Patent Office but European patent
needs to be validated by the national patent office in
each country where protection is required.
7
8. Copyrights
8
• Providing protection to creators (writers, artists, music
composers, etc.) on their creations. (“works”)
• Does NOT extend to ideas, only to expression of
thoughts.
• No need for registration (some countries have a system)
• Types of rights:
• Economic: financial reward / reproduction, distribution,
public performance, broadcasting, translation, adaptation.
• Moral: attribution / recognition, fame, right to object to
changes, adaptations
• Protection: companies or organisations of creators
• Duration: usually 50 years after a creators death
12. Trade Secrets
12
• Confidential Business Information
• Provides a competitive edge for the
company
• Not registered but Kept Secret
• Protection:
• Through legal binding agreements: Non
disclosure, confidentiality, etc.
• Duration: indefinitely
13. Sources and more reading
• European IPR Helpdesk: https://www.iprhelpdesk.eu
• Guide to IPR (EU Helpdesk)
• Fact Sheets on IPR in Proposal Stage
• THE EU SINGLE MARKET: Intellectual Property
• WIPO: http://www.wipo.int
• WIPO Academy (http://www.wipo.int/academy/en/)
• WTO: Trade-related aspects of IPR
• https://www.wto.org/english/tratop_e/trips_e/trips_e.htm
• EPO: https://www.epo.org/
• TURKEY Specific:
• Turkish Patent Institute: http://www.tpe.gov.tr/
• International Chamber of Commerce: Promoting and Protecting IP in Turkey
13