The majority of India’s architectural heritage and sites are unprotected. They constitute a unique civilisational legacy..This unprotected heritage embodies values of enduring relevance to contemporary Indian society.The objective of conservation is to maintain the significance of the architectural heritage or site.
Significance is constituted in both the tangible and intangible forms. The tangible heritage includes historic buildings of all periods,their setting in the historic precincts of cities and their
Relationship to the natural environment.The overarching objective for undertaking unprotected architectural heritage and sites is to establish the efficacy of conservation as a development goal.
The report shall incorporate application of the knowledge acquired from module co-requisite and pre-requisites into their design. The report is an evidence and documentation of the student’s 15-week design process
The majority of India’s architectural heritage and sites are unprotected. They constitute a unique civilisational legacy..This unprotected heritage embodies values of enduring relevance to contemporary Indian society.The objective of conservation is to maintain the significance of the architectural heritage or site.
Significance is constituted in both the tangible and intangible forms. The tangible heritage includes historic buildings of all periods,their setting in the historic precincts of cities and their
Relationship to the natural environment.The overarching objective for undertaking unprotected architectural heritage and sites is to establish the efficacy of conservation as a development goal.
The report shall incorporate application of the knowledge acquired from module co-requisite and pre-requisites into their design. The report is an evidence and documentation of the student’s 15-week design process
Transformations of Forms
Principle of Transformation is about applying changes in a unique
places of a design.
The Transformation of Forms are classified into 3 types
1. Dimensional Transformation
2. Subtractive Transformation
3. Additive Transformation(which is divided into 9 types
- Spatial Tension
- Edge To Edge
- Face To Face
- Interlocking
- Centralised
- Linear
- Radial
- Clustered
- Grid
DIMENSIONAL
TRANSFORMATION
:- This transformation occurs when
one or more of a structures dimensions
are transformed
In this Building, the Curve
of the Roof decreases
from the Centre of the hall
to the Entrance in one
shape divided into
many....
SUBTRACTIVE
TRANSFORMATION
:- This Transformation occurs when
a portion of it’s volume is
subtracted
In this Building, Negative
spaces are giving the Design
form of the Building a
Subtractive Transformation ...
ADDITIVE
TRANSFORMATION
:- This Transformation occurs when
elements are added into the design .
Spatial Tension
Transformation
This Additive Transformation is about
object combined while having space
between them...
In this Building, the floor to floor design
change and the gaps between are giving this
building a Spatial Tension between the
Floors....
Edge to Edge
Transformation
This Additive Transformation is where the
forms are sharing a common edge
In this Building, The floors that
are in contact combining and
connecting ....
Face to Face
Transformation
In this Additive Transformation, where the
forms have corresponding surfaces which are
parallel to one another...
In this Building, the roofs of the
rooms are in a similar shape
and order...
Interlocking
Transformation
In this Addition Transformation, where
the forms are inter connected to one
another...
In this Building, the floors of the
adjacent sides are showing
different space(negative &
positive) respectively...
Lo siguiente se enmarca en la prosecución de un trabajo literario sin ninguna meta ni prefijación. El lector no espere de lo que acontezca en su hermenéutica literaria una consecución de verdades contrastadas por un pensamiento riguroso, creo que la mejor manera de leer este trabajo es tal y cual se lee un folleto publicitario, se mira un comercial de televisión o se escucha la conversación con un extraño, sin esperar nada a cambio ni pretender obtener un beneficio utilitario para su construcción mental. No obstante tengo la certeza que esto que advierto es en vano ya que los fenómenos interpretativos y de intención de significado y sentido siguen sus propias fuerzas en cada compleja subjetividad.
El título sobre el cual se enmarca este artículo abre desde ya una pregunta, ¿el concepto de método se sitúa solo en el ámbito de lo racional?, ¿solo la razón puede ser metódica?, y de aquí puedo decir que la arquitectura no es racional, o al menos no es solo eso, si es irracionalidad creo que es un tema posible de ser abordado.
El diseño arquitectónico, debe cubrir las necesidades de confort para las distintas actividades humanas, por medio de las mejores soluciones que contemplen: contexto, atributos de las formas y materiales constructivas así como del perfil del usurario.
El diseño bioclimático, es la esencia original de la arquitectura, es la arquitectura única que debería existir.
Transformations of Forms
Principle of Transformation is about applying changes in a unique
places of a design.
The Transformation of Forms are classified into 3 types
1. Dimensional Transformation
2. Subtractive Transformation
3. Additive Transformation(which is divided into 9 types
- Spatial Tension
- Edge To Edge
- Face To Face
- Interlocking
- Centralised
- Linear
- Radial
- Clustered
- Grid
DIMENSIONAL
TRANSFORMATION
:- This transformation occurs when
one or more of a structures dimensions
are transformed
In this Building, the Curve
of the Roof decreases
from the Centre of the hall
to the Entrance in one
shape divided into
many....
SUBTRACTIVE
TRANSFORMATION
:- This Transformation occurs when
a portion of it’s volume is
subtracted
In this Building, Negative
spaces are giving the Design
form of the Building a
Subtractive Transformation ...
ADDITIVE
TRANSFORMATION
:- This Transformation occurs when
elements are added into the design .
Spatial Tension
Transformation
This Additive Transformation is about
object combined while having space
between them...
In this Building, the floor to floor design
change and the gaps between are giving this
building a Spatial Tension between the
Floors....
Edge to Edge
Transformation
This Additive Transformation is where the
forms are sharing a common edge
In this Building, The floors that
are in contact combining and
connecting ....
Face to Face
Transformation
In this Additive Transformation, where the
forms have corresponding surfaces which are
parallel to one another...
In this Building, the roofs of the
rooms are in a similar shape
and order...
Interlocking
Transformation
In this Addition Transformation, where
the forms are inter connected to one
another...
In this Building, the floors of the
adjacent sides are showing
different space(negative &
positive) respectively...
Lo siguiente se enmarca en la prosecución de un trabajo literario sin ninguna meta ni prefijación. El lector no espere de lo que acontezca en su hermenéutica literaria una consecución de verdades contrastadas por un pensamiento riguroso, creo que la mejor manera de leer este trabajo es tal y cual se lee un folleto publicitario, se mira un comercial de televisión o se escucha la conversación con un extraño, sin esperar nada a cambio ni pretender obtener un beneficio utilitario para su construcción mental. No obstante tengo la certeza que esto que advierto es en vano ya que los fenómenos interpretativos y de intención de significado y sentido siguen sus propias fuerzas en cada compleja subjetividad.
El título sobre el cual se enmarca este artículo abre desde ya una pregunta, ¿el concepto de método se sitúa solo en el ámbito de lo racional?, ¿solo la razón puede ser metódica?, y de aquí puedo decir que la arquitectura no es racional, o al menos no es solo eso, si es irracionalidad creo que es un tema posible de ser abordado.
El diseño arquitectónico, debe cubrir las necesidades de confort para las distintas actividades humanas, por medio de las mejores soluciones que contemplen: contexto, atributos de las formas y materiales constructivas así como del perfil del usurario.
El diseño bioclimático, es la esencia original de la arquitectura, es la arquitectura única que debería existir.
A brief introduction to abstraction in twentieth century photography featuring work by Laszlo Moholy-Nagy, Aaron Siskind, Harry Callahan and Ralph Eugene Meatyard.
1VISUAL ARTS PaintingExhibition of Paintings by N.docxvickeryr87
1
VISUAL ARTS: Painting
Exhibition of Paintings by Nancy Jay (see Bishop, Ch 1.)
2
VISUAL ARTS: Painting
1. Picture as Magic
2. Some Concepts
3. How to Talk in Pictures
4. World of Painting
5. Abstraction
6. Formal Elements, Composition
7. How to Look
8. Styles: Types and Traditions3
What is a Picture?
• An Image
• With two dimensions:
– Height + width, but no (or little) depth
• An Icon*
• It’s about depiction and truth, as an
artist or other people may see it.
Byzantine
Icon:
A Sacred Picture
* Icon: Sacred picture; or a
small image or symbol that
represents something A modern icon 4
What are
SYMBOLS?
Signs point to things that
exist
but cannot be seen.
Symbols point to
ideas.
5
What is a Style?
Why do we have STYLEs?
Why do Styles Change?
6
stylus
Some CONTEXTUAL factors
STYLE: distinctive artistic way a subject is handled:
– Individual. Like van Gogh, Monet, or Picasso (who was known for
more styles than most well-known artists)
– Group. Impressionists, Romantics, Abstract Expressionists
– Period of time: Classical, Medieval, Renaissance, Baroque, Modern,
Mogul Dynasty, New Kingdom (Egypt) . . .
AUDIENCE to whom the work is addressed, such as: nobility,
middle class, cultural group, self-reflection, etc.
PATRON (client) who commissions (or just buys) art works:
Religious, state, commercial institution . . . individual
Artworks can function, or express responses to cultural
values, beliefs, philosophies, or historical events. 7
Paintings
An alternate way
of seeing . . .
Peche Merle, France
25,000 – 16,000 year old paintings.
Visualization, invocation, expression.
8
Prehistoric Cave Paintings,
Painting:
Media, Materials, and Techniques
MEDIUM: vehicle for
Pigments suspended in:
• Oil paint
• Acrylic
• Egg Tempera
• Watercolor
• Pastel
• Fresco
• Mixed media
– ex.: collage
MATERIALS
• Wall
• Scroll
• Canvas
• Panel
• Paper
• Mural
Techniques-how you
handle media + materials.
9* Pigment: dry, ground up, insoluble substance when suspended
in a liquid vehicle (medium) becomes paint.
SURFACES:
cave walls:
Lascaux Cave,
France.
15,000 BCE.
pigments on stone
Scroll
Painting.
Pigments
on paper.
India
Portrait
Painting.
Pablo Picasso.
oil on canvas
1901.
10
Fresco : a type of wall painting
or �mural.� 2 kinds:
“Dry” fresco (Egypt)
�True� fresco: pigments
chemically bind with plaster
Giotto, The Lamentation, e. 1300s, CE
Pigments painted
on dry plaster.
Artist: anonymous
(unknown)
11
Fresco: origins and use
http://rickbaitz.com/portfolio/film-television/23-fresco-opening/
Painting Tool Kit:
Imagery
3 Types of Pictorial Imagery:
– Representational (also called Figurative)
– Abstract, Abstraction
– Non-Objective (also Non-Figurative)
12
- Representational
- Abstract
- Non-objective
13
Why make pictures?
Popular answer: to depict the world. A picture
mimics seeing. Mimesis, Aristotle called it.
But there’s more, such as to:
Honor / Revere
Reme.
Tutorial on how to edit images in Photoshop CS5 into black and white, also includes information on cropping, rule of thirds, choosing a correct image and saving
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
The Legacy of Breton In A New Age by Master Terrance LindallBBaez1
Brave Destiny 2003 for the Future for Technocratic Surrealmageddon Destiny for Andre Breton Legacy in Agenda 21 Technocratic Great Reset for Prison Planet Earth Galactica! The Prophecy of the Surreal Blasphemous Desires from the Paradise Lost Governments!
The perfect Sundabet Slot mudah menang Promo new member Animated PDF for your conversation. Discover and Share the best GIFs on Tenor
Admin Ramah Cantik Aktif 24 Jam Nonstop siap melayani pemain member Sundabet login via apk sundabet rtp daftar slot gacor daftar
thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...
Abstract photograpy lesson
1. 1
Representational and Abstract art
Piet Mondrian, Composition
in red yellow and blue, 1921
Caravaggio, Supper at Emmaus, 1601
2. 2
In the Caravaggio painting the
composition consists of the
arrangement of people and
recogniseable objects.
The painting clearly represents
people sitting around a table –
things that we could find in the
‘real’ world.
Works like this are called
representational or figurative.
The Mondrian painting also
involves a composition process,
but in this case it is a
composition of shapes, lines
and colours.
The picture seems not to
directly represent anything
which we would find in the ‘real’
world.
5. 5
Whilst some works are
clearly representational and
others clearly abstract, many
photographs or artworks
seem to be representational
(figurative), and yet also have
an abstract quality
Photo by Paul Strand
6. 6
Photo by Andreas
Gursky
This is a photograph of a
motor race track in
Bahrain.
The pattern created by the
track produces an abstract
quality to the image – do
you agree or disagree?
8. 8
When you view a completely abstract image it is usually
meaningless to ask “what is it of?”
Many people today still believe that to qualify as ‘Art’,
an image or artwork must be representational – it must
be of something found in the physical world.
In the second half of the 19th century some artists
began to break free of this constraint, attempting to
produce art which was less of and more about the
subject.
11. 11
Photographers in the 1920’s
started experimenting with the
camera’s ability to ‘see’ in new
and exciting ways (using
startling viewpoints, close-ups,
radical framing and so on).
They allowed photography to
revel in those aspects of the
medium which made it different
to other artistic media, rather
than trying to make their
photographs appear like other
forms of art, such as painting.
Photo by Steichen
16. 16
What are the essential differences
between representational and
abstract art/photography?
What might abstract photographs
be good for? What response do
you think they require or ask for?
18. There are no rules!
• Abstract photography is unlike most other
types of photography - rules, such as
composition and accurate focusing hold
no values.
• The abstract photographer uses his/her
creative imagination to create stunning
works of art.
19.
20. • Abstract photography is not necessarily
going to mean the same thing to everyone.
• Abstract photography leaves more to the
imagination and helps us concentrate on
texture, pattern and colour rather than
the whole subject.
21. • Abstract photography is a process of using
colors and patterns combined to create
an image, with no true meaning or no
clear subject involved.
22. Things to think about:
• Subject
• Lighting and shadows
• Perspective or point-of-view
• Focus
• Shapes and patterns
• Colours
• Cropping - if you can’t get close enough with
the camera… you can crop in Photoshop
later
23. • We all know the importance of light when
taking a photograph, but how can we use
it creatively?
24. • When your focus is contrast edit into black
and white to add a more defined
dimension.
25. • Change your perspective and the world
looks very different!
26. • Using a slow shutter speed while
shooting will change a regular image into
abstract .
27. • The trick to keeping abstract photography
attractive when using your cameras'
shutter is to crop tightly. Fill the view
finder with the blur image.
28. Macro abstracts should be cropped tightly
and the image could have a theme of colour
or texture.
29.
30. Objective
• Look at objects in detail by eliminating
backgrounds and focusing on the essence
of a subject
• Study and analyze composition, lighting,
focus, shapes and patterns to create
exciting and unusual images
• Break down your subjects capturing only
the details and end with images that no
longer represent the original form