7, byzantine
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This document provides background information on the Byzantine Empire from 324AD to 1453AD. It discusses that the Byzantine Empire was located at the crossroads of East and West, influencing both cultures. The emperor was an absolute ruler and head of the Eastern church. Education and the status of women were relatively advanced. Byzantine culture made significant contributions to art, architecture, and the preservation of classical knowledge. The document then describes Byzantine fashion trends for men and women over time, including styles of tunics, cloaks, and headdresses. Textiles included linen, wool, and later silk. Jewelry was an important accessory, often featuring gold work and gemstones. Hairstyles involved central parts and knots or ve
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Renaissance fashion reflected cultural progress and increased trade, which allowed more access to new materials. The rich wore elaborate, brightly colored robes and dresses decorated with gold and silver embroidery, often depicting legends and biblical scenes. Natural motifs were also used. People indulged in jewelry, furs, and wigs. Hairstyles were elaborately decorated with gems, brooches, wires, and ribbons to appear as large and high as possible, sometimes using wigs or hair additions. Dress consisted of layered skirts and dresses under petticoats for women, and for men, fashionable outfits evolved from English riding outfits to include tight pants and boots by 1800.
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of the Neolithic period (prior to 3100 BC) to the collapse of the Ptolemaic
Kingdom with the death of Cleopatra in 30 BC. Egyptian clothing was filled
with a variety of colors. Adorned with precious gems and jewels, the fashions of
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This document summarizes French fashion trends during a certain period, including preferences for simpler cotton clothing over more elaborate fabrics, darker colors, and practical men's jackets and trousers. Women's dresses had elaborate draping and loops in the back pulling fabric through for a sophisticated look. Hairstyles evolved away from large wigs that attracted bugs and rats due to their size.
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The document provides a detailed overview of fashion trends from the 1890s through the 1990s. It outlines the major influences, styles, and silhouettes that defined each decade. Some key developments included the Victorian corset and bustle in the 1890s, the flapper style of the 1920s, Christian Dior's New Look in the 1950s, and the rise of street fashion and hip hop influence in the 1990s. Major events like World Wars and social movements shaped fashion in each era. The document credits Coco Chanel and Christian Dior as two designers who established iconic looks in the 20th century.
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medper
The medieval period, also known as the Middle Ages, lasted from the 5th to the 15th century between the fall of the Western Roman Empire and the beginning of the Renaissance. During this time, trade declined as cities lost economic benefits. Warfare evolved with new fortification designs like castles and siege weapons. The arts flourished with illuminated manuscripts and architecture developed new styles like Romanesque. Fashion varied by social class from simple peasant dress to decorated noble clothing.
CRETE AND GREEK CIVILIZATION
The document discusses the Minoan and Greek civilizations. The Minoans flourished on Crete around 2900-1450 BC and had an advanced civilization centered around the palace at Knossos. They engaged in extensive trade but declined as the Mycenaeans grew stronger around 1400 BC. Greek civilization developed after a dark age, establishing city-states and democratic governments. Greek culture flourished between 500-323 BC, producing philosophers, dramatists, and architectural and artistic achievements that spread with Alexander the Great's conquests. Women had lower status in Greek society and were largely confined to domestic roles.
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This document provides information about clothing styles during the Renaissance period in Europe from 1400-1700. It describes the fabrics, silhouettes, and accessories worn by both men and women of different social classes over time. For women, gowns transitioned from voluminous styles to tighter fitting bodices with low necklines. Hairstyles evolved from center parts to piled curls. Men's doublets and hose gave way to shorter coats and waistcoats over linen shirts. Footwear changed from pointed shoes to boots. Headwear such as chaperons, hoods, and hats featured increasing ornamentation.
Art of Africa and African-American Artists
This document provides an overview of African art, music, performance, and culture. It discusses the long history and highly developed cultures that have existed across the immense continent of Africa for centuries. Specific groups and traditions are highlighted, including the Akan peoples of Western Africa, the Yoruba of Nigeria, and cultural practices around birth, coming of age rituals, costumes, textiles like kente cloth, and the important role of visual arts and performances in African religions. Dominant themes in African art are also outlined, such as birth, death, gender roles, and the relationship between humans and nature.
Jedidaiah-Ancient-Art.pptx
The document provides an introduction to ancient Asian art from various regions. It discusses how art in places like India, Southeast Asia, Thailand, Tibet, Japan, Indonesia, China, Persia, and other Middle Eastern areas often had a religious focus and depicted stories and figures from local religions like Buddhism, Shintoism, and Islam. Specific art forms mentioned include sculpture, painting, architecture, pottery, calligraphy, weaving, and dance. Regions are known for certain artistic traditions - for example, Bali and Java for silverware, Solo and Jojakarta for batik designs, and Bandung for ceramics.
National costume of Suvalkija
The national costume of Suvalkija region in Lithuania is characterized by bright colors and intricate ornamentation on white backgrounds. There are two main types of women's costumes - Kapsai and Zanavykai. The costumes feature beautifully decorated aprons, wide skirts with stripes, and bodices made from expensive fabrics. Men's costumes include caftans or coats, tunic-style shirts, decorative sashes, boots, and feather-adorned hats. The costumes of Suvalkija are considered some of the most visually striking in all of Lithuania.
National costume of Suvalkija
The national costume of Suvalkija region in Lithuania is characterized by bright colors and intricate ornamentation on white backgrounds. There are two main types of women's costumes - Kapsai and Zanavykai. The costumes feature beautifully decorated aprons, wide skirts with stripes, and bodices made from expensive fabrics. Men's costumes include caftans or coats, tunic-style shirts, decorative sashes, boots, and feather-adorned hats. The costumes of Suvalkija are considered some of the most visually striking in all of Lithuania.
CLOTHING IN ANCIENT EGYPT: HISTORY OF FASHION
The document discusses clothing and fashion in ancient Egypt. It describes that:
1) Linen was the most common fabric worn by both men and women in Egypt as it was lightweight and helped keep people cool in the hot climate. Men typically wore a knee-length kilt called a schenti, while women wore a simple, ankle-length sheath dress.
2) Clothing was usually left in the natural color of linen but some dyes were used. Jewelry, wigs, eye makeup, and sandals were also worn. Clothing differed between social classes with the upper class having more ornate styles.
3) Royal clothing like that of pharaohs was elaborately
Ancient Greece.pdf
Read all about ancient greek clothing
Fabrics were derived from the basic raw materials, animal, plant, or minerals, mainly wool, flax, leather, and silk
Later, finer materials (mostly linen) were produced
Draped dresses became more varied and elaborate
A variety in draping was created by pleating
Uncut, unsewn, pieces arranged on a person in different ways
Primary garments were cloth squares, cylinders, or rectangles, wrapped or draped
Fastened with pins, buttons, or brooches
Ease of manipulating the cloth into a garment meant one could use a single piece of fabric multiple times to create different outfits
Unlike many western looms, the loom used was a vertical called warp-weighted loom
All the tools are made of baked clay
Fabric is woven from the top of the loom toward the ground
Bundles of warp threads are tied to hanging weights called loom weights which keep the threads taut
The Greek key pattern, also referred to as a “meander” or "fret”
Symbolizes eternity
It is a continuous line that folds back on itself replicating the Maeander River which is located in Turkey
The motif is found abundantly in architecture and decorative arts from the Greek Empire
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Tanu Chourasiya,B.Sc fashion Technology+2 years Diploma
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7, byzantine
- 3. Background • History: – From AD 324 – 1453 – The capital was Constantinople – Situated at the literal crossroads between East & West – They became rich in art & culture, both Eastern & Western, it reflected the costume – Byzantium was constantly at war with series enemies
- 4. Background • Social organization: – The emperor was an absolute ruler who was also the head of the Eastern church – “Hagia Sophia” is the finest Byzantine architecture constructed by Emperor Justinian – Education was important to the wealthy family – Status of women was rather advanced – Slavery came from: the foreign captives & the poor
- 5. Background • Culture, art & technology: – The city of Constantinople saw itself as a center for the preservation of the “antique” culture – Writing & work of arts were consciously preserved – Churches: decorated with mosaics – Introducing of ivory carving – The art displays the blending of classical & middle eastern motifs & forms of decorations – Christian subjects were also depicted in complex woven pattern
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- 30. Garment • For men AD 300 -- 1000: – Long Tunic – Short Tunic
- 31. Garment • For men after AD 1000: – More closely fitted sleeves – Under tunic – Outer tunic
- 32. Garment • For women AD 300 -- 1000: – Stola & Palla – Dalmatic – Double layered tunic – For Noble & wealthy women • Fabrics: elaborately pattern, decorated with jewels • Wore jeweled belts & collars
- 33. Garment • For women after AD 1000: – Cloaks • Paludamentum • Tablion
- 34. Garment
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- 48. Garment
- 49. Garment
- 50. Textile • First: – Linen – Wool
- 51. Textile • Later on: – Additional of silk (introduced by Chinese)
- 52. Textile
- 53. Textile
- 54. Textile
- 55. Jewelry & Accessory • Jewelry: – A integral part of the costume – Empresses: wore wide, jeweled collars over the – palludamentum or at the neck of the dress – Pins, earrings, bracelets, rings, and necklaces – Skilled in techniques of working gold, setting precious stones, enameling & making mosaics
- 61. Hair style & Make up • Hair: • Parted in the center • Pulled to the back or knotted on top of the head • Usually women’s hair was covered
- 62. Hair style & Make up • Headdress: • Veils • Turban-like hats • Crown: heavily jeweled with pendant String of pearls • First: the Empresses set the crowns on the top of the hat • Later on: the Empresses worn the crown over their own air
- 63. Hair style & Make up
- 64. Hair style & Make up
- 65. Hair style & Make up
- 66. Hair style & Make up
- 67. Hair style & Make up
- 68. Hair style & Make up
- 69. Assignment • Review vocabulary • Find 5 pictures of ancient period garment, and 5 pictures of our day fashion designer’s work which influenced by ancient period garment that you found