The document provides information about fashion during the French Revolution period from 1789-1799. It discusses children's, women's, and men's fashion as well as working class clothing. For women, it describes gowns, jackets, underwear, footwear, hairstyles, and accessories. For men, it mentions coats, shirts, breeches, shoes, and stockings. It also provides brief summaries of fashion trends from 1900-1913 called "Undulation and Exotica" and from 1914-1924 focusing on the "New Simplicity" movement after World War 1.
Ancient egyptian fashion priyanka singhMUKESH PANT
Egyptian Fashion has amazing dressing sense and is not oldfashioned even today. A lot can be adapted from the old civilization. Designs today can be motivated by their attire.
My style of designing - IF YOU DONT KNOW WHERE YOU COME FROM, YOU CANT DECIDE WHERE YOU ARE HEADING
Globalization has made it easier than ever to ignore where our clothes come from. The fashion industry has complex connections to many other fields, including manufacturing, advertising, production of raw materials, transportation and retailing. Begin to educate consumers about the importance of APPAREL STANDARDS.
All of these slideshows are interactive and that's why they look jumbled up. They really are cool to look at and study so I will email the original file if someone wants it. All I ask is to not make any changes to it.
Arcuri 1
Arcuri 9
Malia Arcuri
Marie Aja-Herrera
FASH 247-02
May 10, 2020FASH Test 3
17th and 18th Century
During the 17th century France, England, and Spain continued to rule Europe; The late 16th century was all about a mannerist style, however, that soon morphed into a Baroque style and quickly spread like wildfire throughout Europe. During this time, early puritan settlers had just made it to America and set up roots in New England; Places such as Holland had developed a prosperous middle class and England relied on the aristocracy as they had in the past. At the time textile machinery was gradually evolving and a new loom was introduced.
In the 17th century fashion plates were being produced in Paris, these plates are similar to a modern-day fashion magazine (picture Vogue painted on a large plate with a caption) and have helped historians set the scene for what garments and everyday life may have looked like back then. When it comes to men’s costumes not much shifted from the early 16th century to the 17th century, however, they began wearing cravats which were scarf like pieces that separates the shirts and were worn in place of collars. Instead of doublets which were very popular among men in earlier centuries they began wearing surouts and justacorps; these jackets had straight sleeves with cuffs and buttons down the front and the main difference was the fact that they covered the breeches completely. Breeches during the 17th century became slimmer and less full then other years and stopped right at the knee. Men’s wigs also grew much larger and were often worn in the natural colors they came in. Some things that stayed the same were shoes, men still preferred shoes over boots.
Women’s costume during the 17th century saw no major changes as well; The necklines became squarer and less reveling and corsets became visible. Corsets became visible at the front of the bodice and formed a V at the waist, since they were visible it meant they became heavily decorated and elaborate. A new dress cut also appeared at this time, the bodice and skirt were cut together in one length from shoulder to hem; this became known as Mantua and historians believe it to have evolved from middle-eastern robes. The final garment was very full both in the front and back and was always worn over a corset and overskirt. If women were to wear it to a formal event then the skirt was pleated and belted in the back, often skirts were pulled to the back and fastened to have a draped effect on the body.
Fig. 1 & 2. Mantua style dress (Maker unknown. Mantua, 1708. Silk and metal. New York: Metropolitan Museum of Art, 1991.6.1a, b. Purchase, Rogers Fund, Isabel Shults Fund and Irene Lewisohn Bequest, 1991. Source: The Met)
We saw a change in the shape of women’s shoes during this time, they became more pointed, heels became higher, and the shoes became narrower. The design became more decorated and elaborate and leather became used more and more. Pantof.
Ancient egyptian fashion priyanka singhMUKESH PANT
Egyptian Fashion has amazing dressing sense and is not oldfashioned even today. A lot can be adapted from the old civilization. Designs today can be motivated by their attire.
My style of designing - IF YOU DONT KNOW WHERE YOU COME FROM, YOU CANT DECIDE WHERE YOU ARE HEADING
Globalization has made it easier than ever to ignore where our clothes come from. The fashion industry has complex connections to many other fields, including manufacturing, advertising, production of raw materials, transportation and retailing. Begin to educate consumers about the importance of APPAREL STANDARDS.
All of these slideshows are interactive and that's why they look jumbled up. They really are cool to look at and study so I will email the original file if someone wants it. All I ask is to not make any changes to it.
Arcuri 1
Arcuri 9
Malia Arcuri
Marie Aja-Herrera
FASH 247-02
May 10, 2020FASH Test 3
17th and 18th Century
During the 17th century France, England, and Spain continued to rule Europe; The late 16th century was all about a mannerist style, however, that soon morphed into a Baroque style and quickly spread like wildfire throughout Europe. During this time, early puritan settlers had just made it to America and set up roots in New England; Places such as Holland had developed a prosperous middle class and England relied on the aristocracy as they had in the past. At the time textile machinery was gradually evolving and a new loom was introduced.
In the 17th century fashion plates were being produced in Paris, these plates are similar to a modern-day fashion magazine (picture Vogue painted on a large plate with a caption) and have helped historians set the scene for what garments and everyday life may have looked like back then. When it comes to men’s costumes not much shifted from the early 16th century to the 17th century, however, they began wearing cravats which were scarf like pieces that separates the shirts and were worn in place of collars. Instead of doublets which were very popular among men in earlier centuries they began wearing surouts and justacorps; these jackets had straight sleeves with cuffs and buttons down the front and the main difference was the fact that they covered the breeches completely. Breeches during the 17th century became slimmer and less full then other years and stopped right at the knee. Men’s wigs also grew much larger and were often worn in the natural colors they came in. Some things that stayed the same were shoes, men still preferred shoes over boots.
Women’s costume during the 17th century saw no major changes as well; The necklines became squarer and less reveling and corsets became visible. Corsets became visible at the front of the bodice and formed a V at the waist, since they were visible it meant they became heavily decorated and elaborate. A new dress cut also appeared at this time, the bodice and skirt were cut together in one length from shoulder to hem; this became known as Mantua and historians believe it to have evolved from middle-eastern robes. The final garment was very full both in the front and back and was always worn over a corset and overskirt. If women were to wear it to a formal event then the skirt was pleated and belted in the back, often skirts were pulled to the back and fastened to have a draped effect on the body.
Fig. 1 & 2. Mantua style dress (Maker unknown. Mantua, 1708. Silk and metal. New York: Metropolitan Museum of Art, 1991.6.1a, b. Purchase, Rogers Fund, Isabel Shults Fund and Irene Lewisohn Bequest, 1991. Source: The Met)
We saw a change in the shape of women’s shoes during this time, they became more pointed, heels became higher, and the shoes became narrower. The design became more decorated and elaborate and leather became used more and more. Pantof.
the effect of French Revolution by comparing the differences of Costumes & Accessories worn by Men & women between the beginning & the end of 18th century in England.
The fashion of England before the French Revolution(early 18th century)
Transforming Brand Perception and Boosting Profitabilityaaryangarg12
In today's digital era, the dynamics of brand perception, consumer behavior, and profitability have been profoundly reshaped by the synergy of branding, social media, and website design. This research paper investigates the transformative power of these elements in influencing how individuals perceive brands and products and how this transformation can be harnessed to drive sales and profitability for businesses.
Through an exploration of brand psychology and consumer behavior, this study sheds light on the intricate ways in which effective branding strategies, strategic social media engagement, and user-centric website design contribute to altering consumers' perceptions. We delve into the principles that underlie successful brand transformations, examining how visual identity, messaging, and storytelling can captivate and resonate with target audiences.
Methodologically, this research employs a comprehensive approach, combining qualitative and quantitative analyses. Real-world case studies illustrate the impact of branding, social media campaigns, and website redesigns on consumer perception, sales figures, and profitability. We assess the various metrics, including brand awareness, customer engagement, conversion rates, and revenue growth, to measure the effectiveness of these strategies.
The results underscore the pivotal role of cohesive branding, social media influence, and website usability in shaping positive brand perceptions, influencing consumer decisions, and ultimately bolstering sales and profitability. This paper provides actionable insights and strategic recommendations for businesses seeking to leverage branding, social media, and website design as potent tools to enhance their market position and financial success.
Book Formatting: Quality Control Checks for DesignersConfidence Ago
This presentation was made to help designers who work in publishing houses or format books for printing ensure quality.
Quality control is vital to every industry. This is why every department in a company need create a method they use in ensuring quality. This, perhaps, will not only improve the quality of products and bring errors to the barest minimum, but take it to a near perfect finish.
It is beyond a moot point that a good book will somewhat be judged by its cover, but the content of the book remains king. No matter how beautiful the cover, if the quality of writing or presentation is off, that will be a reason for readers not to come back to the book or recommend it.
So, this presentation points designers to some important things that may be missed by an editor that they could eventually discover and call the attention of the editor.
Can AI do good? at 'offtheCanvas' India HCI preludeAlan Dix
Invited talk at 'offtheCanvas' IndiaHCI prelude, 29th June 2024.
https://www.alandix.com/academic/talks/offtheCanvas-IndiaHCI2024/
The world is being changed fundamentally by AI and we are constantly faced with newspaper headlines about its harmful effects. However, there is also the potential to both ameliorate theses harms and use the new abilities of AI to transform society for the good. Can you make the difference?
Between Filth and Fortune- Urban Cattle Foraging Realities by Devi S Nair, An...Mansi Shah
This study examines cattle rearing in urban and rural settings, focusing on milk production and consumption. By exploring a case in Ahmedabad, it highlights the challenges and processes in dairy farming across different environments, emphasising the need for sustainable practices and the essential role of milk in daily consumption.
2. The French Revolution
The French Revolution was a period of far-reaching social and political upheaval in
France that lasted from 1789 until 1799, and was partially carried forward by
Napoleon during the later expansion of the French Empire
3. The French Revolution Period At A Glance
Date: 5 May 1789 – 9 November 1799
(10 years, 6 months and 4 days)
Location: Kingdom of France
Outcome:
Abolition of the French monarchy
Establishment of a secular and democratic republic that
became increasingly authoritarian and militaristic
Radical social change based on liberalism and other
Enlightenment principles
Rise of Napoleon Bonaparte
Armed conflicts with other European countries
4. Costume During The French Revolution Period.
A significant shift in culture occurred in France and
elsewhere at the beginning of the 18th century,
known as the Enlightenment, which valued reason
over authority. In France, the sphere of influence
for art, culture and fashion shifted from Versailles
to Paris, where the educated bourgeoisie class
gained influence and power in salons and cafés.
Children's fashion
Women fashion
Men fashion
Working-class clothing
5. Children’s Fashion
In the late 18th century, new
philosophies of child-rearing led to
clothes that were thought
especially suitable for children.
Toddlers wore washable dresses
called frocks of linen or cotton.
British and American boys after
perhaps three began to wear
rather short pantaloons and short
jackets, and for very young boys
the skeleton suit was introduced.
These gave the first real
alternative to boys' dresses, and
became fashionable across Europe.
6. WOMEN’S FASHION DURING THE
FRENCH REVOLUTION
Women's clothing styles maintained an emphasis on the conical
shape of the torso while the shape of the skirts changed
throughout the period. The wide panniers (holding the skirts
out at the side) for the most part disappeared by 1780 for all
but the most formal court functions, and false rumps (bum-
pads or hip-pads) were worn for a time.
7. Gowns
The usual fashion at the beginning of the period was a low-
necked gown (usually called in French a robe), worn over a
petticoat. Most gowns had skirts that opened in front to
show the petticoat worn beneath. As part of the general
simplification of dress, the open bodice with a separate
stomacher was replaced by a bodice with edges that met
center front.
8. Gowns
This gown shows the fitted back of the robe à la'anglaise and
skirt draped à la polonaise.
9. Jackets and Redingotes
An informal alternative to the dress was a costume of a jacket
and petticoat, based on working class fashion but executed in
finer fabrics with a tighter fit.
10. Underwear
The shift, chemise (in France), or smock, had a low neckline and elbow-
length sleeves which were full early in the period and became increasingly
narrow as the century progressed. Drawers were not worn in this period.
1. The shift comes to somewhere just below the knee – short enough so that it
does not show under any of the petticoats.
2. Then on top of the first petticoat comes the stays (corset)
3. The gown will be pinned shut, possibly over an embroidered stomacher
1 2 3
11. Footwear and Accessories
Shoes had high, curved heels (the origin of modern "louis
heels") and were made of fabric or leather. Shoe buckles
remained fashionable until they were abandoned along with
high-heeled footwear and other aristocratic fashions in the
years after the French Revolution.
12. Shoes
Woman's silk brocade shoes with straps for shoe buckles,
1770s. Los Angeles County Museum of Art, 63.24.7a-b.
13. Hairstyles And Headgear
Just as fashions change, so too do
styles in hairstyles and cosmetics.
The second half of the 18th century
is an era particularly identified with
hair and makeup, as these became
such potent symbols of aristocracy
during the Enlightenment and
French Revolution.
Hair was powdered into the early
1780s, but the new fashion required
natural colored hair, often dressed
simply in a mass of curls.
14. Men's fashion
The French Revolution
really brought about
the old cliché “clothes
make the man,”
because fashion became
a political statement. No
matter how rich a guy
was, he was dressing
like a commoner; like a
san-culottes. Part of this
was to save his neck.
15. Coats
By the 1770s, coats
exhibited a tighter,
narrower cut than seen
in earlier periods, and
were occasionally
double-breasted. Toward
the 1780s, the skirts of
the coat began to be
cutaway in a curve from
the front waist.
16. Shirt and Stock
Shirt sleeves were full,
gathered at the wrist
and dropped shoulder.
Full-dress shirts had
ruffles of fine fabric or
lace, while undress
shirts ended in plain
wrist bands. A small
turnover collar returned
to fashion, worn with
the stock.
17. Breeches, Shoes, And Stockings
Low-heeled leather shoes
fastened with shoe buckles
were worn with silk or woolen
stockings.
Boots were worn for riding.
The buckles were either
polished metal, usually in silver
or with paste stones, although
there were other types.
18. Working-class clothing
Working-class people in 18th century often
wore the same garments as fashionable
people: shirts, waistcoats, coats and breeches
for men, and shifts, petticoats, and dresses or
jackets for women.
However, they owned fewer clothes, which
were made of cheaper and hard fabrics.
Working-class men also wore short jackets,
and some wore trousers rather than breeches.
Smock-frocks were a regional style for men,
especially shepherds.
Country women wore short hooded cloaks,
most often red.
Both sexes wore handkerchiefs or
neckerchiefs.
19. About Undulation And Exotica (1900-1913)
"From Belle Epoque tea gowns through
Dior's 1947 'New Look' to the impact of
the Internet and fashion blogs, this
comprehensive, international survey
explores the significant developments in
fashion, accessories, hairstyles and
makeup, from 1900 to now. It focuses on
key movements and innovations in style
for both men and women, and explores
these through the work of the most original
and influential designers and couturiers.
Chapters are organized chronologically to
highlight crucial shifts in style and major
world events. Exciting and at
29. About La Gerconne And The New Simplicity (1914-
1924)
The word 'garçonne' is synonymous with the English
'flapper' (women's fashion of the 1920s epitomised
by the 'bob' haircut).
The Bachelor Girl (French: La Garçonne) is a novel
by Victor Margueritte first published in 1922. An
English translation was first published in 1923 by
Alfred A. Knopf. It deals with the life of a young
woman who, upon learning that her fiancé is
cheating on her, decides to live life freely and on her
own terms. Amongst other things, this included
having multiple sexual partners. The title translates
as The Tomboy. The title addresses the somewhat
ambiguous realm between definite gender roles, e.g.
where a Judeo-Christian patriarchal society might
place a free-thinking, free-living woman in its social
strata.
https://en.wikipedia.org/wiki/The_Bachelor_Girl
30. New Simplicity
Fashion is a popular style or practice, especially in
clothing, footwear, accessories, makeup, body piercing,
or furniture.", as per Wikipedia.
And they say "Simplicity is an ultimate sophistication."
In simple terms, Simplicity will always be fashion but
fashion in every sense cannot be simplicity. How
simplicity is placed in the observer's mind would
probably make things fashionable or not.
https://www.quora.com/Why-is-simplicity-out-of-fashion-
today
