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Vincent Willem van Gogh (Dutch:1853–1890)
Summing Up
CARREER
• self-taught.
• he collected prints
and reproductions -
Millet.
• misunderstood,
tormented artist.
STYLE
• An early dark, Realist
style
• a later colorful
expressionistic style.
• Landscapes, still lives,
portraits and self-
portraits,
characterized by bold
colours and
expressive brushwork
FAME
• Diary-like
correspondence in
particular with his
brother, Theo.
• His suicide at 37
followed years of
mental illness and
poverty.
CLIL - Liceo "Agnesi" Milano Silvia Caldarini
Early Period
• Born into an upper-middle-class
family.
• He worked as an art dealer,
often travelling.
• Protestant missionary in
southern Belgium.
• He took up painting in 1881. His
younger brother Theo supported
him.
• His early works, mostly still-lifes
and depictions of peasant
laborers;
• dark colurs
Tree Roots in a Sandy Ground ("Les Racines"),
Pencil, black chalk, brush in ink, brown and grey
wash, opaque watercolour on watercolour paper,
51.5 x 70.7 cm. The Hague: April-May, 1882.
Otterlo, Kröller-Müller Museum
CLIL - Liceo "Agnesi" Milano Silvia Caldarini
Van Gogh, The Potato Eaters, 1885. Oil
on canvas, 82 cm × 114 cm. Van Gogh
Museum, Amsterdam
Jean-François Millet, The Gleaners, 1857.
Oil on canvas,84 cm x 112 cm Musée
d'Orsay, Paris.
Edgard Degas, The Bellelli Family, 1858,-
’67. Oil on canvas,84 cm x 112 cm Musée
d'Orsay, Paris.
CLIL - Liceo "Agnesi" Milano Silvia Caldarini
His Stay in Paris (‘86-’88):
a Neo-impressionist Style
• In 1886 he moved to Paris: he
met Toulouse Lautrec,
Monet, Degas, Renoir,
Seurat, Émile Bernard and
Paul Gauguin.
• The works of the Japanese
Hiroshige and Hokusai greatly
influenced him, both for the
subject matter and the style
of flat patterns of colors without
shadow.
• His paintings grew brighter in
colour as he developed his
personal style.
Van Gogh, The Portrait of Père
Tanguy, 1887-’88. Oil on Canvas,
92×75 cm. Musée Rodin, Paris
CLIL - Liceo "Agnesi" Milano Silvia Caldarini
1888 - Arles
The Yellow House was completely
unsuitable for a studio and he
mainly worked out of doors.
The landscapes of area around
Arles with its trees, hills, bridges,
huts became his main theme.
CLIL - Liceo "Agnesi" Milano Silvia Caldarini
VAN GOGH (1853-1890), Vase with
Fifteen Sunflowers, August and
September 1888. Oil on canvas,
93×73 cm. National Gallery, London
• Waiting for Gauguin to
arrive, VG painted a
series of sunflowers to
decorate his friend’s
bedroom.
• 4 paintings
• They were meant as a
sign of friendship and
welcome
• He and Gauguin
worked together
throughout October
and December 1888.
Symbols of happiness
CLIL - Liceo "Agnesi" Milano Silvia Caldarini
Van Gogh, Self-Portrait
Dedicated to Paul Gauguin, 1888
CLIL - Liceo "Agnesi" Milano Silvia Caldarini
The Later Period
• The alliance was to end in
disaster.
• Van Gogh entered an asylum at
Saint-Rémy.
• He moved to Auvers-sur-Oise
near Paris, he came under the
care of the doctor Paul Gachet.
• His depression continued and on
27 July 1890, Van Gogh shot
himself in the chest with a
revolver. He died from his
injuries two days later.
His artistic legacy:
• elements of his style came to be
incorporated by the Fauves and
German Expresionists.
Vincent Van Gogh, Docteur Paul Gachet,
Auvers, 1890, oil on canvas, Musee
d'Orsay, 68 x 57 cm
CLIL - Liceo "Agnesi" Milano Silvia Caldarini
Beyond Reality:
Invention, Remembrance
and Observation
Vincent van Gogh, The Starry Night,
1889, oil on canvas, 73.7 x 92.1 cm.
(The Museum of Modern Art)
This morning I saw the country from my
window a long time before sunrise, with
nothing but the morning star, which
looked very big," (Vincent to Theo
1889)
Van Gogh mentioned it briefly in his
letters as a simple “study of night” or
”night effect.”
“… but I feel that the search for style
takes away the real sentiment of
things” (Theo to Vincent October
1889).
it “…might give others the idea of doing
night effects better than I do.” (Vincent
to Theo 1889)
https://www.moma.org/multimedia/audi
o/371/5305
CLIL - Liceo "Agnesi" Milano Silvia Caldarini

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4 van gogh_0_def_slideshare

  • 1. Vincent Willem van Gogh (Dutch:1853–1890) Summing Up CARREER • self-taught. • he collected prints and reproductions - Millet. • misunderstood, tormented artist. STYLE • An early dark, Realist style • a later colorful expressionistic style. • Landscapes, still lives, portraits and self- portraits, characterized by bold colours and expressive brushwork FAME • Diary-like correspondence in particular with his brother, Theo. • His suicide at 37 followed years of mental illness and poverty. CLIL - Liceo "Agnesi" Milano Silvia Caldarini
  • 2. Early Period • Born into an upper-middle-class family. • He worked as an art dealer, often travelling. • Protestant missionary in southern Belgium. • He took up painting in 1881. His younger brother Theo supported him. • His early works, mostly still-lifes and depictions of peasant laborers; • dark colurs Tree Roots in a Sandy Ground ("Les Racines"), Pencil, black chalk, brush in ink, brown and grey wash, opaque watercolour on watercolour paper, 51.5 x 70.7 cm. The Hague: April-May, 1882. Otterlo, Kröller-Müller Museum CLIL - Liceo "Agnesi" Milano Silvia Caldarini
  • 3. Van Gogh, The Potato Eaters, 1885. Oil on canvas, 82 cm × 114 cm. Van Gogh Museum, Amsterdam Jean-François Millet, The Gleaners, 1857. Oil on canvas,84 cm x 112 cm Musée d'Orsay, Paris. Edgard Degas, The Bellelli Family, 1858,- ’67. Oil on canvas,84 cm x 112 cm Musée d'Orsay, Paris. CLIL - Liceo "Agnesi" Milano Silvia Caldarini
  • 4. His Stay in Paris (‘86-’88): a Neo-impressionist Style • In 1886 he moved to Paris: he met Toulouse Lautrec, Monet, Degas, Renoir, Seurat, Émile Bernard and Paul Gauguin. • The works of the Japanese Hiroshige and Hokusai greatly influenced him, both for the subject matter and the style of flat patterns of colors without shadow. • His paintings grew brighter in colour as he developed his personal style. Van Gogh, The Portrait of Père Tanguy, 1887-’88. Oil on Canvas, 92×75 cm. Musée Rodin, Paris CLIL - Liceo "Agnesi" Milano Silvia Caldarini
  • 5. 1888 - Arles The Yellow House was completely unsuitable for a studio and he mainly worked out of doors. The landscapes of area around Arles with its trees, hills, bridges, huts became his main theme. CLIL - Liceo "Agnesi" Milano Silvia Caldarini
  • 6. VAN GOGH (1853-1890), Vase with Fifteen Sunflowers, August and September 1888. Oil on canvas, 93×73 cm. National Gallery, London • Waiting for Gauguin to arrive, VG painted a series of sunflowers to decorate his friend’s bedroom. • 4 paintings • They were meant as a sign of friendship and welcome • He and Gauguin worked together throughout October and December 1888. Symbols of happiness CLIL - Liceo "Agnesi" Milano Silvia Caldarini
  • 7. Van Gogh, Self-Portrait Dedicated to Paul Gauguin, 1888 CLIL - Liceo "Agnesi" Milano Silvia Caldarini
  • 8. The Later Period • The alliance was to end in disaster. • Van Gogh entered an asylum at Saint-Rémy. • He moved to Auvers-sur-Oise near Paris, he came under the care of the doctor Paul Gachet. • His depression continued and on 27 July 1890, Van Gogh shot himself in the chest with a revolver. He died from his injuries two days later. His artistic legacy: • elements of his style came to be incorporated by the Fauves and German Expresionists. Vincent Van Gogh, Docteur Paul Gachet, Auvers, 1890, oil on canvas, Musee d'Orsay, 68 x 57 cm CLIL - Liceo "Agnesi" Milano Silvia Caldarini
  • 9. Beyond Reality: Invention, Remembrance and Observation Vincent van Gogh, The Starry Night, 1889, oil on canvas, 73.7 x 92.1 cm. (The Museum of Modern Art) This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big," (Vincent to Theo 1889) Van Gogh mentioned it briefly in his letters as a simple “study of night” or ”night effect.” “… but I feel that the search for style takes away the real sentiment of things” (Theo to Vincent October 1889). it “…might give others the idea of doing night effects better than I do.” (Vincent to Theo 1889) https://www.moma.org/multimedia/audi o/371/5305 CLIL - Liceo "Agnesi" Milano Silvia Caldarini