Virginia Allison presentation for the "Images Unleashed: Expanding Beyond Traditional Disciplines" session at the VRA + ARLIS/NA 2nd Joint Conference in Minneapolis, MN.
Visual Literacy Across Campus: A Grassroots ApproachHolly Tomren
Panel presentation given with Virginia Allison at the ACRL Image Resources Interest Group program on June 26, 2011 at the American Library Association Annual Conference in New Orleans, LA
Beyond the survey: Using qualitative research methods to support evidence-ba...Lynn Connaway
This document discusses various qualitative research methods that can be used to support evidence-based practice, including interviews, diaries, observations, and mapping. It provides examples of how each method has been used in library and user experience research. Semi-structured interviews are described as an effective way to gather detailed data through open-ended questions. Sample interview questions are provided on topics like virtual reference services and communicating library value. The use of diaries to collect self-reported experiences is also outlined. Participant observation methods aim to immerse researchers in the environment of interest. Cognitive and experience sampling maps have participants draw or annotate maps to provide spatial insights.
Creating Subject Guides for the 21st Century Library: Crafting New Direction...Buffy Hamilton
This document discusses research guides and subject guides created by libraries to help patrons explore topics. It suggests that guides should be dynamic, organic resources that contextualize information within research models and learner mental models. The document also discusses choosing platforms for creating guides and embedding guides, with considerations such as cost, technical support needs, and mobile accessibility.
Workshop introduction to web 2.0 technologies and educational application of...Khalid Md Saifuddin
The document summarizes a workshop on web technologies and educational applications of Web 2.0. The workshop agenda includes sessions on educational applications of Web 2.0, exercises on reference management and portfolios, and a presentation on problem-based learning. The first session maps different web 2.0 tools to learning activities and discusses how features of the tools can be integrated into activities related to information handling, communication, production, and experiential learning. The second session covers the architecture of the world wide web, client-server architecture, popular software platforms for web applications, and environments for PHP-MySQL web development.
The ACErep project aims to allow users to search across multiple educational resource platforms, download resources to use locally, adapt existing resources, and deposit original or adapted resources back into repositories. Over a 12 month period, the project will involve consultation, technical development, workflow development, evaluation, and communication activities. The workshop discussed digital repositories for storing and managing access to educational resources, as well as participants' experiences discovering, using, and sharing resources and their ideal scenarios for doing so in the future.
OCLC Research Update at ALA Chicago. June 26, 2017.OCLC
Rachel Frick, OCLC Executive Director of the OCLC Research Library Partnership, reviews some of the broad agenda items and recent publications related to the work of OCLC Research. Rachel is then joined for two presentations on specific research topics. First, Sharon Streams (OCLC Director of WebJunction) and Monika Sengul-Jones (OCLC Wikipedian-in-Residence) present on “Public Libraries and Wikipedia.” Next, Kenning Arlitsch (Dean, Montana State University Library) and Jeff Mixter (OCLC Senior Software Engineer) share their findings on “Accurate Institutional Repository Download Measurement using RAMP, the Repository Analytics and Metrics Portal.”
Visual feast or visual communication, a webinar for the CMC MOOCChrissi Nerantzi
This document discusses visual communication and visual literacy. It explores how images can convey meaning and what visual literacy means. It notes that images can distort reality through selectivity, subjectivity and interpretations. However, new technologies now allow for more sharing, commenting on and manipulating images. Visual learning is important but not always actively encouraged in courses. The document discusses using images for storytelling, capturing processes, and synchronous and asynchronous visual connections to enhance learning. It provides some references on visual literacy and communication as well as useful links on these topics.
Building Effective Visualization Shiny WVFOlga Scrivner
This document provides an overview of web visualization tools and frameworks for business intelligence and data visualization. It discusses reactive web frameworks, the Shiny application framework from RStudio, and the Web Visualization Framework (WVF) developed by the Cyberinfrastructure for Network Science Center. Examples of visualizations created with Shiny and WVF are presented, including Sankey diagrams, streamgraphs, heatmaps, and network maps. The document concludes by discussing the future outlook for WVF and promoting an online course on information visualization.
Visual Literacy Across Campus: A Grassroots ApproachHolly Tomren
Panel presentation given with Virginia Allison at the ACRL Image Resources Interest Group program on June 26, 2011 at the American Library Association Annual Conference in New Orleans, LA
Beyond the survey: Using qualitative research methods to support evidence-ba...Lynn Connaway
This document discusses various qualitative research methods that can be used to support evidence-based practice, including interviews, diaries, observations, and mapping. It provides examples of how each method has been used in library and user experience research. Semi-structured interviews are described as an effective way to gather detailed data through open-ended questions. Sample interview questions are provided on topics like virtual reference services and communicating library value. The use of diaries to collect self-reported experiences is also outlined. Participant observation methods aim to immerse researchers in the environment of interest. Cognitive and experience sampling maps have participants draw or annotate maps to provide spatial insights.
Creating Subject Guides for the 21st Century Library: Crafting New Direction...Buffy Hamilton
This document discusses research guides and subject guides created by libraries to help patrons explore topics. It suggests that guides should be dynamic, organic resources that contextualize information within research models and learner mental models. The document also discusses choosing platforms for creating guides and embedding guides, with considerations such as cost, technical support needs, and mobile accessibility.
Workshop introduction to web 2.0 technologies and educational application of...Khalid Md Saifuddin
The document summarizes a workshop on web technologies and educational applications of Web 2.0. The workshop agenda includes sessions on educational applications of Web 2.0, exercises on reference management and portfolios, and a presentation on problem-based learning. The first session maps different web 2.0 tools to learning activities and discusses how features of the tools can be integrated into activities related to information handling, communication, production, and experiential learning. The second session covers the architecture of the world wide web, client-server architecture, popular software platforms for web applications, and environments for PHP-MySQL web development.
The ACErep project aims to allow users to search across multiple educational resource platforms, download resources to use locally, adapt existing resources, and deposit original or adapted resources back into repositories. Over a 12 month period, the project will involve consultation, technical development, workflow development, evaluation, and communication activities. The workshop discussed digital repositories for storing and managing access to educational resources, as well as participants' experiences discovering, using, and sharing resources and their ideal scenarios for doing so in the future.
OCLC Research Update at ALA Chicago. June 26, 2017.OCLC
Rachel Frick, OCLC Executive Director of the OCLC Research Library Partnership, reviews some of the broad agenda items and recent publications related to the work of OCLC Research. Rachel is then joined for two presentations on specific research topics. First, Sharon Streams (OCLC Director of WebJunction) and Monika Sengul-Jones (OCLC Wikipedian-in-Residence) present on “Public Libraries and Wikipedia.” Next, Kenning Arlitsch (Dean, Montana State University Library) and Jeff Mixter (OCLC Senior Software Engineer) share their findings on “Accurate Institutional Repository Download Measurement using RAMP, the Repository Analytics and Metrics Portal.”
Visual feast or visual communication, a webinar for the CMC MOOCChrissi Nerantzi
This document discusses visual communication and visual literacy. It explores how images can convey meaning and what visual literacy means. It notes that images can distort reality through selectivity, subjectivity and interpretations. However, new technologies now allow for more sharing, commenting on and manipulating images. Visual learning is important but not always actively encouraged in courses. The document discusses using images for storytelling, capturing processes, and synchronous and asynchronous visual connections to enhance learning. It provides some references on visual literacy and communication as well as useful links on these topics.
Building Effective Visualization Shiny WVFOlga Scrivner
This document provides an overview of web visualization tools and frameworks for business intelligence and data visualization. It discusses reactive web frameworks, the Shiny application framework from RStudio, and the Web Visualization Framework (WVF) developed by the Cyberinfrastructure for Network Science Center. Examples of visualizations created with Shiny and WVF are presented, including Sankey diagrams, streamgraphs, heatmaps, and network maps. The document concludes by discussing the future outlook for WVF and promoting an online course on information visualization.
Visual feast or visual communication, a webinar for the CMC MOOCAcademic Development
This document discusses visual communication and visual literacy. It explores what visual communication is and how images can be uniquely different from words. It notes that images can be selectively portrayed and subjectively interpreted. With new technologies, images can now be more easily shared, manipulated and distorted. The concept of visual literacy is introduced, including the ability to interpret and create visual symbols and communicate through visual means. The importance of visual learning and teaching is discussed. Various online tools that can facilitate virtual visual connections are presented. The value of digital storytelling, visualizations and asynchronous visual sharing are also examined.
International Perspectives: Visualization in Science and EducationLiz Dorland
Overview of the international and interdisciplinary Gordon Research Conference on Visualization in Science and Education and info on key cognitive science and learning sciences researchers. History of the conference, NSF workshop, and research on learning with visualizations.
University Learning Spaces - Disciplinary Perspectives - Introductiondisciplinarythinking
Recent trends in higher education learning space design include designing spaces to support active and social models of learning, taking advantage of new technologies, and opening spaces up to connect formal learning with the world outside the university. Learning spaces are now designed around human-centered principles in collaboration with users. Technological developments like mobile devices and wireless connectivity allow learning to extend beyond physical spaces and bring remote and professional environments into the academic setting. These trends have impacted the design of specialized disciplinary spaces as well.
1) The document discusses the use of scientific imagery in higher education. Visuals can engage people and aid memory and recall compared to text alone.
2) Different types of images are classified, including static images, illustrations, photographs, animations, videos and more. Images serve instructional functions like informing, engaging, and bridging print and digital media.
3) The university's image library provides images for educational use, selecting from Creative Commons, free royalty, and rights-managed sources. Examples show how 3D imagery, graphs, and photographs can be used for learning.
The document summarizes an infographics workshop presented at the University of Guelph. The workshop introduced participants to infographics and their uses, had them evaluate example infographics using established criteria, and created their own simple infographic using PowerPoint. Active learning techniques like think-pair-share and hands-on activities were used. Feedback from various participant groups like university students, high school students, and library staff is discussed. Areas for future workshops are brainstormed, including adding a data literacy component or advanced software training. The workshop aims to develop visual literacy skills through a creative hands-on approach.
This document discusses infographics and their use in teaching and learning. It begins with an overview of infographics, noting they are visual representations of information or data. It then outlines four main topics: 1) Where to find infographic examples online, 2) How to catalog infographics, 3) Using infographics to teach visual literacy skills, and 4) How to create your own infographics. For each topic, it provides details on strategies and resources. The overall document promotes infographics as a tool to engage students and teach complex concepts in a visual way.
This document introduces infographics and their use in education. It defines infographics as visual representations of information designed to make data easily understandable. Infographics are useful in the classroom because they allow large amounts of complex information to be presented in a digestible way. The document outlines different types of infographics including status, comparison, resource, and evolution infographics. It also discusses characteristics of effective infographics such as the use of visuals, color coding, graphics, and statistics. Finally, the document provides several tutorial resources for creating infographics.
Meet Them Where They Are: Digital Information Literacy ResourcesBronwen Maxson
This document discusses digital information literacy resources for meeting students where they are. It recommends using principles of universal design for instruction and active learning to cater resources to different student contexts and skill levels. Specific strategies discussed include using pedagogical course guides within the campus learning management system, embedding library guides directly in courses, creating self-guided tutorials and quizzes, and developing DIY resources for students needing 24/7 support. The presenters emphasize continually assessing effectiveness and repurposing resources as needed based on the institutional and student context.
The document discusses various methods for assessing libraries, including surveys, questionnaires, focus groups, observation, usability studies, and ROI calculations. It provides examples of assessment tools like LibQUAL+, which uses surveys to measure user perceptions of service quality across three dimensions: affect of service, information control, and library as place. The document emphasizes that assessment is important for strategic planning, decision-making, program evaluation, advocacy, and regular service improvements in libraries.
This document summarizes Carolyn Jo Starkey's presentation on creating eye-catching infographics for advocacy using library data. It begins with Carolyn's biography and then covers key topics like the definition of infographics, why they are useful, different types of infographics, what makes a good infographic, tutorials for creating them, and a step-by-step process for making infographics for advocacy. The goal is to explore online tools and techniques for conveying advocacy messages through colorful, easy to understand visualizations.
This document summarizes an ethnographic study conducted by Northwestern University researchers to understand how humanities scholars use audio and video collections in their research. The researchers observed scholars in context, had them keep diaries of their work, and interviewed them. They found that scholars use many different tools for accessing, analyzing, and annotating media and struggle with issues like locating files and a lack of training. The researchers plan to recruit more participants and use the findings to improve the Avalon media repository software.
Creating Subject Guides for the 21st Century Library by Buffy Hamilton Septem...Buffy Hamilton
The document discusses how subject guides for libraries need to shift to support 21st century learners navigating diverse information sources by incorporating tools like RSS feeds, social media, and multimedia content to make guides more dynamic and participatory. It provides guidance on designing subject guides, choosing platforms, and using guides to foster learning conversations rather than just listing resources. The subject guide of the future is envisioned as an organic space that cultivates networks, models organization strategies, and helps students develop information fluency skills.
This document provides an overview of information literacy initiatives and standards at the national and international levels. It discusses how information literacy is important for lifelong learning and is mandated by accreditation standards. It also describes information literacy programs and resources at the University of Hawaii, including the LILO online tutorial. Key aspects of information literacy are defined, including the abilities to recognize an information need, access information, evaluate information, synthesize information, and ethically use information. Information literacy models and levels of expertise in searching are also presented.
Information Literacy, Web 2.0 and the New LibrariansPeter Godwin
This document discusses the role of librarians in teaching information literacy to the "web generation" using Web 2.0 tools. It argues that librarians must adapt to new technologies like RSS, blogs, wikis, Flickr, delicious, Facebook, and YouTube to engage students and help them develop important literacies. Web 2.0 allows students to collaborate, share knowledge, and learn in visual, auditory, and kinesthetic ways that combat the "MEGO effect" of traditional instruction. The future of librarians depends on embracing these new technologies and changing how students interact with and understand information.
VRA 2023 Collections Management in Fashion and Media session. Presenter: Wen Nie Ng
The goal of the paper is to enhance the metadata standard of fashion collections by expanding the controlled vocabulary and metadata elements for Costume Core, a metadata schema designed specifically for fashion artifacts. Various techniques are employed to achieve this goal, including identifying new descriptors using word embedding similarity measurements and adding new descriptive terms for precise artifact descriptions to use when re-cataloging a university fashion collection in Costume Core. The paper also provides a sneak peek of the Model Output Confirmative Helper Application, which simplifies the vocabulary review process. Additionally, a survey was conducted to collect insights into how other fashion professionals use metadata when describing dress artifacts. The survey results reveal 1) commonly used metadata standards in the historic fashion domain; 2) sample metadata respondents use; and 3) partial potential metadata that can be appended to Costume Core, which is relevant to Virginia Tech's Oris Glisson Historic Costume and Textile Collection. The expanded Costume Core resulting from the project offers a more comprehensive way of describing fashion collection holdings/artifacts. It has the potential to be adopted by the fashion collections to produce metadata that is findable, accessible, interoperable, and reusable.
VRA 2023 Adventures in Critical Cataloging session. Presenters: Sara Schumacher and Millicent Fullmer
This paper will cover the results of a research study looking at visual resources professionals' perceptions of the visual canon at their institutions and their actions confronting biases in their visual collections. This research is innovative because the "visual canon" as a concept is often evoked but rarely defined, and there has not been research into perceptions and practices that span different types of cultural heritage institutions. The researchers seek to focus on the role of the visual resources professional as a potential change-maker in confronting bias and transforming the “visual canon.” In our presentation, we will discuss the analysis of our survey and interviews around three key research questions: What barriers do visual resources professionals perceive in remedying the biases in the visual canon? What authorities, past and present, do they identify in shaping the visual canon? How do they approach teaching users to identify and critically confront these issues? We will highlight trends as well as unique concerns and solutions from our research participants and engage our audience with how these issues impact their own collections, policies, and instruction.
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This document discusses visual communication and visual literacy. It explores what visual communication is and how images can be uniquely different from words. It notes that images can be selectively portrayed and subjectively interpreted. With new technologies, images can now be more easily shared, manipulated and distorted. The concept of visual literacy is introduced, including the ability to interpret and create visual symbols and communicate through visual means. The importance of visual learning and teaching is discussed. Various online tools that can facilitate virtual visual connections are presented. The value of digital storytelling, visualizations and asynchronous visual sharing are also examined.
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Overview of the international and interdisciplinary Gordon Research Conference on Visualization in Science and Education and info on key cognitive science and learning sciences researchers. History of the conference, NSF workshop, and research on learning with visualizations.
University Learning Spaces - Disciplinary Perspectives - Introductiondisciplinarythinking
Recent trends in higher education learning space design include designing spaces to support active and social models of learning, taking advantage of new technologies, and opening spaces up to connect formal learning with the world outside the university. Learning spaces are now designed around human-centered principles in collaboration with users. Technological developments like mobile devices and wireless connectivity allow learning to extend beyond physical spaces and bring remote and professional environments into the academic setting. These trends have impacted the design of specialized disciplinary spaces as well.
1) The document discusses the use of scientific imagery in higher education. Visuals can engage people and aid memory and recall compared to text alone.
2) Different types of images are classified, including static images, illustrations, photographs, animations, videos and more. Images serve instructional functions like informing, engaging, and bridging print and digital media.
3) The university's image library provides images for educational use, selecting from Creative Commons, free royalty, and rights-managed sources. Examples show how 3D imagery, graphs, and photographs can be used for learning.
The document summarizes an infographics workshop presented at the University of Guelph. The workshop introduced participants to infographics and their uses, had them evaluate example infographics using established criteria, and created their own simple infographic using PowerPoint. Active learning techniques like think-pair-share and hands-on activities were used. Feedback from various participant groups like university students, high school students, and library staff is discussed. Areas for future workshops are brainstormed, including adding a data literacy component or advanced software training. The workshop aims to develop visual literacy skills through a creative hands-on approach.
This document discusses infographics and their use in teaching and learning. It begins with an overview of infographics, noting they are visual representations of information or data. It then outlines four main topics: 1) Where to find infographic examples online, 2) How to catalog infographics, 3) Using infographics to teach visual literacy skills, and 4) How to create your own infographics. For each topic, it provides details on strategies and resources. The overall document promotes infographics as a tool to engage students and teach complex concepts in a visual way.
This document introduces infographics and their use in education. It defines infographics as visual representations of information designed to make data easily understandable. Infographics are useful in the classroom because they allow large amounts of complex information to be presented in a digestible way. The document outlines different types of infographics including status, comparison, resource, and evolution infographics. It also discusses characteristics of effective infographics such as the use of visuals, color coding, graphics, and statistics. Finally, the document provides several tutorial resources for creating infographics.
Meet Them Where They Are: Digital Information Literacy ResourcesBronwen Maxson
This document discusses digital information literacy resources for meeting students where they are. It recommends using principles of universal design for instruction and active learning to cater resources to different student contexts and skill levels. Specific strategies discussed include using pedagogical course guides within the campus learning management system, embedding library guides directly in courses, creating self-guided tutorials and quizzes, and developing DIY resources for students needing 24/7 support. The presenters emphasize continually assessing effectiveness and repurposing resources as needed based on the institutional and student context.
The document discusses various methods for assessing libraries, including surveys, questionnaires, focus groups, observation, usability studies, and ROI calculations. It provides examples of assessment tools like LibQUAL+, which uses surveys to measure user perceptions of service quality across three dimensions: affect of service, information control, and library as place. The document emphasizes that assessment is important for strategic planning, decision-making, program evaluation, advocacy, and regular service improvements in libraries.
This document summarizes Carolyn Jo Starkey's presentation on creating eye-catching infographics for advocacy using library data. It begins with Carolyn's biography and then covers key topics like the definition of infographics, why they are useful, different types of infographics, what makes a good infographic, tutorials for creating them, and a step-by-step process for making infographics for advocacy. The goal is to explore online tools and techniques for conveying advocacy messages through colorful, easy to understand visualizations.
This document summarizes an ethnographic study conducted by Northwestern University researchers to understand how humanities scholars use audio and video collections in their research. The researchers observed scholars in context, had them keep diaries of their work, and interviewed them. They found that scholars use many different tools for accessing, analyzing, and annotating media and struggle with issues like locating files and a lack of training. The researchers plan to recruit more participants and use the findings to improve the Avalon media repository software.
Creating Subject Guides for the 21st Century Library by Buffy Hamilton Septem...Buffy Hamilton
The document discusses how subject guides for libraries need to shift to support 21st century learners navigating diverse information sources by incorporating tools like RSS feeds, social media, and multimedia content to make guides more dynamic and participatory. It provides guidance on designing subject guides, choosing platforms, and using guides to foster learning conversations rather than just listing resources. The subject guide of the future is envisioned as an organic space that cultivates networks, models organization strategies, and helps students develop information fluency skills.
This document provides an overview of information literacy initiatives and standards at the national and international levels. It discusses how information literacy is important for lifelong learning and is mandated by accreditation standards. It also describes information literacy programs and resources at the University of Hawaii, including the LILO online tutorial. Key aspects of information literacy are defined, including the abilities to recognize an information need, access information, evaluate information, synthesize information, and ethically use information. Information literacy models and levels of expertise in searching are also presented.
Information Literacy, Web 2.0 and the New LibrariansPeter Godwin
This document discusses the role of librarians in teaching information literacy to the "web generation" using Web 2.0 tools. It argues that librarians must adapt to new technologies like RSS, blogs, wikis, Flickr, delicious, Facebook, and YouTube to engage students and help them develop important literacies. Web 2.0 allows students to collaborate, share knowledge, and learn in visual, auditory, and kinesthetic ways that combat the "MEGO effect" of traditional instruction. The future of librarians depends on embracing these new technologies and changing how students interact with and understand information.
VRA 2023 Collections Management in Fashion and Media session. Presenter: Wen Nie Ng
The goal of the paper is to enhance the metadata standard of fashion collections by expanding the controlled vocabulary and metadata elements for Costume Core, a metadata schema designed specifically for fashion artifacts. Various techniques are employed to achieve this goal, including identifying new descriptors using word embedding similarity measurements and adding new descriptive terms for precise artifact descriptions to use when re-cataloging a university fashion collection in Costume Core. The paper also provides a sneak peek of the Model Output Confirmative Helper Application, which simplifies the vocabulary review process. Additionally, a survey was conducted to collect insights into how other fashion professionals use metadata when describing dress artifacts. The survey results reveal 1) commonly used metadata standards in the historic fashion domain; 2) sample metadata respondents use; and 3) partial potential metadata that can be appended to Costume Core, which is relevant to Virginia Tech's Oris Glisson Historic Costume and Textile Collection. The expanded Costume Core resulting from the project offers a more comprehensive way of describing fashion collection holdings/artifacts. It has the potential to be adopted by the fashion collections to produce metadata that is findable, accessible, interoperable, and reusable.
VRA 2023 Adventures in Critical Cataloging session. Presenters: Sara Schumacher and Millicent Fullmer
This paper will cover the results of a research study looking at visual resources professionals' perceptions of the visual canon at their institutions and their actions confronting biases in their visual collections. This research is innovative because the "visual canon" as a concept is often evoked but rarely defined, and there has not been research into perceptions and practices that span different types of cultural heritage institutions. The researchers seek to focus on the role of the visual resources professional as a potential change-maker in confronting bias and transforming the “visual canon.” In our presentation, we will discuss the analysis of our survey and interviews around three key research questions: What barriers do visual resources professionals perceive in remedying the biases in the visual canon? What authorities, past and present, do they identify in shaping the visual canon? How do they approach teaching users to identify and critically confront these issues? We will highlight trends as well as unique concerns and solutions from our research participants and engage our audience with how these issues impact their own collections, policies, and instruction.
VRA 2023 Beyond the Classroom: Developing Image Databases for Research session. Presenter: John J. Taormina
The Medieval Kingdom of Sicily Image Database project collects historic images of the medieval monuments of South Italy, from the so-called Kingdom of Sicily dating from c. 950 to c. 1430, during the Norman, Hohenstaufen, Angevin, and early Aragonese periods. The project was begun in 2011, as part of a 3-year Collaborative Research Grant from the National Endowment for the Humanities, under project investigators Caroline Bruzelius, Duke University, and William Tronzo, University of California, San Diego.
The site features over 8,000 historical images in a range of media, including drawings, paintings, engravings, photographs, and plans and elevations culled from museums, archives, and libraries in Europe and America, often from the Grand Tour, as well as from available publications. The value of the database lies in making accessible to scholars the visual documentation of changes to historical sites because the medieval monuments of South Italy have been damaged, changed, and restored on many occasions, with tombs and liturgical furnishings often destroyed, dismantled, or removed. In fact, many of the 600 monuments no longer exist, often bombed during World War II or destroyed in earthquakes, or obscured by modern buildings and urban sprawl.
VRA 2023 Archives Tools and Techniques session. Presenters: Maureen Burns and Lavinia Ciuffa
The Ernest Nash collection documents ancient Roman architecture in pre- and post-World War II Italy. What made Nash's work significant, beyond capturing the present state of the ancient Roman monuments at a volatile historical moment, was the primacy of the topographical photography and the systematic order he brought to this subject. The American Academy's Photographic Archive contributed Nash's images to an open access, interactive website called the "Urban Legacy of Ancient Rome." It reveals the city in stunning detail and uses geo-referencing to provide the viewer with a better understanding of the overall contextual and spatial logic. These Nash images and metadata are also IIIF compatible. As the Academy continues to digitize and describe the full collection of about 30,000 images, thanks to the generous support of the Kress Foundation, a new partnership has developed with Archivision and vrcHost. Current high quality digital photographs of the same ancient Roman monuments are being added to compare with the historical images documenting architectural changes--whether conserved, restored, altered, reconstructed, re-sited or destroyed. This presentation will provide a progress report about what it takes to move new digital photography into IIIF and the various tools available for close examination and presentation. Finding ways to provide ready access and juxtapose historic and contemporary photography online, builds upon the legacy of Nash's quality curation and scholarship to create 21st century, accessible, online educational resources of great interest and utility to scholars, students, and a wide audience of ancient Roman enthusiasts.
VRA 2023 Exploring 3D Technologies in the Classroom session. Presenter: Amy McKenna
Amy McKenna (Williams College) discusses her project that uses Photoshop and cardboard 3D glasses to recreate the 19th-century spectacle of a historic glass stereo collection.
VRA 2023 Keynote. Presenter: Melissa Gohlke
A historical record that focuses on white, heteronormative society and events obscures many facets of San Antonio history. Peel back the veneer of normalcy and one can find rich, diverse, and unexpected strands of the city’s past. From female impersonators of the early 1900s to queer life in derelict spaces during the 1960s and finally, gay and lesbian bar culture of the1970s and beyond, the hidden threads of San Antonio’s history reveal themselves. In this presentation, LGBTQ Historian Melissa Gohlke explores these hidden histories and stitches together an alternative interpretation of the city’s historical narrative by examining a wealth of primary sources found in archives and personal collections.
About the speaker:
Melissa Gohlke is an urban historian who specializes in San Antonio LGBTQ+ history. For over a decade, Gohlke has been researching queer history in San Antonio and South Texas and sharing her passion for this history through extensive outreach activities such as presentations, media interactions, exhibits, and written work. Gohlke is the Assistant Archivist for UTSA Libraries Special Collections.
About the VRA:
The Visual Resources Association is a multidisciplinary organization dedicated to furthering research and education in the field of image management within the educational, cultural heritage, and commercial environments.
VRA 2023 Beyond the Classroom: Developing Image Databases for Research session. Presenter: Mark Pompelia
Material Order is an academic consortium of material sample collections (including wood, metal, glass, ceramic, polymers, plastics, textiles, bio-materials, etc.—any material that might be used in or considered for art, architecture, and design disciplines) founded by the Graduate School of Design at Harvard University and Fleet Library at Rhode Island School of Design and now comprising several more institutions in the US. It provides a community-based approach to management and access to material collections utilizing and developing standards and best practices. Material Order created the Materials Profile that serves as a shared cataloging tool on the LYRASIS CollectionSpace platform and can be further developed as the different needs of consortium members are identified. Open Web searching across all collections occurs via a front-end discovery portal built with Wordpress at materialorder.org.
The Material Order project was born from the acknowledgment that resource sharing and collaborative catalogs are the most promising approach to exploration and implementation. It was always the intent, now actualized, for partner institutions with different mission and scope to compel the project to consider and accommodate criteria such as material health ecologies, fabrication possibilities, and overlap into adjacent fields such as engineering and archeology. Thus, Material Order represents not just items on a shelf but a knowledge-base of compositions, uses, forms, and properties. No longer in its infancy, Material Order provides a shared and adaptable framework for managing collections across the consortium and optimal facilitation of materials-based research and exploration for art, architecture, and design applications.
VRA 2023 New Frontiers in Visual Resources session. Presenters: Meghan Rubenstein and Kate Leonard
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VRA 2022 Teaching Visual Literacy session. Presenter: Molly Schoen
Our everyday lives are more saturated in images and videos than any other time in human history. This fact alone underscores the need to implement visual literacy skills in all stages of education, from pre-K to post-grad. Learning how to read images with critical, analytical eyes is crucial to understanding the world around us as we see it represented in the news, social media, advertisements, etc. New technologies have exasperated this already urgent need for visual literacy education. Synthetic media, deepfakes, APIs, bot farms, and other forms of artificial intelligence have many innovative uses, but bad actors also use them to fan the flames of disinformation. We have seen the grave consequences from this age of disinformation, from undermining elections to attempts to delegitimize science and doctors, undoubtedly raising the death toll from the COVID-19 pandemic. What do we need to know about these new forms of altered images made by artificial intelligence? How do we discern between real, human-made content versus fakes made by computers, which are becoming more and more difficult to discern? This paper aims to raise awareness of how new forms of visual media can manipulate and deceive the viewer. Audience participants will learn how to empower themselves and their peers into being more savvy consumers of visual materials by understanding the basics of AI and recognizing the characteristics of faked media.
VRA 2022 Individual Papers Session. Presenter: Malia Van Heukelem
This case study of a large artist archive at a medium sized academic research library will connect the success of the artist serving as his own archivist and the collection's broad research appeal locally, nationally and internationally. Like many artists, there is so much more than his own work represented. There is correspondence, fine art prints, ephemera of other artists and writers hidden in the collection. The foundation of organization is in place; now the focus is on creating online access points through finding aids and image collections. The presentation will explore the use of ArchivesSpace, Omeka, and other software to increase access. It will also demonstrate how a solo archivist can leverage interns, student assistants, and volunteers for collections management projects that benefit both the institutional priorities and desired learning outcomes. This talk will delve into the challenges of 20th century visual resource collections such as copyright and engagement with donors. Featuring a local artist has brought other art and architecture collections to the library, without clear boundaries which has led to questions of sustainability, who and what is collected. There is definitely a need to balance the historical record and yet, there are already more archival collections accessioned than can be responsibly managed by one person. The primary collection does include works by women and artists of color, yet much descriptive work remains to forefront the diversity contained within. As an archivist and librarian at a public university, there are many competing demands for collections management, support of researchers, and instruction plus the added interest for exhibition loans and the desire for other artists and architects to be represented. This artist archive is both interesting and complex.
This document summarizes an art history course titled "Pattern & Representation: Critical Cataloging for a New Perspective on Campus History" taught at Oklahoma State University. The course examines major developments in American art across different media from European contact through the mid-20th century. As part of the course, students are divided into groups to create digital exhibitions cataloging artworks from university newspaper archives between certain years. Students must include contextual information and link their entries to related articles. Their entries and a reflective essay are graded individually based on their work plan. The course introduces the concept of "critical cataloging" to bring social justice perspectives to archival and metadata work.
VRA 2022 session. Organizer/Moderator: Allan T. Kohl. Speakers: Virginia (Macie) Hall, Christina Updike, Marcia Focht, Rebecca Moss, Steven Kowalik, Jenni Rodda
During the past year, the “Great Resignation” (aka. The “Big Quit”) has roiled the world of employment nationwide in the wake of the COVID-19 pandemic, which had already caused job losses among our membership. While many institutions and individuals now hope for a “return to normal,” others anticipate that the past two years mark a watershed necessitating further transformational changes in the years ahead. These larger employment trends have come on top of quantum shifts in the visual resources field itself, as traditional tasks give way to new responsibilities, and siloed image collections are replaced by interdisciplinary projects.
For several years, our annual conferences have featured the perspectives of newer professionals in “Stories from the Start.” Looking at the opposite ends of their career arcs, this session brings together the perspectives and experiences of two pre-pandemic retirees, two of our members who made their decisions to retire during the past year, and two currently active professionals whose retirements are pending in the near future. When and why did they make their decisions to retire? What was/is the actual process? Concerns? What comes next after we leave our offices for the last time?
VRA 2022 Digital Art History session. Presenters: Melissa Becher and Samuel Sadow
In 2019, the art history program at American University gave its masters students a new option for the capstone project that is the culmination of the degree: create a digital project on an art historical topic using Omeka S or Wordpress. Initially, only a single student chose to complete a digital capstone over a traditional thesis, but within two years there was near parity between the two options, meaning seven digital capstones for the 2021 cohort. To support these projects, a close partnership quickly developed between the University’s library, the visual resources center, and the archives. This session covers how three campus units coordinate that support for these innovative digital humanities projects, including administration of the platforms, instruction, technical support, preservation, and access to the final projects. The session will also showcase examples of student work to demonstrate the variety and creativity of projects that can be accomplished using these platforms, as well as their contributions to the field of art history. The outcome of this initiative is clear: the best of digital humanities, weaving design and technology with rigorous art historical research, and finished projects that have already resulted in successful job applications in the field.
VRA 2022 Material Objects and Special Collections session. Presenters: Allan T. Kohl and Jackie Spafford
Materials-based collections represent a challenging new mode of information management in terms of subject specialization, physical description and accommodation, and institutional mission. Building upon the successful introductory meeting of this Group in Los Angeles at the 2019 Conference, the goal of this SIG is to provide a forum for open discussion of Material and Object Collections and their relationship to various library/visual resources tasks. The Material and Object Collections SIG provides an opportunity for individuals working with a variety of materials and objects collections – including those that support art and art history courses, those that support architecture and design courses, and those in cultural heritage organizations – to share ideas, issues, and potential solutions in regard to tasks similar to common library/visual resources activities (including cataloging, documentation, staffing, outreach), as well as more specialized concerns relating to the management of physical objects (security, storage and retrieval, the design of user spaces, etc.).
By continuing to offer an opportunity for participants to share brief introductions and profiles of their collections, we hope to encourage networking and exchange information about sources for specialized items; to display sample items and share surplus samples with other collections; and to provide examples of successful solutions to typical problems. Our long-range goal is to maintain an ongoing support group that can be of particular benefit to those professionals who are in the beginning stages of building or organizing physical collections.
VRA 2022 Digital Art History session. Moderator: Otto Luna
Exploration of visualization tools in the Digital Humanities/Digital Art History realm. Presenter: Catherine Adams
Assessing the use of Qualitative Data Analysis Software (QDAS) by Art Historians and Archaeologists. Presenter: Kayla Olson
Supporting Art History Students’ Digital Projects at American University. Presenters: Samuel Sadow and Melissa Becher
VRA 2022 Digital Art History session. Presenter: Kayla Olson
This paper discusses a study (completed in the spring of 2021) which explores how common the use of Qualitative Data Analysis software (QDAS) is among two kinds of object-based researchers: art historians and archaeologists. Surveys were disseminated in a snowball fashion and contained open and closed questions. The questions sought to give participants a platform to describe if, why, and how they use programs like Atlas.ti, NVivo, Dedoose, and MAXQDA throughout their research process. While not QDAS, the image management application Tropy was also included. The author hopes that the anonymized responses will prompt discussion among professionals in academic librarianship and visual resources management about the possible impact of these digital tools on researchers in these disciplines. The question remains on whether researchers in art and material culture disciplines would benefit more from QDAS if participants were aware of: 1) Their existence and 2) Their ability to help organize artifact data and to assist in performing image-based analysis.
VRA 2022 Critical Cataloging Conversations in Teaching, Research, and Practice session. Presenter: Ann M. Graf, Assistant Professor of Library and Information Science, Simmons University
In the field of information science, we strive to provide access to information through the most efficient means possible. This is often done through the use of controlled vocabularies for description of subjects, and, in the case of art objects, for the identification of styles, processes, materials, and types. My research has examined the sufficiency of controlled vocabularies such as the Art and Architecture Thesaurus (AAT) for description of graffiti art processes and products. This research is evolving as the AAT is responding to warrant for a broader set of terms to represent outsider art communities such as the graffiti art community. The methods used to study terminological warrant by examining the language of the graffiti art community are helpful to give voice to artists who work outside the traditional art institution, allowing the way that they talk about their work and how they describe it to become part of the common discourse. It is hoped that this research will inspire others who design and supplement controlled vocabularies for use in the arts to give priority in descriptive practice to those who have been historically underrepresented or made invisible by default use of terminology that does not speak to their experiences.
VRA 2022 Session. Presenter: Douglas Peterson
In 2021, the National Archives of Estonia engaged Digital Transitions’ Service division, Pixel Acuity, to build an Artificial Intelligence (AI) tool to analyze part of its historic record. The objective was to use this tool to enhance their collection with descriptive metadata that identified persons of interest in a collection of over 8,000 photographic glass plate negatives, a task that would ordinarily take years of human labor. In this presentation, we discuss our approach to accurately detecting and identifying human subjects in transmissive media, our initial findings using commercially available AI models, and the subsequent refinements made to our workflow to generate the most accurate metadata. In addition to working with commercially available AI models, we developed strategies for validation of AI-generated results without additional human supervision, and explored the benefits of building bespoke, heritage-specific AI models. By combining all of these tools, we developed a highly customized solution that greatly expedited accurate metadata generation with minimal human oversight, operated efficiently on large collections, and supported discovery of novel content within the archive.
VRA 2022 Community Building Session. Presenter: Dacia Metes
Queens Memory is an ongoing community archiving program that engages with our local communities in our two-fold mission to (1) push local history collections out to the public through programming and online resources, and (2) pull new materials into our collections from the diverse communities of Queens, NYC. The COVID-19 pandemic forced us to close our buildings, cease all in-person work and programming and shift our work to the virtual world. Our team quickly modified our processing workflow and asset tracking with the high volume of crowd-sourced donations coming through new online submission forms, set up in a rapid response to capture the stories coming from the pandemic’s first epicenter in the U.S. In my proposed conference session, I will discuss how we planned and managed the shift to fully online collection development. I will talk about our virtual outreach efforts to engage with the community and get them to contribute their materials, and how we developed the online tools and processes that allowed us to collect photographs, oral history interviews and other audio/visual materials, while also capturing the necessary metadata and consent forms. New internal communications channels, roles for volunteers, and triage processing for publication resulted from these efforts and are now essential parts of the team’s practices.
The document summarizes a workshop on accessibility guidance for digital cultural heritage collections. The workshop consists of two hours which include presentations on accessibility requirements and workflow strategies, a breakout activity where participants practice creating accessible descriptions for images, and a wrap-up discussion. The presentations cover topics such as common barriers to accessibility, guidelines for making images, video, audio and documents accessible, and best practices for incorporating accessibility into workflows. The breakout activity has participants work in groups to write alt-text and accessibility descriptions for sample images from online collections.
How to Download & Install Module From the Odoo App Store in Odoo 17Celine George
Custom modules offer the flexibility to extend Odoo's capabilities, address unique requirements, and optimize workflows to align seamlessly with your organization's processes. By leveraging custom modules, businesses can unlock greater efficiency, productivity, and innovation, empowering them to stay competitive in today's dynamic market landscape. In this tutorial, we'll guide you step by step on how to easily download and install modules from the Odoo App Store.
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
A Visual Guide to 1 Samuel | A Tale of Two HeartsSteve Thomason
These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
Temple of Asclepius in Thrace. Excavation resultsKrassimira Luka
The temple and the sanctuary around were dedicated to Asklepios Zmidrenus. This name has been known since 1875 when an inscription dedicated to him was discovered in Rome. The inscription is dated in 227 AD and was left by soldiers originating from the city of Philippopolis (modern Plovdiv).
THE SACRIFICE HOW PRO-PALESTINE PROTESTS STUDENTS ARE SACRIFICING TO CHANGE T...indexPub
The recent surge in pro-Palestine student activism has prompted significant responses from universities, ranging from negotiations and divestment commitments to increased transparency about investments in companies supporting the war on Gaza. This activism has led to the cessation of student encampments but also highlighted the substantial sacrifices made by students, including academic disruptions and personal risks. The primary drivers of these protests are poor university administration, lack of transparency, and inadequate communication between officials and students. This study examines the profound emotional, psychological, and professional impacts on students engaged in pro-Palestine protests, focusing on Generation Z's (Gen-Z) activism dynamics. This paper explores the significant sacrifices made by these students and even the professors supporting the pro-Palestine movement, with a focus on recent global movements. Through an in-depth analysis of printed and electronic media, the study examines the impacts of these sacrifices on the academic and personal lives of those involved. The paper highlights examples from various universities, demonstrating student activism's long-term and short-term effects, including disciplinary actions, social backlash, and career implications. The researchers also explore the broader implications of student sacrifices. The findings reveal that these sacrifices are driven by a profound commitment to justice and human rights, and are influenced by the increasing availability of information, peer interactions, and personal convictions. The study also discusses the broader implications of this activism, comparing it to historical precedents and assessing its potential to influence policy and public opinion. The emotional and psychological toll on student activists is significant, but their sense of purpose and community support mitigates some of these challenges. However, the researchers call for acknowledging the broader Impact of these sacrifices on the future global movement of FreePalestine.
Elevate Your Nonprofit's Online Presence_ A Guide to Effective SEO Strategies...TechSoup
Whether you're new to SEO or looking to refine your existing strategies, this webinar will provide you with actionable insights and practical tips to elevate your nonprofit's online presence.
7. Image Services Team 7 Ashley Burke, Computer Resource Manager Judy Bube, Research Librarian for Medicine Holly Tomren, Head of Monograph, Electronic Resources and Metadata Cataloging Jeff Schneidewind, Emerging Technologies Research Specialist Virginia Allison, Research Librarian for Visual Arts Jorge Santiago. Grunigen Medical Library Computer Resource Specialist
Introduction: Over the last two years the UC Irvine libraries have seen a sharp increase in reference questions concerning the visual. Image-based research has permeated every discipline on our campus from medicine and science, to comparative literature. [CLICK]
A cursory search through past Reference transcripts provides some examples: A Medical student wrote: I am doing a poster for a conference, and I am looking for a picture of the bony anatomy of the knee, I am just not sure where to look for images that are copyright free. A Social Sciences student wrote: Where can I get a graph or chart showing population increase after World War Two? Specifically in Los Angeles? These sorts of questions expand beyond the traditional purview of arts librarians. Visual literacy education provides a vital set of skills for students, instructors, and all subject librarians to meet interdisciplinary image-research needs [CLICK]
In discussing this proliferation of image-based research with our Reference Coordinator, we began outlining a plan to implement a Visual Literacy Education program. It is a popular assumption that libraries are perfectly poised to play a direct role in bringing Visual Literacy initiatives to our institutions. We noticed that there is plenty of literature outlining the importance of Visual Literacy Education, but there are few models for implementing Visual Literacy Education in academia. We had a general idea of how to implement and evaluate a visual literacy program. But we needed to know more specific steps for growing the program such as, which visual literacy skills are essential to promote and what exactly is the libraries’ role in teaching visual literacy? [CLICK]
We formed a talented team of staff and librarians and worked together to form our vision: Our approach for implementing a program for Visual Literacy education starts in the Libraries. We are currently in Phase One , immerse reference librarians and staff in Visual Literacy Training. In phase one we are training reference librarians and staff to be visual literacy ambassadors, ready to teach and promote visual literacy awareness across campus. In Phase Two Reference Librarians will embed learning objects created in phase one into their instructions sessions. Reference staff and librarians will apply visual literacy knowledge in reference transactions as needed. In Phase three we will work with undergraduate curriculum developers to find areas to embed visual literacy education training sessions. Before we set about implementing our vision, we designed and administered a survey to get a better understanding of what sorts of challenges or frustrations librarians face in working with students and faculty on imaged-based research. [CLICK]
When asked what skill is most valuable when helping students with image based research, 33% of reference staff and librarians surveyed thought that possessing web design and Photoshop proficiency was the most important skill need to help students with image-based research. Possessing the ability to analyze and evaluate visual information was voted as the least valuable skill, second to knowledge of ARTstor which was not selected by any participants who filled out the survey. Only 25% of reference staff and librarians surveyed strongly agreed that they were confident in their ability to create and manage digital images Our reference staff and librarians identified areas where they would like more training such as: -More practice describing images A review of image formats and manipulation tools More copyright training Practice handling image-based research questions AND Help identifying and creating image source citations [CLICK]
What resulted from this survey, is a training rubric that provides a framework for initiating visual literacy education within the libraries. There are eight modular training sessions on the rubric. Each session includes one to two visual literacy objectives. There are 10 training objectives in all. [CLICK]
Shortly after I issued this survey, The image services team was formed The team consists of representatives from many departments across the UC Irvine Libraries: We were asked to monitor the emerging issues and trends related to image services, image resources, and image standards and to collectively identify ways to share visual literacy skills and fluency with library colleagues. The team set about developing training sessions based on the objectives in our Visual Literacy training rubric. [CLICK]
We have combined our objectives into what we hope will be digestible training modules. For each session or module, we are developing a “takeaway” training tool that is embedded in our Visual Literacy Guide. It is our hope that Librarians will be able to integrate these tools or learning objects into their instruction session, libguides, and reference transactions as appropriate. These sessions will cover image presentation standards and tools, visual data, knowledge of best practices for scanning images, image metadata, digital image creation, editing and manipulation. After each session, we are gathering feedback so that we can improve our resources before sharing them with students and instructors on campus. We delivered our first session to our reference staff and librarians in the fall of 2010. For session one our objectives were for librarians to be able to articulate image research needs, and to have a clear understanding of copyright, fair use, and image appropriation. [CLICK]
For Session one, we created a hyperlinked mind map titled “Images for Academic Use.” We used this online tool to explain why it is important to ask patrons how they plan to use their images. We demonstrated how you can use the hyperlinks embedded in the mind map to quickly find resources when copyright restrictions are necessary to consider, such as: when a patron wants to find an image for a poster that will be published on the open web or an image that is labeled for reuse for an artistic appropriation assignment or when a patron wants to find images for a classroom presentation [CLICK]
We pointed to the clear distinction between our Digital Images Guide and our Visual Literacy Guide. We adapted the Digital Images Guide, into a campus wide resource for finding subject specific images rather than a resource strictly for arts. Our team created pages for medicine, science, architecture and public domain image resources. [CLICK]
Our Visual Literacy Guide is meant to be more of a learning resource. With information on copyright, citing images, presentation guidelines, and more. This guide is evolving as we develop learning objects and resources for our sessions. Our mindmap on images for academic use currently resides on this guide. After introducing these resources, our team provided example scenarios where the reference staff or librarian would need to determine the appropriate image resource to point a patron to. We walked through the scenarios demonstrating how to find images by license type in Google Images and Flickr, and how and when to use images with Creative Commons licenses. [CLICK] [CLICK]
We delivered Session two during our winter quarter, this past Feb. Our objectives for this session were for reference librarians and staff to be able to: gain fluency in basic image terminology, including digital image formats and image anatomy and to understand and identify the elements and principles of design [CLICK]
We began by introducing the “grammar of visual literacy” through a slide show on the elements and principles of design. For the hands-on component of this session, we prepared reference staff and librarians ahead of time by asking them all to obtain flickr accounts and join our flickr group titled Design 101. [CLICK]
After presenting on the elements and principles of design, we had everyone partner up and try to tag as many photos as possible in our flickr group using the elements of principles and design within a ten min. time frame. We were then able to search within the group by tag. For example we could search for the tag “texture” within the group and all images that had been tagged that element would pop up. This exercise allowed us to review and further define the elements and principles of design [CLICK]
Next, we presented a power point on the anatomy of a digital images After a short presentation, we used i-clickers to do a “game show” type of quiz. We asked our audience to buzz in the correct definition listed on the right when presented with a term on the left. File Size [CLICK] Resolution [CLICK] File Format [CLICK] Pixel, and [CLICK] Compression [CLICK]
For the final hands on portion of this session, we discussed how librarians design crucial information everyday. We went over a few basic rules on designing and writing for the web, making certain to emphasize how the elements and principles of design apply. We also distributed the excellent handout from Nedda Ahmed and Jill E. Luedke from their ARLIS/NA 2010 workshop titled: Innovative Applications for Instructive Outreach: Best Practices for Libguides and online Pathfinders - Our group practiced using design principles in editing their libguides during the last ten minutes of our session. In our evaluation survey, half of the librarians that responded did not know about the elements and principles of design before the session. [CLICK]
This winter ACRL’s Image Resources Interest Group or IRIG released a draft document titled: Visual Literacy Competency Standards for Higher Education. The standards were collaboratively written by members of the Visual Literacy Task force using the information literacy competency standards as a foundational document. These seven standards are designed to facilitate [quote] the development of skills and competencies required for students to engage with images in an academic environment, and critically use and produce visual media throughout their professional lives.[end quote] In comparing our objectives with the standards on this document the Image Services Team is excited to see that our rubric mirrors these standards. However, the ACRL/IRIG document goes beyond listing core standards by providing several detailed measurable objectives for each standard. This is a missing element in our rubric and will prove to be very valuable when creating evaluations for future sessions. Almost all libraries are currently struggling under the weight of smaller budgets and restricted resources. Having a clear set of guidelines for visual literacy education can help your library establish a tailored plan for bringing visual literacy education to your campus. [CLICK]
This month marks our one year anniversary since the Image Services Team was first formed. We are taking this time to assess and evaluate our program of services. Thus far, the team has found the modular training approach to be very successful. This approach is scalable for the team in that we can develop the sessions one at a time, and short enough that the information we deliver is not too overwhelming. By providing modular nuggets of information once a month, we can re-emphasize what was covered in previous sessions while adding to the reference staff and librarians’ visual literacy knowledge base. As we reflect on our progress, it occurred to our team that in the future we should record our sessions and make them available for others who could not attend or who would like to revisit the information presented. It is difficult to measure our progress at this early phase. We have not yet attempted to measure if librarians are applying their knowledge in reference transactions or their Bibliographic Instruction Sessions. Once we cycle through all eight sessions, we plan on sending out a short answer survey to see if we can get some indication as to what is being applied. We do have a sense from our reference librarians staff that learning visual literacy skills has been empowering. Not only is visual literacy education useful for reference work, it also directly applies to our work as designers of libguides, webpages, and pathfinders. An unexpected hurdle is that these sessions take a long time to schedule and prepare, at the pace of one session per quarter, we will not get through our training rubric until Spring of 2012. [CLICK]
The Image Services Team is taking these lessons learned and planning for the future. We hope to begin partnering with UC Irvine’s undergraduate curriculum developers to promote our libguides and integrate some of our tools and resources into image-based research assignments. We are working with our Research Librarian for Education and Outreach to find areas in the undergraduate experience where it would make sense to embed visual literacy training. This next phase will be far more challenging as it requires us to get out of our comfort zone and network while thinking outside of the box. We feel confident in rolling out our visual literacy training tools and resources to students and faculty across campus because of our grass roots approach. Having vetted these materials within the libraries we know that our staff is prepared to reinforce visual literacy education efforts with students at the reference desk. [CLICK]
The efforts of the Image Services Team have grown organically from the needs of the libraries. In considering how your library might implement Visual Literacy initiatives on campus, it is important to ask if your staff is fully prepared to reinforce visual literacy standards. After all, image based research permeates all disciplines across campus. Bringing your reference librarians and staff on board can be a first step in reaching key players at your institution. [CLICK]
There are a number of online resources available to facilitate Visual Literacy awareness and education. Our team has attempted to capture some of them on a page of our Visual Literacy guide titled further resources. The image services team invites you to visit our guide and click through our tools and resources often as our project grows.
We look forward to your feedback and questions, and are eager to hear about and learn from your visual literacy education programs.
In closing I want to Acknowledge those who have contributed to this project, including the: Image Services Team Members Our Reference Supervisor, Cynthia Johnson and our AUL for Collections, Lorelei Tanji As well as my Art Librarian Intern from, Sacramento State, Alex Jenkins