Rhetorical Situation Analysis

Rhetorical Situation
Rhetoric is what can be known about a subject; it is engaged in speech or writing. Rhetoric is a
technique of using language effectively and persuasively in spoken or written form. This technique
can convince, please, or influence an audience. It achieves a particular emphasis or effect. Rhetoric
is any communication used to change the perspectives of others. Rhetorical Situation is the
circumstances in which you communicate. In the rhetorical situation, you have the subject, the
audience, the purpose/ aim, and the medium. The aim or purpose is the goal of the writer and it
depends on the effect the writer want to have a specific audience. The subject is the topic of the
rhetorical situation. The audience is the people the writer is addressing, ... Show more content on
Helpwriting.net ...
When a reader engages in what he or she is reading, he or she is optimizing learning. When you read
something with a determination to understand and evaluate it to fit your needs is active reading.
Rereading is not an effective way to understand and learn the text. Reading response assignments
have taught me how to read the text carefully for main ideas, important information, and critiques. I
have learned when integrating your own ideas with the ideas of others you need to try to avoid
plagiarism. Analyzing the text plays a part in integrating your ideas and own words with the text you
are reading. When writing an analysis of text, it is requiring the writer interject his or her own
opinion and interpretation of the text and meaning while incorporating the ideas of the author or
others. When integrating your ideas with other ideas, you must cite the others' works. To be an
effective writer, you must acknowledge other people work. Creating a reference page is very
important when writing so every work is credited. Critical thinking gives the person to think clearly
and rationally and be understand the ideas. Critically thinking allows you to think of the best
solution. When you critically thinking you can compare and contrast, explain what happen,
understand the perspectives of others, and evaluate ideas and opinions. Thinking critical lays a
foundation to make judgments, solve problems, think creatively, and communicate
... Get more on HelpWriting.net ...

Essay On Representing More People In Television
Representing More People in Television
Television is a form of media that has been around since the 1950's and has made slow but steady
progress in representing everyone since then. We have come a long way from the shows about a
white American, upper middle class, nuclear family that lives in the suburbs. Today, representation
in television is much broader, but still has shortcomings. From the 1950's to the 1990's, many shows
were about families or a group of friends, such as The Brady Bunch, Cheers, and The Fresh Prince
of Bel–Air. Progress has been made prior to the 2010's but nowhere near as much progress as the
shows that have been aired in this current decade.
One show that stomps on racial stereotypes is Master Of None, a show about ... Show more content
on Helpwriting.net ...
For most of television history, women have been stereotyped and held secondary roles. The timeless
classic, I Love Lucy, was a program that was well ahead of its time. Lucille Ball plays the lead role
and breaks the stereotype that women aren't funny. But this is one of the few, if not, the only early
television sitcom that breaks the mold of its time. Many shows and series of the first few decades of
television feature women as the typical stay at home mom or the fragile damsel in distress that have
very simple lines. However, that sentiment is changing drastically because of shows like Orange Is
the New Black (OitNB), a show that is about a women's prison and the lives of the inmates. Many
types of women are represented; women of color, LGBT women, and even women with mental
illnesses. Each character is complex and portrayed realistically. No role is strictly designated as a
villain, hero, love interest, or the one character that has to be saved. This is completely different
from the roles that women played in the past. Oliver Lee Bateman of TeenVogue mentioned a
pattern in women's roles in sitcoms, "And nobody can overlook the slob husband/hyper–competent,
nagging wife dynamic on display in shows ranging from Home Improvement and Everybody Loves
Raymond to The King of Queens." Those shows aired in the 1990's and early 2000's, OitNB
premiered in 2013. It might be gradual but the drive to have more

Koharih Maru Research Paper
"This is the Kobayashi Maru... Please help!" Any true Star Trek fan knows the story of the
Kobayashi Maru. It was the test only one Starfleet cadet had ever beaten. In your simulated Starship,
you come across a badly damaged third class Neutronic Fuel Carrier, named the Kobayashi Maru,
floating through a Klingon neutral zone. Intergalactic treaty states that Starfleet fighters, such as the
one you are the Captain of, cannot enter the neutral zone. However the life support systems are
down on the Kobayashi Maru and they require you to rescue the passengers and crew. You are
presented with two options: Enter the neutral zone and start intergalactic war, or leave the
Kobayashi Maru to die. If you chose the latter, you will have the death of 381 persons on your
conscious, their screams pleas for help echoing in your head, and if you chose the ... Show more
content on Helpwriting.net ...
Kentucky Law requires marriage licences to be issued in the county clerk's' name, and in fact all
marriage licences are obtained through the county clerk's office. If Gov. Beshear had provided a way
to take Davis' name off of the licence, perhaps there could've been resolution, and same–sex couples
could have left Davis' and stepped into a new chapter of life. We need to turn the no win into
everybody wins. As of now in Kentucky, there has been some resolution. As was requested over a
year ago, the name "Kim Davis" will not appear on any marriage licence issued in Rowan county.
Not because she has left her post, but because Gov. Beshear has ordered the removal of the county
and name of the clerk on all marriage licenses. Instead of "Rowan County," the top of marriage
licences now only say "Commonwealth of Kentucky," and Davis need not sign the documents
anymore, as one of her deputies can sign them as a Notary

Sitcoms Influence On American Culture
Sitcoms have long been characterized by laughter, large casts of characters, and recurring locations.
While these qualities have remained consistent over the years, sitcoms have adjusted over time to
better reflect their audience. A number of pre–2000s shows such as Friends and Cheers depict an
idealized group of friends who spend sizeable amounts of their days with each other. These
characters rarely come into conflict, and they confront any problem as a group. These shows possess
a generally positive vibe, acting as a form of escapism for anyone who might be feeling down.
However, these shows have become rarer and less popular over the course of the 2000s due to
changing American perceptions of the world, which have become more pessimistic over time.
Possible reasons for this include personal conflicts, financial struggles, or increased exposure to ...
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The characters of It's Always Sunny in Philadelphia, collectively referred to as "the Gang," are a
group of almost irredeemable individuals who cannot truly be considered friends. Most episodes
depict one or more members of the group creating and carrying out a convoluted plot to acquire
something, such as money or revenge. Each character is willing to betray, manipulate, and abuse one
another in order to get ahead. They have very few positive qualities, and their many flaws include
addiction, illiteracy, sociopathy, repressed homosexuality, and extreme narcissism. In contrast, the
characters of The Office are far more good–natured. While the show often focuses on the conflict
between the characters, these disputes are much more tame and innocent compared to those in It's
Always Sunny in Philadelphia. Additionally, this strife often originates from misunderstanding or
ignorance, rather than outright malice. Despite their differences, many of the characters still end up
in positive relationships with each

Sitcoms : A Sitcom And Sitcom Essay
A Comparative of Sitcoms A situation comedy, or sitcom, is defined as a comedy series involving
the same characters in various day–to–day situations which are developed as separate stories for
each episode (Dictionary.com). The structure of a sitcom has not changed much since its inception
on radio, but the characters and premises of the show change with the different times the shows are
based in. This paper will focus on the history of sitcoms as they made the transition from radio to
television, and a comparison of an early sitcom to one of modern times. Specifically, the themes that
the shows addressed, relationships in the show, diversity of the characters, and the portrayed roles of
women in the household will be compared and contrasted for I Love Lucy and Modern Family.
Situational comedies have been an important genre in story telling since the age of radio. At the
inception of radio in the mid–to–late 1920s, sitcoms were present (Edgerton 130). The simple comic
premise for each program meant a lot of time did not have to be committed to listening to the
program. Someone could listen to just one episode and then not again for weeks, but still be able to
understand what was happening. One of the first comedy series on radio was Amos & Andy which
premiered in 1926, and focused on the life of two black men and their friends (History of American
Radio). The characters of the program were urban, ethnic, working–class families in Harlem, and in
this way Amos and Andy was

Effects of Television on Our Society Essays
Effects of Television on Our Society
INTRODUCTION
Plato once, prophetically, posed a question that hints at the very core of this project. In
philosophizing on the issue of entertainment and its various, sometimes questionable, sources he
asked his fellow citizens to consider the following
"Shall we just carelessly allow our children to hear casual tales which may be devised by casual
persons, and to receive into their minds ideas for the most part the very opposite of those which we
should wish them to have when they are grown up?"
Shall we indeed? It is an ongoing debate. Plato obviously recognized the power stories have to
shape who and what we are, and although some may be reluctant to admit to how much influence
TV ... Show more content on Helpwriting.net ...
The work of communication theorist and professor, Stuart Hall, confirms that meanings are not
inherently in people; rather they are derived from external sources, one primary source being the
mass media to which we are repeatedly exposed; in our homes, in our cars, and on the job. Hall
asserts " the media serves the myth of democratic pluralism–the pretense that society is held
together by common norms, including equal opportunity, respect for diversity, individual rights.."
(Griffin 2000). TV sitcoms may not be intended to mirror our society, but they are perceived as such
and the resulting ideology is a culture that at some level accepts what's being handed to them
without examining the messages within. This newsletter is an attempt to examine these messages on
a deeper, more critical level. OUTLINE
Race Portrayal and Sitcoms Gender Issues
Stereotypes TV Families
Television Violence Religion in Contemporary Sitcoms Religion in The Simpsons
Pop Culture and The Simpsons Race Portrayal on Sitcoms
In today's society, it is safe to say that everyone has seen at least one sitcom in his or her life. The
sitcom is simply a show about day–to–day life, with funny situations and problems and obstacles

that must be overcome. People can relate to sitcoms because the characters are just average families
and average people with average jobs. Sitcoms are essentially tapping at the root of American
Humanism; drawing people's interest about

Television and Media
Seinfeld – Much Ado About Nothing
We like to label things in our culture. Those over the age of 65 are called senior citizens. Those
under the age of 18 are called children. Anyone falling in between those ages are considered adults
and there are certain expectations placed on that demographic. Adults are the backbone of society,
responsible for basically just about everything. Television reflects that responsibility, as adults are
usually portrayed as hard–working, career–oriented, and often married and raising children. With
television reinforcing these expectations, many young people have probably felt that they need to
grow into these roles and become responsible adults. A decade ago, however, NBC's sitcom Seinfeld
debuted ... Show more content on Helpwriting.net ...
For the most part, they showed little interest in following the pack and doing what was expected of
them. For Jerry and the gang, the idea of getting married and having children was almost
preposterous. To engage in that level of responsibility would seriously hinder the sense of personal
freedom these characters enjoyed. The fact that these characters were, for the most part, happy with
their lives and situations is important. Their contentment shows viewers that there is life outside of
marriage and career, and it doesn't have to be empty. I think this is especially important for younger
viewers, such as teens and college students. Young adults are inundated with societal expectations
through their teachers and parents (as well as television and other media), and may feel they have to
achieve certain things in order to be considered successful. When we look at the number of adults
who suffer from depression due to work related stress, marriage problems, and divorce, it seems
evident that many, many adults are unhappy with their lives. It does not therefore, seem outlandish
to ponder that perhaps the reason so many people are unfulfilled is because they felt they had to live
a certain life in order to meet the expectations of others. All issues of entertainment aside, Seinfeld
was important because it offered impressionable viewers an alternative to a life that may not be
suited for them at all.
The characters of

Seinfeld's Impact on American Culture Essay
Seinfeld's Impact on American Culture
Jerry Seinfeld's television sitcom, "Seinfeld," which went off the air in 1999, is still one of the most
culturally pertinent shows today. The show dealt with little nuances of American society. A puffy
shirt, for example, could be the main subject for an entire show. This show, which was derived from
Jerry Seinfeld's observational humor, was voted as the "Greatest Show of All Time" by TV Guide in
2002. According to the show's official website, the ratings for the syndicated version of Seinfeld are
ahead of many of the current primetime comedies ("Seinfeld" 2/5).
"Seinfeld" was always present in my home during its nine–year run on Thursday nights as "Must
See TV," and the social ... Show more content on Helpwriting.net ...
Of his obsessive nature his mother said: "He never wanted just a piece of chocolate cake, it was the
whole cake. And he always waited until he got what he wanted" ("Jerry Seinfeld" 1/7).
Soon Seinfeld's easy–to–relate to humor gave way to regular appearances on "The Tonight Show"
and "Late Night with David Letterman." Other more gimmicky comedians failed the test of time, but
Seinfeld's steadfast style made his popularity bloom. Despite national exposure, Seinfeld still stayed
close to his roots, continuing to play at small venues as well as on television. With jokes like: "They
say Tide cleans bloodstains. I say if you've got a T–shirt with bloodstains, then maybe laundry isn't
your biggest problem" ("Jerry Seinfeld" 3/7) it's not hard to see why Seinfeld caught on.
In 1990, "Seinfeld," a sitcom based on Seinfeld's humor, debuted as a summer replacement show.
Seinfeld allowed characters on the show to embody some of the idiosyncrasies his stand–up comedy
had observed. Seinfeld played himself on the show, and the other characters on the sitcom were
based on friends and acquaintances in Seinfeld's real life. The show was set in a recognizable
Manhattan with specific storefronts and locales in the cut scenes and dialogue. The plot of an
episode of "Seinfeld" usually centered on the daily menial tasks of the characters and the little
quirks that they observed along the way. "Seinfeld," widely

Television Sitcom : A Tv Sitcom
In a 1988 BBC 'network' examination the former Chief Executive of Channel 4 Jeremy Isaccs said
of sitcom "It is a form in which it is impossible to bring new work. It is the most conventional form
in British television,"(Neale & Krutnik, 1990) while this comment is nearly 30 years old I feel
Isaccs point still stands. Since television 's rise to dominance in the 50's and 60's television sitcom
hadn't progressed much from their radio sitcom forerunners, by the 1980's the cliche and the tropes
were so ingrained in British culture that it could have been viewed as a tired old medium. However I
would argue that the archetypes, cliches and tropes that may seem old hat are actually the key to the
successful rise of the surreal and post–modern ... Show more content on Helpwriting.net ...
In writing about the translation of The Office Jim Benson notes that studios were being a bit
precatious in developing a new wave of sitcoms as comedy had seen a slump in the decade before
unable to emulate the success of Everybody Loves Raymond, Friends and Seinfeld. This slump in
interest from the US market was believed to be because the modern viewer didn 't have the same
connection the family home life and domestic situations as the generation before, therefore just like
Neale and Krutnik pointed out something new had to be added into the mix. Benson states that the
US networks tried to tap into the "obsession with Ultra–long work weeks, technology and pop–
culture." This almost satirical view of society is best explored in the office as the representation of
'real people' is both subtle and extreme blurring the lines between surreal and factual.
The Simpsons (Fox, 1989) is America's longest running sitcom, the youtube channel 'Now You See
It' suggests that this is because of "The Perfect Balance." (Now You See It, 2015) The use of classic
sitcom techniques such as sincere lessons revolving around relatable topics like home life, religion
and the workplace teamed with 'cartoon' humour allows for The Simpsons to both make us laugh
and make us empathise with the characters in a way other

The Comedy of the American Dream Essays
The Comedy of the American Dream
In the early 1950s, the American dream was the nation's common heartbeat. Citizens longed for the
?ideal? family; most hid their shortcomings. The nuclear family included a mother, father, two
children and a pet, all residing in suburbia, USA. Fathers were the breadwinners, and mothers stayed
home, cooked, and cared for the kids. Each family included a boy and a girl, the former who always
parted his hair to the side and the latter who always wore pigtails. The nation was convinced that if
one worked hard enough, he or she could earn enough money to support the family and have plenty
of professional satisfaction. Everyone sat down to dinner together nightly, and discussed his/her day,
and innocence ... Show more content on Helpwriting.net ...
The main comedy of the picture arises from the innocence of the characters clashing with the
worldly realisms, and the color transformation of Pleasantville parallels the transition that American
humor has taken over the past half–century. Despite the harsh realities of the Depression and World
War II that led up to this age, an innocence was assumed during the 50s; today, no subject is too
controversial for television. In fact, the main facet of American humor today is the shock between
the ideology of the American dream as it supposedly existed earlier this century and the subsequent
recognition of reality.
Historians and academics offer definitions which underlie today?s humor. In 1937, Walter Blair,
whose 60–year study of humor focused on the nineteenth century development of the genre, stated
that American humor was neither produced only in America nor contained characteristics privy only
to Americans. He offered instead that American humor meant ?humor which is American in that it
has an emphatic ?native quality??a quality imparted by its subject matter and its technique? (92). H.
R. Haweis, half a century earlier in 1882, had defined the technique of American humor as the three
shocks of contrast: business and piety, Aboriginal and Yankee, and the bigness of American nature
versus the smallness of

Television And Its Impact On Society 's Life
Television comes in many forms, from a box in your living room to the screen on your smart phone.
From its creation to this very day it has impacted society's way of life and enforced ideologies that
affect various decisions. Television is what connects us to the outside world. It provides a sense of
belonging for many and, metaphorically, becomes a member of the family. The concept of
Patriarchy has been present in sitcoms and influences how we are supposed to act around others.
Despite the downfall of sitcoms recently, they still are used to help us gain an understanding. In
Modern Family's "Mother's Day" episode, these ideologies are reflected through how a normal
person would use them today. The discussion of place, home and family is illustrated yet also
broken down within the episode.
The concept of home is an influential and prevailing one to say the least. It is considered a place, as
there is an attached emotion and a sense of belonging. Adding to this, it is something that can be
constructed and shifted by an individual. As many see it, "to characterise someone as homeless is to
imply some moral lack or weakness" (Silverstone, 1994, p. 26). Home stacks together our identity,
belonging and how we are able to view the world. Alongside this, comes in television, which then is
placed in a shared area that is often referred to as the family or living room. The way a sitcom
portrays a family is how the viewing family will then use to influence their actions. For

Communication for Sandwich Blitz Unit 9
COMMUNICATION FOR SANDWICH BLITZ (UNIT 9) August 7, 2012 Kaplan University
Professor William Okrepkie To: All Site Managers, This email is to confirm that we have decided to
take our business to the next level. Over the past 90 days, we have been testing and trying to get the
bugs out of the E–Customer Ordering System. We have realized that by using this new system we
will be able to increase efficiency with our customers by 45%, with a 99.9% accuracy level in
getting our customer orders correct. We have realized the problems you all have been having, due to
the influx of new customers that have been visiting all of your locations. So we have decided to help
remedy these ... Show more content on Helpwriting.net ...
In order for us to expand we need everyone to work together as a team, and no idea need to go
unheard. We need everyone's input to see where we are lacking. When the automated system is up
and running we can probably run more spot incentives for the employees to help build morale. We
know the associates are not happy right now, so in making these changes, this should make them
feel better about us. We also feel that if we show the associates that we care about them, and with
these new automated machines in place we will see a huge jump in productivity. We will be
implementing something else. We feel if we bring a little challenge into the mix that is beneficial to
each one of your sites. You all should really enjoy it. We are going to try a new approach with
monthly incentives. We feel that with us moving forward as a team oriented company we need to
reward our teams when they go above and beyond. So here is how we will structure our new
monthly incentive plan: Your site has to have the most sales, and exceeded the site with the most
sales by 5% from the previous month. If your site complete these task, everyone who is employed in
that site will receive a 4% bonus in their pay. The bonus will reflect in the 1st pay period after the
last day of the previous month. Please advise all of your associates of the new monthly bonus
structure. If

Essay on The Popularity of Seinfeld
The Popularity of Seinfeld
Add a dash Elaine, a spoonful of Jerry, a pinch of George, and handful of Kramer and you end up
with a perfectly seasoned spicy sitcom that Americans just can not get enough of. Seinfeld, featuring
the hilarious stand up comedian Jerry Seinfeld himself, is dear to many of our hearts and the show
plays an essential part in satisfying our constant quest for humor. The show focuses on real life
situations and problems such as romance, friends, careers, and adventures that everyone can relate
to. I believe that Seinfeld is attractive to most people for a variety of reasons. For these reasons the
shows success was inevitable. Each of the characters has it's own unique personality and by using
this formula ... Show more content on Helpwriting.net ...
Jerry's contribution to the fearsome four is as important as the peanut butter in a peanut butter and
jelly sandwich. It's great by itself, but even better with its complements. His character appeals to the
sensible and laid back audience because they can relate. However, the complete opposite types
swoon over him because they envy the qualities that they would like to possess. I would have to say
that Jerry is mostly responsible for the shows immediate fame and without him Seinfeld just
wouldn't be Seinfeld. Jason Alexander, who plays George, has a unique combination of traits that
make him irresistibly hilarious. He pulls off the sympathetic and charming sort while other times
he's purely devious and radical. He plays Jerry's sidekick and together they foolishly run around
New York City like kids in a candy store. Jason also has his share of accomplishments such as two
Emmy nominations, a Golden Globe nomination and two American Comedy Awards for best
supporting actor in a television series. George portrays the baldheaded stingy mastermind who's
always stirring up trouble and brewing up schemes to make him look cooler than we all know he
really is. His tendency to become easily red faced and throw random tantrums captures viewer's
attention. Because of George's love/hate relationship with his friends he is always a focal point for
the show. His short,

The Sitcom Of Television By William Asher 's ' Bewitched '...
Situation comedies, or sitcoms for short, first began between 1946 and 1947 in the United Kingdom
when broadcast station BBC aired Pinwright's Progress (Aaron,2014). The United States soon
followed airing their first sitcom in 1950. William Asher has been credited with being the "man who
invented the sitcom," having directed over two dozen of the leading sitcoms from the 1950s through
the 1970s (Cook, 1999). Some of Asher's finest works include "Bewitched" and "I Love Lucy",
classics that are still around today. Although situation comedies have been able to withstand time,
even with new evolving technology that allows a high focus on effects that have allowed science
fiction shows to thrive, they are far from where they began from William Asher's time.
Television has always portrayed the culture of the time and in the 1950s a very domestic picture was
painted. Family, marriage, and an obedient housewife were all a common factor in sitcoms during
this time. Contrary to popular belief, sitcoms in the 1950s rarely portrayed men as loving, doting,
patriarchs, but rather as distant providers of the family with stick and stern rules for both their
children and wife. (Anderson, 2012). Although television has changed rapidly since the 1950s I
argue that the representation of men in sitcoms have evolved very little over time. Using both
sitcoms from the 1950's and today I plan to prove that an emphasis on masculinity and male
dominance have remained a common underlying theme since

George Lopez
George Lopez (born April 23, 1961) is a Mexican American comedian and actor. He is one of the
most prominent Mexican–Americans from within the Latino community to be recognized in
mainstream North American popular culture. He is perhaps best known for starring in his own
produced television sitcom show entitled George Lopez.
Contents [hide]
1 Life
1.1 Childhood
1.2 Career
1.3 George Lopez, the television series
1.4 Controversy
1.5 Charity work
2 Awards and recognition
3 Filmography
4 References
5 External links
[edit] Life
[edit] Childhood
George Lopez was born and raised in Mission Hills, California, and was abandoned by his father
when he was two years old. George and his mother then moved into the home of his maternal ...
In an interview on The Howard Stern Show, Lopez accused Mencia of appropriating 13 minutes of
his material in Mencia's HBO special. He also claimed he had a physical altercation with Mencia
over the alleged appropriation.[4][5] Complaining about the cancellation of his television series
Lopez declared "TV just got a lot whiter!" and the fact that his show was cancelled and replaced by
Cavemen which only aired for a few episodes before its cancellation. Lopez says that ABC caused
over a hundred of his show's staff to become jobless.[6] Lopez frequently mentions his hatred for
Eric Estrada. According to Lopez, he met Estrada when he was a teenager and Estrada was in the
zenith of his career. Estrada refused to shake the teenager's hand, and Lopez has hated him ever
since. Lopez mentions this story whenever he gets the opportunity, telling the story while guest–
hosting The Jim Rome Show, and saying "Fuck that puto." In reference to Estrada in his comedy
special America's Mexican, Lopez uses this as a warning to everyone that celebrities should always
be nice to their fans as they do not know who they (fans) will grow up to be.

[edit] Charity work
A native of Los

Short Story : ' Life And Stuff '
Roseanne is a sitcom that aired from 1988– 1997, with its pilot episode titled "Life and Stuff." The
pilot of Roseanne sets up the life of the Connor family and it attempts to meant the seven goals of a
television sitcom pilot. It attempts to establish the tone and the rules of the sitcom and what is
special of different about this show that will keep viewers tuned in week after week to watch this
family over others. Roseanne is a family sitcom whose humor comes from the family 's interactions
and the mothers sarcasm and while the characters argue they will always forgive each other. One of
the most important things about the pilot of Roseanne is the show 's theme, or big idea, that is
different from most shows at its time, with it 's title character, not only being a woman, but also a
working mother who has to balance the housework and her job while not being all smiles about it all
the time. A show in which the mother actually complains about the housework and focuses on the
struggles she faces is what makes Roseanne such a unique show. The pilot begins in the Connor
kitchen and it begins to introduce us to our main characters. We begin with meeting our title
character Roseanne, a mother who is attempting to make breakfast and get her children ready for
school all before she leaves for work. We are then introduced to the children, with the Connors
having three, two girls and a boy that causes the stress for our title character. First the son is
introduced, but

Inside Security. Situation. The Current Situation Of The
Inside Security Situation The current situation of the surveillance of citizens in the United States by
government is very hostile and confusing.1 The government is allowed to intervene in our day–to–
day lives through our phone calls, internet searches, social media posts, online purchases, text
messages and any other broadcasted or internet–based sources. The United States is split between
wanting to feel safe and secure, and wanting privacy and individual freedom. This split in ideology
is currently being manifested in Washington. Shortly before Trump took office a few months ago, he
upset the intelligence officials by comparing their agencies to Nazi Germany, and suggested in
February that the intelligence officials sought to ... Show more content on Helpwriting.net ...
Ever sense the Fourth Amendment, there has been many cases where the government has intervened
and created new laws; for example, in 1934 The Federal Communications Commission Act was the
first law to formally address wiretapping, and under the FCCA, wiretapping is not illegal, stating
that the government can intervene in any telephone call or internet conversation, if there is a
probable cause. As the years went on, more Acts and laws have come into play, such as The Armed
Forces Security Agency that is an intelligence–gathering scheme made in 1945, allowing the
government to collect information without a warrant, leading to an even bigger Act called the
National Security Agency.3 This act was signed into place by President Harry S. Truman in 1952 for
the purpose of protecting the nation by monitoring, collecting, and processing any information and
data for a foreign intelligence and counterintelligence, defeating terrorists and their organizations
who pose a threat.4 These Acts come into play in 1972, when the Watergate Scandal happened
during President Nixon's reelection campaign. Five of

Theme Of Borders By Thomas King Borders
The mother in "Borders" by Thomas King reveals her pride and courage for her identity as she
crosses the border to visit her daughter Laetitia in Salt Lake City. Challenges like self–identity are
faced every step of the way, but it a person with pride and bravery who accepts it gladly. This is best
demonstrated by King and his use of conflict, repetition and literary devices. In the short story, there
is a conflict between the mother and the guards at the border. As the mother and son approach the
American border the mother refuses to give her citizenship as either Canadian or American. Once
she reaches the border, she has a conversation with the guard: "Purpose of your visit?" "Visit my
daughter." "Citizenship?" "Blackfoot," my mother told him. "Ma'am?" "Blackfoot," my mother
repeated. "Canadian?" "Blackfoot" (82).
This demonstrates the pride that the mother has for her cultural identity.
As a result of refusing to give her citizenship, the mother is stuck between the borders. The narrator
observes how "I told Stella that we were Blackfoot and Canadian, but she said that didn't count
because I was a minor. In the end, she told us that if my mother didn't;t declare her

What's So Funny About America Analysis
Mills, Brett. The Sitcom. Edinburgh: Edinburgh UP, 2009. Print.
Mill's piece provides an indepth look at the "Sitcom" and it's place in genre and vice versa. The
piece includes a brief history of the sitcom, the ways in which they are distinguished, and the
hybridity of sitcoms as a genre. Mill shows us that because sitcoms have been assumed to be so
clearly defined, little to no research has been done on them, when in fact there is very little agreed
upon amongst researchers, producers, and viewers alike. Mills concludes that what makes a sitcom
is that it has "foregrounds of comedic intent." Mills piece is thorough, but the back and forth of
using genre and sitcom to analyze one another creates confusion. At times, it makes the piece seem
unorganized and ... Show more content on Helpwriting.net ...
Comic Visions: Television Comedy and American Culture. Boston: Unwin
Hyman, 1989. Print.
This piece analyzes the sitcom in comparison to stand–up comedy. In the chapter "What's So Funny
About America?" sitcoms are broken down into elements that contrast those of stand–up. Marc
describes the two forms of comedy as very different. He states that sitcoms depend on "familiarity,
identification, and redemption of popular beliefs" while stand–up normally relies on "the shocking
violation of normative taboos."
Instead of defining sitcom as what it is, this piece draws heavily on what it is compared to stand–up
comedy. I agree with this piece that the two are very different, therefore I believe the best way to
analyze the two isn't in comparing or contrasting them. This piece relies too much on stand–up
comedy and treats sitcom as the inferior of the two.
The piece first notes that comedy forces people to forget that what they are seeing is fake, but in that
exchange experience pure emotion free from guilt. This quote, and the information about sitcoms
reinforcing a status quo help to form a realization of why they work and have continued to be a main
part of television throughout it's

“The Simpson’s” is about the satiric adventures of a...
"The Simpson's" is about the satiric adventures of a working class family in the city of Springfield.
"The Simpsons" is an example of an American sitcom. A sitcom is situation comedy, which is when
the same setting and same characters appear in every episode. Sitcoms surfaced in the 1950's in
America showing the "ideal" family. Slowly sitcoms started to show the reality of life and dealt with
social issues such as divorce and unemployment. Sitcoms have become very popular because people
could relate to the program, since they show problems that happen in every day life. In this essay, I
am going to analyze "The Simpsons" and demonstrate how it follows the conventions of the sitcom
genre.
The opening sequence of "The Simpsons" introduces ... Show more content on Helpwriting.net ...
This is makes the audience skeptical and appears unrealistic. She goes against her stereotype
because she is going against the norms of an eight–year–old girl. Later on in this episode, Bart gets a
tattoo. This goes against the norms of a young boy, because you rarely see someone getting a tattoo
that young. It adds comedic value as well. The tattoo parlor is being satirized because they are
shown as irresponsible for allowing a child to get a tattoo. Homer is shown as an unsupportive father
because he falls asleep when his children are performing on stage. He should be cheering and
watching, but he goes against his stereotype, which also adds comedic value. Marge is the only one
in this episode who does not go against her stereotype. She acts like a mother by getting angry with
Bart and watches the school production and cheers on her children.
The family as a unit is stereotyped. The father brings in the money while the mother stays at home.
The kids go to school. On the other hand, they have problems that are not "ideal" for a family. They
have a son who's failing in school, and they have financial issues. However, at the end of each
episode they are shown as happy even after the hardships. Even though they're not perfect they still
love each other. In the episode "Homer Bad Man", the family sticks together when Homer is
accused of sexual assault. The family supports him and tries to help him prove his innocence. The
family also shows signs of

Addiction in Jhumpa Lahiri´s Unaccustomed Earth: Only...
In Jhumpa Lahiri's Unaccustomed Earth, "Only Goodness" is a short story that delves further in the
relationships of an American Bengali family dealing with an addiction of a family member, and is
expressed through the protagonist Sudha, and her brother Rahul. The conflict of this story is Rahul's
drinking becoming a problem that not only affected him but his family as a whole, and that becomes
the struggle between his family and himself. "Only Goodness" plot revolves around an American
Bengali family that struggles with their son Rahul who is an alcoholic. Rahul and Sudha his sister
were their parents' biggest successes but Rahul ends up becoming more distant from his family
throughout. Later on, the story focuses on his further downfall into alcoholism. He drops out of
college, ends up moving back home to live with his parents and works in a Laundromat, and Sudha
on the opposite is doing what is expected her of becoming the saving grace of the family. Even
when Rahul and his sister Sudha were in different places in their lives, she tries to bring him back to
his senses, but she ends up not being able to in turn making their relationship very strained up until
the end. The climax in "Only Goodness" occurs when Rahul, who seemingly appeared to have
changed, rekindles his relationship with his sister and while he visits her family, he ends babysitting
his nephew Neel who ends up passing out leaving Neel unattended in the bathtub. A key setting that
this story takes place in

Fighting Charges of Assimilation in Hansberry's A Raisin...
Fighting Charges of Assimilation in Hansberry's A Raisin in the Sun and The Cosby Show
The critical reception of The Cosby Show, an enormously popular television sitcom in the 1980's,
roughly paralleled that of A Raisin in the Sun, Lorraine Hansberry's highly acclaimed play of the
1950's. Both the television series and the play helped change the way Blacks are portrayed in the
entertainment media. But despite being initially greeted with critical praise, both subsequently fell
under heavy scrutiny by many critics for being too assimilationist. However, in both cases, the
charges of assimilation may perhaps be too harsh. A Raisin in the Sun, a drama of a middle–class
family in Chicago, should not be regarded as a wholehearted ... Show more content on
Helpwriting.net ...
He longs for the socioeconomic advantages of the affluent people and assimilates to their ideas. As
Darwin Turner explains, Walter "typifies the upward–moving American male. He honors ruthless
capitalism "(4). However, all of this is not to say that Hansberry's play condones or endorses this
kind of attitude or ideal. Nor is it accurate to assume that the play is against such assimilationist
goals. Instead, A Raisin in the Sun remains decidedly and deliberately ambiguous in any sort of
moral judgment.
The 1950's was a decade in which black literature emphasized the issue of integration. Black writers
also consciously stressed the similarities between Blacks and Whites. Hansberry believed that blacks
and Whites had similar character traits and values, as A Raisin in the Sun demonstrates. However,
Hansberry "assumed a consciously ambivalent stance in regard to social integration" (Turner, 4).
The Youngers did not want to move into a white community merely out of a desire to live with
whites. They moved out of a desire for freedom and opportunity rather than for social integration.
But this motivation should not be construed as a desire to assimilate. Instead, it is a desire to achieve
an ideal shared by all Americans. In this regard, A Raisin in the Sun is not a mere proponent of black
assimilation––the play deals realistically

Drake And Josh Analysis
Analytical Essay: Drake and Josh "Pip pip da doodley doo" (Drake Parker). In Nickelodeon's Drake
and Josh, two teenagers with opposite personalities must learn to live under the same roof. Drake is
a cool, good looking, slightly daft, guitar playing, ladies man who plays by his own rules while Josh
is the dorky, clumsy, responsible one. The two must learn how to get along when Drake's mom falls
in love with and marries Josh's dad in the first episode. The rest of the series consists of the duo's
wacky misadventures. Meanwhile, Drake's mischievous little sister, Maegan, plays pranks on the
two in a constant attempt to make their lives miserable. The genre of the show is situational comedy
(sitcom) and its target audiences are preteens and younger ... Show more content on Helpwriting.net
...
Drake makes a mistake and in attempting to atone for it only ends up making the situation worse,
which then leaves Josh to pick up the pieces and everything occurs in a comical way. Overall themes
in the show include roommate drama, kids hijinks, tween sensation, Sitcoms, and surviving high
school (TV.Com). The theme of "Josh Runs Into Oprah" mainly focuses on roommate drama in that
it focuses on the relationship between the two brothers. The comedic style of Drake and Josh mainly
takes form in tropes. " If there's a sitcom trope, Drake and Josh have probably covered it"(TV
Tropes). This appeals to teens because the metaphors often relate to other shows,people, or events
that teens of that day would be infatuated

The Influence Of Family Sitcoms In The 1970's
The family sitcom has always been a form of entertainment that has brought people together, and
has played a pivotal role in American society. Family values often change over time to reflect the
issues being faced by each family member generationally. Media and entertainment are often
affected by the social and political issues of their time. Many of these issues, and the way that these
issues have shaped American values, have often influenced the content of television sitcoms.
Although family sitcoms often reflect the values of real American families, in the 1970s, many
television families had very few flaws, as opposed to the real families of the 1970s. Meanwhile,
television families more accurately represented real families in the 1980s. ... Show more content on
Helpwriting.net ...
Before the seventies, family values were more conservative and traditional with the popularization
of the nuclear family in the fifties and sixties. The nuclear family was "...built around the nucleus of
the mother and father..." (Stanley, 2012). This changed in the 1970s due to the economic and social
struggle inflicted by the Cold War and Vietnam (Stanley, 2012). Family size began to go down
because people could not afford big families anymore. This trend continued into the eighties when,
"...the average family size dropped from 3.58 people in 1970 to 3.29 people in 1980..." (Suro, 1991).
Because of financial struggle, family size was less of a priority for the average family. Another
change in the 1980s was that marriage was not valued as much as it was in previous years. When a
group of high school seniors were surveyed, there was "...a modest (4%–5%) decline in the late
1980s in the fraction of female seniors saying that they thought it very likely that they would stay
married for a lifetime to the same person..." (Thornton & Young–Demarco, 2001). Because of the
lack of optimism in the 1970s, young women were not as enthusiastic about marriage as previous
generations. Because of social, political, and economic struggles and advancements, family values
changed between these two

Middle Class In Victorian Society
Representing the middle class in media predates modern entertainment to Victorian times, when
music–halls and novels entertained audiences with exaggerations of life. These early reflections
influenced the way television comedies do today. According to Banville (2011), "All of these
cultural forms have one thing in common, the goal of representing the livid experiences of ourselves
and others to both ourselves and others" (p. 17). Although the medium changed from music–hall to
sitcom, being middle class is a shared experience that transcends decades due to the diverse
audience that identifies with the material. Victorians stereotyped lower–class men who attempted to
gain wealth or appear wealthy as feminine, therefore unworthy of wealth or royalty (Banville, 2011,
p. 18). They used stereotypes of lower–class citizens to protect their way of life, and perpetuate
wealth disparity in England. Stereotypes sustained Victorian music–halls and novels to distinguish
the wealthy from the poor, and they used these stereotypes to stifle a class of people's quality of life.
The same stereotypes are the basis for many jokes in present day comedies such as Everybody
Loves Raymond (Banville, 2011, p. 24).
Scharr (2001) argues that, "Humorous exchanges are often expressions of power between the joke–
teller and the target of the joke," is a well–supported notion (p. 25). According to Berger (1987) "We
derive pleasures from the feelings of superiority endangered when we observe these

The Family Situation Comedy ( Sitcom )
For many years now when we picture the quixotic American family our thoughts often go to the
suburbs. We visualize a family with a father, a mother and the average 2.5 children. Perhaps, this
stereotypical family has roots in the 1950 's. After World War II, there was a substantial move from
urban and rural areas to the freshly sprouted suburbs. The GI bill, signed into law in 1944, provided
significant funding for this movement with low–interest mortgage loans. (Moon, n.d.) Into the
twenty–first century, the suburbs and metropolitan areas continued their growth. (Frey, 2012) During
the period the suburbs were in their genesis, a relatively new medium, the television, was placing its
roots as a staple in the suburban living room. This device replaced the radio as a family 's focal point
for news and entertainment. In the mid–fifties, a new form of entertainment emerged, the family
situation comedy (sitcom). The show, "Father Knows Best" was credited as the first successful form
of the new style of comedy in 1954, and would have an extended run in broadcast and syndication
for the next thirteen years plus spawn many imitators such as "Leave it to Beaver". (Taflinger, 1996)
Because of their high viewership and capacity to produce income for networks, producers, and
broadcast stations, the domestic sitcom continues to saturate the small screen today. (Academy of
Television Arts & Sciences Foundation, 2013) Feasibly, the capacity of the suburban family sitcom
to

The Abc Sitcom 2 Broke Girls
The CBS sitcom 2 Broke Girls has had continuous success ever since it first aired in 2011. What
makes 2 Broke Girls different than many other TV sitcoms is that almost every member of the main
cast has a different rationality, making the show one of the most diverse sitcoms to ever exist. The
two broke girls are named Caroline and Max. Caroline has blonde hair, blue eyes, and a slim figure.
She grew up in a wealthy home, never had to work, and attended college. Caroline lived an upper–
class lifestyle until her father was convicted of financial wrongdoings and lost everything. In
contrast, Max has brown hair, brown eyes, and a larger figure and has worked since she was very
young. The two girls are waitresses in a run–down diner. In addition, the diner is owned by a very
short Asian man named Han and the cashier is an elderly black man named Earl. The sitcom follows
their lives as they learn how to deal with each other and their lower–class lifestyles. Similar to many
sitcoms, 2 Broke Girls takes advantage of the diverse ethnic and racial stereotypes of the characters
to make comedic entertainment. While the comedy in the show does grab the attention of the
audience, what also stands out is the connection of the characters. All of the commonalities that
come with living in similar situations overpower their differences in race and ethnicity. Even though
the characters' stereotypes and interactions are constantly being mocked for comedic material, they
all have a special bond

Annotated Bibliography Of Laughing At Risk
Ramsey Parra October 16th, 2017 Annotated Bibliography RHODES, N., & ELLITHORPE, M. E.
(2016). Laughing at Risk: Sitcom Laugh Tracks Communicate Norms for Behavior. Media
Psychology, 19(3), 359–380. The function that sitcom laugh tracks play in the correspondence of
social standards was researched. Members (n = 112) were presented to a sitcom in which
thoughtless driving practices were shown. One group of the members saw a portion of the sitcom
with the laugh track on, and the other group saw the same portion with the laugh track cut out.
Results demonstrate that laugh tracks do suggest data about what sorts of driving conduct is normal.
In particular, the availability of unsafe driving injunctive standards was affected by the laugh track
and situation control. This impact was directed by relating with the character who showed foolish
conduct. Openness of hazardous driving standards at that point anticipated dispositions,
unmistakable standards, and behavioral goals with respect to unsafe driving. The ramifications of
the outcomes is that media accounts can communicate standards about conduct through the laugh
track in a sitcom. This article would beneficial to my research because it exemplifies how the laugh
track is used. The laugh track is shown to indicate when the light heartedness of the situation would
be. Without the laugh track, the participants did not laugh as much compared to the participants who
did. It also demonstrates what behavior is normal and what

Socy100
Although situation comedies (sitcoms) are a staple source of entertainment in America, their content
is controlled by "gatekeepers" in all three phases of production. Gatekeepers are those individuals
who are able to control the content of material that appears in the sitcom. Production occurs in three
phases called, pre–production, production, and post–production. Gatekeeper influence starts in pre–
production.
Pre–production starts many months before any studio set is built, or actors are hired. The first
gatekeeper is the production company. They have the right to decide which ideas are worth sending
in to production. They decide if the premise and context of the proposed show will resonate with
audiences. Pushing the boundaries of ... Show more content on Helpwriting.net ...
As the cast assembles for the first read–through the script, the producer listens to the dialog and
makes decisions to remove or change parts of the script. He or she also has the authority to decide
wardrobes and set props that will create a certain perception on the show. The same dialog for a
scene can be filmed on a bus station set or a living room set to create very different perceptions of
either public humility or a personal family moment. After filming, the show moves in to post–
production. Post–production involves taking all of the short segments of the show and editing them
to suite the original script. Here, the line producer and editor are gatekeepers. The line producer is a
producer assigned to a specific episode of a sitcom. Their job is to ensure continuity of the episode
from pre–production through to final cut. Even with all the planning involved in production, several
different camera angles, set props, dialog changes are made on the set during the filming. The line
producer and editor have the power to pick and choose which elements will make the final story line
which may or may not fit exactly with the executive producers original vision. Finally, the network
production company that airs the show acts as a gatekeeper again. They reserve the right to not air
the show if it is deemed too controversial. An example of this occurred shortly after September 11,
2001. Networks chose not to air episodes of shows where the Twin Towers were

Movie Analysis: Pleasantville TV Show
Pleasantville
The movie Pleasantville filmed in 1998 and set in the 1950s depicts an interesting cross section of
the cynicism of modernity and the idealism of the past through juxtaposing old and new facets of
television. The show, Pleasantville existed in an enclosed predictable ecosystem with no knowledge
of corruption or world outside itself depicting the values portrayed in television of the 1950s.
Everyone had a role and like most sitcoms, even today every episode concluded in a positive
manner, usually with a lesson that reaffirmed the viewer's beliefs.
Television and films were mostly PG until the 60s, which is visualized in Pleasantville's stunted time
that slowly starts to alter after the introduction of the character's David and his twin sister Jane. In
television everything is carefully planned "but despite the frantic activity there is always lurking
anxiety that something unpredictable will mar the scene" (Knight, Arthur:276). Every scene of the ...
Sitcoms aim to have likable stars portraying funny character's which Kevin can wait definitely does
successfully. In the article "Situation Comedies", there is an example that ultimately depicts that
sitcoms "all in all are funny shows where no one was really worried" (Newcomb:26). The manner in
which the pilot of Kevin can Wait utilized an easily recognizable scenario of the misunderstanding
and the eventual reconciliation makes it a show that caters to what people expect from a sitcom.
From the pilot, it appears that the show could be successful, much in the same way as big bang
theory or modern family. The show appears to exist within the comfortable boundaries of its genre
which may propel it to last for a few seasons with no particularly critical impact. The show reaches
its target audience and is enjoyable to watch on occasion or have played in the

Codes and Conventions of Genres Essay
Codes and Conventions of Genres
A genre is a particular type of commodity . It has characteristic features that are known to and
recognised by the audiences because the same formula is reproduced many times.
Genre is a French word meaning that refers to types or categories of media products. Soap operas,
situation comedies, police series, quiz shows and news programmes are just some of the genres to be
found in television. Genres are identified by the particular conventions they use which are
recognised through regular contact. Conventions are any elements which are repeated in such a way
that they become familiar, predictable and associated in their use with a particular genre. ... Show
more content on Helpwriting.net ...
Black or female newsreaders, for example, have been appearing more frequently in recent years
therefore representing equality in society. However if generic conventions are simply repeated over
and over the films made could be dull and too predictable. The filmmaker relies upon conventions
but also mixes them with his or her own version and ideas in order to produce a successfully
constructed form of genre.
Nearly all stories in any genre are about situations which are disrupted by a problem for e.g., a
peaceful village is wrecked by robbers and one of the children is taken hostage, the villages find try
to find ways of getting the child back the 'good guy' is used to help the narrative along and therefore
resolves the problem. The purpose of the story provides tension for the audience, as on the other
hand the audience wish the problem to be solved but on the other hand the audience want the story
to continue in order to maintain the pleasure. Narratives have to operate strategies for both moving
towards a solution and yet simultaneously putting it off by complaints.
Genres are popular because they deal with universal dilemmas and appeal to universal needs. For
example, the dilemmas could be the hero or heroine fighting to clear his or her name; good finally
overcoming evil. Genres are entertaining in their own ways

How Have Family Sitcoms Changed?
Evolution of Family Sitcoms
"Blood is thicker than water." A saying commonly heralded by family members in order to reaffirm
the importance of family unity. These words spoke loudly to the entertainment industry as they were
trying to create new content for television. Situational comedies were quite popular, but there was a
lack of relation to family audiences. The most logical step was to combine the two. Since then, the
family sitcom is becoming the yearly ritual for television pilots. Furthermore, the question remains;
Have family sitcoms changed?
The First family sitcom to make it big is the eternally classic I love Lucy. In addition to being a
pioneer of the multi–camera setup, it is considered one of the most worldwide popular shows ...
Many identified Rosanne as the most accurate depiction of the middle class American family.
Rosanne truly is what many consider modern family... the prequel. Much like its preceding sitcom;
All in the Family, the show openly dealt with some "socially unheard of" themes. These included:
domestic violence, infidelity, gay rights. The biggest one challenged accepted ideas of the woman's
role in the family. A female character led the household and her appeal was not based on her
appearance. The women on the show worked together instead of arguing and were open with their
opinions without being punished for it.
Of course the "black sheep" to the modern family sitcom was Married... With Children. Instead of
having a respectable family, the Bundy's were an absolute joke of the family arrangement. It took
the premise of a middle class family and made them relatable to everyone. Instead of pursuing the
moral integrity lessons, Married... With Children chose to learn lessons through the immoral actions
of the family. It is notable, however, that no matter all of the problems Al Bundy faced, he always
provided for his family the best he could. Which makes the show even more enjoyable to audiences
around the

A Character Analysis Of George In Seinfeld's The Pitch
On July 5th 1989, a sitcom was born into this world that would lead television into a revolution in
comedy. Seinfeld was a television sitcom that ran for about nine seasons hosted by NBC. It was
unique in a couple of ways. One of, if not, the best way it was unique was its entire premise. In the
episode, The Pitch, the character called George sums up the shows premise in one sentence,
"Everybody's doing something, we'll do nothing." All the sitcoms around this time, such as the Fresh
Prince of Bel–air, all had a very formulaic idea about how the main character, Will, would hang out
with his family and his classmates at school. Also, it followed a strict, introduce the characters, and
introduce the problem(s), wrapped up with a solution at ... Show more content on Helpwriting.net ...
In the show, there are non–stop references to food. In fact, there are about fifty–five plus episodes
dedicated to food alone, that it about four to five seasons worth. With such a big episode count, why
is food such a big aspect? There is an old saying that generally goes that food brings everyone
together, especially around thanksgiving and Christmas. I think it is interesting that the show takes
this idea of getting together one step forward and applies that idea to a common cookie, the black
and white

South Park, Family Guy And The Simpsons
Humor is a universal phenomenon in language. It is so common that it penetrates every field of
human life and it is embodied in newspaper, magazines, dramas, literature, advertising, films and
especially situation comedies (sitcoms).As a very popular type of TV program, American sitcoms
have enormously appealed to a large group of audience. Situation comedies order the narrative and
effect a particular closure, setting up a temporal sequence and positioning the subject, not in
suspense but amusement and laughter (Woollacott, 1996). Laughter–eliciting conversation and
behavior in sitcoms have been much liked. In this essay I will talk about animated sitcoms. The
South Park, Family Guy and The Simpsons are the shows I will focus on. This essay ... Show more
In Family Guy, there are many revolutionary political opinions hide behind the characters. The
storyline is more focused towards family and societal problems, because this is where a large faction
of the audience comes from. The animator MacFarlane has carefully blended family problems and
politics with slap–stick and fart jokes in Family Guy. And there are many people who believe the
genre of Family Guy is a disgrace. Apply this notion to Family Guy, a clear example of how the
audiences are blended can be seen in the song entitled "The Fellas At The Freakin' FCC" sung by the
Family Guy's main characters– Peter (father), Brian (dog) and Stewie (son). The song is mocking
how the government wants a more firm censorship of material. This is epitome of a political
statement infused with crude humor. The song goes as

The Simpsons Modern Family Satire Analysis
Situation comedy has used conventions satire and parody is used to reinforce/challenge ideas and
stereotypes through the mocking of societal issues. In this essay I will discuss about how stereotypes
and common ideas are constructed, and how they are supported or challenged in The Simpsons and
Modern Family through the use of satire, and parody. The first sitcom viewed was The Simpsons
(in–class viewing),and is used to explore and support the common idea of 'consumer capitalism' in
society plus the idea of 'consumer debt' through the use of exaggeration and parody. The other
sitcom viewed (home viewing) was the Modern Family episode called 'Sleeper' which constructs
and challenges both parental stereotypes whilst supporting the stereotypical traits of gay couples
through the use of exaggeration and irony.
In the 'Maple' episode of The Simpsons, the main social issues explored are culture, capitalism and
consumer debt. Consumer debt, although only brief, is explored when Lisa attempts to buy
'MyPhonies' to make herself look cool, however she can't afford them. Satire in the form of
exaggeration is used to explore the idea of making the earphones much more expensive than what
they should have been. This ... Show more content on Helpwriting.net ...
In the Modern Family episode called 'Sleeper', common stereotypes that are challenged or supported
are homosexual couples, housewives and fatherly figures. The first stereotype, gay couples, is
reinforced in this episode with the use of exaggeration. The gay couple, Cameron and Mitchell, are
constructed in this episode to be feminine and emotional. Although the pair are seen as stereotypical,
Cam is more feminine in this episode, as he is very flamboyant and overreacts more compared to
Mitch who isn't as hot–headed and dresses more like a man. Through the use of exaggeration, the
actions of both Cam and Mitch are overstated and help to reflect the modern day stereotype of gay

The Television Show Black Ish
Black–ish
The television show Black–ish has caused many controversial discussion and opinions. The sitcom
features three generations of an African American family, the Johnsons, which includes a successful
executive Andre; his wife Rainbow, who is a doctor; their four kids: Andre Jr., Zoey, Jack, Diane,
and Andre's parents Pops and Ruby living in a predominantly white suburban neighborhood in Los
Angeles. The theme centers around how Andre came from a poor black neighborhood and his kids
don't seem to realize their culture. With this being the basis of the show, it has caused an uproar,
with just its name alone being said to perpetrate racial stereotypes, leaving some with feelings that
the show should be canceled (Peyser). The sitcom has even received tweets from Presidential
candidate Donald Trump about being racist. This is as far from the truth as possible. Black–ish is not
only non–racist it, but it is also a great show, providing laughs, life lessons, and diversity. Therefore,
Black–ish is a good family sitcom and meets several aspects to be judged as one.
What exactly makes a good family sitcom and establishes Black–ish as one? The first reason Black–
ish is a good family sitcom is because it does not give negative stereotypes. Despite critics believing
that the show negatively stereotypes, it actually shows the opposite. The show promotes non–
stereotypical black characters. The writers place racial issues at the forefront of many episodes in
order to open a dialogue

Sitcom : A Sitcom Or Situation Comedy
Anyone who owns a television had watched a sitcom of some kind. Ether it's a good episode of Big
Bang Theory or a whole season of How I Met Your Mother we all had experience a sitcom. A sitcom
or situation comedy is a kind of genre that forces on a set of characters in a certain environment.
Each episode would have an event that will affect the characters in the show, and then those
characters will react in a comical way. Over the decades of sitcoms airing on television, certain
sitcoms started to fellow some kind of formula. Each sitcom are different in some way, however
some have clear similarity to one another. For instance take Family Guy, which is a sitcom about of
a middle–class family, and The Simpsons, which also a sitcom about of a middle–class family. To
show the similarity and different of these two sitcoms, I will compare and contracts two episode;
episode 1 of season 1 of the Family Guy and episode 3 of season 1 of The Simpsons. I claim that
both Family Guy and The Simpsons have similar aspects, which are the theme, style of comedy, the
fathers, and their family. Most shows have an iconic theme that's specialized just for them. A small
excerpt from the theme song is enough to recognize the show. The opening of Family Guy starts of a
musical talking about the family aspect of the show. First, Lois and Peter singing about the problems
of television today and how they don't have some kind of family show, and then they immediately
zoom out to the entire main cast

Analyzing Seinfeld's Stereotypes
Seinfeld was a three time winning Golden Globe comedy show that aired on television between
1989 and 1998. The show explored daily life and numerous misadventures of Jerry Seinfeld, a New
York comedian, and his friends in 172 episodes, shared between nine seasons. The audience was
largely adults who could relate to the oh–so quirky situations Seinfeld himself would discuss in his
comedy bits, especially New Yorkers. In Season four, there were episodes that focused on messages
of gay issues and homophobia, however, Seinfeld and co–creator Larry David worried of truly
offending the gay community, they incorporated the catchphrase "Not that there's anything wrong
with that," throughout the episode of Seinfeld denying a relationship with his friend, ... Show more
The letters had been uncovered after a cabin–fire from a lit cigar left by Kramer as he and a woman
went down to the lake to skinny–dip. Mr. Ross was devastated that everything was lost in a fire
permits the audience to believe he was upset not only about the fire, but about the past life and
secrets the cabin hid from his family. Not only does Susan study the secret of her father's past, but
the audience learns how individuals would cover up their homosexuality in order to fit into society's
"norm" between 1989 and

Essay on Personal Statement
We are the media and the media is us. That statement is very broad and is so for a good reason.
Through out the world and the history of our society, media has transformed, melted, bent, molded
and made our society and culture what it is today. But at the same time, our culture and society has
done the exact same thing to media. It is hard to realize or imagine a time without televisions,
telephones, fax machines, printers, computers, cell phones, pagers and other electronic technologies
that have made our lives, hopefully, stress–free. Those items were and are still being invented today
to make our lives easier and better, but are they really making life easier and better? Media plays a
big part in defining what society wants and gets. ... Show more content on Helpwriting.net ...
Of course, this is an exaggeration and other countries should know better than to think that
Americans live like the Simpsons characters, but that is what media does to people that do not know
the society being depicted.
In addition to creating negative images of the United States, our media tarnishes the character of
specific Americans as well. Lets take old Bill Clinton for a test drive here. When he was suspected
of having an affair with a White House intern, our media zeroed in on him to find out if he did or did
not have an affair with Monica Lewinsky. We had analysts examine whether he should or should not
tell us he did, what would happen if he did, what would happen to the relationship between him and
his wife. Our media told us how to think about situation and, what should happen to him if he
answered their questions a certain way. Our media never let us think what we wanted to think.
Instead they gave the false impression that we did have total control of what way we thought, but in
each station they took a viewpoint and bombarded us with it. The effect was similar to brainwashing
us. Some stations did explore alternative perspectives, but most stations had only one view. Then
when our media asked for the peoples opinion, amazingly the publics opinions were the same as our
media's opinions. In away, our media imbeds the seed of what to think, and hope the public follows.
Well, I have demonstrated a couple ways that the media, specifically television, has

Rhetorical Situation Analysis

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