The document provides an overview of feature stories and their characteristics. It defines a feature story as an in-depth article that explores issues behind news stories by focusing on background events, people, or circumstances rather than breaking news. It describes various types of feature stories and their key characteristics, such as variety in subject matter and tone, and being more descriptive and entertaining than news articles. The document also outlines best practices for writing feature stories, such as choosing interesting topics, using vivid language and quotes, and ensuring the conclusion ties together the full story.
Food Chain and Food Web (Ecosystem) EVS, B. Pharmacy 1st Year, Sem-II
Feature Articles
1.
2. Feature Story
• A feature story is an article in a
newspaper, a magazine, or a
news website that is not meant
to report breaking news, but to
take an in-depth look at issues
behind a news story, often
concentrating on background
events, persons or
circumstances.
4. Characteristics of the
Feature Article
Variety of subject matter
Variety of tone
Variety in form and style
Usually more entertaining more
often than it forms, instructs or
advises
Factual and requires reporting
Well-organized
Rarely begins with a summary lead
5. Uses the novelty lead more often.
Usually strikes the keynote in the
opening sentence.
The writer strives to give the
reader a first-hand sensation by
reconstructing the original as
closely as possible.
Length of the story
May or may not be timely
Literary
6. NEWS STORIES FEATURE STORIES
Timely
dealing on
current event
Timeless
about current topic or
not
inverted
pyramid style
fluid form; employ a
more complex narrative
structure, a definite
beginning, middle, end
factual
reporting
factual reporting plus
creative freedom of
short story writing,
more colorful
7. NEWS STORIES FEATURE STORIES
concentrate on
a few important
key points
delve deeper into
their subjects,
expanding on the
details
Often preclude
description
tend to be original
and descriptive;
original in ideas
objective add a more human
touch to reporting
a few
paragraphs can
be scanned
whole story has to
be read to
understand it
12. •Mayor choose strike
over SUV
By Dino Balabo
Wednesday, July 23, 2008
HAGONOY, Bulacan – Unlike other politicians who move around in
gas guzzling vans and sports utility vehicles (SUVs), the mayor of
this coastal town has been using a tricycle as his service vehicle for
several months now.
Although born with the proverbial silver spoon in his
mouth, Hagonoy Mayor Angel Cruz can easily afford an SUV as
service vehicle, but he has chosen a lowly tricycle.
Cruz is the older brother of Timmy Cruz, a
singer/actress who earned fame in the 1980s and ’90s.
The STAR first saw and photographed the mayor riding
his tricycle last Friday during President Arroyo’s visit here when she
distributed relief goods to residents affected by typhoon “Frank,”
After the President’s convoy of black, full-sized vans
left for Marilao town, Cruz casually walked alone towards the Sta.
Monica Bridge and rode his service vehicle parked at the other end of
the span.
It was a Honda motorcycle with attached stainless
steel Bocaue-type sidecar.
13. The motorcycle’s low windshield is plastered with the logo of
the municipal government of this town, signifying that it was
an “official vehicle,” while the mayor’s political sign, a
red triangular flag with a letter “K”
emblazoned on it, hangs over the side car.
The “official vehicle” was acquired months ago and has no license plates
yet; instead, a “for registration” sign is clipped on the back of the
motorcycle.
Officials of the municipal government told The STAR that Cruz chose a
tricycle as his official vehicle to move around town not only because of the
narrow roads that connect the town’s 26 barangays, but also for practical
reasons owing to the constant fuel price increases.
“It saves him a lot of gasoline,” said municipal engineer Nemecio Sabino.
Sabino said a tricycle can travel an average of 12 to 14 kilometers for
every liter of gasoline, unlike SUVs that guzzle gas every time its engine is
turned on.
“Local officials should set the example,” Sabino said, noting that he
himself had a tricycle as a service vehicle, which he uses to go to work
and bring his children to school.
Other residents who have seen the mayor on his new “service vehicle”
said that they have not seen a local mayor ride a tricycle before.
14. Human Interest Story
•Has its origin in some minor
happening that merits
attention only because of
some dramatic, humorous,
tragic, odd, or sensational
angle caught by an alert
imaginative reporter.
16. Interpretative Feature
•Instructs, informs, makes
clear to the reader the
background and
significance of social,
economic, political
problems and other
problems of everyday life.
17. Informative Article
• May deal with scientific
facts presented in non-
technical language, or
some interesting or
useful facts in other
areas.
20. Entertainment
Article
•The aim of such articles is to
provide the best source of
entertainment to the people
who never get interest in the
articles reading.
28. How to keep reader’s
interest
• Choose an interesting subject
• Decide your purpose and keep it in
mind as you write.
• Use special devices to pinpoint
highlights.
• Be specific
• Use specific vivid words
• Get the reader involved.
• Use quotations
• Use analogies
• Use vivid, fresh figure of speech.
30. The Lead
The beginning of the feature story
must pull the reader in. The first
sentence must make the reader
want to read the second sentence.
The lead may or may not contain a
hook, a detail that draws in the
reader’s attention.
32. Types of Lead
• News Summary Lead
• Distinctive Incident Lead
• Quotation Lead
• Short Sentence Lead
• Question Lead
• Contrast Lead
• Analogy Lead
• Picture Lead
• Janus-faced Lead
33. –Body-
– Should utilize the quote transition formula.
Use a variety of relevant sources.
– Example: if the feature is on a specific
person, interview their family, friends, etc.
– After you have written the lead, you need a
structure in which to place the information.
A structure is an organizational pattern the
writer uses to synthesize, that is to
establish relationships between relevant
pieces of information.
34. Conclusion
Always completely tell the story—
have depth. Story should end with
a strong quote that draws the story
to a satisfying conclusion.
(Students should not attempt to
write their own conclusion or draw
a conclusion. Allow a primary
source quotation to bring the
feature to closure.)
36. Steps in Writing Feature
Article
• Pick your subject.
• Limit your subject to specific area.
• Write a tentative title.
• Spotlight the main things you aim to do in the
feature.
• Pinpoint the highlights with specific details.
• Use devices and situations which will hold the
reader’s interest.
• Rewrite.
• Decide on your title.
• Prepare copy.
38. Characteristics of a Good
Feature Writer
The ability to write.
Creativity
Keen interest in life
A realization that in nearly every news
event there are possible feature stories.
Willingness to probe for feature stories
beneath the surface of everyday events.
An intellectual curiosity
Keen observation
40. DON’Ts
Never:
Tell the reader what to do, e.g., “So the next time
you’re walking down Main Street, stop in at Bagel
Junction.” Nobody likes to be ordered around.
Use ellipses (…) in spoken quotes to indicate
omitted words. They are necessary when omitting
anything from written material, however.
Start a sentence with the word “Well,....” Leave
that to Ronald Reagan.
41. Don’ts
Use single quotation marks (‘like this’), unless you
are indicating a quote within a quote.
Indulge in comma splices, e.g., “He is graduating in
May, he doesn’t have a job yet.” One particular kind
of comma splice happens when you incorrectly use
“however” as a conjunction meaning the same thing
as “but,” e.g., “He is graduating in May, however, he
doesn’t have a job yet.” The correct way to do it
would be, “He is graduating in May. However, he
doesn’t have a job yet.” Or:
“He is graduating in May. He does not, however,
have a job yet.”
42. Don'ts
Knowingly use a cliché.
Used “amongst” or “whilst.”
Use the first-person singular (“I,” “me”) or
plural (“we,” “us” “our”), unless it’s a first-
person story. E.g., if you’re doing a profile of
Harris Ross, don’t write, “He knows more
about movies than anyone I’ve ever met,” even
if it’s true.
Use quotation marks to indicate a “funny”
word or expression (as opposed to a
quotation—something someone said).
Use dialect in your own writing’.
43. DON’Ts
Never:
•Use single quotation marks
(‘like this’), unless you are indicating a quote within
a quote.
•Indulge in comma splices, e.g., “He is graduating in
May, he doesn’t have a job yet.” One particular kind
of comma splice happens when you incorrectly use
“however” as a conjunction meaning the same thing
as “but,” e.g., “He is graduating in May, however, he
doesn’t have a job yet.” The correct way to do it
would be, “He is graduating in May. However, he
doesn’t have a job yet.” Or: “He is graduating in
May. He does not, however, have a job yet.
44. DON’Ts
Never:
Knowingly use a cliché.
Used “amongst” or “whilst.”
Use the first-person singular (“I,” “me”)
or plural (“we,” “us” “our”), unless it’s a
first-person story. E.g., if you’re doing a
profile of Harris Ross, don’t write, “He
knows more about movies than anyone
I’ve ever met,” even if it’s true.
Use quotation marks to indicate a
“funny” word or expression (as opposed
to a quotation—something someone
said).
45. DON’Ts
Never:
•Commit dangling modifiers, e.g.,
“Being a journalism professor, McKay Jenkins’s
life has had its share of surprises.” McKay
Jenkins’s life is not a journalism professor.
•Invoke stereotypes about people of any age
group, gender, race, religion, nationality,
occupation, ethnic group, or hair color—even if
you’re only bringing up the stereotype to prove
it wrong. Your goal is to write about people as
individuals, not as types.
46. 10 Steps to Becoming a
Better Writer
by Brian Clark
• Write.
• Write more.
• Write even more.
• Write even more than that.
• Write when you don’t want to.
• Write when you do.
• Write when you have something to say.
• Write when you don’t.
• Write every day.
• Keep writing.