2. ⢠Andrea Palladio was an architect
active in the Republic of Venice
⢠Palladioăinfluenced by Roman
and Greek architectureăprimarily
by Vitruviusăis widely considered
the most influential individual in
the history of Western architecture
ă
⢠All of his buildings are located in
what was the Venetian Republică
but his teachingsăsummarized in
the architectural treatiseăThe
Four Books of Architectureăgained
him wide recognitionă
3. â˘The site selected was a hilltop just outside the city of
Vicenzaă
â˘Palladio cla ssed the building as a "palazzo" rather than a
villaă
â˘The design is for a completely symmetrical building
having a square plan with four facadesăeach of which
has projecting porticoă
â˘The whole is contained within an imaginary circle that
touches each corner of the building and centers of the
porticosă
â˘The name La Rotunda refers to the central circular hall
with its domeă
â˘To describe the villaăas a wholeăas a 'rotunda' is
technically incorrectăas the building is not circular but
rather the intersection of a square with a crossă
â˘Each portico has steps leading upăand opens via a
small cabinet or corridor to the circular domed central hall
ă
â˘This and all other rooms were proportioned with
mathematical precision according to Palladio's own rules
DESIGN
4. â˘The design reflected the humanist
values of Renaissance architectureă
â˘For each room to have some sună
the design was rotated 45 degrees
from each cardinal point of the
compassă
â˘Each of the four porticos has
pediments graced by statues of
classical deitiesă
â˘The pediments were each supported
by six ionic columnsă
â˘Each portico was Hanked by a single
windowă
â˘All principal rooms were on the
second floor or piano nobileă
5. â˘
â˘Building began in 1567.
â˘Palladioăand the ownerăPaolo Almericoă
were not able to see the completion of the villaă
â˘Palladio died in 1580 and a second architectă
Vincenzo Scamozziăwas employed by the new
owners to oversee the completionă
â˘One of the major changes he made to the
original plan was to modify the two-story center
hallă
â˘Palladio had intended it to be covered by a high
semi-circular dome but Scamozzi designed a
lower dome
6. The Villa Rotunda more than a villa
is a suburban palaceăit escapes the
kind of classification of the villa-fam
ăwhich is the most common type of
Palladian villa as there are no places
reserved for agricultural workďź
warehousesăfarms and homes for
workersďźă
Functional Analysis
7. The highlight of the interior is the
central, circular hall, surrounded by
a balcony and covered by the domed
ceiling; it soars the full height of the
main house up to the cupola, with
walls decorated in trompe l'oeil.
Abundant frescoes create an
atmosphere that is more
reminiscent of a cathedral than the
principal salon of a country house.
Interior