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Andrea Palladio
• Andrea Palladio was an architect
active in the Republic of Venice
• Palladio、influenced by Roman
and Greek architecture、primarily
by Vitruvius、is widely considered
the most influential individual in
the history of Western architecture
。
• All of his buildings are located in
what was the Venetian Republic、
but his teachings、summarized in
the architectural treatise、The
Four Books of Architecture、gained
him wide recognition。
•The site selected was a hilltop just outside the city of
Vicenza。
•Palladio cla ssed the building as a "palazzo" rather than a
villa。
•The design is for a completely symmetrical building
having a square plan with four facades、each of which
has projecting portico。
•The whole is contained within an imaginary circle that
touches each corner of the building and centers of the
porticos。
•The name La Rotunda refers to the central circular hall
with its dome。
•To describe the villa、as a whole、as a 'rotunda' is
technically incorrect、as the building is not circular but
rather the intersection of a square with a cross。
•Each portico has steps leading up、and opens via a
small cabinet or corridor to the circular domed central hall
。
•This and all other rooms were proportioned with
mathematical precision according to Palladio's own rules
DESIGN
•The design reflected the humanist
values of Renaissance architecture。
•For each room to have some sun、
the design was rotated 45 degrees
from each cardinal point of the
compass。
•Each of the four porticos has
pediments graced by statues of
classical deities。
•The pediments were each supported
by six ionic columns。
•Each portico was Hanked by a single
window。
•All principal rooms were on the
second floor or piano nobile。
•
•Building began in 1567.
•Palladio、and the owner、Paolo Almerico、
were not able to see the completion of the villa。
•Palladio died in 1580 and a second architect、
Vincenzo Scamozzi、was employed by the new
owners to oversee the completion。
•One of the major changes he made to the
original plan was to modify the two-story center
hall。
•Palladio had intended it to be covered by a high
semi-circular dome but Scamozzi designed a
lower dome
The Villa Rotunda more than a villa
is a suburban palace、it escapes the
kind of classification of the villa-fam
、which is the most common type of
Palladian villa as there are no places
reserved for agricultural work
warehouses、farms and homes for
workers)。
Functional Analysis
The highlight of the interior is the
central, circular hall, surrounded by
a balcony and covered by the domed
ceiling; it soars the full height of the
main house up to the cupola, with
walls decorated in trompe l'oeil.
Abundant frescoes create an
atmosphere that is more
reminiscent of a cathedral than the
principal salon of a country house.
Interior
Fiza k
Sameeya

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POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
 

villa_rotunda_History copy copy.pptx

  • 2. • Andrea Palladio was an architect active in the Republic of Venice • Palladio、influenced by Roman and Greek architecture、primarily by Vitruvius、is widely considered the most influential individual in the history of Western architecture 。 • All of his buildings are located in what was the Venetian Republic、 but his teachings、summarized in the architectural treatise、The Four Books of Architecture、gained him wide recognition。
  • 3. •The site selected was a hilltop just outside the city of Vicenza。 •Palladio cla ssed the building as a "palazzo" rather than a villa。 •The design is for a completely symmetrical building having a square plan with four facades、each of which has projecting portico。 •The whole is contained within an imaginary circle that touches each corner of the building and centers of the porticos。 •The name La Rotunda refers to the central circular hall with its dome。 •To describe the villa、as a whole、as a 'rotunda' is technically incorrect、as the building is not circular but rather the intersection of a square with a cross。 •Each portico has steps leading up、and opens via a small cabinet or corridor to the circular domed central hall 。 •This and all other rooms were proportioned with mathematical precision according to Palladio's own rules DESIGN
  • 4. •The design reflected the humanist values of Renaissance architecture。 •For each room to have some sun、 the design was rotated 45 degrees from each cardinal point of the compass。 •Each of the four porticos has pediments graced by statues of classical deities。 •The pediments were each supported by six ionic columns。 •Each portico was Hanked by a single window。 •All principal rooms were on the second floor or piano nobile。
  • 5. • •Building began in 1567. •Palladio、and the owner、Paolo Almerico、 were not able to see the completion of the villa。 •Palladio died in 1580 and a second architect、 Vincenzo Scamozzi、was employed by the new owners to oversee the completion。 •One of the major changes he made to the original plan was to modify the two-story center hall。 •Palladio had intended it to be covered by a high semi-circular dome but Scamozzi designed a lower dome
  • 6. The Villa Rotunda more than a villa is a suburban palace、it escapes the kind of classification of the villa-fam 、which is the most common type of Palladian villa as there are no places reserved for agricultural work warehouses、farms and homes for workers)。 Functional Analysis
  • 7. The highlight of the interior is the central, circular hall, surrounded by a balcony and covered by the domed ceiling; it soars the full height of the main house up to the cupola, with walls decorated in trompe l'oeil. Abundant frescoes create an atmosphere that is more reminiscent of a cathedral than the principal salon of a country house. Interior