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PALACES AND VILLAS
RENAISSANCE ARCHITECTURE
NIKHITHA K
RENAISSANCE ARCHITECTURE
 Period between early 15th and early 17th century.
 Demonstrate a conscious revival and development
of
certain elements of ancient Greek and Roman
through a
material culture.
PHASES
 Historians often divide the renaissance in Italy into three phase :
 Early renaissance (ca 1400-1500)
 High renaissance (ca 1500-1525)
 Mannerism (ca 1520-1600)
EARLY RENAISSANCE
 Concepts of architectural order were explode
and rules were formulated.
 The study of classical antiquity led in particular
to the adoption of classical detail and
ornamentation.
 Filippo Brunelleschi was one of the foremost
architect and engineer of the Italian
renaissance.
HIGH RENAISSANCE
 During the high renaissance, concepts
derived from classical antiquity were
developed and used with greater surety.
 The most representative architect is Donato
Bramante .
MANNERISM
 During the mannerist period , architects
experimented with using architectural
forms to emphasis solid and spatial
relationships.
 The renaissance ideal of harmony gave
way to freer and more imaginative
rhythms.
PALACES
 During renaissance , wealthy individuals
owned magnificient palaces.
 Rise of succesfull merchant class along
with renewed appreciation for classical
architecture and design led to a demand
for grand private homes.
 The renaissance palazzo an elegant
resisdence build in a specific style first
emerged in Florence.
FLORENCE
 During the middle ages, wealthy Florentine families
lived in compounds consisting of clusters of
buildings.
 The compounds often included defensive towers ,
covered walkways over lokking the street, and
shops on the lower level.
 By mid-1400’s this design gave way to palazzo
style-a single tall building with four wings
surrounding a central courtyard.
 The façade was covered with roughly finished stone
and decorated with ornaments such as carved
mouling , the family court of arms ,or the patrons
 The palazzo was more private space than the medieval compound.
 The loggias faced the courtyard instead of the street,and the families living
quarters were located on the second floor away from the public areas.
 Because many Florentine palaces belonged to prosperous merchants , the ground
floor often featured store rooms and other spaces connected with families
commercial activities.
 The palazzo Rucellai ,built by Leon Batista Alberti, included raws of classical
columns on the façade.this became a popular feature in palace design.
 The palazzo strozzi built by Giuliano Da Sangallo introduced a symmetry of design
that influenced the placement of windows and other features and the arrangement
of rooms around the courtyard.
ROME AND VENICE
 Roman palaces evolved from medieval castles rather than from urban compounds
.
 As a result they were bulkier and contained less ornamentation than those in
Florence.
 The façade and walls of roman palaces had few openings and featured fortified
towers that suggested military strength.
 The layout of Roman palaces varied but often included two or more wings around
an open courtyard and rear loggias over looking extensive gardens .
 In the 1400’s ,gothic and
renaissance elements combined to
create a venetian palazzo style.
 Many of the Venice’s powerful
families admired ancient roman
culture and had close ties with the
roman nobility .
 For these reasons venitian palazzo
design borrowed heavily from the
roman style.
FRANCE
 Francis 1 invited Italian designers such
as the Venetian architect Sebastiano
Serlio,to his court.
 They applied Italian renaissance
principles to the French townhouse
style.
 The façade often decorated with
classical elements such as columns
,large door.
VILLAS
 In the 14th century , the Italian villa was a large country house.
 Some of these houses became increasingly centred around the pursuit of
entertainment and leisure , and in the process were remodelled.
 There was a new type of villa that was not connected to any working estate
but instead was situated just within or outside the city walls.
 Both type of villa were often surrounded by formal gardens.
 To supply the water to villa , to water the garden and to power the
fountains led them to prefer hillside locations with natural springs .
THANK YOU

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PALACES AND VILLASrenaissance.pptx

  • 1. PALACES AND VILLAS RENAISSANCE ARCHITECTURE NIKHITHA K
  • 2. RENAISSANCE ARCHITECTURE  Period between early 15th and early 17th century.  Demonstrate a conscious revival and development of certain elements of ancient Greek and Roman through a material culture.
  • 3. PHASES  Historians often divide the renaissance in Italy into three phase :  Early renaissance (ca 1400-1500)  High renaissance (ca 1500-1525)  Mannerism (ca 1520-1600)
  • 4. EARLY RENAISSANCE  Concepts of architectural order were explode and rules were formulated.  The study of classical antiquity led in particular to the adoption of classical detail and ornamentation.  Filippo Brunelleschi was one of the foremost architect and engineer of the Italian renaissance.
  • 5. HIGH RENAISSANCE  During the high renaissance, concepts derived from classical antiquity were developed and used with greater surety.  The most representative architect is Donato Bramante .
  • 6. MANNERISM  During the mannerist period , architects experimented with using architectural forms to emphasis solid and spatial relationships.  The renaissance ideal of harmony gave way to freer and more imaginative rhythms.
  • 7. PALACES  During renaissance , wealthy individuals owned magnificient palaces.  Rise of succesfull merchant class along with renewed appreciation for classical architecture and design led to a demand for grand private homes.  The renaissance palazzo an elegant resisdence build in a specific style first emerged in Florence.
  • 8. FLORENCE  During the middle ages, wealthy Florentine families lived in compounds consisting of clusters of buildings.  The compounds often included defensive towers , covered walkways over lokking the street, and shops on the lower level.  By mid-1400’s this design gave way to palazzo style-a single tall building with four wings surrounding a central courtyard.  The façade was covered with roughly finished stone and decorated with ornaments such as carved mouling , the family court of arms ,or the patrons
  • 9.  The palazzo was more private space than the medieval compound.  The loggias faced the courtyard instead of the street,and the families living quarters were located on the second floor away from the public areas.  Because many Florentine palaces belonged to prosperous merchants , the ground floor often featured store rooms and other spaces connected with families commercial activities.  The palazzo Rucellai ,built by Leon Batista Alberti, included raws of classical columns on the façade.this became a popular feature in palace design.  The palazzo strozzi built by Giuliano Da Sangallo introduced a symmetry of design that influenced the placement of windows and other features and the arrangement of rooms around the courtyard.
  • 10. ROME AND VENICE  Roman palaces evolved from medieval castles rather than from urban compounds .  As a result they were bulkier and contained less ornamentation than those in Florence.  The façade and walls of roman palaces had few openings and featured fortified towers that suggested military strength.  The layout of Roman palaces varied but often included two or more wings around an open courtyard and rear loggias over looking extensive gardens .
  • 11.  In the 1400’s ,gothic and renaissance elements combined to create a venetian palazzo style.  Many of the Venice’s powerful families admired ancient roman culture and had close ties with the roman nobility .  For these reasons venitian palazzo design borrowed heavily from the roman style.
  • 12. FRANCE  Francis 1 invited Italian designers such as the Venetian architect Sebastiano Serlio,to his court.  They applied Italian renaissance principles to the French townhouse style.  The façade often decorated with classical elements such as columns ,large door.
  • 13. VILLAS  In the 14th century , the Italian villa was a large country house.  Some of these houses became increasingly centred around the pursuit of entertainment and leisure , and in the process were remodelled.  There was a new type of villa that was not connected to any working estate but instead was situated just within or outside the city walls.  Both type of villa were often surrounded by formal gardens.  To supply the water to villa , to water the garden and to power the fountains led them to prefer hillside locations with natural springs .
  • 14.