Essay On Johann Sebastian Bach

Essay on Johann Sebastian Bach
Johann Sebastian Bach
Johann Sebastian Bach was a German organist, composer, and musical scholar of the Baroque
period, and is almost universally regarded as one of the greatest composers of all time. His works,
noted for their intellectual depth, technical command, and artistic beauty, have provided inspiration
to nearly every musician after him, from Mozart to Schoenberg.
J. S. Bach was born in Eisenach, Germany, March 21, 1685. Bach's uncles were all professional
musicians ranging from church organists and court chamber musicians to composers. His father,
Johann Ambrosius Bach, was the town piper in Eisenach, a post that entailed organizing all the
secular music in town as well as participating in church music at the direction ... Show more content
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In June 1707 he moved to St Blasius, Mühlhausen, and four months later he married his cousin
Maria Barbara Bach, with whom he had seven children, including Wilhelm Friedemann and Carl
Philipp Emanuel. Bach was appointed organist and chamber musician to the Duke of Saxe–Weimar
in 1708, and in the next nine years he composed many of his finest works and became known as a
leading organist (p. 315, The New Grove Dictionary of Music and Musicians, Vol. 2).
In 1717, Bach was appointed Kapellmeister at Köthen but was refused permission to leave Weimar.
He was eventually allowed to leave but only after being held prisoner by the duke for almost a
month. Bach's new employer, Prince Leopold, was a talented musician who loved and understood
the art. Since the court was Calvinist, Bach had no chapel duties and instead concentrated on
composition. In this period he wrote his violin concertos and the six Brandenburg Concertos, as well
as numerous sonatas, suites and keyboard works (p. 164, Baker's Biographical Dictionary of
Musicians, Vol. 1)
In 1720 Maria Barbara died while Bach was visiting Karlsbad with the prince. In December of the
following year, Bach married Anna Magdalena Wilcke, daughter of a court trumpeter at Weissenfels.
A week after Bach was married Prince Leopold also married. Unfortunately, the prince's bride
lacked interest in the arts which eventually
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The History of the Piano Essay
The History of the Piano
The history of the piano, and his technique born, of course in close relation with the others keyboard
instruments especially with the clavichord, his predecessor. The transition from the clavichord to the
piano bring to us very interesting information about piano technique and the problems that the
musician from that time had to confront.
The piano technique, the works for piano, the composers, recitals, auditions and all around the piano
history have absolute relation with the manufacture and progress of the instrument construction and
the possibilities that the piano could give to pianist and composers.
At the same time the piano was showing up, a new music style was emerging. It was the
homophonic style, ... Show more content on Helpwriting.net ...
The piano had been invented in Italy but the rest of Europe would be in charge of the manufacture
and development of the instrument. The first big difference from manufacturers appeared between
England and Vienna's pianos. The Viennese was light in action, with relatively little carrying power,
and virtually no pressure was needed to depress the keys. The English piano was bigger, more
heavily strung, more brilliant and not so easily to manipulate. Also it have to be added that in
German was almost unknown the use of pedal whereas in England pianist had adopted an own style
where included the use of a large pedal.
During the development of the piano, it took pianist time to forgot about harpsichord or clavichord
technique and concentrate on what the piano had to offer. This involved complete reorientation in
fingering, in touch, in the basic philosophy of sound. J S Bach and maybe Domenico Scarlatti had
probably worked out the basic principles of modern fingering, but Carl Philipp Emanuel Bach and
Johann Christian Bach were who had a real contact with the new instrument. They composed and
codified keyboard technique of their times.
Mozart knew stein's pianofortes in one of his tours in 1777 and he was very surprised, he adopted
immediately starting to compose for pianoforte since that year. He had a Clavichord technique but
he was fascinated with it and

E Bach 's Influence On The Empfindsam Style And Future...
C.P.E Bach's Influence on the Empfindsam Style and Future Composers Carl Phillip Emmanuel
Bach is listed in many history books as an important transitional composer between the baroque
style and the classical style without giving specific reasons why. This essay focuses on the
significant contributions C.P.E Bach made to music theory and the way music was performed. This
essay will also cover his influence on the emerging empfindsam style and the inspiration he gave his
musical successors, such as Haydn and Mozart.
C.P.E Bach believed music should achieve a connection with listeners on the emotional level. He
himself was influenced by the Enlightenment and it came out in his view of music and his very
individual compositional style. He ... Show more content on Helpwriting.net ...
His sonatas effectively capture the idea of continuously changing emotions, which is a key feature
of empfindsam style. C.P.E. Bach's genius in his contributions to keyboard playing and composition
are often skimmed over. He is gets lost in the transition between his father J.S. Bach to Haydn and
Mozart. By the time Haydn and Mozart came to the forefront of the new classical music Bach's
fingering for scales and fundamental bass was widely used. C.P.E. Bach did not agree with many of
the existing treatises on music theory including a leading music theorist Rameau. His largest
disagreement was with Rameau's ideas on fundamental bass. Fundamental bass is what is known as
the root of chords today. Bach recognized that there were more chords than Rameau having only one
root but having several qualities. Lester says that Rameau's ideas are regarded as an important
predecessor to music theory but is criticized about his idea that chords had two different roots (157).
According to Mitchell, William J., Bach recognized twenty chords some of which are variations of
chords including subtypes and chromatic alterations. Bach also disagreed with Rameau on the
behavior of chords. He believed that the intervals in the transitions between chords were important
beyond the base notes of the chords. He emphasized context and

Johann Sebastian Bach, And His Legacy And Lasting Impact...
There is a natural question that almost every single person has wondered on; "Will what I do in my
life matter? Do I have an impact beyond my small corner of the universe?" Few ponder that more
than Artists, those who create, whatever the medium. Deep down we all want to know that our work
has made an impact. If the impact of one's work is to be measured by both quality and quantity,
there are few people in history who have had as great significance as Johann Sebastian Bach. Bach's
works broke numerous compositional limits of the time, and are of such a quality that they are still
performed and enjoyed today, two hundred and sixty–three years after his death. In this paper, I will
be writing about two main points: the life of Johann Sebastian Bach, and his legacy and lasting
impact after his death. Johann Sebastian Bach was born in the town of Eisenach, which was the
capital of Saxe–Eisenach , on March 21st, 1685. Bach was born into a musical family, his father,
Johann Ambrosius Bach, serving as the director of Eisenach's musicians, and his numerous uncles
being professional musicians. It is believed that Johann Ambrosius was the one who taught Johann
Sebastian violin, as well as the fundamentals of music theory. One of his uncles, Johann Christoph
Bach (not to be confused with one of Johann Sebastian's brothers), introduced Johann Sebastian to
the Organ. Following his mother's death in 1694, and his father's death shortly after, Johann
Sebastian moved in with one of his

Conflicting Artistic Styles In The Enlightenment
Conflicting Artistic Styles in the Enlightenment The Enlightenment era spanned from the latter half
of the 1600s to the end of the 1700s and was a time of monumental shifts in political ideology and
social structure. Although some forms of art, especially music, did not become emotional vehicles of
individual experience until the Romantic period, the art of the Enlightenment certainly reflected the
changing social climate of the era and the political views of the artists. A prime example of the
portrayal of social life in the arts during the Enlightenment is in the conflict between the Rococo and
Neo–Classical movements. Not only is Rococo art and architecture aesthetically pleasing, but during
the eighteenth century this type of artwork helped the nobility momentarily forget about the
brooding societal climes in which they lived. The mood of Rococo artwork is often carefree (though
sometimes tinged with a bit of sadness), the color hues are muted, and the subjects are usually
aristocratic figures enjoying various hobbies. Style galant and Empfindsamkeit are two ... Show
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The textbook states that "The aims and ideals of the Roman Republic– freedom, opposition to
tyranny, valor–...became a characteristic of the art of the French revolution." Specifically, Neo–
Classical artists emphasized a "balance between emotion and restraint" (p. 568). Thus, Neo–
Classicism was one way in which the lower classes of Europe identified with the worldview of the
ancient Romans as they sought to better their position in society. Classical music, which is
characterized by the expression of emotion in a thoughtful, structured manner, was one result of the
Neo–Classical movement. The Classical tradition gave rise to the symphonic form, which was
perfected by the now–famous composers Franz Joseph Haydn and Wolfgang Amadeus

Bach Musical Notation
"Ancient" music, or the majority of music composed before 1750, is audibly distinct from the music
that followed it. The reasons for this are not immediately clear. An uninitiated listener would almost
certainly be able to identify music as being either ancient or not, but would probably be incapable of
articulating exactly why this is the case. Analysis of the concrete changes in musical notation that
took place during this transition, however, reveals illuminating details about the metamorphosis of
music during this period. These developments cannot be divorced from the social and religious
undercurrents of the day. As the authority of the Catholic church diminished, humanism and
religious reformation began to flourish among the more secular ... Show more content on
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As his son, Carl Philipp Emanuel Bach, recalled about his father, "when he listened to a rich and
many–voiced fugue, he could soon say, after the first entries of the subjects, what contrapuntal
devices it would be possible to apply, and which of them the composer by rights ought to apply... In
counterpoints and fugues no one was as happy as he in all kinds of taste and figuration, and variety
of ideas in general." (C.P.E. Bach, p. 249) This mastery of contrapuntal technique, most commonly
associated with Bach's organ compositions, can be found throughout his canon, even in prélude to
his sixth suite, which is perhaps the closest a cello can come to imitating an organ. In parts, the
music is almost divided into two parts, much like a left and right hand on a keyboard would be. The
effect is that the cello harmonizes with itself, the low notes hitting counterpoints to the high ones to
create a sense of homophony. Strategically placed chords only further this effect, making the piece
sound simultaneously wild and magnificent. The piece is mostly in a major key, though sections slip
into a foreboding, minor key. This extremely advanced use of musical technique sets Bach apart
from his predecessors. There is no reasonable way to characterize his work as ancient, and analysis
of the music reveals several points of departure from liturgical chant music and medieval

Mozart Symphony 552
The first piece of music is Mozart's Symphony NO.41 "Jupiter" (K 551); it was Mozart's last
symphony before his death. It is conducted by Hartmut Haenchen, with a reduced ensemble of the
Carl Philipp Emanuel Bach Chamber Orchestra. It is an orchestral piece which is performed at the
Konzerthaus Berlin. The second piece of music is Brahms' Violin Concerto in D major, Op. 77; it
was Brahms' only violin concerto. It was performed at the Teatro Massimo in Palermo in 2002, and
was conducted by Claudio Abbado. It was performed by the Berlin Philharmonic, with soloist Gil
Shaham. Both pieces were of medium length, although Brahms' was slightly longer at 41 minutes.
The first piece is Symphony No. 41 in C major, K. 551 "Jupiter", conducted by Hartmut Haenchen,
and is separated into four movements. The opening of the piece starts with the entire orchestra
starting strong, with contrasting motifs, which then follows into a slower pace. The first movement
of this piece follows the Sonata–allegro form quite closely. The exposition and the recapitulation are
about the same in length. The development is shorter than those two sections, but it is broken up,
and put together with pieces of the themes introduced in the exposition. At the 7:40 mark a heavy
use of strings is prominent; ... Show more content on Helpwriting.net ...
77, conducted by Claudio Abbado, and separated into three movements. This piece follows a quick–
slow–quick pattern, which is common in most concerto pieces. The first movement begins softly
and slowly with the brass and woodwinds featured prominently. The violinist then begins to play the
piece's first solo, at about the 2:35 mark, of the first movement, playing in a minor key. At the 2:57
mark, of the first movement, the violin begins to blend smoothly with the oboe, which is then
replaced by the bassoon and clarinet. These instruments continue to play together, gradually
building towards a dramatic point towards the middle of the

Johann Sebastian Bach Essay
Johann Sebastian Bach was one of the greatest composers in Western musical history. More than
1,000 of his compositions survive. Some examples are the Art of Fugue, Brandenburg Concerti, the
Goldberg Variations for Harpsichord, the Mass in B–Minor, the motets, the Easter and Christmas
oratorios, Toccata in F Major, French Suite No 5, Fugue in G Major, Fugue in G Minor ("The
Great"), St. Matthew Passion, and Jesu Der Du Meine Seele. He came from a family of musicians.
There were over 53 musicians in his family over a period of 300 years. Johann Sebastian
Bach was born in Eisenach, Germany on March 21, 1685. His father, Johann Ambrosius Bach, was a
talented violinist, and taught his son the basic skills for string playing. Another ... Show more
content on Helpwriting.net ...
In Weimar, he assumed the post of organist and concertmaster in the chapel. He remained in Weimar
for nine years, and there he composed his first wave of major works, including organ showpieces
and cantatas. By this stage in his life, Bach had developed a reputation as a brilliant, yet
inflexible, musical talent. His qualities on the organ was unequaled in Europe, in fact, he toured
regularly as a solo virtuoso. His growing mastery of compositional forms, like the fugue and the
canon, was already attracting interest from the musical establishment – which, in his day, was the
Lutheran church. But, like many people of great talent, he was never very good at playing the
political game, and consequently suffered drawbacks in his career. He was passed over for a major
position, which was Kapellmeister (Chorus Master) of Weimar, in 1716. Partly in reaction to this
situation, he left Weimar the following year to take a job as court conductor in Anhalt–Cothen.
There, he slowed his writings of church cantatas, and instead concentrated on instrumental music.
His time Anhalt–Cothen in period produced, along with other masterpieces, the Brandenburg
Concerti. While at Cothen, Bach's wife, Maria Barbara, died. Bach remarried soon after to
Anna Magdalena and went ahead with his work. He also went ahead in the baby making department,
producing 13 children with his new wife – six of which survived

Fanny Mendelssohn
In 1829, Mendelssohn conducted and performance the St. Matthew passion in Berlin
Singakadamie(The first performance in a hundred year). Fanny Mendelssohn was sang the alto part
during performance, they prepared for the concert about this piece into four–hands version to study.
Indeed, there was a big successful of the performance and J.S Bach's name show up into people's
view again. Mendelssohn was continued to performance all–Bach program on the organ to retake
the Master's valued piece into public. He was not only as a person who had promoted the Bach's art,
but also putting the Bach composition way into his own works. He published the Seven
Characteristic Pieces op.7 in 1827, which was influenced by J.S. Bach's Well–tempered Clavier. [9]
... Show more content on Helpwriting.net ...
Frédéric Chopin (1810–1849) is the representative one. Although he isn't more characteristic than
when he shows his love of the well–tempered clavier in Etudes and preludes.
Chopin made prelude as an independent genre for the first time and changed its transitional status
[11]. It is a revolution of the piano music– freestanding prelude, which is different from the previous
didactic publications about prelude. He wrote 28 preludes, op28 from 1836 to 1841, including 24
preludes [12]. Each of them has a typically character. It is from 24 separate pieces using cycle fifth
tonal layout, for example it looks like A to G, G to D.
In contemporary period, Scriabin should be highlighted. Alexander Scriabin is a Russia composer
and pianist of 19th century. Intense rhythm and harmonies often appeared in his early piano works.
He wrote a lot of preludes, from op.2 to op.74. The 0p.2–Op.22 is his early works, and the most
distinguished part is his prelude Op.11 (1896), which consists 24 keys of prelude written in
Romantic Style. We can see from Scriabin that prelude continues developing until recent century as
an independent and unattached part of

Keyboard Sonata And Scarlatti Similarities
The pieces Sonata in A Major, H. 186, Wq. 55/4, keyboard sonata, excerpt: Second movement
(1765) by Carl Philipp Emanuel Bach and Sonata in D Major, K. 119, keyboard sonata (ca. 1740s)
by Domenico Scarlatti are both very unique pieces. Both Carl Philipp Emanuel Bach and Domenico
Scarlatti were keyboard composers during their time in the 1700's. Both of their pieces have more
similarities then they do differences. One similarity that stands out the most in these two pieces is
that they are both keyboard played sonatas. Both pieces are in major key and have a very unique
melody. Even thought Domenico Scarlatti's piece is a little more disjointed or harsh sounding, it still
has a soothing melody in the majority of its course. Both Carl Philipp

Johann Sebastian Bach Essay
Johann Sebastian Bach was born into a family of musicians. It was only natural for him to pick up
an instrument and excel in it. His father taught him how to play the violin and harpsichord at a very
young age. All of Bach's uncles were professional musicians, one of them; Johann Christoph Bach
introduced him to the organ. Bach hit a turning point in his life when both of his parents died at the
age of ten years old. Bach's older brother Johann Christoph Bach took him in and immediately
expanded his knowledge in the world of music. He taught him how to play the clavichord and
exposed him to great composers at the time. At the age of fourteen, Bach and his good friend George
Erdmann were awarded a choral scholarship to the prestigious ... Show more content on
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He began to write preludes for organs but did not cover large– scale organization, when two
melodies interact at the same time. A few years after playing for the church, Bach made a visit to
Dieterich Buxtehude in Lubeck. This visit reinforced Bach's style in music with the works he has
made. In 1706 Bach decided that he wanted to further his career in music and made the first change
by leaving his organ playing position at the church and took upon a new position in Munhlhausen at
the St. Blasius as an organist there (Johann Sebastian BACH). This change was for the best because
the church was larger and located in a city that was important to the north. A few months after being
an organist at the St. Blasius church he married his second cousin Maria Barbara Bach. After a year
of Bach being a organist for St. Blasius, he was offered a better position in Weimar. Bach took the
offer with pride and became their new court organist and concertmaster at the ducal court. Johann
and Maria Bach decided to start their family, after their first born child, Marias unwed sister moved
into their home to help with raising their children. Maria and Johann Bach had a total of seven
children. The gifted musically talented family continued as two of Bach children, Wilhelm
Friedemann Bach and Carl Philipp Emanuel Bach became vital composers following the baroque
period. Bach's position in Weimar

How Did Joseph Haydn Develop Music During The 18th Century
Joseph Haydn, in full Franz Joseph Haydn (born March 31, 1732, Rohrau, Austria–died May 31,
1809, Vienna), wan an Austrian composer who was one of the most influential composers in aiding
the development of the Classical style in music during the 18th century. He helped establish the
forms and styles for the string quartet and the symphony.
Haydn, from a young age, displayed unusually great musical gifts, and a cousin who was
choirmaster in the nearby city of Hainburg offered to take him and train him. Haydn, not yet six
years old, left home, never to return to his humble cottage except for rare visits.
His life changed significantly when he was eight years old. The musical director of St. Stephen's
Cathedral in Vienna observed the boy on a

Franz Joseph Haydn's Music
Franz Joseph Haydn (1732–1809), is one of the eminent composers of the Classical period. "He is
best known for his symphonies and string quartets, which established standards of quality, style,
content, form, and expressivity that other composers emulated." Haydn spent most of his career
serving the Esterházy family (1761–90), which isolated him from the music world, but forced him to
become original, as he himself wrote. Carl Philipp Emanuel Bach (1714–1788) greatly influenced
Haydn. He was fascinated by the expressive style of C. P. E. Bach, and adopted its passionate
quality. The majority of Haydn's keyboard compositions are sonatas. His other keyboard works
include piano trios, theme and variations, dances, fantasias, and capriccios. ... Show more content on
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In Carnaval, although Schumann mentioned that the music was written first and the title chosen
afterwards, the titles express his intimate world and musical thoughts. Many titles are representative
of real life people. Chiarina is a portrait of Clara Wieck, and Estrella is Ernestine. His friends and
musical contemporaries are Chopin and Paganini. Some imaginary characters also participate in
Schumann's visionary world. Pierrot, Arlequin, and Pantalon and Colombine are the characters from
the Italian Commedia dell'Arte. Florestan and Eusebius are his alter egos. These real and not real
characters reflect Schumann's personal fantasies, and his aspiration of escaping from reality, even if
it is only done

J.S. Bach Flute Sonata in B Minor (Bwv 1030): the...
J.S. Bach Flute Sonata in B minor (BWV 1030): the development of the Baroque Flute, the flautists
and the music Johann Sebastian Bach (J.S. Bach) is no doubt one of the greatest composers of all
times. He composed many works for flute including works for solo flute, flute with harpsichord
and/or continuo and, two flutes and harpsichord. However, there has been a controversy, over the
flute works, whether they were composed solely by the composer, assisted by someone or under the
guidance of J.S. Bach. In addition, some scholars doubted that some of works are not written for
flute and they are actually transcribed for flute by the composer. Especially, the Sonata in B minor
(BWV 1030) raises most number of controversies.
The J.S. Bach ... Show more content on Helpwriting.net ...
There are, generally speaking, eight different kinds of flutes including concert flute, descant flute
and flute d'amour. Different kinds of flutes appeared in different pitches.5 In the music that Bach
wrote for flute, he did not, like all the composers at that period of time, specify the type of flute they
writing for. In addition, there is a possibility that different flutes were used in different
performances. All flutes were written as if they were in the key of D especially in the first quarter of
the 18th century. As a result, it is difficult to judge which flute the composer had in mind from the
music.6 In the journal "J. S. Bach's Compositions for Solo Flute: A Reconsideration of Their
Authenticity and Chronology" by Robert L. Marshall, he suggests:
"It is still widely believed that Bach wrote eight works for the solo flute. But the view that has
prevailed among Bach specialists for the past fifteen years is that the rather similar Sonatas for flute
and harpsichord obbligato in G Minor (BWV I020) and E Flat Major (BWV io31) were probably
composed by someone else–most likely Carl Philipp Emanuel Bach––and that the Sonata in C
Major for flute and continuo (BWV 1033) was written by one–or two–of Bach's students (one of
them, again, might have been Emanuel Bach), presumably in part under the composer's active
supervision and intervention." 7
This suggestion probably comes from the lack of normal musical style in his writing. Moreover, his
writing shows no

Classical music concert report
MUAR 211 Concert Report 1 McGill Baroque Orchestra and McGill Cappella Antica I attended the
concert of McGill Baroque Orchestra and McGill Cappella Antica on Wednesday, February 19,
2014, at 7:30 p.m. What special about this concert was the guest conductor and solo violinist Adrian
Butterfield. The performed pieces were Welcome to all the pleasures, Leclair's Violin Concerto in A
major, Locatelli's Introduzione teatrale in G major, C. P. E. Bach's Sinfonia in C major and My heart
is inditing. The venue was Redpath Hall of McGill University. The program began with Welcome to
all the pleasures, which is an ode written for the Saint Cecilia Day, composed by the English
Baroque composer Henry Purcell in 1683. It opens with a symphony ... Show more content on
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3 in D Major. The string arrangements in the beginning show similarities with J. S. Bach's popular
work. In this movement, there is a slow theme in minor mode, which keeps coming back in different
variations. Thus, I think this movement is in the rondo form. After adagio, the mood of the piece
gets "brighter". Allegretto is in the minuet form and it is build upon themes similar to each other.
These themes consist of parallel and contrasting melodies. Texture–wise this symphony is
homophonic. One can hear the different dynamics, but clearly it is not what this piece was written
for. Speed and virtuosity is in the foreground. After Adrian Butterfield showed the audience his
virtuosic abilities, he turned his face again to the orchestra and Cappella Antica joined them for the
second time. We were back to Henry Purcell with My heart is inditing, Z. 30. This piece is at a
moderate tempo and has polyphonic as well as melismatic choral parts. They closed the anthem with
a magnificent "Alleluia" part. The McGill Baroque Orchestra is a typical Baroque orchestra consists
of eight violin players, of which the half played violin I and the other half violin II; three violists,
two cellists, a violone player, two harpsichord and an organ, which were played by five different
performers, and, of course, the guest conductor and the solo violinist Adrian Butterfield. They were
accompanied by a choir of male and female singers

J. S. Bach Research Paper
During this Essay I will discuss the employment situation of J.S. Bach, With reference to aspects of
patronage, Social status and/or pedagogy. I will also include some analysis of the relationship
between J.S. Bach's working conditions and aspects of his compositional output. Bach is The
beginning and end of all music." (Max Regar, German composer)
It has been said by many critics that Johann Sebastian Bach is one of the most influential composers
of all time. It is evident that in Bach's lifetime, excluding Opera, he seemed to master almost every
genre of music existing in his lifetime as well as helping to invent several new ones, the most
recognisable of these creations was the keyboard sonata. However, soon after Bach's ... Show more
He finally seemed to be treated with more respect. His new employer, Prince Leopold loved music
and Bach was a highly valued member of his entourage. During his time in Cöthen Bach focused
more on composing secular cantatas. In 1720 Bach first wife Maria Barbera passed away. Shortly
after the passing of his first wife he met his second wife Anna Magdalena Wilken who was also
employed to the court in Cöthen. Records differ however it is though that Anna was employed either
as a singer or musician. 6 months after their wedding Bach left Cöthen moved on to his next work
opportunity in Leipzig in May

Mozart Accomplishments
Despite his genius, Wolfgang Amadeus Mozart was not primarily regarded for innovating
compositional styles, but rather, his greatest achievements were taking styles to an unattainable
level. One case in particular is his mastery of a style developed by a composer he held with the
highest regards – Johann Christian Bach. J.C. Bach's own innovations laid the groundwork for the
prodigious Mozart to develop a uniquely distinctive style of composing. Through a glance at the
concerto genre of the 18th century, an explanation of J.C. Bach's own development as a composer,
and a comparison of Mozart's set of three early concertos, K.107 to the corresponding Opus 5
Clavier Sonatas by Johann Christian Bach, a comprehension of how J.C. Bach provided Mozart ...
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5, No. 2. In the first movement there are two clear themes. The first theme is more rhythmical while
the second theme is more lyrical. This is as if J.C. Bach is foreshadowing the Viennese Sonata. What
Mozart does to highlight this difference is he adds more notes to the first three chords to create a
grander sound followed by an ostinato in the second violin to give the first theme a greater rhythmic
drive. To contrast the full sound produced by all instruments, he introduces the second theme with
only the keyboard. The lack of orchestra directs the attention to the pure lyrical melody of the
second theme. Two important elements he takes the liberty of adding are an extended tutti from
mm.8–28, 70–74, 143–152 and a cadenza at after measure 147 for the soloist. These cadenzas were
most likely added since Mozart would often choose the K.107 concertos to perform with orchestra.
Therefore, it is only fitting for him to insert one considering the fact that he is regarded as the best
improviser. The second movement conveys elegance as it switches back and forth between duple
and triplet rhythms in the melody while always being accompanied with a steady left hand. Mozart
brings out the elegance of this movement by using the second violin again as a steady repeating
triplet figure to allow the melody to float on top. However, when the soloist enters, he writes off
beat ornamentations for the violins.

Bach; Brandenberg Concertos Essay
The Brandenburg Concertos
One of the most profoundly inspired and masterful composers in history, Johann Sebastian Bach
(1685 – 1750), was born into a musical family in Eisenach, Germany. Born into a musical family his
father, Johann Ambrosius Bach, was a talented violinist, and taught his son the basic skills of string–
playing. Another relation, the organist at Eisenach's most important church, intructed the young boy
on the organ.
In 1695, Johann Sebastian was orphaned; he went to live with his older brother, Johann Christoph,
in Ohrdruf. Johann Christoph was a professional organist, and continued his younger brother's
education on that instrument, as well as on the ... Show more content on Helpwriting.net ...
The same year, he married his cousin Maria Barbara Bach.
Again caught up in a running conflict between factions of his church, Bach fled to Weimar after one
year in Muhlhausen. In Weimar (1708–1717), he assumed the post of organist and concertmaster in
the ducal chapel. He remained in Weimar for nine years, and there he composed his first wave of
major works.
By this stage in his life, Bach had developed a reputation as a brilliant musical talent. His profiency
on the organ was unequalled in Europe and he toured regularly as a solo virtuoso. In 1717, Bach left
Weimar to take a job as a court conductor in Anhalt–Cothen (1717–1723). There is where he started
concentrating on instrumental music. The Cothen period produced, among other masterpieces, the
Brandenburg Concerti.
While at Cothen, Bach's wife, Maria Barbara, died. Bach remarried soon after to Anna Magdalena
and forged ahead with his work. He also forged ahead in the child rearing department, producing 13
children with his new wife, six of whom survived childhood, to add to the four children he had
raised with Maria Barbara. Several of these offspring would become fine composers in their own
right, particularly three sons, Wilhelm Friedmann, Carl Philipp Emanuel and Johann Christian.
After conducting and composing for the court orchestra at Cothen for seven

The History Of Bach And The Baroque Era
Transitioning from the Renaissance Era to Baroque Era introduced a new approach musical styles,
such as concerto and sonata. Coming from the Portuguese term barroco, or "oddly shaped pearl", the
Baroque Era was heavily influenced with the Catholic Church from the early 1600s to the 1700s.
The Renaissance Era focuses on the exploration, discovery and rebirth; on the contrary, the Baroque
Era focuses on the Catholic Church and its exaggerated expressions. The Baroque Era came out with
European Western compositions that most of us are familiar with today, such as Pachelbel's Canon
and Vivaldi's Four Season. Along with the eras well known compositions, the Baroque Era also
included well known composers like Vivaldi and Handel. However, J.S. Bach is perhaps the greatest
composer of all times during the Baroque Era with famous pieces such as Toccata and Fugue in D
Minor, Mass in B Minor and Brandenburg Concerto. J.S. Bach, short for Johann Sebastian Bach, is a
prominent composer during the Baroque Era. Bach was born in Eisenach, Thuringia, Germany on
March 31, 1685. He is the youngest son of his parents, Johann Ambrosius Bach and Elizabeth
Lammerhirt Bach. Because he came from seven generations of musicians, it was not unusual that
Bach became a musician and composer himself. In fact, Bach's father and brother are both church
organist. Although Bach is well known for his organ skills, his musical career did not start with an
organ. In fact, it started with violin lessons with

Essay Classical Music
Classical Music
n : traditional genre of music conforming to an established form and appealing to critical interest
and developed musical taste [syn: serious music]
Classical music, as the name suggests, is a well–established kind of music, at least in the West.
Classical music concerts take place in every cultural center, and they take many forms, from a solo
to large symphonic orchestras, from a sonata to an opera. This kind of music has many fans,
especially among circles of intellectuals. But how did this great kind of music start? What made the
great composers compose? And how was this all used before the time of recorded music and
portable mp3 players? These are the questions we are going to examine today. ... Show more content
on Helpwriting.net ...
The wealthy family provided him with his own small orchestra, and this gave him the opportunity to
produce very many compositions. He was inspired by every day events, such as the times of day to
write the triptych "Morning, Noon and Evening", and by the seasons to compose "The Seasons". He
also composed the well–known symphony "Farewell", to give the Esterhazy Prince a hint: that he
was holding the musicians for too long, and he had to give them some time off.
All his music was for the ears of a small, privileged audience, primarily for their own amusement.
However, not all the great composers worked for wealthy families. Wolfgang Amadeus Mozart, a
younger composer who Haydn considered as his only true peer in music wanted his music to last in
time, and be heard by larger groups of people. This led him to produce many operas, and also
religious music. He was inspired by ancient Greek and Roman history and mythology, but also by
comic events of the every day life. However, he did not enjoy the same funding as Haydn, because
of lack of a permanent (wealthy) audience, and also because of the war that broke out in Europe at
the time.
Mozart's probably most famous composition is his unfinished "Requiem", which legend holds he
wrote for his own death. Mozart's compositions were mainly played (and still are) either to amuse
people (comic operas), or as religious music. Some of his

A Music Faculty Recital At Prince George 's Community College
"A Music Faculty Recital" at Prince George 's Community College was actually the very first
concert I've been to that included Baroque style. The environment created a nostalgic yet modern
and elegant mood; something that made you feel like you were in the late 1700's yet still in modern
times. The songs were mostly enjoyable and we 're all well played. This concert included an
ensemble: the flute, the cello, the piano, and the harpsichord. Peggy Bair, who played the flute, was
very enthusiastic. Irma Cripe, who played the cello, was quiet for the first part of the concert but
gradually became more important throughout the concert. And lastly, the virtuous Gary Kirkeby,
who played the piano and harpsichord, served as the backbone of all parts of the concert and made
this concert very enjoyable.
When the concert first began, the three instrumentalists walked with energy despite their age. The
first song, "Sonata I in G–Major Op. 2, Nr. 1" by Michel Blavet, was a Baroque Sonata. There were
five movements and was played by the harpsichord, flute, and cello. All movements of the song
were polyphonic because of the three instruments that had different parts and equal importance. In
the first movement, I noticed that the flute tended to rise in pitch. In the second movement, I noticed
that the melodies often repeated. Throughout the rest of the song the tempo changed from fast to
slow and the flute would usually take the lead. On the last movement, the cello and the harpsichord

Music At The Blasius Church
Bach was able to convince the church and town government at Mühlhausen to fund an expensive
renovation of the organ at the Blasius Church. In 1708 Bach wrote Gott ist mein König, a festive
cantata for the inauguration of the new Council, which was published at the Council 's expense. In
1708, Bach left Mühlhausen, returning to Weimar this time as an organist. In 1714 he became the
Director of Music at the ducal court, where he had an opportunity to work with a large, well–funded
contingent of professional musicians. Bach and his wife moved into a house close to the ducal
palace. Later the same year, their first child, Catharina Dorothea, was born, and Maria Barbara 's
elder, unmarried sister joined them. She remained to help run the household until her death in 1729.
Three sons were also born in Weimar: Wilhelm Friedemann, Carl Philipp Emanuel and Johann
Gottfried Bernhard. Johann Sebastian and Maria Barbara had three more children who however did
not live to their first birthday, including twins born in 1713. Bach 's time in Weimar was the start of
a sustained period of composing keyboard and orchestral works. He attained the proficiency and
confidence to extend the prevailing structures and to include influences from abroad. He learned to
write dramatic openings and employ the dynamic motor rhythms and harmonic schemes found in
the music of Italians such as Vivaldi, Corelli, and Torelli. Bach absorbed these stylistic aspects in
part by transcribing Vivaldi 's string and

Johann Sebastian Bach Research Paper
Johann Sebastian Bach was the last baroque in Germany. Bach was born in March 21st,1685 in
Eisenach,Thuringia in Germany. He died in the evening on July 28th,1750, after a quater to nine, in
the 65th year of his life. Bach was buried in St.John's cementery which stood one block outside the
town's Grimma Gate in the absence of any tombstone his grave was soon forgotten. The bones were
laid to rest in a stone sarcophagus next to the poet Gellert in the vaults of the Johanniskirche, and
many people went to pay homage. To his tomb until the church was destroyed by bombs in World
War 2. Once more his remains were rescued and in 1949 buried, this time in the altar–room of the
Thomaskirche where they remain to this day. Johann Sebastian Bach came ... Show more content on
Helpwriting.net ...
Bach family throughout Thuringia had held positions such as organists, town instrumentalists or
cantors, and the family named enjoyed a wide reputation for musical talent. Bach was the youngest
out of the 18 kids. At an early age Johann Sebastian Bach lost a sister and later a brother. When he
was 9 years old his mother died, barely 9 months later his father died. Johann Sebastian and one of
his brothers, Johann Jakob were taken into the home of their great uncle Johann Christoph who had
recently married and settled down at Ohrdruf, a small town thirty miles south–east of Eisenach. At
the end of 1703, 18 year old Sebastian took up his post at the small town of Amstadt. Bach arrived at
Muhlhausen, a small Thuringian town, proud of its ancient foundation and independence to take up
the post of organist to the town. Shortly after his arrival, he brought his cousin Maria Barbara Bach
from Amstadt, and on October 17th 1707, he married her at the small church in the picturesque little
village of Doomheim. Maria Barbara come of a broneh of the musical Bach family, her father being
organist at

How Did Beethoven Influence The World
Beethoven is one of the best composers we have ever had. Many say that he composed his best
works after going deaf. He was born to Johann and Maria Magdalena van Beethoven on December
16,1770 in Bonn, Germany. His father was the one who taught him piano and violin and mistreated
him in the process. Beethoven was a average student and left school at the age of eleven. Beethoven
studied with many tutors and then eventually left Bonn to make something of himself. Beethoven
left Bonn only to come and care for his sickening mother. Soon after his mother died and a later later
his father died as well. After leaving Bonn to pursue a career he started selling his works to
publishers. By 1794 Beethoven made a name a name for himself in society. He ... Show more
Not only was he influenced by other composers but also by many musical styles. One such influence
was french music. The french revolution was not only famous in Bonn but also in Beethoven
compositions as marches. Carl Philipp Emanuel Bach was not only known to Beethoven but also to
Mozart and Hadyn who Beethoven was influenced by. Just as emotion was a strong characteristic in
Carl Philipp Emanuel Bach's work it was even stronger in Beethoven's. Here is a quote by Julian
Medforth Budden expressing the influences of Beethoven,"Rooted in the Classical traditions of
Joseph Haydn and Mozart, his art reaches out to encompass the new spirit of humanism and
incipient nationalism expressed in the works of Goethe and Friedrich von Schiller, his elder
contemporaries in the world of literature; the stringently redefined moral imperatives of Kant; and
the ideals of the French Revolution, with its passionate concern for the freedom and dignity of the
individual".
Beethoven's Symphony No. 5 is considered one of his masterpieces. It took Beethoven about four
years to create the piece. He started it at the most productive part of his life and pieces likes the
opera delayed the progress.The first movement is the shortest he's composed ever.

Johann Sebastian Bach Research Paper
Johann Sebastian Bach was a German composer and musician of the Baroque period. He was born
on July 28th, 1750. Bach was born in Eisenach, in Germany, into a great musical family. His father
Johann Ambrosius Bach was the director of the town musicians, and all of his uncles were
professional musicians. It is believed that his father probably taught him to play the violin and
harpsichord, and his brother Johann Christoph Bach taught him the clavichord and exposed him to
much contemporary music. At age seven, Bach went to went to school where he received religious
instruction and studied Latin and other subjects. His Lutheran faith would influence his later musical
works. By the time he turned 10, Bach found himself an orphan after the death ... Show more
However there is no clear evidence that Anna Magdalena composed music, nor that she studied a
string instrument. Jarvis reports when he was studying the works in his youth he sensed that they
differed from other music by Bach. The lead to these accusations can be caused by the idea that
feminism and equality is to be promoted through history and currently. The idea of speculation if in
fact true is due to the fact women were underrated and not deemed worthy to write and publish
music unlike men in the history of music. Like many previous female musicians whom had to
publish under male names and titles. As Amy Beth Kirsten has said "A classical–music world
dominated by the past will, inevitably, be one dominated by men. Instead of trying to invent a
female Bach in prior centuries, let's seek her in the

Essay On Johann Sebastian Bach

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Essay On Johann Sebastian Bach