This document provides an overview of key concepts and movements in modern Western art from the late 19th to early 20th century, focusing on individualism, expressionism, primitivism, and the search for self. It discusses individualism and expression, then covers post-impressionism exemplified by Van Gogh and Gauguin. It also discusses primitivism through Gauguin and Rousseau's works, as well as fauvism and northern European expressionism movements represented by Matisse, Derain, Munch, Kirchner, and Nolde among others. Key ideas of alienation, anomie, authenticity and spirituality in art are also covered.
The Story of Village Palampur Class 9 Free Study Material PDF
IMWC individualism,expressionism, primitivism
1. Introduction to Modern Western Culture
Individualism, Expression,
Primitivism, and the Search for the
Self
2. Individualism – the idea that freedom of thought and action for each
person is the most important quality of a society, rather than shared effort and
responsibility. The opposite is ‘collectivism.’
expression – the communication (in visual image, speech or writing) of
beliefs or opinions. The verb form is, to express.
16. Animism – The religious belief that objects, places and
creatures all possess a distinct spiritual essence.
Potentially, animism perceives all things—animals, plants,
rocks, rivers, weather systems, human handiwork and
perhaps even words—as animated and alive.
17. Alienation – in the theory of Karl Marx, the process whereby the worker is
made to feel foreign to the products of his/her own labor.
anomie - lack of the usual social or ethical standards in an individual or
group
Authenticity - Being genuine; original; the real thing. Having a claimed and
verifiable origin or authorship; not counterfeit or copied.
subjectivity - Expression of the individuality or personal point of view of
someone. ‘The work communicated a powerful feeling of the subjectivity of
the artist.’
spiritual - Describing a non-material and transcendent reality that is often
related to religious practice, and which is usually considered to be of more
significance than material reality. Many artists, especially those pursuing
abstraction, have been concerned with this dimension to existence.
20. Primitivism - In general, a belief in the value of what is simple and
unsophisticated.
In art, it refers to a broad movement away from traditions associated with
Western classicism at the end of the nineteenth and beginning of the
twentieth century.
This was motivated by the wish to criticize the negative impact of
modernization on life in the developed world, and reflects a desire to return
to the values expressed by societies before industrialization. A particular
point of reference were the artifacts produced by non-Western cultures that
were being encountered through colonization, such as in Africa and the
South Pacific.
22. Fauvism - The name Fauves, French for "Wild Beasts," was given to artists
working in this style because it was felt that they used strong non-
naturalistic colours in a violent, uncontrolled way. Important Fauves were
Henri Matisse (French, 1869-1954) and André Derain (French, 1880-1954).