IMWC lecture i (2019).ptx
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The document discusses the effect of modernity on art in three main areas. First, it examines three important thinkers - Karl Marx, who said "everything solid melts in air" in reference to modernity. Second, it explores how modernity affected the subject, style, politics, and concepts of artworks. Third, it provides examples of art movements that emerged in response to modernity and new technologies, including Impressionism, Expressionism, Pop Art, Abstract Art, Surrealism, and Socialist Realism. Key artists mentioned are Turner, Chaplin, Monet, Grosz, Hopper, Hamilton, Warhol, Courbet, Gauguin, Nolde, Picasso, Dubuffet,
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Troy Chapla
Futurism was an early 20th century avant-garde movement founded by the Italian poet Filippo Tommaso Marinetti in 1909. Marinetti coined the term "Futurism" and promoted the aesthetics of speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Key Futurist artists included Giacomo Balla, Umberto Boccioni, Luigi Russolo, and Gino Severini, whose works often depicted dynamic and fast moving subjects like bicycles, cars, and athletes in abstracted forms that suggested motion.
Evolution of and Towards Futurism
Read about the creative artistic Futurism and you'll read the names of notorious dictators who twisted the ideals of speed and development associated with it to vindicate their irrational regimes against people and society.
Yet this slideshare proposes a narrative showing that Futurism was simply a crystallisation of many influences and also makes many hallmarks today.
Futurism
Futurism was an early 20th century art movement that originated in Italy and emphasized concepts of the future like speed, technology, youth, and violence. The movement was founded in 1909 by the Italian writer Filippo Marinetti through his Futurist Manifesto published in Le Figaro newspaper. Futurists worked in many artistic mediums but admired technology and the modern world while loathing traditions of the past. Key figures introduced included Filippo Marinetti, Fortunato Depero, Enrico Prampolini, and Guillaume Apollinaire, a French poet who experimented with typography in his works.
Futurism
1. Filippo Tommaso Marinetti founded Futurism in Italy in 1909 as both a social and artistic movement that celebrated speed, technology, youth and violence in the modern industrial world.
2. Futurism glorified World War I as an "aesthetic spectacle" and admired the modern aspects of speed, machinery and urban life over all things in the past.
3. The movement spread internationally and influenced various art forms through manifestos, with Futurist paintings, sculptures and architecture embracing and depicting the dynamic new technological age through techniques like those exploring motion and movement.
Futurism
The document summarizes the origins and key principles of Futurism, an early-20th century art movement. It began in 1909 when the poet Filippo Marinetti published the Futurist Manifesto in a French newspaper declaring that Futurism would glorify war, patriotism, and destroy museums and libraries. The movement celebrated speed, technology, youth, violence and modernity while rejecting traditionalism. Futurist artworks depicted motion, dynamism and the machine age. The movement had a significant influence on early 20th century art and ideas of modernity and progress.
Futurism
Futurism was an early 20th century avant-garde movement that originated in Italy. It celebrated speed, technology, youth, violence, and industrialization. Key Futurist artists included Umberto Boccioni, Giacomo Balla, and Carlo Carra. Their works often depicted dynamic scenes involving machinery and urban life using fractured forms and multiple perspectives to represent motion and energy.
Futurism in art
Italian Futurist art movement of the early 20th century. The presentation focusses on the work of the 5 principal Italian futurist painters, the range of paintings created roughly between 1908-1916.
Futurism
Futurism was an early 20th century avant-garde movement that originated in Italy in the early 1900s and lasted until 1944. It was founded by the poet Filippo Marinetti and sought to portray modern machines and the dynamic character of modern life through irregular agitated lines in their artwork. Key Futurist artists included Giacomo Balla, Umberto Boccioni, Marcel Duchamp, and Gino Severini. Their works emphasized force, energy, and the depiction of motion over static subjects.
Recommended
Troy Chapla
Futurism was an early 20th century avant-garde movement founded by the Italian poet Filippo Tommaso Marinetti in 1909. Marinetti coined the term "Futurism" and promoted the aesthetics of speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Key Futurist artists included Giacomo Balla, Umberto Boccioni, Luigi Russolo, and Gino Severini, whose works often depicted dynamic and fast moving subjects like bicycles, cars, and athletes in abstracted forms that suggested motion.
Evolution of and Towards Futurism
Read about the creative artistic Futurism and you'll read the names of notorious dictators who twisted the ideals of speed and development associated with it to vindicate their irrational regimes against people and society.
Yet this slideshare proposes a narrative showing that Futurism was simply a crystallisation of many influences and also makes many hallmarks today.
Futurism
Futurism was an early 20th century art movement that originated in Italy and emphasized concepts of the future like speed, technology, youth, and violence. The movement was founded in 1909 by the Italian writer Filippo Marinetti through his Futurist Manifesto published in Le Figaro newspaper. Futurists worked in many artistic mediums but admired technology and the modern world while loathing traditions of the past. Key figures introduced included Filippo Marinetti, Fortunato Depero, Enrico Prampolini, and Guillaume Apollinaire, a French poet who experimented with typography in his works.
Futurism
1. Filippo Tommaso Marinetti founded Futurism in Italy in 1909 as both a social and artistic movement that celebrated speed, technology, youth and violence in the modern industrial world.
2. Futurism glorified World War I as an "aesthetic spectacle" and admired the modern aspects of speed, machinery and urban life over all things in the past.
3. The movement spread internationally and influenced various art forms through manifestos, with Futurist paintings, sculptures and architecture embracing and depicting the dynamic new technological age through techniques like those exploring motion and movement.
Futurism
The document summarizes the origins and key principles of Futurism, an early-20th century art movement. It began in 1909 when the poet Filippo Marinetti published the Futurist Manifesto in a French newspaper declaring that Futurism would glorify war, patriotism, and destroy museums and libraries. The movement celebrated speed, technology, youth, violence and modernity while rejecting traditionalism. Futurist artworks depicted motion, dynamism and the machine age. The movement had a significant influence on early 20th century art and ideas of modernity and progress.
Futurism
Futurism was an early 20th century avant-garde movement that originated in Italy. It celebrated speed, technology, youth, violence, and industrialization. Key Futurist artists included Umberto Boccioni, Giacomo Balla, and Carlo Carra. Their works often depicted dynamic scenes involving machinery and urban life using fractured forms and multiple perspectives to represent motion and energy.
Futurism in art
Italian Futurist art movement of the early 20th century. The presentation focusses on the work of the 5 principal Italian futurist painters, the range of paintings created roughly between 1908-1916.
Futurism
Futurism was an early 20th century avant-garde movement that originated in Italy in the early 1900s and lasted until 1944. It was founded by the poet Filippo Marinetti and sought to portray modern machines and the dynamic character of modern life through irregular agitated lines in their artwork. Key Futurist artists included Giacomo Balla, Umberto Boccioni, Marcel Duchamp, and Gino Severini. Their works emphasized force, energy, and the depiction of motion over static subjects.
Futurism
The Futurist movement began in 1909 in Italy and was led by poet and publisher Filippo Marinetti. It celebrated modern technology and urban life, embracing speed, machinery and youth. Futurists rejected the past and traditions, seeking to propel Italy into the future. Their art focused on capturing motion, speed and dynamism through techniques like repetition and simultaneity of perspectives. Major artists included Giacomo Balla and Umberto Boccioni, whose works depicted subjects like trains, cyclists and soccer players in dynamic, overlapping forms. The Futurists' agenda also had political goals, and they advocated for war as a means of destroying the old order and ushering in the new. However,
Futurism
Futurism was an early 20th century avant-garde art movement founded by Filippo Tommaso Marinetti in 1909. It celebrated speed, technology, youth, violence and modern objects while rejecting traditional forms of culture. Key Futurist artists included Umberto Boccioni, Giacomo Balla, and Natalia Goncharova, whose works used techniques like divisionism and cubism to depict motion and modern life. While initially an Italian movement, Futurism later influenced other art forms and 20th century art movements globally.
Italian Futurism
This document lists key works by several Italian Futurist artists from the early 20th century including Luigi Russolo, Umberto Boccioni, Carlo Carrà, Giacomo Balla, and Gino Severini. It provides titles and dates for paintings and sculptures they created between 1908-1915 that explored themes of modernity, technology, motion, and the energy of the modern industrial city through abstract and dynamic compositions.
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I am on the hunt for the History of Modern Art…
Where did it begin?
What events caused it to happen?
Who are the major players?
What does it look like?
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The document outlines the key ideas and tenets of the early 20th century Futurist movement in Italy, as laid out in their 1909 Manifesto. It advocated destroying traditions and academics, elevating originality, and glorifying modern technology and youth. It also discusses various Futurist artworks from 1909-1915 that depicted modern subjects like cities, machines, and motion using techniques like simultaneity to show the dynamics of speed and movement.
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The document summarizes several early 20th century art movements that emerged in Europe before and after World War 1, including Futurism, Cubism, Constructivism, Orphism, Vorticism, and Rayonism. It provides examples of key artists and works for each movement, describing their shared interests in modern technology, urban environments, and new artistic techniques and materials. These avant-garde movements celebrated industrialization and sought new forms of non-representational abstract art suited to modern times.
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This document lists many influential Russian avant-garde artists from the early 20th century and some of their most famous works, including Marc Chagall, Mikhail Larionov, Natalia Goncharova, Olga Rozanova, Pavel Filonov, Wassily Kandinsky, and Kazimir Malevich. It provides the titles of over 100 paintings, drawings, and other works created by these artists between 1909 and the 1960s that helped advance innovative styles like Cubism, Futurism, and Suprematism.
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Futurism was an early 20th century art movement that celebrated speed, noise, and machines and tried to capture the dynamic energy of modern life through techniques like stopped time and implied motion. Key artists included Marcel Duchamp, Umberto Boccioni, and Giacomo Balla, and some of their notable works were Duchamp's Nude Descending a Staircase (No.2), Boccioni's Modern Idol and Unique Forms of Continuity in Space, and Balla's Dynamism of a Dog on a Leash.
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Modernism began in the late 19th century as a deliberate departure from tradition in art, literature, music, architecture and other areas influenced by industrialization and new technologies. Key developments included photography, which challenged notions of artistic originality, and World Wars I and II, which accelerated social and political changes. Modernist works often shocked audiences with controversial subjects and styles that broke from classical forms. The movement included many styles like Cubism, Dada, Surrealism and the Bauhaus school, which emphasized form following function. By mid-20th century, modernism influenced fields from art to film to product design and helped establish an international modern aesthetic. However, it also faced criticism for abandoning skill and beauty in favor
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Futurism
The Futurist movement began in 1909 in Italy and was led by poet and publisher Filippo Marinetti. It celebrated modern technology and urban life, embracing speed, machinery and youth. Futurists rejected the past and traditions, seeking to propel Italy into the future. Their art focused on capturing motion, speed and dynamism through techniques like repetition and simultaneity of perspectives. Major artists included Giacomo Balla and Umberto Boccioni, whose works depicted subjects like trains, cyclists and soccer players in dynamic, overlapping forms. The Futurists' agenda also had political goals, and they advocated for war as a means of destroying the old order and ushering in the new. However,
Futurism
Futurism was an early 20th century avant-garde art movement founded by Filippo Tommaso Marinetti in 1909. It celebrated speed, technology, youth, violence and modern objects while rejecting traditional forms of culture. Key Futurist artists included Umberto Boccioni, Giacomo Balla, and Natalia Goncharova, whose works used techniques like divisionism and cubism to depict motion and modern life. While initially an Italian movement, Futurism later influenced other art forms and 20th century art movements globally.
Italian Futurism
This document lists key works by several Italian Futurist artists from the early 20th century including Luigi Russolo, Umberto Boccioni, Carlo Carrà, Giacomo Balla, and Gino Severini. It provides titles and dates for paintings and sculptures they created between 1908-1915 that explored themes of modernity, technology, motion, and the energy of the modern industrial city through abstract and dynamic compositions.
Who killed modern art
www.whokilledmodernart.weebly.com
I am on the hunt for the History of Modern Art…
Where did it begin?
What events caused it to happen?
Who are the major players?
What does it look like?
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The document outlines the key ideas and tenets of the early 20th century Futurist movement in Italy, as laid out in their 1909 Manifesto. It advocated destroying traditions and academics, elevating originality, and glorifying modern technology and youth. It also discusses various Futurist artworks from 1909-1915 that depicted modern subjects like cities, machines, and motion using techniques like simultaneity to show the dynamics of speed and movement.
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Pablo Picasso was a highly influential Spanish painter and sculptor who co-founded the Cubist movement in the early 20th century. Some of Picasso's most famous works include Les Demoiselles d'Avignon from 1907, which helped pioneer Cubism, and Guernica from 1937, depicting the German bombing of Guernica during the Spanish Civil War. As one of the most prominent figures in the history of art, Picasso worked in a wide variety of styles throughout his long career that spanned multiple artistic movements.
Futurism
The document summarizes several early 20th century art movements that emerged in Europe before and after World War 1, including Futurism, Cubism, Constructivism, Orphism, Vorticism, and Rayonism. It provides examples of key artists and works for each movement, describing their shared interests in modern technology, urban environments, and new artistic techniques and materials. These avant-garde movements celebrated industrialization and sought new forms of non-representational abstract art suited to modern times.
The Russian Avant-Garde
This document lists many influential Russian avant-garde artists from the early 20th century and some of their most famous works, including Marc Chagall, Mikhail Larionov, Natalia Goncharova, Olga Rozanova, Pavel Filonov, Wassily Kandinsky, and Kazimir Malevich. It provides the titles of over 100 paintings, drawings, and other works created by these artists between 1909 and the 1960s that helped advance innovative styles like Cubism, Futurism, and Suprematism.
Futurism
Futurism was an early 20th century art movement that celebrated speed, noise, and machines and tried to capture the dynamic energy of modern life through techniques like stopped time and implied motion. Key artists included Marcel Duchamp, Umberto Boccioni, and Giacomo Balla, and some of their notable works were Duchamp's Nude Descending a Staircase (No.2), Boccioni's Modern Idol and Unique Forms of Continuity in Space, and Balla's Dynamism of a Dog on a Leash.
The Avant-Garde in the Early Twentieth Century
The document outlines the major art movements of the early 20th century avant-garde including Primitivism, Fauvism, Cubism, Italian Futurism, Simultaneism, and German Expressionism. It provides examples of seminal artworks created during these periods by artists such as Henri Rousseau, Henri Matisse, Pablo Picasso, Umberto Boccioni, Sonia Delaunay, and Franz Marc that helped define each style through experimentation with forms, subjects, and techniques that broke from conventions of academic art.
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This document provides a brief history of photography from its origins in the 1540s to the 1940s. It highlights some of the early inventors and pioneers of photography such as Niepce, Daguerre, Talbot, and Fox Talbot. It then discusses the use of photography during the Civil War and the development of pictorialism. The document also summarizes modernist photography of the early 20th century as well as the use of photography for social documentary to document injustices, hardships, and labor. Each era is illustrated with 1-2 example photographs and photographers.
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This book reinterprets Wifredo Lam’s work with particular attention to its political implications, focusing on how these implications emerge from the artist’s critical engagement with 20th-century anthropology. Field work conducted in Cuba, including the witnessing of actual Afro-Cuban religious ritual ceremonies and information collected from informants, enhances the interpretive background against which we can construe the meanings of Lam's art. In the process, Claude Cernuschi argues that Lam hoped to fashion a new hybrid style to foster pride and dignity in the Afro-Cuban community, as well as counteract the acute racism of Cuban culture.
Ingles
The document contains summaries of three different passages. The first is about Moscow's Red Square, a center of activity since the 16th century that is surrounded by the Kremlin and other landmarks. The second discusses the Kremlin, a walled citadel at the heart of Moscow featuring architectural styles blending Russian and Renaissance influences. The third provides overviews of the plots for the movies Short Circuit and I, Robot, where in the former a military robot develops human qualities and in the latter a robot detective investigates a case involving manipulated robots.
Alexander calder
Calder began creating his miniature Cirque Calder circus in the late 1920s using wires, strings, rubber, cloth and found objects. He was born into an artistic family and studied mechanical engineering, living between France and the United States. He was greatly influenced by abstract European artists like Joan Miró, Jean Arp, and Piet Mondrian.
Alexander calder
Calder began creating his miniature Cirque Calder circus in the late 1890s using wires, strings, rubber, cloth and other found objects. He was born into a family of artists and sculptors and studied mechanical engineering, living between France and the United States. Calder received influence from abstract European artists like Joan Miro, Jean Arp and Piet Mondrian and is known for his suspended mobile sculptures like "Floating Clouds" from 1953.
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ARTH 366 - 2. Foundational Ideas and Intro to Modernism
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Similar to IMWC lecture i (2019).ptx
1.1 Intro Art Since 1945
This document provides an introduction to an art history course on contemporary art since 1945. It discusses how postwar art challenged expectations of what art should look like, moving away from traditional subjects and embracing abstraction. Modernism is defined as favoring non-representational forms and the autonomy of art. However, postmodernism emerged as a reaction against some tenets of modernism, incorporating eclectic styles and questioning notions of progress. The reading explores the development of avant-garde art and its relationship to social and political currents over this period.
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Modern art includes artistic works produced from the 1860s to the 1970s that experimented with new techniques and ways of seeing. The movement began with Post-Impressionists like Van Gogh, Cézanne, Gauguin, and Seurat who rejected realism. In the early 20th century, Cubism, led by Picasso and Braque, and other styles like Fauvism and Expressionism emerged. After World War I, Dada, Surrealism, Bauhaus, and other anti-art movements developed. By the 1950s-60s, Abstract Expressionism, Pop Art, Minimalism, and new media like video art gained prominence, especially in the US. Modern art
Courbet And The Context
The document discusses different styles and periods of Realism in art from the 19th century to today. It begins by explaining Gustave Courbet's role in founding Realism as a reaction against Romanticism, aiming to depict everyday reality. Examples are given of Realist works by Courbet, Millet, and Manet from the mid-19th century. The document then covers American Realism from the late 19th century depicting urban scenes, including the Ashcan School. Finally, it discusses Photorealism from the late 20th century which uses photographs as reference to create hyperrealistic paintings and sculptures.
Modernism
This document provides an overview of modernism in art from the late 19th century onwards. It discusses the key movements of impressionism, post-impressionism, fauvism, cubism, futurism, dada and surrealism. For each movement, it provides examples of representative artworks, and asks questions about the works to highlight aspects like their rejection of realism and exploration of new techniques in favor of subjective expression and psychological exploration. The document also discusses some of the technological and social changes that catalyzed artistic experimentation during this period.
Materialism
In the late 19th century, industrialization allowed the Western world to dominate globally. Realist and Impressionist art movements emerged in response to social and economic changes brought by industrialization. Realist works by artists like Courbet, Millet, and Daumier documented everyday life and social issues. Impressionism, led by Monet, focused on capturing light and fleeting visual impressions. Post-Impressionists like Cézanne, Gauguin, Seurat, and Van Gogh reacted against Impressionism's limitations by emphasizing composition, emotion, and non-traditional perspectives.
4.5 nouveau realism
The Nouveau Réalisme art movement emerged in Paris in 1960 as a reaction against media-saturated reality. Artists such as Arman, Tinguely, and Villeglé incorporated found objects and trash into their works to provide an unmediated experience of the real. Arman made "accumulation" and "portrait robot" sculptures from consumer goods, while Tinguely and Villeglé constructed kinetic machines and décollage collages respectively. The movement sought new perceptions of reality beyond representations.
American art, 1970 to present
Postmodernism in art emerged in the 1970s as a reaction against modernism. It aimed to be more inclusive and accommodating of different styles, subjects, and formats. Key aspects of postmodern art include incorporating irony, revealing the artistic process, and blurring boundaries between high and low art.
How Did The French Revolution Influence The Arts
The French Revolution greatly influenced art through two major movements, Neoclassicism and Romanticism. Neoclassicism focused on rationality and values of the Enlightenment to address questions raised by the Revolution. Meanwhile, Romanticism emerged after Napoleon, depicting emotions and nature to relate to common people. Artists explored new styles and subjects to convey the serious atmosphere of the Revolution and changing social ideals.
Modernism
The document discusses the rise of modernism in art, music, and architecture between 1890-1920 in Europe and America in response to industrialization. Modernist artists rebelled against tradition and embraced new social and political ideas. Developments included impressionism, photography, which became recognized as an art form, and early motion pictures. Ragtime music also emerged and influenced the development of jazz. Overall, the period saw rapid technological, entertainment, and artistic changes that created a new modern era.
Kubisme in parijs II - Montparnasse en Puteaux (section d'or)
Bijeenkomst over het kubisme van de Groupe Puteaux (Section d'Or) met als belangrijkste vertegenwoordigers Jean Metzinger, Albert Gleizes, Robert Delaunay, Fernand Léger, Henri Le Fauconnier. Focus: de Salons des Indépendants en de Salons d'Automne van 1911 en 1912, die de doorbraak van deze groep kunstenaars betekende. Bijeenkomst: Haarlem (Hoofdwacht van de Vereniging Haerlem) op 8 december 2016. Bijeenkomst in het kader van de cursus Doorbraak van de moderne kunst: Parijs 1880-1920 door Michiel Kersten
Art Appreciation Topic VIII: Art Movements in the Later 19th Century
This document provides an overview of major art movements from 1840-1914, including French Academic Art, Realism, Victorian Art, the Pre-Raphaelites, Impressionism, Post-Impressionism, Neo-Impressionism, Symbolism, the Nabis, and Art Nouveau. It discusses the key characteristics and notable artists of each movement, such as Courbet and Millet's focus on everyday rural life with Realism, the Pre-Raphaelites' interest in medieval themes and modern issues, and the Impressionists' depiction of light and fleeting sensations through visible brushstrokes and outdoor painting.
20 the romantic age
This document provides an overview of key developments during the Romantic Age. It discusses advances in technology including the development of gas lighting, electricity, steam engines, and refrigeration. It also outlines major social changes such as the spread of the industrial revolution, emergence of new social classes, and proposed solutions to problems faced by the working class like socialism. The document also summarizes major artistic, literary, philosophical, and scientific movements of the period including Romanticism, Idealism, Positivism, Materialism, Evolution, and Marxism. Key figures and their contributions are discussed such as Turner, Delacroix, Goya, and Pugin.
The Modern WorldRomanticism, Realism, Impressionism& Po.docx
The Modern World:
Romanticism, Realism, Impressionism
& Post-Impressionism
ART-6, Q. Bemiller, Norco College
Louis Daguerre, Boulevard du Temple (first photograph of a
living person in Paris), 1838, daguerreotype
1800-1945 = major changes!
• 1785-1813 Power Loom
• 1807 Steamboat
• 1814 Steam Locomotive
• 1826 Photograph
• 1837 Telegraph
• 1876 Telephone
• 1870s-80s Phonograph, Light Bulb, Motion Pictures
• 1885 Automobile
• 1895 Radio
• 1903 Airplane
• 1927 Television
• 1935 Electric Guitar
• 1942 Nuclear Reactor
Romanticism
• Romanticism was named after the adventurous stories told in the
“Romance” languages (Spanish, Portuguese, French, Italian and
Romanian.) "Romance languages" originate from Latin, the language
spoken in the Western Roman Empire.
• Romanticism reacted against the logical, rational and objective truths
of Neoclassicism. Instead, Romanticists focused on individual
freedom, imagination, emotions, subjective reality, intuition and
originality.
• Romanticism lasted from about 1800-1890 and led to avant-garde
movements in the 20th century.
• Artists include Francisco Goya, Caspar David Friedrich, Henry Fuseli,
John Constable, J.M.W. Turner, Eugène Delacroix and Théodore
Géricault.
Francisco Goya, The Third of May, 1808, 1814, oil on
canvas
Caspar David Friedrich, The Abbey in the Oakwood, 1809-
10; Wanderer Above the Sea of Fog, 1818, oil on canvas
Henry Fuseli, The Nightmare, 1781 and 1790-91, oil on
canvas
John Constable, Salisbury Cathedral from the meadows,
1831, oil on canvas
J.M.W. Turner, The Burning of the Houses of Lords and
Commons, 1834/35, oil on canvas
Sir Charles Barry and Augustus Welby Northmore Pugin,
Houses of Parliament, London, a complex of Gothic Revival
buildings, 1837–60
Eugène Delacroix, Liberty Leading the People, 1830,
oil on canvas
Théodore Géricault, The Raft of the Medusa, c. 1819
oil on canvas, and study of severed heads, 1818.
Realism
• “It is not a question, here, of seeking for an 'absolute' of beauty. The artist is neither
painting history nor his soul. What is termed 'composition' does not exist for him, and
he has not set himself the task of representing some abstract idea or some historical
episode. And it is because of this that he should neither be judged as a moralist nor as
a literary man. He should be judged simply as a painter.” –Émile Zola, (1840-1902)
• The Realism movement rejected both Romanticism and Neoclassicism. They focused
on everyday life, the reality of life. For them, art and life were one.
• Realist artists dared to make paintings of lower-class people, drawing attention to
social inequities. They also showed the animals and workers of the land, reminding
the “city folks” where their food came from, and the natural landscape that could be
forgotten in the cities.
• The Realist artists were perhaps the first “modern” artists. The movement was
roughly 1848-1900. Key artists were Gustave Courbet, Édouard.
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IMWC lecture i (2019).ptx
- 1. Lecture I: Modernity and Modern Art
- 3. What is Modernity? Three important Thinkers
- 4. What is Modernity? Three important Thinkers The Effect of Modernity on Art - Subject - Style - Politics and art - Concepts
- 5. ‘everything solid melts in air’ Karl Marx
- 8. J.M.W. Turner,’ The Fighting Temeraire’ (1839)
- 9. Charlie Chaplin in ‘Modern Times’: http://www.youtube.com/watch?v=DfGs2Y5WJ14 Expressionist Cinema: http://www.youtube.com/watch?v=IcReykfvqi4 Modernity and Technology
- 13. Gustave Caillebotte, Paris Street in the rain, 1877 Impressionism
- 14. Claude Monet, Gare Sainte Lazare, 1877 Impressionism
- 15. George Grosz, Berlin Street Scene, 1926 Expressionist Art
- 16. Edward Hopper, Nighthawks, 1940’s Realist Art
- 18. Richard Hamilton, 1956 Pop Art
- 19. Rauschenberg
- 21. Andy Warhol, Marilyn, 1965 Pop Art
- 22. Gustave Courbet, Bather, 1840’s Realist Art Bougereaux, The Birth of Venus, 1880’s Neo-Classical Art
- 23. Paul Gauguin, 1890’s ‘Primitivism’ in Post-Impressionist Art
- 25. Emile Nolde, The Dance of the GoLden Calf, 1910 Expressionist Art
- 26. Pablo Picasso. Les Damoiselles d’Avignon, 1907
- 27. Picasso
- 29. Piet Mondrian, Abstract Painting, 1921 Abstract Art
- 30. Kasmimir Malevich, Suprematist Composition, 1920
- 31. El Lissitzky, Beat the Whites with the Red Wedge, 1920’s
- 32. Karp Trokhimenko Soviet Socialist Realism
- 33. Jackson Pollock, 1940’s Abstract expressionist Artt
- 34. Rene Magritte. 1920’s Surrealist Art
- 36. Dada Art