SlideShare a Scribd company logo
1 of 11
Film opening
analysis
Filmopenings
Mise – en – scene
Everything in the
frame.
Narrative –
The telling of the
story.
Motif –
Something that will
distinguish them.
Costume
Positioning
Lighting
Camera
angles
Props
Setting
Genre Setting Characters Plot Props Themes
Superhero Large city, e.g.
America, London
etc.
Villain, hero,
damsel.
Villain steals
object, hero stops
them.
Gadgets, capes,
costumes,
technology.
Heroics, moral,
sacrifice, bravery.
Romance “ “
In a house.
Man, woman,
family.
Woman and man
together,
something brings
them apart but by
the end they’re
back together.
Things used in
every day lives –
things at home,
work etc.
Love, dates,
passion,
friendships.
Horror Haunted house. Zombies, dolls,
innocent person,
possessed
people.
People move into
new house which
is haunted which
causes problems
with ghosts.
Dolls, blood,
dangerous
objects.
Scared, paranoia.
Musicals Schools. Boy group, girl
group.
Main boy and girl
fall in love.
Problems around
romance happen.
Things in a school
or at home.
Singing, school,
friends, love.
Trainspotting
• Characters are introduced in the opening sequence so that the audience becomes familiar with
them from the start.
• Main character, Renton, is shown running down the street being chased by business men – could
be a criminal; stealing.
• Stereotypical male / teenage boy roles – sports, social life, smoking, fights etc.
• Two different types of groups – sporty, focused group dressed nice (have more money) against
rough, less professional group.
• Narrative – Renton gets into drugs, tries to make different choices but they don’t always work out
how he expected them to.
• Deprived mise – en – scene – hole’s in the walls, nothing in houses, lack of
money.
• Hand held camera used when the camera is from Renton’s point of view when he
is running at the start of the sequence.
• Clothing is brown/tatty because of the lack of money. They aren’t matched.
• Direct mode of address when introducing characters – more personal to the
audience.
• Pace of editing increases throughout until Renton gets knocked out towards the
end then it goes to slow pace editing.
• As the non diegetic sounds get more intense and faster, the editing becomes
more intense and faster.
28 Days Later
• A man, main character, walking the streets wearing a hospital gown – escaped.
• Set in London however it’s not shown like a stereotypical high class, busy city; no one around,
litter everywhere, buses tipped over and smashed phone boxes.
• Slow pace editing – leaving many seconds between each shot.
• Slow, gentle music.
• High angle shot of the bus – shows it is smashed (violence).
• Not using as many close up’s as they want the audience to know where (what city) it is set
in.
• Lighting - set in day time.
• Music begins to speed up when he finds money.
• Ends with a birds eye view shot to make the character look small against the city of
London.
• Narrative – Main character has escaped from a hospital and is confused to where he is and
what has happened to his city.
Trainspotting VS 28 Days Later
The films ‘Trainspotting’ and ‘28 days later’ are both made by Danny Boyles. I found similarities and differences
within both opening sequences that I studied. In the opening sequence of ‘trainspotting’ all or most of the
characters are introduced to the audience however in ‘28 days later’ they aren’t which suggests that in this film, it
is mainly based around an individual rather than a group of people. Both opening sequences show that the main
character is unhealthy; in ‘trainspotting’ it is to do with drugs whereas in ‘28 days later’ the main character is in
hospital clothes therefore it suggests that it isn’t drug related to why he was in hospital. There is not much action
or suspense created in the opening sequence of ‘28 days later’ but in ‘trainspotting’ action happens as soon as the
film starts when Renton is running down the street to get away from two other men. This could identify that both
films have two separate genre’s. Also, both films are set in separate places. ‘Trainspotting’ is set in a deprived area
whereas ‘28 days later’ is set in London, which is far from a deprived area. On the other hand, London is being
portrayed as a working class, slightly deprived area because of the lack of people, litter and smashed things.
Up
• Throughout the whole opening sequence the same music is playing. It is an instrumental,
which is happy and relaxing – it is being played against different clips of a couples life going
on (from young to old) so it is representing a happy life they’ve had together.
• Slow paced editing to show different stages of the lives.
• Going through ages/time so setting and costumes change.
• Reaching a dream together – building their dream house.
• The female role crying in a hospital – bad news on her baby – music starts to slow down and
become a less happier tune.
• Female role deciding what tie the man should wear as they get older – dressing older and
smarter, woman helping man do things.
• Narrative – A man trying to reach his dream.
Hairspray
• 60’s costumes/settings – set in the 60’s.
• Old TV – old fashioned.
• Starts opening scene with an establishing shot which shows the town.
• Car engines and horns beeping in the background – diegetic sounds.
• Close up on newspaper headline ‘baltimore’ to show and tell the audience that it is set there.
• Cheerful music/tune and dancing – representing happiness, joy and fun.
• Narrative of the film is to educate and inform the audience – trying to get TV to let black and
white people have the same show. Educating on a big issue from the 60’s.
• Music is being sung therefore it is diegetic.
• Target audience – teenagers. This is shown through the characters. Teens in a school.
• Extreme close up on eyes to show Tracy waking up.
• More close up shots in the first scene showing Tracy, the main character:
• Feet – putting on shoes.
• Putting arm through clothing.
• Zipping up skirt.
• Hairspray can – emphasis on the title of the film.
• Mise en scene – dirty rats on the street.

More Related Content

What's hot

Look what you made me do pp
Look what you made me do ppLook what you made me do pp
Look what you made me do ppCharlie Stannard
 
Filming Schedule Media Studies Cw
Filming Schedule Media Studies CwFilming Schedule Media Studies Cw
Filming Schedule Media Studies Cwguest7fb5ab7
 
Final Script Nikki J 03
Final Script Nikki J 03Final Script Nikki J 03
Final Script Nikki J 03chillif1
 
Nikki J Script, Filming Session 1
Nikki J Script, Filming Session 1Nikki J Script, Filming Session 1
Nikki J Script, Filming Session 1chillif1
 
'Sleep well' pitch (1)
'Sleep well' pitch (1)'Sleep well' pitch (1)
'Sleep well' pitch (1)LouisHodges3
 
The departed by scorsese
The departed by scorseseThe departed by scorsese
The departed by scorsesephoebeseaton1
 
Ideas for music video from others
Ideas for music video from othersIdeas for music video from others
Ideas for music video from otherslydiabarba24
 
Smells like teen spirit proposal
Smells like teen spirit proposalSmells like teen spirit proposal
Smells like teen spirit proposaldavid_flesher
 
Presentation1
Presentation1Presentation1
Presentation1jm160141
 
Research all genres change ver time
Research  all genres change ver timeResearch  all genres change ver time
Research all genres change ver timeLV7773
 
Soap Opera Storyboard
Soap Opera StoryboardSoap Opera Storyboard
Soap Opera Storyboardpregnaul99
 
Genre partner project final
Genre partner project finalGenre partner project final
Genre partner project finalKella94
 

What's hot (17)

Chemicalia
ChemicaliaChemicalia
Chemicalia
 
Pitching our film
Pitching our film Pitching our film
Pitching our film
 
Look what you made me do pp
Look what you made me do ppLook what you made me do pp
Look what you made me do pp
 
Filming Schedule Media Studies Cw
Filming Schedule Media Studies CwFilming Schedule Media Studies Cw
Filming Schedule Media Studies Cw
 
Final Script Nikki J 03
Final Script Nikki J 03Final Script Nikki J 03
Final Script Nikki J 03
 
Nikki J Script, Filming Session 1
Nikki J Script, Filming Session 1Nikki J Script, Filming Session 1
Nikki J Script, Filming Session 1
 
'Sleep well' pitch (1)
'Sleep well' pitch (1)'Sleep well' pitch (1)
'Sleep well' pitch (1)
 
The departed by scorsese
The departed by scorseseThe departed by scorsese
The departed by scorsese
 
Ideas for music video from others
Ideas for music video from othersIdeas for music video from others
Ideas for music video from others
 
Genre research
Genre researchGenre research
Genre research
 
Smells like teen spirit proposal
Smells like teen spirit proposalSmells like teen spirit proposal
Smells like teen spirit proposal
 
Presentation1
Presentation1Presentation1
Presentation1
 
Emm's Pitch
Emm's PitchEmm's Pitch
Emm's Pitch
 
Research all genres change ver time
Research  all genres change ver timeResearch  all genres change ver time
Research all genres change ver time
 
Script
ScriptScript
Script
 
Soap Opera Storyboard
Soap Opera StoryboardSoap Opera Storyboard
Soap Opera Storyboard
 
Genre partner project final
Genre partner project finalGenre partner project final
Genre partner project final
 

Viewers also liked

Hulu Summer Film School
Hulu Summer Film School Hulu Summer Film School
Hulu Summer Film School Kelly Lin
 
Conheça a New York Film Academy
Conheça a New York Film Academy Conheça a New York Film Academy
Conheça a New York Film Academy estudarfora
 
University website analysis
University website analysisUniversity website analysis
University website analysisSean Filiatrault
 
History of Film
History of FilmHistory of Film
History of FilmMajo Gomez
 
B.Arch Thesis: an animation hub @ khandala
B.Arch Thesis: an animation hub @ khandalaB.Arch Thesis: an animation hub @ khandala
B.Arch Thesis: an animation hub @ khandalaAniket Chaudhari
 
Film institute and film studious
Film institute and film studiousFilm institute and film studious
Film institute and film studiousTanzil Faraz
 
Film History 1
Film History 1Film History 1
Film History 1John Grace
 
Conto Infantil- Três Porquinhos
Conto Infantil- Três PorquinhosConto Infantil- Três Porquinhos
Conto Infantil- Três Porquinhosdaiane4005
 
Os três porquinhos história
Os três porquinhos   históriaOs três porquinhos   história
Os três porquinhos históriaAndyCecilia
 
Projeto os três porquinhos
Projeto os três porquinhosProjeto os três porquinhos
Projeto os três porquinhossandramirandan
 
Case study of sacube
Case study of sacubeCase study of sacube
Case study of sacubesuman saurabh
 
Case study/ Literature of a School
Case study/ Literature of a SchoolCase study/ Literature of a School
Case study/ Literature of a SchoolSarthak Kaura
 

Viewers also liked (20)

Porquinhos
PorquinhosPorquinhos
Porquinhos
 
ARH653
ARH653ARH653
ARH653
 
Mohamed Rabeh
Mohamed RabehMohamed Rabeh
Mohamed Rabeh
 
Hulu Summer Film School
Hulu Summer Film School Hulu Summer Film School
Hulu Summer Film School
 
Conheça a New York Film Academy
Conheça a New York Film Academy Conheça a New York Film Academy
Conheça a New York Film Academy
 
University website analysis
University website analysisUniversity website analysis
University website analysis
 
Film studio research
Film studio researchFilm studio research
Film studio research
 
History of Film
History of FilmHistory of Film
History of Film
 
B.Arch Thesis: an animation hub @ khandala
B.Arch Thesis: an animation hub @ khandalaB.Arch Thesis: an animation hub @ khandala
B.Arch Thesis: an animation hub @ khandala
 
Film institute and film studious
Film institute and film studiousFilm institute and film studious
Film institute and film studious
 
Thesis on film studio
Thesis on film studioThesis on film studio
Thesis on film studio
 
Film History 1
Film History 1Film History 1
Film History 1
 
Conto Infantil- Três Porquinhos
Conto Infantil- Três PorquinhosConto Infantil- Três Porquinhos
Conto Infantil- Três Porquinhos
 
Film Genres
Film GenresFilm Genres
Film Genres
 
Os três porquinhos história
Os três porquinhos   históriaOs três porquinhos   história
Os três porquinhos história
 
Projeto os três porquinhos
Projeto os três porquinhosProjeto os três porquinhos
Projeto os três porquinhos
 
Três porquinhos
Três porquinhosTrês porquinhos
Três porquinhos
 
2010 Thesis Project
2010 Thesis Project2010 Thesis Project
2010 Thesis Project
 
Case study of sacube
Case study of sacubeCase study of sacube
Case study of sacube
 
Case study/ Literature of a School
Case study/ Literature of a SchoolCase study/ Literature of a School
Case study/ Literature of a School
 

Similar to Film opening analysis

Theory meaning pro-forma
Theory  meaning pro-formaTheory  meaning pro-forma
Theory meaning pro-formajay birkin
 
TV Drama Codes and Conventions
TV Drama Codes and ConventionsTV Drama Codes and Conventions
TV Drama Codes and Conventionsgracepollington
 
Micro analysis of sub genres
Micro analysis of sub genresMicro analysis of sub genres
Micro analysis of sub genresZahed229
 
Expert productions
Expert productionsExpert productions
Expert productionsAdam Messina
 
Theory Meaning pro-forma
Theory Meaning pro-formaTheory Meaning pro-forma
Theory Meaning pro-formaEmily Whincup
 
Thriller trailer analysis
Thriller trailer analysisThriller trailer analysis
Thriller trailer analysisholliebeale
 
romeo and juliet powerpoint.pptx
romeo and juliet powerpoint.pptxromeo and juliet powerpoint.pptx
romeo and juliet powerpoint.pptxquascent
 
Our Soap
Our SoapOur Soap
Our Soapajgun62
 
'Love Whiplash' Music Video Presentation
'Love Whiplash' Music Video Presentation'Love Whiplash' Music Video Presentation
'Love Whiplash' Music Video Presentationmediaisnow
 
Tv drama - re-done
Tv drama - re-doneTv drama - re-done
Tv drama - re-doneStephWebb
 
How i met your mother presentation
How i met your mother presentationHow i met your mother presentation
How i met your mother presentationkarentangee
 
Conventions of social realism
Conventions of social realismConventions of social realism
Conventions of social realismRiley Wright
 

Similar to Film opening analysis (20)

Theory meaning pro-forma
Theory  meaning pro-formaTheory  meaning pro-forma
Theory meaning pro-forma
 
TV Drama Codes and Conventions
TV Drama Codes and ConventionsTV Drama Codes and Conventions
TV Drama Codes and Conventions
 
Film Trailers
Film TrailersFilm Trailers
Film Trailers
 
Micro analysis of sub genres
Micro analysis of sub genresMicro analysis of sub genres
Micro analysis of sub genres
 
Expert productions
Expert productionsExpert productions
Expert productions
 
Expert productions
Expert productionsExpert productions
Expert productions
 
Expert productions
Expert productionsExpert productions
Expert productions
 
Theory Meaning pro-forma
Theory Meaning pro-formaTheory Meaning pro-forma
Theory Meaning pro-forma
 
Thriller trailer analysis
Thriller trailer analysisThriller trailer analysis
Thriller trailer analysis
 
Meaning complete
Meaning  complete Meaning  complete
Meaning complete
 
romeo and juliet powerpoint.pptx
romeo and juliet powerpoint.pptxromeo and juliet powerpoint.pptx
romeo and juliet powerpoint.pptx
 
Theory
TheoryTheory
Theory
 
Our soap
Our soapOur soap
Our soap
 
Our Soap
Our SoapOur Soap
Our Soap
 
'Love Whiplash' Music Video Presentation
'Love Whiplash' Music Video Presentation'Love Whiplash' Music Video Presentation
'Love Whiplash' Music Video Presentation
 
2. meaning (aa)
2. meaning (aa)2. meaning (aa)
2. meaning (aa)
 
Tv drama - re-done
Tv drama - re-doneTv drama - re-done
Tv drama - re-done
 
Folks
FolksFolks
Folks
 
How i met your mother presentation
How i met your mother presentationHow i met your mother presentation
How i met your mother presentation
 
Conventions of social realism
Conventions of social realismConventions of social realism
Conventions of social realism
 

More from mollymeyer10

More from mollymeyer10 (17)

Question seven
Question sevenQuestion seven
Question seven
 
Q1
Q1Q1
Q1
 
Album release
Album releaseAlbum release
Album release
 
Album release
Album releaseAlbum release
Album release
 
Editing techniques
Editing techniquesEditing techniques
Editing techniques
 
Focus group results and summary
Focus group results and summaryFocus group results and summary
Focus group results and summary
 
Copyright holder letter
Copyright holder letterCopyright holder letter
Copyright holder letter
 
Questionaire
QuestionaireQuestionaire
Questionaire
 
Q5
Q5Q5
Q5
 
Question 3 evaluation
Question 3 evaluationQuestion 3 evaluation
Question 3 evaluation
 
Question 2 evaluation
Question 2 evaluationQuestion 2 evaluation
Question 2 evaluation
 
Script
ScriptScript
Script
 
Thriller audience
Thriller audienceThriller audience
Thriller audience
 
Classification ratings
Classification ratingsClassification ratings
Classification ratings
 
Call sheet
Call sheetCall sheet
Call sheet
 
Locations
LocationsLocations
Locations
 
Production and distribution
Production and distributionProduction and distribution
Production and distribution
 

Recently uploaded

Git and Github workshop GDSC MLRITM
Git and Github  workshop GDSC MLRITMGit and Github  workshop GDSC MLRITM
Git and Github workshop GDSC MLRITMgdsc13
 
How is AI changing journalism? (v. April 2024)
How is AI changing journalism? (v. April 2024)How is AI changing journalism? (v. April 2024)
How is AI changing journalism? (v. April 2024)Damian Radcliffe
 
FULL ENJOY Call Girls In Mayur Vihar Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mayur Vihar Delhi Contact Us 8377087607FULL ENJOY Call Girls In Mayur Vihar Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mayur Vihar Delhi Contact Us 8377087607dollysharma2066
 
定制(CC毕业证书)美国美国社区大学毕业证成绩单原版一比一
定制(CC毕业证书)美国美国社区大学毕业证成绩单原版一比一定制(CC毕业证书)美国美国社区大学毕业证成绩单原版一比一
定制(CC毕业证书)美国美国社区大学毕业证成绩单原版一比一3sw2qly1
 
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girl
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call GirlVIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girl
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girladitipandeya
 
AlbaniaDreamin24 - How to easily use an API with Flows
AlbaniaDreamin24 - How to easily use an API with FlowsAlbaniaDreamin24 - How to easily use an API with Flows
AlbaniaDreamin24 - How to easily use an API with FlowsThierry TROUIN ☁
 
定制(Management毕业证书)新加坡管理大学毕业证成绩单原版一比一
定制(Management毕业证书)新加坡管理大学毕业证成绩单原版一比一定制(Management毕业证书)新加坡管理大学毕业证成绩单原版一比一
定制(Management毕业证书)新加坡管理大学毕业证成绩单原版一比一Fs
 
定制(Lincoln毕业证书)新西兰林肯大学毕业证成绩单原版一比一
定制(Lincoln毕业证书)新西兰林肯大学毕业证成绩单原版一比一定制(Lincoln毕业证书)新西兰林肯大学毕业证成绩单原版一比一
定制(Lincoln毕业证书)新西兰林肯大学毕业证成绩单原版一比一Fs
 
Call Girls South Delhi Delhi reach out to us at ☎ 9711199012
Call Girls South Delhi Delhi reach out to us at ☎ 9711199012Call Girls South Delhi Delhi reach out to us at ☎ 9711199012
Call Girls South Delhi Delhi reach out to us at ☎ 9711199012rehmti665
 
VIP Kolkata Call Girl Salt Lake 👉 8250192130 Available With Room
VIP Kolkata Call Girl Salt Lake 👉 8250192130  Available With RoomVIP Kolkata Call Girl Salt Lake 👉 8250192130  Available With Room
VIP Kolkata Call Girl Salt Lake 👉 8250192130 Available With Roomishabajaj13
 
Call Girls Service Adil Nagar 7001305949 Need escorts Service Pooja Vip
Call Girls Service Adil Nagar 7001305949 Need escorts Service Pooja VipCall Girls Service Adil Nagar 7001305949 Need escorts Service Pooja Vip
Call Girls Service Adil Nagar 7001305949 Need escorts Service Pooja VipCall Girls Lucknow
 
Low Rate Call Girls Kolkata Avani 🤌 8250192130 🚀 Vip Call Girls Kolkata
Low Rate Call Girls Kolkata Avani 🤌  8250192130 🚀 Vip Call Girls KolkataLow Rate Call Girls Kolkata Avani 🤌  8250192130 🚀 Vip Call Girls Kolkata
Low Rate Call Girls Kolkata Avani 🤌 8250192130 🚀 Vip Call Girls Kolkataanamikaraghav4
 
VIP Call Girls Kolkata Ananya 🤌 8250192130 🚀 Vip Call Girls Kolkata
VIP Call Girls Kolkata Ananya 🤌  8250192130 🚀 Vip Call Girls KolkataVIP Call Girls Kolkata Ananya 🤌  8250192130 🚀 Vip Call Girls Kolkata
VIP Call Girls Kolkata Ananya 🤌 8250192130 🚀 Vip Call Girls Kolkataanamikaraghav4
 
VIP Kolkata Call Girl Dum Dum 👉 8250192130 Available With Room
VIP Kolkata Call Girl Dum Dum 👉 8250192130  Available With RoomVIP Kolkata Call Girl Dum Dum 👉 8250192130  Available With Room
VIP Kolkata Call Girl Dum Dum 👉 8250192130 Available With Roomdivyansh0kumar0
 
Sushant Golf City / best call girls in Lucknow | Service-oriented sexy call g...
Sushant Golf City / best call girls in Lucknow | Service-oriented sexy call g...Sushant Golf City / best call girls in Lucknow | Service-oriented sexy call g...
Sushant Golf City / best call girls in Lucknow | Service-oriented sexy call g...akbard9823
 
Chennai Call Girls Porur Phone 🍆 8250192130 👅 celebrity escorts service
Chennai Call Girls Porur Phone 🍆 8250192130 👅 celebrity escorts serviceChennai Call Girls Porur Phone 🍆 8250192130 👅 celebrity escorts service
Chennai Call Girls Porur Phone 🍆 8250192130 👅 celebrity escorts servicesonalikaur4
 
VIP Kolkata Call Girl Kestopur 👉 8250192130 Available With Room
VIP Kolkata Call Girl Kestopur 👉 8250192130  Available With RoomVIP Kolkata Call Girl Kestopur 👉 8250192130  Available With Room
VIP Kolkata Call Girl Kestopur 👉 8250192130 Available With Roomdivyansh0kumar0
 
Russian Call Girls in Kolkata Samaira 🤌 8250192130 🚀 Vip Call Girls Kolkata
Russian Call Girls in Kolkata Samaira 🤌  8250192130 🚀 Vip Call Girls KolkataRussian Call Girls in Kolkata Samaira 🤌  8250192130 🚀 Vip Call Girls Kolkata
Russian Call Girls in Kolkata Samaira 🤌 8250192130 🚀 Vip Call Girls Kolkataanamikaraghav4
 

Recently uploaded (20)

Git and Github workshop GDSC MLRITM
Git and Github  workshop GDSC MLRITMGit and Github  workshop GDSC MLRITM
Git and Github workshop GDSC MLRITM
 
How is AI changing journalism? (v. April 2024)
How is AI changing journalism? (v. April 2024)How is AI changing journalism? (v. April 2024)
How is AI changing journalism? (v. April 2024)
 
FULL ENJOY Call Girls In Mayur Vihar Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mayur Vihar Delhi Contact Us 8377087607FULL ENJOY Call Girls In Mayur Vihar Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mayur Vihar Delhi Contact Us 8377087607
 
定制(CC毕业证书)美国美国社区大学毕业证成绩单原版一比一
定制(CC毕业证书)美国美国社区大学毕业证成绩单原版一比一定制(CC毕业证书)美国美国社区大学毕业证成绩单原版一比一
定制(CC毕业证书)美国美国社区大学毕业证成绩单原版一比一
 
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girl
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call GirlVIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girl
VIP 7001035870 Find & Meet Hyderabad Call Girls LB Nagar high-profile Call Girl
 
AlbaniaDreamin24 - How to easily use an API with Flows
AlbaniaDreamin24 - How to easily use an API with FlowsAlbaniaDreamin24 - How to easily use an API with Flows
AlbaniaDreamin24 - How to easily use an API with Flows
 
定制(Management毕业证书)新加坡管理大学毕业证成绩单原版一比一
定制(Management毕业证书)新加坡管理大学毕业证成绩单原版一比一定制(Management毕业证书)新加坡管理大学毕业证成绩单原版一比一
定制(Management毕业证书)新加坡管理大学毕业证成绩单原版一比一
 
定制(Lincoln毕业证书)新西兰林肯大学毕业证成绩单原版一比一
定制(Lincoln毕业证书)新西兰林肯大学毕业证成绩单原版一比一定制(Lincoln毕业证书)新西兰林肯大学毕业证成绩单原版一比一
定制(Lincoln毕业证书)新西兰林肯大学毕业证成绩单原版一比一
 
Call Girls South Delhi Delhi reach out to us at ☎ 9711199012
Call Girls South Delhi Delhi reach out to us at ☎ 9711199012Call Girls South Delhi Delhi reach out to us at ☎ 9711199012
Call Girls South Delhi Delhi reach out to us at ☎ 9711199012
 
VIP Kolkata Call Girl Salt Lake 👉 8250192130 Available With Room
VIP Kolkata Call Girl Salt Lake 👉 8250192130  Available With RoomVIP Kolkata Call Girl Salt Lake 👉 8250192130  Available With Room
VIP Kolkata Call Girl Salt Lake 👉 8250192130 Available With Room
 
Call Girls Service Adil Nagar 7001305949 Need escorts Service Pooja Vip
Call Girls Service Adil Nagar 7001305949 Need escorts Service Pooja VipCall Girls Service Adil Nagar 7001305949 Need escorts Service Pooja Vip
Call Girls Service Adil Nagar 7001305949 Need escorts Service Pooja Vip
 
Low Rate Call Girls Kolkata Avani 🤌 8250192130 🚀 Vip Call Girls Kolkata
Low Rate Call Girls Kolkata Avani 🤌  8250192130 🚀 Vip Call Girls KolkataLow Rate Call Girls Kolkata Avani 🤌  8250192130 🚀 Vip Call Girls Kolkata
Low Rate Call Girls Kolkata Avani 🤌 8250192130 🚀 Vip Call Girls Kolkata
 
VIP Call Girls Kolkata Ananya 🤌 8250192130 🚀 Vip Call Girls Kolkata
VIP Call Girls Kolkata Ananya 🤌  8250192130 🚀 Vip Call Girls KolkataVIP Call Girls Kolkata Ananya 🤌  8250192130 🚀 Vip Call Girls Kolkata
VIP Call Girls Kolkata Ananya 🤌 8250192130 🚀 Vip Call Girls Kolkata
 
VIP Kolkata Call Girl Dum Dum 👉 8250192130 Available With Room
VIP Kolkata Call Girl Dum Dum 👉 8250192130  Available With RoomVIP Kolkata Call Girl Dum Dum 👉 8250192130  Available With Room
VIP Kolkata Call Girl Dum Dum 👉 8250192130 Available With Room
 
young call girls in Uttam Nagar🔝 9953056974 🔝 Delhi escort Service
young call girls in Uttam Nagar🔝 9953056974 🔝 Delhi escort Serviceyoung call girls in Uttam Nagar🔝 9953056974 🔝 Delhi escort Service
young call girls in Uttam Nagar🔝 9953056974 🔝 Delhi escort Service
 
Model Call Girl in Jamuna Vihar Delhi reach out to us at 🔝9953056974🔝
Model Call Girl in  Jamuna Vihar Delhi reach out to us at 🔝9953056974🔝Model Call Girl in  Jamuna Vihar Delhi reach out to us at 🔝9953056974🔝
Model Call Girl in Jamuna Vihar Delhi reach out to us at 🔝9953056974🔝
 
Sushant Golf City / best call girls in Lucknow | Service-oriented sexy call g...
Sushant Golf City / best call girls in Lucknow | Service-oriented sexy call g...Sushant Golf City / best call girls in Lucknow | Service-oriented sexy call g...
Sushant Golf City / best call girls in Lucknow | Service-oriented sexy call g...
 
Chennai Call Girls Porur Phone 🍆 8250192130 👅 celebrity escorts service
Chennai Call Girls Porur Phone 🍆 8250192130 👅 celebrity escorts serviceChennai Call Girls Porur Phone 🍆 8250192130 👅 celebrity escorts service
Chennai Call Girls Porur Phone 🍆 8250192130 👅 celebrity escorts service
 
VIP Kolkata Call Girl Kestopur 👉 8250192130 Available With Room
VIP Kolkata Call Girl Kestopur 👉 8250192130  Available With RoomVIP Kolkata Call Girl Kestopur 👉 8250192130  Available With Room
VIP Kolkata Call Girl Kestopur 👉 8250192130 Available With Room
 
Russian Call Girls in Kolkata Samaira 🤌 8250192130 🚀 Vip Call Girls Kolkata
Russian Call Girls in Kolkata Samaira 🤌  8250192130 🚀 Vip Call Girls KolkataRussian Call Girls in Kolkata Samaira 🤌  8250192130 🚀 Vip Call Girls Kolkata
Russian Call Girls in Kolkata Samaira 🤌 8250192130 🚀 Vip Call Girls Kolkata
 

Film opening analysis

  • 2. Filmopenings Mise – en – scene Everything in the frame. Narrative – The telling of the story. Motif – Something that will distinguish them. Costume Positioning Lighting Camera angles Props Setting
  • 3. Genre Setting Characters Plot Props Themes Superhero Large city, e.g. America, London etc. Villain, hero, damsel. Villain steals object, hero stops them. Gadgets, capes, costumes, technology. Heroics, moral, sacrifice, bravery. Romance “ “ In a house. Man, woman, family. Woman and man together, something brings them apart but by the end they’re back together. Things used in every day lives – things at home, work etc. Love, dates, passion, friendships. Horror Haunted house. Zombies, dolls, innocent person, possessed people. People move into new house which is haunted which causes problems with ghosts. Dolls, blood, dangerous objects. Scared, paranoia. Musicals Schools. Boy group, girl group. Main boy and girl fall in love. Problems around romance happen. Things in a school or at home. Singing, school, friends, love.
  • 4. Trainspotting • Characters are introduced in the opening sequence so that the audience becomes familiar with them from the start. • Main character, Renton, is shown running down the street being chased by business men – could be a criminal; stealing. • Stereotypical male / teenage boy roles – sports, social life, smoking, fights etc. • Two different types of groups – sporty, focused group dressed nice (have more money) against rough, less professional group. • Narrative – Renton gets into drugs, tries to make different choices but they don’t always work out how he expected them to.
  • 5. • Deprived mise – en – scene – hole’s in the walls, nothing in houses, lack of money. • Hand held camera used when the camera is from Renton’s point of view when he is running at the start of the sequence. • Clothing is brown/tatty because of the lack of money. They aren’t matched. • Direct mode of address when introducing characters – more personal to the audience. • Pace of editing increases throughout until Renton gets knocked out towards the end then it goes to slow pace editing. • As the non diegetic sounds get more intense and faster, the editing becomes more intense and faster.
  • 6. 28 Days Later • A man, main character, walking the streets wearing a hospital gown – escaped. • Set in London however it’s not shown like a stereotypical high class, busy city; no one around, litter everywhere, buses tipped over and smashed phone boxes. • Slow pace editing – leaving many seconds between each shot. • Slow, gentle music. • High angle shot of the bus – shows it is smashed (violence).
  • 7. • Not using as many close up’s as they want the audience to know where (what city) it is set in. • Lighting - set in day time. • Music begins to speed up when he finds money. • Ends with a birds eye view shot to make the character look small against the city of London. • Narrative – Main character has escaped from a hospital and is confused to where he is and what has happened to his city.
  • 8. Trainspotting VS 28 Days Later The films ‘Trainspotting’ and ‘28 days later’ are both made by Danny Boyles. I found similarities and differences within both opening sequences that I studied. In the opening sequence of ‘trainspotting’ all or most of the characters are introduced to the audience however in ‘28 days later’ they aren’t which suggests that in this film, it is mainly based around an individual rather than a group of people. Both opening sequences show that the main character is unhealthy; in ‘trainspotting’ it is to do with drugs whereas in ‘28 days later’ the main character is in hospital clothes therefore it suggests that it isn’t drug related to why he was in hospital. There is not much action or suspense created in the opening sequence of ‘28 days later’ but in ‘trainspotting’ action happens as soon as the film starts when Renton is running down the street to get away from two other men. This could identify that both films have two separate genre’s. Also, both films are set in separate places. ‘Trainspotting’ is set in a deprived area whereas ‘28 days later’ is set in London, which is far from a deprived area. On the other hand, London is being portrayed as a working class, slightly deprived area because of the lack of people, litter and smashed things.
  • 9. Up • Throughout the whole opening sequence the same music is playing. It is an instrumental, which is happy and relaxing – it is being played against different clips of a couples life going on (from young to old) so it is representing a happy life they’ve had together. • Slow paced editing to show different stages of the lives. • Going through ages/time so setting and costumes change. • Reaching a dream together – building their dream house. • The female role crying in a hospital – bad news on her baby – music starts to slow down and become a less happier tune. • Female role deciding what tie the man should wear as they get older – dressing older and smarter, woman helping man do things. • Narrative – A man trying to reach his dream.
  • 10. Hairspray • 60’s costumes/settings – set in the 60’s. • Old TV – old fashioned. • Starts opening scene with an establishing shot which shows the town. • Car engines and horns beeping in the background – diegetic sounds. • Close up on newspaper headline ‘baltimore’ to show and tell the audience that it is set there. • Cheerful music/tune and dancing – representing happiness, joy and fun. • Narrative of the film is to educate and inform the audience – trying to get TV to let black and white people have the same show. Educating on a big issue from the 60’s. • Music is being sung therefore it is diegetic. • Target audience – teenagers. This is shown through the characters. Teens in a school.
  • 11. • Extreme close up on eyes to show Tracy waking up. • More close up shots in the first scene showing Tracy, the main character: • Feet – putting on shoes. • Putting arm through clothing. • Zipping up skirt. • Hairspray can – emphasis on the title of the film. • Mise en scene – dirty rats on the street.