Fantasy Films Provide Escapism and Social Commentary

The Wizard Of Oz, Bedknobs And Broomsticks
Ever since the invention of film as a mass media medium, fantasy films has been emerged and
evolved with the technological influence from film industry and the cultural influence from the
society. Despite its variation throughout the years, the continuing attraction of fantasy films is
largely attributed to the fact that they provide an expression of resistance to authority, and coincide
with escapism at the same time. Being an often–overlooked genre, fantasy films at one time was
believed as nothing more than simply fun by the audience. But as we dive deeper into the themes
and historic backgrounds of certain fantasy films, we realize that there must be an explanation for its
widespread influence and popularity. For example, the MGM–made ... Show more content on
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The emergence of B–class films, animated films and musicals evidenced that films were trying to
meet the aesthetic taste of the lower–class people. Ironic and realistic elements were also usually
used to reflect the discomfiture of the whole society and to express people's dissatisfaction. Ordinary
people replaced those righteous knights or people who with great power became the protagonists in
the artworks, aesthetic taste and mundane lifestyles were also considered as the main content of
American culture. Following the great success of Disney's fantasy Snow White and The Seven
Dwarfs made in 1937, The Wizard of Oz became an iconic part of American culture, for it illustrated
"the need Americans felt for escape during the Great Depression," (Moje). The more desperate
people are, the more entertainment and leisure they want, and they try to escape from despair. So it
is reasonable that we are able to detect the now familiar outlines of an image–mediated, consumer
society in the 1930s, despite the painful national experience of scarcity and poverty. During the
Great Depression, the audience went to the theaters only for the entertaining elements in movies,
and they would never want to revisit their hardships again in theaters. They needed the brutal joy
and surrealist elements on the screens to give them confidence and hope. This type of optimism with
an escapist filter
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Analysis Of The Movie ' Beauty And The Beast '
Twenty–six years ago, children were mystified by the story of a bookworm girl and her journey that
found her true love. Beauty and the Beast captured the hearts of many and grew into a staple Disney
movie. It follows Belle–a beautiful, but misunderstood young adult. After she found her way to a
fantastical castle, her world changed completely. The original movie caused many children and
adults to connect and find themselves within the characters. Consequently, they decided to make a
live action version of the film a quarter of a century later. Bill Condon, the director of the 2017 film,
added dimension to the characters by further explaining their backgrounds. Facts about Belle's mom
and the Beast's family brought new sides that the 1991 ... Show more content on Helpwriting.net ...
Additionally, the movie allows other lessons such as telling people that they should dare to be
different and that they should love to learn. Maurice, Belle's father, and Belle show that being
different should be celebrated by their new, fascinating inventions that they always make. Also,
Belle and Beast show that learning is important when they go through the library and discuss their
favorite books. However, some people may not believe that Beauty and the Beast gives out the best
morals. For some people, Gaston's actions may cause negative feelings for the movie. Gaston's
actions are unforgivable and narcissistic, but they are for a greater purpose. Having Gaston in the
movie allows for the Beast to have an antithesis. Beast is beautiful on the inside and hideous on the
outside, yet Gaston's elegant features are overshadowed by his unsightly heart. While Gaston is a
bad character and should not be a role model, he helps portray the incredible message that the finest
beauty is from someone's brain and heart. As well as having a teachable lesson, family films usually
need to have a wide range of subgenres. Family movies, as a whole, encompass a wide variety of
movies. For example, The Wizard of Oz is seen as a family movie, but it also falls into the adventure
and fantasy genres (Dirks). Beauty and the Beast is similar in the way that it also has two other
genres it falls under: musical and fantasy. From the start of the movie to

Analysis Of ' The Apocalyptic Destruction Of The Human Race '
Zombie texts have been a longstanding subgenre of fantasy. Often gory and with elements of horror,
the apocalyptic destruction of the human race brought about by some form of virus is consumed by
many and is reoccurring in popular culture. It is often questioned why we find such enjoyment in a
text that depicts such horrors. The answer is in the role fantasy plays, which is a fulfillment of a
wish, a way to depict our explicit desires in a licit way, and to provide a screen for us to do this.
World War Z (WWZ) adheres to these fantasy elements whilst also highlighting the mediation
between duty and pleasure. The scene that has been selected for analysis is one where hero Gerry
Lane is fleeing with his family up the stairs of an apartment complex to meet the helicopter that is
coming to save them, all whilst fighting off a horde of zombies. This scene is tense, fast–paced, and
shows our hero fulfilling his expected role and the desires of the viewers.
The scene begins with Gerry and his family ready to flee to the roof. The shot is filled with
flickering red light, red being a common symbol for danger, whilst the flickering provides
uncertainty and fear. These shots set the scene for the impending horror. Gerry's wife asks him,
"How do we know they're coming?" to which he replies, "They're coming." From the start, Gerry is
the all–knowing, calm, collected hero. He is the protector who takes the lead. As the main character,
he is the person the audience sees themselves as

Comparing The Tell-Tale Heart And The Monkey's Paw
What is a horror genre? What is the horror genre about? What do you wont to know about the horror
genre? The Tell–Tale Heart and The Monkey's Paw are entertaining short stories that meet the
criteria to be categorized in the horror genre because contain fear , scary, horror. What is the horror
genre? It's impossible to say how first the idea enterd my brains ; but once coneived it hunted me
day in night. I was never kinder , to the old man them during the whole week I killed him. Father
and son were at a chess ; the fomer who possessed idea about the game in volving radical changes.
When I had walked along time , very patiently with out hearing him lay down. And what is there
special about it. The

Fantasy Worlds Research Paper
Fantasy worlds, infamous for its make–believe and imaginative aspect, ironically is engaging as it is
believable. The application of accurate description in great detail is a key factor in the composition
of a realistic fantasy world. Additionally, what happens to the characters in these imaginary worlds
must be acceptable in order to generate a believable world. Furthermore, the ability of keeping the
world consistent throughout the whole novel establishes an air of reality. The existence of such
worlds will be observed in two classic novels. First, 'Magician: Apprentice', of 'The Riftwar Saga' by
Raymond E. Feist and 'The Diamond Throne', of 'The Elenium' series, by David Eddings.
As renowned authors, both Feist and Eddings have applied astonishing descriptive language, and a
... Show more content on Helpwriting.net ...
Above thick browridges, their sloping foreheads were topped by thick black hair. Their blue–green
tinged skins were smooth. Their eyes, open in death, were huge and round, with black irises on
yellow.' From these few sentences, much description is provided over a range of aspects. By
providing such a definitive account of what Pug, the protagonist, sees, the readers come to believe
what is being described to a certain extent, despite being of fantastic origin. Through description, the
senses are triggered, to which the readers cannot help but visualise the scenario, influencing the
thought of an authentic environment. Description is also a force behind the reality of the fantasy
world in The Diamond Throne. Common descriptions are noticeable, such as, 'The sun was warmer
here than it had been in Elenia, and the breeze that skipped puff–ball clouds across the intensely
blue sky smelled almost spring–like. The fields around them, untouched by frost, were still green,
and the road unwound like a white ribbon, dipping into valleys and snaking up verdant hillsides.' By
addressing the fantasy world and environment

Insanity in a Sane World
Insanity in a Sane World Holden Caulfield is an insane person in a sane world. What is insanity?
Insanity is when you're in a state of mind that prevents normal perception, behavior or social
interaction. This state is mental illness. Insanity is when you do things in deranged or outrageous
ways that could frighten people, or make people feel uncomfortable when around you. It's when you
do things out of the ordinary; yet feel as if they are ordinary. Insanity could come about when you're
depressed, or after a traumatic event, and sometimes even by keeping all your feelings bottled up
inside of yourself. Sane people are sensible, reliable, well–adjusted and practice sound judgment. It's
behavior that is expected in a society. By these ... Show more content on Helpwriting.net ...
Antolini was trying to hinder him from going down the wrong path. Holden focuses on the little
details like the gasoline rainbows in the puddles on the street and which suitcase is nicer. He
overlooks the obvious, "big picture" which could better help him adjust and focuses instead on little,
often–insignificant things he can handle. Moreover, Holden only pays attention to the things he's
interested in and doesn't pay attention to the teachers or work given at school. This lack of interest
has caused him to drop out of four schools and, therefore missing out on knowledge necessary for
his well–being and self–discipline. Holden does not like change. Holden needs change, he needs to
grow up. He needs to change his thoughts and behavior. Holden says "Certain things should stay the
way they are, you ought to be able to stick them in one of those big glass cases and just leave them
alone (122)." Finally, Holden's overly judgmental and critical. When he sees someone he
automatically judges the person because they aren't in his perfect fantasy. In the bar he points out the
"flits" (gay people) and, he thinks that his old roommate Dick Slagle has a inferiority complex just
because he didn't put his suitcases on out to show when Holden did. Holden thinks of Mr. Haas (his
"phony" headmaster) as someone "[shakes] hands with them and [gives] them a phony smile (14)."
Holden thinks of Ernie the piano player as someone who has been affected by "phoniness" in order
to attain fame.

Fairy Tale And High Fantasy Analysis
Fantasy creates an imaginative world where anything can take place. Fantasy has many choices to
think of that creates a world. With that fantasy takes the form in clusters of styles, there are Many
different styles of fantasy like Fairy–Tale and High Fantasy. Fairy–Tale Fiction is one type of the
five rings of tradition. Fairy tales have important features that help identify them. One feature of
fairy tales deals with personal transformation. The second feature is the home setting. The home
setting in the fairy tale explores the comforts of home and what happens when the limitations of
those comforts are overstepped. High Fantasy is another type of the five rings of tradition. In high
fantasy, the story starts off with a character in their ... Show more content on Helpwriting.net ...
Howl's Moving Castle exemplifies the pattern of storytelling but has a different treatment to the
pattern. In many ways, you can allude Howl's Moving Castle to other Fairy–Tales like Cinderella. In
Cinderella, the connection could be made with the stepsisters and how the youngest destined to have
a good fate. Also, having to deal with an evil stepmother. Sophie youngest sister Martha says,
"Lettie's got brains, and wants a future where she can use them...I want to get married and have ten
children" (24–25). The roles have been turned. In storytelling of fairy–tale its always the youngest
get the better life among the rest of their sibling, but it shown that youngest doesn't desire the life
given to her. She wants to trade lives with her older sister Lettie who desire that lifestyle. Sophie
being the oldest has a nice relationship with her sisters, granted in fairy–tale stepsisters don't have a
pleasant relationship. Mostly in some fairy–tale stories deal with an evil stepmother. Sophie
stepmother Fanny took advantage of Sophie while they were running the hat shop. Towards the
ending of the novel it illustrated that fanny truly has a heart, "Fanny threw aside her hat and her
parasol and all of her grand manner and flung her arms round Sophie and wept. 'Oh I didn't know
what had happened to you!'"

Characteristics Of 20th Century Fantasy Fiction
20th Century Fantasy Fiction
What!
Fantasy is what dreams are made of. Fiction is what form these dreams take. Fantasy fiction
meanwhile is a genre which has its roots in legends, myths, magic, supernatural and the impossible.
It combines the ___of fantasy and the make–belief nature of fiction to create an out of the world
(literally!) work of art. Fantasy fiction may not necessarily be only literature, it can be plays,
movies, shows or even video games. It is everything that is missing in the real world. Also the thing
about fantasy fiction is that we can never be sure that it doesn't exist because of the sheer detailing
and the fact that the magic world is hidden even in the story.
Why!
Children are often read to fairy tales. The stories about how the princess gets saved from the evil
queen, or how animals are our friends, or how monsters are evil and should be avoided. It's not
without reason that they are told these fantasy world stories. Since children's minds are a powerful
and imaginative thing, these stories help them to think creatively and can even define the direction
which they want to go early on. They also help develop critical thinking, teach right from wrong,
boost their imagination and also are a great source of fun. So it really comes as no surprise that
young adults and fully grown adults need a dose of fantasy fiction too.
When! ... Show more content on Helpwriting.net ...
The term fantasy fiction found its way in the early 20th century although works on them were there
from two centuries ago. But it became popular with the publishing of J. R. R. Tolkien's three volume
novel The Lord of the Rings. This along with Ursula K. Le Guin's 'A Wizard of Earthsea' and other
late 20th century best–sellers like the JK Rowling's 'Harry Potter Series' and George RR Martin's
'Game of Thrones Series' made this genre the one of the most sought–after

The End Of A Mind Insane, Fantasy And Reality Are The Same
Tom Araya sings, "In the depths of a mind insane, fantasy and reality are the same". The power that
fantasy and reality have in human life is undeniably large. The novel The End of Alice by A.M.
Homes is a story narrated by a man in jail who claims that he had been sexually abused by his
mother early on in his childhood, engaged in sexual relationships with various young girls in his
adult years, and conversed with a seemingly pedophilic 19 year–old girl while in prison. Through
the scarring sexual abuse by his mother and her unexpected suicide, Chappy developed a distorted
outlook on life, ultimately leading him into a world where his fantasies created the potential for
some of the scariest realities. The fantasies in which the reader is subjected to come simply from
Chappy's thoughts alone. These thoughts often evoke feelings of horror and trauma, and leave the
reader with an ultimate revelation: one's fantasies are what create reality. The entirety of the book
aims to focus on the disgusting possibilities that human beings have the ability to create and bring
into the world. When one realizes this, it adds meaning to what Homes is trying to convey. A.M
Homes writes The End of Alice to display to her readers the scary reality that could be created when
one acts upon their fantasies. A.M. Homes accentuates her point of fantasy influencing reality
through very graphic stories that Chappy relays to the reader. One event that Homes uses to show
how horrible actions that

My Life Changed My Character
The event that permanently changed my character happened as I was on a life–changing trip to
Africa. For some background information, I learned about the trip a year before and was
immediately ecstatic. At first it was just going to be me with some family friends journeying to
Africa. With the personality God gave me, I was probably even more excited with the aspect of
being basically on my own. Ever since I could read and fully utilize my imagination, the unsocial
life of living in the abundant fantasy worlds that authors and producers have created throughout the
century has always been a solid thing to fallback on whenever an escape is needed. Also, the sense
of being utterly detached from my old life entirely was another huge factor in the building of my
anticipation. However, my dad got his schedule rearranged and thus an unforgettable father–son trip
was born. If anyone were to ruin my alone time and me be happy, the one person would have to be
my father. The flights were going to be long and awful if it was not for a good book that I picked up
in an airport bookstore. I do not possess the ability to sleep well on planes. Therefore, a long and
enthralling book was perfect for me. Before I knew it the plane landed in Kigali, Rwanda. My
corrupted American view of Rwanda immediately vanished once I saw a beautiful city on top of an
even more beautiful plateau. The hotel car drivers were polite and informative. They were also full
of some great stories, but alas the

The Lord Of The Rings
Tzvetan Todorov, the author of The Fantastic: A Structural Approach to a Literary Genre, defined
fantasy as "the creation of a moment of hesitation between two worlds"(qtd. Kelly, Course
Introduction 2). This description of the genre compliments J.R.R Tolkien's The Lord Of The Rings
trilogy due to the author's use of sub–creation to construct his alternate world. Tolkien believed that
the way to create a believable, all–encompassing world was to combine fragments of reality, or the
"primary world", together to construct a new, seemingly credible "secondary world". Sub–creation,
if successful, forms an alternate but parallel world to reality, "which your mind can enter. Inside it,
what he relates is 'true': it accords with the laws of the ... Show more content on Helpwriting.net ...
Here, Tolkien signifies that humans were moulded in the likeness of God, the ultimate creator;
therefore we are able to, and should, create. This quotation highlights how his Catholic belief deeply
influenced his personal philosophy, which in turn affected his writing of The Lord Of The Rings.
Numerous parallels can be drawn between Christianity and the trilogy, such as that between God
and The Creator Eru, who was the source of all life on Arda. Furthermore, like God, all that was
created by Eru was once good, even Sauron, and it is outside forces such as power, corruption and
greed that twist what is good and make it bad. Tolkien's creationist philosophy is evident and his
embedded Christian messages were his attempt to reinforce his religious beliefs on a world that he
felt had become too secular.
It is widely known that Tolkien detested the allegorical assumptions made about his work. The
author insisted that allegory was restrictive to readers and he preferred 'history, whether real or
feigned'(Tolkien I, 12). As Ursula Le Guin states "fantasy is nothing but the writer's view of the
world" highlighting that fact that Tolkien's life experiences heavily influenced his work (qtd Kelly,
27). Tolkien's work reflects and comments on 20th Century Western society and in doing so,
enlightens his readers of a past time. In fact, this is demonstrated outright by

The Hero 's Journey With Female Characters Within Epic...
Meela has been isolated her entire life, destined to one day inherit the role of the Thaumaturge.
When the barrier protecting the Island she lives on is destroyed, taking most of the remaining fuel
source with it, Meela sees her chance to escape. She must journey with her older sister, Saleem, to
the other side of the world in order to find their brother who has been working on a solution. For my
dissertation, I will be writing a young adult epic fantasy novel in order to explore whether or not
there is a change in expectations to the hero's journey if the hero is female rather than male. Within
this, I will be investigating what it means to be a 'strong' female character, whether a romantic
partner for the hero is needed for a successful journey, and the expectations of female characters
within epic fantasy and young adult literature, including society's expectations and portrayal of
women in the media.
In order to write about the hero's journey, I must first research what the journey usually entails in
order to understand what a hero is often faced with and whether or not gender of the hero will affect
the journey they must complete. Fantasy often "borrows the theme of quest" in order to explore
ideas around 'power' (Kilian, 2007) which is always at the heart of the hero's journey. Joseph
Campbell outlined the hero's journey, referring to the hero throughout as a 'he'. Within his
description, he implies that the only role a female character can take within the hero's

Elements Of A Semantic Approach To Film Genre
How is a genre picked for a film? There are many theorists and critics that judge the films and voice
an option and eventual a genre is picked for the movies. There are many different kinds of genres,
however, todays focus is on the genre type fantasy. What in a fantasy film makes it a fantasy genre?
This paper will break down what a film genre truly is, explain how costume design can effect
viewers, and describe the key elements of a film in detail to determine what makes it a fantasy
genre.
The word genre refers to a type or category of designated motion picture productions. In other
words, a genre serves as an upfront guarantee that the audience can expect to find a certain
emotional appeal in that film. This allows the viewer to positively know they will get to see similar
kinds of films that they prefer to view. In the article, A Semantic/Syntactic Approach to Film Genre,
lists some key elements, "[...] we can as a whole distinguish between generic definitions which
depend on a list of common traits, attitudes, characters, shots, locations, sets, and the like[...]", (page
10). Here is another explanation from the book, American Cinema/American Culture by John
Belton, express in more detail, "Films that belong to a specific genre draw from a fairly fixed body
of character and story types, setting and situations, costumes and props, thematic concerns and
visual iconography, and conventions that are shared by other films in that particular genre." (page
124). The book and

Analysis: Why Is A Fantasy And Science Fiction Class Useful?
Why is a Fantasy & Science Fiction Class Useful? In Michigan, the legislature has a history of
questioning the purpose and value of university courses. For example, a University of Michigan
course called "How to be Gay: Male Homosexuality and Initiation," was put under scrutiny in 2003,
claiming it goes against "family values." Michigan legislature is now questioning courses based on
fantasy and science fiction, claiming it is not useful to sit around imagining and fantasizing about
one thing or another. Being called to testify, I would argue that fantasy and science fiction courses
are useful because science fiction and fantasy works allow students to analyze how these works are
quality as well as find the social commentary behind these works. ... Show more content on
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One theme of Ender's Game is the importance of youth. The youth of the children recruited for
battle school is ultimately stolen from them by the leaders in exchange for saving the entire human
race, justifying the loss in their eyes. However, childhood is important to our development, and that
is a major focus in Ender's Game when we see how Ender becomes ultimately depressed through his
time at battle school and after. Another common theme that Card places an emphasis on in the novel
is the effects of isolation. Although Ender is usually surrounded by others at battle school, he is
isolated by Graff from the beginning, setting him apart from the rest and allowing him to become
hardened by the isolation, making him into the warrior they want him to be. Graff even explains to
Valentine why Ender has been isolated, claiming that "'isolation is – the optimum environment for
creativity'" (Card 149). This tells us that Ender is being manipulated by Graff who put him in
isolation for his motives and his purposes, even with Ender's sanity at

Simulation Proliferation and the City Essay
Simulation Proliferation and the City
Mr. Hand wears all black, is tall, thin, and pale. He floats around a dark city and ends far too many
lines with a creepy self–affirming "yesss." In Dark City (Alex Proyas 1998) we see over and over
again indications of the tropes and repetitions that make up the urban/filmic imagination. Not quite
vampires, not quite grey aliens, not quite business men, not quite religious, not quite serial
murderers, Mr. Hand and the other Strangers seem to be archetypal characters of the city. Is the
imagination a domesticating function, territorializing wild occurrence and happenstance into termed
rearrangements of what has come before? Or is it an explosive and infinite fountain of creativity?
Modern ... Show more content on Helpwriting.net ...
But, with all the majesty and persuasiveness the Earth can muster, he alone has made clear all that
was before so very puzzling. Fantasy, though not specified in the film, seems defined simply as a
contrast to reality, as a failure to, as Sebastian's father requests, "get your head down out of the
clouds and start keeping both your feet on the ground, right." Gmork aligns the father with the
controlled masses: the sucker has abandoned his hopes and dreams and is trying to convert young
and still wonderful Sebastian into the same wretched polity. The mise en scene

Theme Of Fantasy In A Streetcar Named Desire
Brianna Blackwell
Mrs. Owens
English 1102
9 February 2018
Fantasy Cannot Overcome Reality Within "A Streetcar Named Desire" "A Streetcar Named Desire"
by Tennessee Williams, is based around a woman named Blanche who faces a series of losses and
leaves her background to seek refuge with her sister, Stella, in New Orleans. Blanche uses the world
of fantasy to escape the harsh reality of her past as it seems to come back to haunt her in her new life
in New Orleans. Stella's husband, Stanley, finds out the truth about Blanche's past and confronts her
about it, triggering her to attempt to fall deeper into her fantasies and withdraw reality. Blanche's
inability to leave the fantasy world is what brings her to insanity because of how she cannot ... Show
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This is from how it impacts the characters and how it exposes characteristics of them throughout the
story. Along with exposing the good and evil within each character and who has a bigger impact on
the plot of the story. This theme also impacts certain actions within the story as well as amplify
important actions within the story that readers should focus on when reading the play. Even though
there are many themes throughout the play "A Streetcar Named Desire," this theme is one that is
well developed within the story and is one that should be taken from the story when one reads the

Analysis Of ' A Streetcar Named Desire '
Vineeth Sarikonda
Mrs. Forrest
Plays and Playwrights
12 November, 2016
In Tennessee Williams' play A Streetcar Named Desire, Williams explores the internal conflict of
illusion versus reality through the characters. Humans often use illusion to save us pain and it allows
us to enjoy pleasure instead. However, as illusion clashes with reality, one can forget the difference
between the two. When people are caught up in their illusions, eventually they must face reality
even if it is harsh. In the play, Blanche suffers from the struggle of what is real and what is fake
because of the difficult events of her past. Blanche comes to her sister Stella seeking aid because she
has lost her home, her job, and her family. To deal with this terrible part of her life, she uses fantasy
to escape her dreadful reality. Blanche's embracement of a fantasy world can be categorized by her
attempts to revive her youth, her relationship struggles, and attempts to escape her past. Blanche's
fear of becoming undesirable has caused her to create an illusion in an attempt to revive her youth.
Throughout the entirety of the play, Blanche is constantly worried about her appearance and looks
for compliments from others. When she is first introduced, "her appearance is incongruous to this
setting. She is daintily dressed in a white suit with a fluffy bodice, necklace and earrings of pearl,
white gloves and hat, looking as if she were arriving at a summer tea or cocktail party in the garden
district"

Summary Of Le Guin's The Child And The Shadow
In 1975, fantasy author Ursula K. Le Guin delivered a lecture discussing a Hans Christian Andersen
fairy tale she remembered from childhood. In this story, a man burdened by cowardice could not
gather the courage to visit the house of the pretty woman that lived across the street. His shadow; his
dark desires and guilty pleasures, wanted the man to go across the street. Yet, the man did not want
to for he was afraid, this fear caused him to tell the shadow to leave. Thus, the shadow left. The
shadow goes on to explore the house of the pretty woman, and accordingly strays unaccompanied
and unattended through the world. Years later, the man and the shadow reconnect. The man
discovers that his actions have now caused his shadow to become his "master", and missing that part
of himself, the man is executed. Le Guin uses this dark tale in combination with Jungian psychology
and Daoism philosophy to illustrate that a person and their shadow must interact and coexist with
each other to survive. Without this balance, life will be impossible. Throughout "The Child and the
Shadow", Le Guin makes eloquent points about the importance of a person's shadow, Carl Jung's
archetypes in relation to the shadow, and how fantasy novels help children adapt to the traumatic
events of reality. In Hans Christian Andersen's fairy tale, the man is executed. The man had rid
himself of his shadow, attempting to hide the flaws that were lurking inside. For, in the words of Le
Guin, "The shadow is the

A Street Car Named Desire Analysis
In Tennessee Williams "A Street Car Named Desire" the illusions of fantasy inability to overcome
reality have allowed an individual to cope with doubtful experiences in need to escape is evident
through the character Blanche. Blanche conflict leads her to act upon promiscuous activities in need
to fulfil her desire to cure her loneliness but instead, she neglected her morals and became a social
outcast. I have chosen to illustrate images in my comic based on Scene 5 to present the internal
conflict in Blanche character. The tension between fantasy and reality centres on Blanche's
relationship with other characters and the world around her. In addition, this scene further conveys
Blanche ideal of creating a better impression through her delusional self–created "temporary magic",
which is, undermine through Blanche turn to alcohol to escape from distressing situations.
The idea of fantasy inability to overcome reality is depicted through the visual techniques salience
and contrast in the comic. A clear example of the technique of contrasts used is depicted through
Blanche and Stella laughing about fabricated stories written in the letter by Blanche to Shep in
frame 1. This is evident as Blanche mentions in the letter that "there has been a continued round of
entertainments, teas, cocktails and luncheons". In addition, the recurrence of the idea of female
dependence on a male for security is prevalent as Shep is another male figure that Blanche is
appealed to. The use of

Case Study Of Folklore, Myths And Fantasy
Fairytale, Folklore, Myths and Fantasy: A Case Study based on JK Rowling's Harry Potter series
Abstract
Fantasy is a genre of literature which gives flexibility and scope to the writers to explore their
thoughts. Fantasy depends upon the imagination and creativity of the writer. We can define fantasy
as a genre of literature that is far removed from reality, set in a world beyond our thinking such as
house on moon or any other planet, a place in the middle of ocean etc. The characters of fantasy are
often uncanny means these are non human creatures such as elfs, werewolves, giants, trolls,
dragons. Many fantasy stories include the elements of folklore and based upon the ancient or
cultural myths of the particular age or dynasty. This article ... Show more content on Helpwriting.net
...
We can say that myth plays an important role in constructing the plot of the fantasy work. Myth
means ideas, thoughts, and images that have the relationship with folklores, fairy tales, spiritual
stories, stories of Gods and legends. Donna Rosenberg has expressed her thoughts on myths in her
introduction to the World Mythology, " Myths symbolize human experience and embody the
spiritual values of a culture....Some explain origins, natural phenomenon, and death; others describe
the nature and function of divinities; while still others provide models of virtuous behaviour by
relating the adventures of the heroes or the misfortunes of arrogant humans.(xv) Myths and folklores
have a broad range of functions in fantasy literature. In his article ' Folklore and Fantastic
Literature,' C.W. Sullivan III mentions the functions of myth that is particularly important to second
world, or high fantasy. J.R.R. Tolkien has made a great use of fantasy in his On Fairy–Stories. It is
not easy for one to think fantasy literature without taking into consideration the fairytale. Max Luthi
states that "The fairytale is a universe in miniature."(25) Fantasy is a very creative art which requires
skills and perfection otherwise it would convey adverse effect. Tolkien thinks that "fantasy is not a
lower but a higher form of art, indeed nearly the most pure form, and so (when achieved) the most
potent."(On Fairy–Stories 45) When creating a fantasy, writer uses it as an art and takes the fantasy
very seriously. Fantasy must not to be made fun of, in doing so it loses its power and

A Streetcar Named Desire Analysis
Realistically, A Streetcar Named Desire is in a fantasy setting because its fiction; meaning this entire
play is in a fantasy setting. Which essentially means that without fantasy, there wouldn't be any play.
As unnecessarily obvious as that is, the point is fantasy is a theme that has been expertly laced in
between each character. At first, it's a bit hard to notice, but nearing the end of this play, the scenes
connect so much better. In other words, going looking back through the scenes after finishing the
play, is a part of why this play is incredible. It's the amount of tiny details you don't catch onto at
first, but then they all smack you in the face after a major line in a scene. In short, fantasy is the key
word when you go through this play. Let's look at Stella first. When given the big picture, Stella
doesn't seem like the type to associate herself with fantasy and a general sense of uniqueness to her
character. She represents the control for the play as the normal character. Much like a science
experiment, and like the control, she is very important to compare the change between characters.
Throughout the play, her character stays relatively neutral with her interactions with others. So, to
see her role in the fantasy, you must look at the big picture and widen it even further. Backing up to
the previous statement on how the entire play is in a fantasy setting, that's Stella's role. To clarify,
imagine being in Stella's position during Blanche's

Maggie Frey Research Paper
Maggie Furey is a British novelist from Northumberland best known for the Artefacts of Power and
the Creatures of Darkness series of Paranormal Fantasy Thrillers. Even as she was born and bred in
Northumberland, England's riches legend and lore filled county and a perfect setting for fantasy, she
was never an active child. She was born with a rare heart condition that made it impossible for her to
be physically active during her childhood. Given her condition she spent much of her time finding
entertainment and adventure in all manners of books in which she could disappear in fantastical
other worldly universes. As such, when other children were out climbing trees and riding bikes, she
found solace by sailing with Amazons and Swallows and winning races with Jill and her horses. She
has always ... Show more content on Helpwriting.net ...
The lead character is Aurian, the child of the renegade Mage. The heroin is only one of the small
band of Mage that lives in the wild woods with her mother. Even as they live in the cold woods, they
rule over the mortal humans who have never concealed their hatred and contempt of the Mage.
Aurian has been raised as a strong willed and skilled swordsman in an attempt to ensure that she
does not wander to the dark arts of Fire Magic that had killed her father. The novels excellently
combine romance and fantasy in making one comment on another. For instance, the theme of
Miathan the villain's sexual frustration runs throughout the novels as contrasted with the
effervescent love of Forral and Aurian. Furey imagination often goes wild throwing in everything
into the novels from high seas adventure, slave trading, pirates and brutal gladiatorial contests. The
novels are fast paced stories with strong characters that can be said to be wish fulfilment fantasies in
the mold of John Carter of Mars or Conan the

Analysis Of The Movie ' Kane Monroe '
KANE MONROE presents with a very intriguing blend of story types. It blends an old fashion
western revenge story with fantasy and action. The goal is clear and the stakes are high. It's a story
that easily engages. The audience effortlessly roots for Kane Monroe.
The setting feels authentic to the time period and to the culture. The characters are likable and seem
to be castable, especially Kane. The action sequences are nicely crafted.
The script offers a three–act structure. The first act establishes that Kane has visions of past lives,
but in all his lives he encounters one villain. The inciting event is when he sees a wanted poster that
looks like his nemesis. He leaves home on a determined quest that propels the story forward. The ...
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Perhaps it's because there isn't one consistent backstory regarding William that the audience can
follow.
If the past lives element is important, the story might work more appropriately if the fantasy element
were more developed and one could fully understand the love story and the rival between William
and Luther.
Instead of the idea that Kane has lived multiple past lives, perhaps consider the idea that he has just
lived one. In fact, the script doesn't really show his other lives in detail. There's a vision of being a
Japanese Samurai, but it's very short lived and no real story is developed and Luther/Moss isn't in
that fantasy.
Thus, the rules of the world need to be clarified. The audience is told he lives other lives, but with
one consistent nemesis, but the story doesn't follow through on this.
The other alternative is to just create an old–fashioned western revenge story, but to make it more
unique by having Kane trained in the art of martial arts and sword fighting (similar to Kung Fu TV
series).
There are features of the script not well understood and would benefit from more development.
The sequences involving Lillian are a bit confusing. Is she working with Moss? Why were the
bandits after Kane? What might not be clear is if Moss has ordered his men to find Kane and/or
when Moss realizes Kane is on his trail. This should be clarified.
The other area of the script that becomes perplexing is Traveling Bear and Running Flower. When
they are

Comparing The Long Way Out 'And The Dauphin'
Both F. Scott Fitzgerald's "The Long Way Out" and Marc Sheehan's "The Dauphin," have a
character that is living in a fantasy, Mrs. King and the father, respectively. The characters' fantasies
affect themselves and the people around them, either helping or harming them. Fantasy can be
helpful to the ones who are living in it because of the ignorance to reality and the control over their
life that it brings, but fantasy can be harmful to the ones around them as well because of how taxing
it can be to keep up with. However, eventually, the fantasies wear out, and the truth always begins to
emerge. In "The Dauphin," the father's fantasy, that he is the President, helps him because it allows
him to have control while his life is rapidly changing. The father is quite old, having been "already
in his 50's" when his son was in junior high, and undoubtedly knows that his days are growing to an
end; becoming President Agnew is a way for him to cope with things being out of his control. His
son says that the only time he was very political was, "when Gerald Ford ... became president
without being elected." Even before his dementia ... Show more content on Helpwriting.net ...
King's fantasy that her husband will come to pick her up the next day is harmful to the people
around her because of how taxing it is to keep up with her routine every day. Every day the people
around Mrs. King must go through the same routine of preparing her, the precession, telling her he
is delayed, and repeat. To repeat the same series of events day after day for many years is not only
physically taxing, but it tires the people around Mrs. King down until "all sympathy eventually
wears out," and they "had simply accepted the fact." They have given up feeling sorry for her, and
have decided it is simply better for everyone to go along with her fantasy. Her fantasy is harmful to
the people around her, keeping up with it day after day, and year after year is physically taxing and,
literally, emotionally

The Opening Scenes of Harry Potter and the Philosopher's...
The Opening Scenes of Harry Potter and the Philosopher's Stone and The Lord of the Rings: The
Fellowship of the Ring
In recent years the fantasy genre has undergone a huge revival. Whereas it was once reserved for
children's books of fairy tales, fantasy in both literature and film alike is increasingly becoming a
more mainstream genre, enjoyed by people of all kinds.
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Fantasy films are probably the most frequently stereotyped genre of all. They tend to involve things
such as Dark Lords, magicians, quests and otherworldly creatures. But only when all these are
believably portrayed are they interesting films. Fantasy films that ... Show more content on
Helpwriting.net ...
Fantasy films have the element of surprise– the viewer can never predict exactly what is going to
happen next. Although 'The Lord of the Rings: The Fellowship of the Ring' uses this traditional
stereotype (and don't forget, it was the tale that set the stereotypes!) 'Harry Potter and the
Philosopher's Stone' begins in a nice row of thoroughly modern little terraced houses with neat little
lawns and cars in every driveway. The scene is set during the night and everything is very quiet. The
street lights provide a misty feel to the place– until an old man (whom we have just watched
walking down the road) rather dramatically puts most of them out using a small device not entirely
unlike an ornately carved lighter, thus providing an ethereal glow for the ensuing conversation. The
most immediate questions that spring to mind are 'What is that 'Put–Outer?' 'Why on earth would the
man want to put the street lamps out?' and 'What exactly is this eccentric–looking old man doing in
a nice, normal place like this Privet Drive anyway?' This last question was definitely intended by the
producers of the film, as throughout the opening scene the film makes comparisons between the
typical objects and behaviour expected, and those shown in this scene.
The opening to 'The Fellowship of the Ring' does not, strictly speaking, actually have a setting. It is
comprised mostly of

The Fantasy Story
Today I’d like to tell you about fantasy literature. It is very hard to tell all about it but
I’ll try to do it as good as possible and not being boring. First fantasy motifs were shown in
romanticism. We all know the mystical and unreal characters: ghosts, phantoms etc. Authors for
building the special mood and charm of that epoch used that figures.
But fantasy is something more than romantic ways of showing nature or inner experiences of the
main character in the novel. It’s also not an attempt of explaining the unreal and difficult to
understand visions or event. In the course of time it began to live it’s own life more and
more the writers started to use these motifs. And what had happened? They created ... Show more
content on Helpwriting.net ...
But one day, after many happy years on the throne, they got lost in a forest. While walking the trees
became coats and they suddenly fell out of the closet. Long years in Narnia were just few minutes in
the human world. Children have big imagination so crossing the line between fantasies and real is
not a problem, but it is a big challenge for readers. Lewis created the magic land and as he once
said:”even if all of that is imagined – trees, grass, sun, moon, stars and Aslan, there is
no doubt: this imagined world is much better then the real one”. The next kinds, beloved by
fantasy fans are “never–lands”. They are perfectly defined by one of first never–
lands creators Lord Dunsany. He named it as places “beyond the fields we know”.
And we are really crossing the line of human perception. Authors don’t blink their eye,
don’t pretend like in the Venice carnival. Not everything is from the beginning land of
fantasy. Tolkien made never–lands legal, gave them autonomy and independence, full rights in
authors imagination. He said that artistic imagination has no borders and cannot be restricted by
what is real. We can see what we want to see, also the land of never. Never–lands can use the
cultural heritage of our world, but it all depends on the author. Of course playing in never–lands
must be based on understanding and agreement between writer and reader, we have to accept all the
rules and it

The Effect of Fantasy Fiction
Our future here on this Earth is a bleak one. Our society is on a dangerous slope of promoting vanity
at a rate that is ever more increasing, and thus resulting in stunted mental capacities.
We are teaching the youth of today to disregard literature as a whole while we shove products and
electronics down their throats. With the fast paced changes of social media, there comes a decrease
in attention, which is crucial to critical thinking skills, analytical skills, and the time it takes to
process information. "The Pew online survey, which polled 2,462 middle and high school teachers,
87% report that these technologies are creating "an easily distracted generation with short attention
spans," and
64% say that digital technologies "do more to distract students than to help them
academically."Ellen
Galinsky. (n.d.). While being basically forced to remain focused on the outward image through
aggressive outlets of ego and narcissism, such as Instagram for example (and this is a great
example), there is this society that totally negates the importance of the mind. Though body image
can be healthy in moderation, we are completely neglecting wisdom and forgetting the power of a
great book that encourages our minds to flourish and practically fill to the brim with imagination.
Whether we choose to want to believe it or not, we are indefinitely leaning towards a lost generation
if we do not put back the importance and nourishment of the minds of our youth through the help of
Fantasy

Essay on Sir Gawain and the Green Knight as Modern Fantasy
Sir Gawain and the Green Knight as Modern Fantasy
Sir Gawain and the Green Knight, written by an unknown author in the 14th century, can be called a
timeless work of poetry. It exudes a certain fantastic quality that, despite its age of over 500 years,
still appeals to modern audiences. Because of this application to all eras, would it be reasonable to
state that this poem could be classified with modern fantasy fiction? Because of the similarities in
plot and style with so much modern fantasy, Sir Gawain and the Green Knight could be placed in
the same category with that genre, though the uses of doing so are questionable.
In plot, Sir Gawain and the Green Knight has elements which are similar to much modern ... Show
more content on Helpwriting.net ...
From when the Green Knight is beheaded and proceeds to pick up his head, give a wicked grin, and
say essentially, "I'll see you in a year," (ll. 423–456) it is clear that magic will play in integral part in
the narrative. The confirmation of enchantment by Morgan le Faye (ll. 2446–2462) finishes the plot
as it began it: in a state of magical unreality. Such enchantment is typical of modern fantasy,
particularly from writers of modern fairy tales. Indeed, Ellen Datlow and Terri Windling have
essentially made their careers editing compilations of these tales, such as the popular Snow White,
Blood Red and its several follow–ups. To increase the fairy–tale style feel of the story, the Green
Knight is called an elf (ll. 680, 2461) and faery. (l. 240) There is clear indication that this can easily
be called a fairy tale.
Stylistically, the visual and concrete nature of the poem lends itself to modern comparison as well.
The delightful accounts of the changing of the seasons are in part to indicate the passage of time, but
also add mood to the whole of the piece. Present–day fantasy writer Patricia McKillip has been
critically lauded for "lush imagery" and stories described as "atmospheric... and filled with rich
imagery." Clearly the descriptions are an important part of the style that makes modern

Social Dream In Alice In Wonderland
In Alice's dream, a rabbit holding a pocket watch led Alice into a rabbit hole, through all kinds of
adventures with the encouragement of her kind friends and her own desire to realize the value of
women. She helps the White Queen overcome the evil forces. These things and scenes are contrary
to the reality, the talking animals and plants do not exist in reality, the same as the red and white
queens' conflicts.
Fantasy is naive, simple, but in terms of his best side, it seems to touch the central nervous system of
the collective human dream, it is a liberation of human's imagination. (Lee,1990:121)
The author presents the serious social problems in the form of fairy tales. Although the novel is a
formally fantasy and legend, it is rooted in social reality, but not from the reality. 11 main characters
in the story have their basic meanings and missions. The Wonderland that the ... Show more content
on Helpwriting.net ...
Alice can bravely express her confusion to the rules of the King and Queen, regardless of social
classes. She is a girl who is able to break away from the social code. Alice experiences a variety of
unusual settings and bizarre characters, which give her anxiety and frustration. Conquering her
anxiety, she gains self–realization to some extent. After analyzing the romanticism and realism of
the story, it is easy to conclude that Alice in wonderland is a story contains romanticism and realism.
It is also a story which criticizes the social problems. The study suggests that the modern teenagers
should take Alice as an example. When they have some trouble on the way to their dreams, they
should have the spirit of adventure and insist on their dreams. It also encourages the modern
teenagers to improve the ability of making a clear distinction between right and wrong in a complex
world and bravely fight against the

Our Fantasies Can Be More Powerful than the Universally...
Whether fantasy can be more powerful than the universally accepted version of 'reality' is debatable.
Phillip Dick had once claimed, 'reality is that which, when you stop believing in it, doesn't go away,'
suggesting the existence of things that are fundamentally and inevitably real. Conversely, Albert
Einstein's proposal that reality itself is 'merely an illusion, albeit a very persistent one,' also seems
valid. Perhaps then, the extent to which fantasy can take precedence over any objective truth
depends on one's willingness to self–delude and construct their ideal world. And only when accepted
by others or the need to feel in control of our lives is prominent, can it become almost real and
conquer.
It is true that the world we inhabit presents to us many situations from which there is no physical
escape. Where these lie on the scale of 'bad to good' depends on our unique circumstances and of
course, how we perceive it to be. Our initial reality is set out for us, the time–frame and place of
upbringing, culture, social class and gender being unchangeable factors. Similarly, there is a
common acknowledgement of things that are essentially 'real,' those we can objectively sense. In a
Streetcar Named Desire, Stella has assumed the submissive role as Stanley's wife, required to
constantly tolerate his volatile nature, cater for his sexual needs and support his every decision. This
is her unusual reality. Although at times she appears to get by through optimism, 'he was as good

The Magic Toyshop by Angela Carter
Angela Carter wrote in various forms, she wrote novels, poetry, film scripts and she also translated
the fairy tales of Charles Perrault and edited the Virago Book of Fairy Tales1. The Magic Toyshop is
Angela Carter's second novel and winner of the John Llewellyn Rhys Prize (1969)2. The Magic
Toyshop is a Bildungsroman, it follows the coming of age of Melanie, as she becomes aware of
herself, her environment, and her own sexuality. The Magic Toyshop can in many ways be seen as
following the conventions of a fairy tale and has been categorised as some as 'Magic Realism'. In a
Concise Glossary of Contemporary Literary theory this has been defined as "involve the sudden
incursion of fantastic or 'magical' elements into an otherwise realistic ... Show more content on
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Melanie dreams of her future husband and tends to have a very romantic image of her future and at
this time in her teenage years the most important thing to her is that of falling in love,getting
married and having sex. We can see that Melanie's life is one of comfort and safety and she is able to
fully indulge in her fantasies.
However it is at this point that we first begin to see the element of fantasy or magical element
encroach on to what can be seen as a typical setting. Melanie one night indulging in her dreams
decides to try on her mothers wedding dress and goes out into the garden at night. She seems to be
overcome with the whole image of herself in the wedding dress and the dark night. She becomes
overwhelmed with a felling of ecstasy " In her carapace of white satin, she was the last, the only
woman. She trembled with exaltation under the deep, blue, high arc of sky"5.
However the vast enormity of the world dawns on her and she is left feeling frightened and alone
and in a panic she rushes to go back indoors to safety however she finds herself locked out. Melanie
is forced into climbing the apple tree in order to get back to her room, however the dress becomes
caught and is destroyed. At this stage in the novel we see that Melanie sees things

Bilbo's Use Of Escapism In The Hobbit
Everyone has to grow up at some point in their lives. Some people mature faster than others and
some take their entire lives to mature emotionally and intellectually. Modern fantasy today takes an
especial interest in growth. Examples of this interest include J.K. Rowling's Harry Potter series and
J.R.R. Tolkien's The Lord of the Rings trilogy as well as his 1937 introductory, The Hobbit.
Characters within these books grow up emotionally and mentally through the course of events
within the novels and series. Audiences of these books are able to grow with the characters as well,
through escapism. Critics of modern fantasy and escapism, like Kurt Lancaster in his 2001 essay,
Why Fantasy 'Rings' True also acknowledge the personal growth that the ... Show more content on
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Escapism lets the audience tackle the question of morality in a way that they might not be able to do
in the real world. Tolkien proposes the moral choice through Bilbo's confrontation with Gollum,
who stands in Bilbo's way to freedom out of the mountain even though Bilbo has a weapon and is
invisible (The Hobbit 81). Tolkien's use of Bilbo demonstrates Lancaster's idea, "...fantasy is just
escapism. But it's also about the search for truth and for our place in the world..." (9). Bilbo's moral
choice is difficult because of his desire to escape the mountain and the goblins. Bilbo has some clear
advantages over Gollum, which would make it easy for him to kill Gollum. However, Bilbo still
takes the time to step back and demonstrates what he is thinking and discloses to the audience the
reasoning for his moral choice. Bilbo thinks how Gollum never actually says he was going to kill
Bilbo. All Gollum has been up to this point is intensely dislikeable and a bully to Bilbo. However,
does that really give Bilbo the right to just kill him? Does that give the audience the right to kill
Gollum? Bilbo's step back and choice teaches the audience the truth that no, no one has the right to
just end another's life like that. Bilbo's choice also demonstrates how he has found his place in the
world morally and likewise the audience's place should always be the moral high ground. While the
moral choice is difficult for Bilbo to make, Bilbo still knows it is important for him as a person to
make because he is better than Gollum and the goblins and other evil creatures he faces. The entire
scene teaches the audience that they too should always make the moral decision because of the
reason Bilbo gives and that there is always another way around a difficult situation with moral
implications. Through escapism, the audience is allowed to journey

Bilbo's Use Of High Fantasy Elements In The Hobbit
High Fantasy is a genre filled with imagination where people dream of things that are only possible
in the imaginary world, not in the real world. Most high fantasy genre novels have specific aspects
such as the inclusion of a hero, an advisor, and a villain in a dreamland world that can attract the
reader's attention through the creation of an action scene. In addition, these types of characters often
immerse the audience into the novel and develop the curiosity for the reader. In The Hobbit, J.R.R.
Tolkien lets people imagine a fictional world such as Middle Earth, where everything relates to the
magical land–a concept that is impossible in a world such as ours. In The Hobbit, imaginary
characters take the form of elves, dwarves, and Goblins ... Show more content on Helpwriting.net ...
Smaug is a dragon who is evil and thought of himself as smart, powerful, and very superior because
his main purpose is to steal the treasure from the dwarves and control it. However, Thorin's family
tries to find Smaug to get back their jewels, but Smaug is a very difficult dragon to get anything
back from. In the novel, Tolkien says, "Smaug was still to be reckoned with. It does not do to leave a
live dragon out of your calculations, if you live near him. Dragons may not have much real use for
all their wealth, but they know it to an ounce as a rule, especially after long possession; and Smaug
was no exception" (Tolkien 217). It shows how Smaug has no purpose of keeping the treasure
because he has no use for it as a dragon since the jewel is mainly used for human beings to wear
which is not possible for him to do. In the real world, people also steal things to get other people in
trouble like Smaug. High fantasy stories always have these three main archetypal characters because
without these archetypal characters, the story would have been dull since there will be nothing
interesting to read without these character's actions in it. Most of the archetypal characters give the
plot an inconceivable creation that tends to attract reader attention. Tolkien creates the archetypal
characters very similar to the real country people for the reader. By using archetypal

Teen Fiction : Teen Or Young Adult Fiction
Adolescents deal with a lot through this phase of life. They are bombarded with the many changes
that have been on their course of development and growth. In this journey, they discover new ideals
and perceptions of different people and also objects. That is why most of teenagers have quite the
liking for highly diversified principles. Because of this, a new genre of literature has been born. It
goes by the name of Teen Fiction. Teen or Young Adult fiction is a type of fiction literature that
tackles many topics that are relatable to the teenagers of today. According to Rebecca Ciezarek, a
columnist and contributor of the theConversation.com, teen fiction in the recent years have bloomed
into the plethora of topics that it chooses to discuss. From LGBTQI to Depression, the relatable
topics have brought an uprising in the new era of literature junkies.
According to Heather Matsune (2007) if a reader cannot understand a book or any document, there
is no sense at all because the information will not be sent to the reader. It is easy for language
professionals to get caught up in wordsmithing. Certainly, having a perfect grammar and wonderful
phrase is nothing to apologize for. But there are times that language professionals forget that not all
readers have the capacity to understand or a broad vocabulary. But the point is, if we are not careful,
we can be a hindrance to disseminate the information. According to the IALSS, many Canadians
have trouble reading even the most basic

The Fellowship of the Ring Response Essay
The Lord of the Rings: The Fellowship of the Ring
Reader Response
The novel The Fellowship of the Ring by J.R.R Tolkien is set in a fanciful world filled with strange
creatures and magical happenings, but not everything is so unlike our world. Many of the characters
change over the course of the story, just as we do over the course of our lives. Frodo, the main
character and the carrier of the magical ring, is part of the mythical race of Hobbits, yet he is
remarkably human. He has the same values as we do, and his small size hides his big heart. His
journey throughout the novel changes his life and his outlook on life. In the beginning he is content
with his quiet life, and his voyage leaves him lusting after adventure. Of all ... Show more content
on Helpwriting.net ...
However the women wear their hair down and the men wear fancy embroidered vests, which
suggests much later in time. I like novels with no set time, because they let me imagine what I want.
The Fellowship of the Ring has a lot of background information and long words. Tolkien does this
in all of his writing. I disliked all the landscape in the beginning, but I grew to be thankful for the
extra description as the novel went on. Tolkien's world is complicated, with many mountain ranges,
plains, deserts, jungles, and forests, and the rich description helps to keep them straight and also
helps the reader imagine the world of Middle–Earth. Generally fantasy books that are written for
children have less information and more action, but not this one. This book is written with many
long and occasionally some made–up words. The names, for example the name Galadriel, are made
of odd letters and have strange pronunciations, yet all fit the characters to a tee. The Elvish language
made by the author flows off the tongue of the reader, and is a pleasure to say aloud. The book may
seem dense to a reader who prefers fast–paced action, yet the description and the rich language
simply enhance the plotline.
Tolkien wrote his novels as bedtime stories for his young children. When they were first published,
they were sold solely as children's novels. Over the years, however, The Fellowship of the Ring has
become a classic read by all ages. How does

Where Are You Going Where Have You Been?
In the short story "Where are you going where have you been?" by Joyce Carol Oats and the song
Wake Up by EDEN, the author and the artist both show the thematic concepts on how fantasies
come to an end, and when reality hits, it hits hard. "Where are you going where have you been?" is a
short story about a young 15 year old girl who is trying to fit in with the rest of the world, and is
very preoccupied with her appearance and living in this pop cultural fantasy. Connie is always
ignoring her mother 's criticism about wanting her to be more like her older sister, June, who is no
longer living a life of fantasy and has her act together.. One night, a boy named Eddie invites Connie
to eat dinner with him, and Connie leaves her friend at the restaurant's counter to go with him. As
Connie and Eddie leave the restaurant, she sees a man in a gold convertible in the parking lot. He
smiles at her and says, "Gonna get you, baby.". Connie confused, walks away quickly confused not
really knowing what actually happened, and Eddie notices nothing. They spend three hours of their
night at dinner, and end up going to a nearby alley living in that fantasy of being that mature woman
who knows what a man wants. One day, Connie 's parents and June leave her at home to go to a
family barbeque leaving her all by herself. While she was at home alone, she was listening to her
radio when out of nowhere she hears a car pull up to the front of her house. Startled, she looks out of
the window to see

Elder Scrolls Comparison
The Tale of Two Towers From J. R. R. Tolkien's stories of Middle Earth to Bethesda Softworks
successful action role–playing open world fantasy, The Elder Scrolls, there is no beating around the
bush that these two series are very similar. Despite being created at different time periods, these lore
enriched series have much more in common than they appear to be, as well as many differences with
each other as well. There are many similarities and differences between The Elder Scrolls and the
Middle Earth series with the similarities being in the genre and setting, and one such difference
being the lore of these great series. The Elder Scrolls and Middle Earth seem to draw water from the
same lake, as their style of the genre is similar to each other. J. R. R. Tolkien's Middle Earth is
created within a specific genre know as high fantasy which can be defined as a subgenre of fantasy,
either by its setting in an imaginary world or by the epic stature of its characters, themes, and ...
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The settings of both Middle Earth and the Elder Scrolls helps to establish these worlds as something
believable, the similarities are drawn from the various political struggles within these series as well
as the overlying theme of good vs. evil. The classic good vs. evil theme helps reinforce not only the
stories they tell but the adventure that is experienced with readers, player, and movie watchers. Also,
the similarities in setting can be displayed within, such as various races having their own
civilizations and homelands, and the race of man establishing an everlasting empire to rule over
them all and maintain peace throughout the land. Not to mention that the villains and main enemies
of these stories are both very similar, for example the main villain of both series of Sauron from the
Elder

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