Han Dynasty Classical Music: The Origins of Chinese Musical Scales

Han Dynasty Classical Music
The Han period was called the classical time of China because of their music, poetry, and their Confucian beliefs. According to definitions. Net
classical means "of or relating to the most highly developed stage of an earlier civilization and its culture." The Han dynasty was this time for China.
People today are still proud to call themselves the "people of Han". (New world Encyclopedia) The Han dynasty was the Eastern world's equivalent of
the Western world's Rome.
The Chinese are one of the oldest civilizations in the world, but they are also the first people in history to create an actual musical scale. One of the
main organizing principles of the Chinese music scale are centered around the minor third and major sixth intervals. The preference for those specific
intervals mask the semitones of the Chinese scale which gives it that very distinctive tone that is often difficult to discern for those of us in the western
world. Chinese musical compositions also utilize a system of intervals, built upon both thirds and fourths. (NatGeo.com) Therefore we can assume that
much of the worlds music to come after this was based loosely upon the Chinese ideals. This gives the music of China, especially that of the Han
dynasty the classification of "classical".
The ancient Chinese defined a series of 12 frequencies called the "lГј–lГј". Various sets of five, or six, or seven frequencies, pentatonic and heptatonic
tones, created from these frequencies were selected to make the major
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Pagodes Claude Debussy
"Pagodes" is taken from Claude Debussy's "Estampes", a collection of three pieces for solo piano composed in 1903. Working from Paris, in these
pieces Debussy explores the beginnings of the new French impressionist style that Debussy was a central innovator in, though Debussy personally
rejected the term. "Estampes" moves away from the predominantly German, late–Romantic style by avoiding extreme length and melodic complexity
in favour of, as Michael Kennedy describes it, "conveying the moods and emotions aroused by the subject" through briefer and melodically simpler
pieces. Debussy also moves away from the tonal system, utilising techniques such as the use of the whole–tone and pentatonic scales and quartal and
quintal chords to create... Show more content on Helpwriting.net ...
The exploration of the timbral possibilities of the piano as a percussive instrument would be developed later in the 20th century by composers such as
John Cage, for example, in his works for prepared piano in the 1940s.
"Pagodes" makes use of just a few short melodic ideas. The piece is in a loose ternary form, however, the B section makes use of elements heard in the
A section. The first idea (bars 3–4) is repeated verbatim three times after it is first heard. This becomes an ostinato as it is repeated in full and broken
into parts throughout the piece. A two bar scalic countermelody is heard in the middle of the texture at bar 9. At bar 11 a new idea is introduced that
uses all 5 notes of the pentatonic scale. At bar 15 the trill–like triplet idea is introduced. A whole–tone melody is introduced at bar 33, the beginning of
the B section. These few motifs undergo little melodic variation occurs; Debussy layers these melodies and transposes them in different octaves to
create a rich contrapuntal texture that is reminiscent of gamelan's busy and dense multi–layered texture. Western musical tradition had placed emphasis
on strict forms as a method of melodic development and contrast, such as the Classical sonata form. Debussy was keen to move away from these
conventional ideas of melodic development, instead taking inspiration from the more free–form and layered approach to

Vocal Range Essay
67
Lowering your vocal range will increase your flexibility.
Thinkstock/Comstock/Getty Images
Extending the low range of your singing voice will improve your tone production and ability to hit high notes. By extending your range, the vocal
cords expand and become more flexible. This makes it possible to extend your reach both high and low. Care should be taken to avoid extending the
range too quickly. Daily practice is the key to slowly developing your voice to hit the low notes when singing.
Piano Exercise
Sing a note that is in the lower part of your comfortable range. This note should come easily. Once you have found it, locate the same pitch on the
piano. Then sing on whole notes a major scale descending into your low range. Go as low as possible without straining your voice. This exercise will
help to expand your range slowly over time. Always begin each practice session with ... Show more content on Helpwriting.net ...
Pronounce the syllable "Gee" and sing quarter notes starting on G in the middle of the staff. Sing the following progression of notes and then move
down a half step chromatically for the next set: G –– G–sharp –– A–– A–sharp –– B –– A–sharp –– A–– G–sharp –– G. Hold the G out for four beats
and then move the series down to F–sharp.
Key Concepts
extend vocal range voice low range extend low singing
References
"Vocal Warm Ups & Exercises"; Christina E. Branz; 2006
Your Personal Singing Guide: Extend Your Singing Range [http://www.your
–personal–singing–guide.com/singing–range.html]
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User Bio
Mark MacGregor has been writing music since 1992, as well as articles on music composition and theory. His compositions have received accolades,
worldwide performances and recordings. MacGregor holds a graduate degree in electronic music composition and theory from a top tier university, and
writes for music trade publications and

The At 2 : Beginning Of What Will Be A Very Polyphonic...
The oboe at 2:26 is the beginning of what will be a very polyphonic section (2:26–3:03). The oboe sound here is the perfect intro/opening to this
section because it is welcoming and almost reminds me of springtime. It starts off by moving up the scale slowly and then returning to the tonic. It
then moves quickly up the scale and returns to the tonic. It is very legato and happy sounding. The flute at 2:26 is very whimsical and involves a lot of
switching between 2 notes with small intervals. It complements the opening oboe well and contributes to the happy spring like opening to the section.
When the clarinet chimes in at 2:31 it immediately pierces the ear and takes over the section. The melody goes up once in pitch, and then quickly falls
and rises again. The high note is then held for an extended period of time until the clarinet trickles out of the note by descending the scale. This
melody is repeated for the whole section by the clarinet. There are some slight variations, but for the most part the melody stays the same and is
repeated for the whole section. There are times where it is tough to hear the clarinet due to the other instruments but it is there. The low instruments
that come in at 2:39 bring a whole new mood to the section. Their different timbre brings a sense of danger approaching. The constant strike of the
cello gives the piece a profound beat and almost sounds like the big mean footsteps of danger approaching. The introduction of the

Analysis Of Jazz Ensemble Concert
On October 26, 2017, in the Laidlaw Performing Arts Center Recital Hall at the University of South Alabama, there was Jazz Ensemble Concert
directed by Tracy Heavner. The night was filled with the rhythmic groove of jazz. By writing this report I hope to show you, the reader, a new
perspective of Jazz Music. The first piece, Lady Bird, by Tadd Dameron was written in 1939. TheJazz Ensemble began the piece by putting their full
hearts in it. By using repetition of the melody in the saxophones and clarinets it helps the ensemble build suspense. Once the tenor saxophone comes in
with a solo, the performer runs through chromatic scales smoothly. The ensemble continues with the melody leading to a heavy melody held in the
trumpets until an alto saxophone comes in and takes the melody away. The rest of the ensemble holds the countermelody that compliments the alto
saxophone well. The alto saxophone passes the melody to the piano where then it was passed to a trombone. This piece took one melody and
bounces it all around the ensemble to show off different performers abilities with their instruments. The second piece, Makin' Whoopee, by Gus
Kahn and Walter Donaldson was written in 1928. This piece was made famous by Eddie Cantor. This piece adds suspense in the low brass with a
repeating melody in the woodwinds. A trombone comes out in a solo with a slow tempo and a low dynamic making the sound very legato. By placing
a mute in a trumpet this piece of music ended with an edgy

Baroque Music Research Paper
The aristocracy is rich and powerful during the Baroque period. It is called " age of absolutism" because of the high power of the aristocracy. They use
luxury entertainments to show their power. On the other hand, the religious institutions, which is divided into Catholic and Protestant, also compete
their power with their baroque style in churches. And the middle–class also distribute the development of Baroque style as well. And because its ability
of influence the development of baroque style, a style that represent luxury, it shows that the social status of the middle class is rising. 2. It means full
of action and movement, well structured, filled with drama, being theatrical, and can be referred as magnificent extravagance,
3. The music elements, such as mood, rhythm, melody, dynamics, texture, harmony, tone color and form, has a characteristic defined in baroque.
Firstly, the unity of mood means that one basic mood is expressed in one piece of music. Continuity is the main character in rhythm, melody and
dynamic. Rhythm patterns and melodic lines in the beginning of the music is constantly repeated throughout the whole piece while dynamics stay
unchanged and stable mostly. However, different elements have their specific defer, too. While a forward motion is formed by the continuous of
rhythm, we cannot over look that beat is emphasized far more than the previous period, Renaissance. And the melodic line is not easy to sing and hard to

Check As You Go : Module Is One Of The Most Effective Ways
The "check as you go" module is one of the most effective ways to informally assess your students. Connie Hale and Susan Green explain in their
article (2009), that flexibility is one of the most critical things to have when assessing with "check as you go". When one is rehearsing, for
example, they have a set plan or objective. In reality, the plan can fall apart or the objective can be skewed. When using "check as you go", and by
also being flexible, one can adjust the lesson and adjust to what the students needs are. It is also important to teach students the "check as you go"
module as well. If ones students do not know how to assess themselves properly, they end up going home and not practicing, if at all, as well as the
teacher would... Show more content on Helpwriting.net ...
29). To avoid these random tasks, make sure one is giving valuable and achievable benchmarks.Likewise, it is important to know which direction
the lesson should be going. As with feedback, ask questions. Does this lesson have goals set and are they achievable? Is there a bigger goal to
work for or to point out? What are some small goals that can be achieved with this lesson? These all are great questions to ask and a great way to
assess oneself too. Rating Scale A rating scale is a type of assessment that makes a clear statement of the categories being assessed. The standards
are written down and set to a scale from one to five. The player is then rated on this scale and is given some comments on the overall performance.
Rating scales are good at providing feedback by showing the performer the categories that lacked and those that shined. Many categories, however,
lack a clear sense of the direction. Goals of the rubric including, rhythm was excellent, and, tempo was appropriate, are very general and can be used
as an easy and non–stressful assessment for students. This style can also be used as a mid–solo check up. The check up could provide students with
general goals to aim for and show where they should focus their efforts. (Pellegrino et al., 2015). Checklists/Summative Assessments Checklists are
another great way to assess students. Checklists often have a few, but important, standards the student will be assessed on. Many standards listed are
well though out

Musical Analysis Of Dae Jig Geum
History Essay
Title: Dae Jang Geum: Beyond the screen
Brief Introduction:
Dae Jang Geum was a popular Korean drama series (2003) that focused on a girl who was orphaned at a young age. She entered the palace at a
tender age, serving as a kitchen apprentice before rising to become the King's personal physician. Utilising the skills that she picked up as a chef and
as a medical nurse, she was able to diagnose and cure the various illnesses that had plagued the King throughout the series. The rise of a prominent
female figure in a Choson dynasty was heralded a miracle, as women held little influence and power compared in a society dominated widely by men.
This essay would focus primarily on a music pieces utilised widely throughout the drama series. Close connections would be drawn from the melody,
harmony and the instruments used. This would then be compared to the Korean culture that was seen during the late 19th to the early 20th century of
the Chosun Dynasty.
First Musical Analysis: Yun Bap (http://www.youtube.com/watch?v=BUOaRZsenxk)
Yun Bap was a... Show more content on Helpwriting.net ...
The first "A" section can be listed from 0:04–1:21. The melodic theme heard is grandiose in nature, featuring heavy drum beats with percussion added
to it. A bridge (linking passage) is then introduced before the emergence of the "B" section, heard at 1:22. The "B" section contrasts widely from the
"A" section due to reduced usage of percussion. The usage of the Haegeum also brought about a more lyrical passage, probably to simulate a soloist
section, showcasing the various skills of the players. The "A" section then once more repeats back at the 3:31 to the end. The embellishments included
a repeated passage at the end, and also, the usage of a dotted rhythm, much alike many traditional Korean folk songs and dances. The usage of dotted
rhythm particularly at 3:31–3:35 has given the piece a much lighter

How I Read Music Like A Pro
Music 101:
How to Read Music like a PRO in 24 hours
By
Jean Rhoda Nambassa
Copyright ? 2015
Introduction.
Musical notes are a language that has evolved over thousands of years and the notation that we know today, there are more than 300 years. Music
notation is a representation of sound by symbols of a simple notation for pitch, length and timing to more advanced features of expression, timbre, and
even special effects. This book will show you the basics of reading music, some more advanced methods and how you can learn more about the subject.
This guide focuses on musical notations and symbols found on sheet music; note counts, accidentals, time signatures, key signatures, breaks, codas,
ornaments, and articulations, to mention a few. This guide will also include pictures and simplified definitions to make it easier for you to understand.
Modern musical notation was derived from European Classical music and is still used by musicians around the world.
In the middle of the 19th century, it was said that the monasteries in Europe began developing notations for Gregorian chant using neumes* or the
earliest musical notation. The roots of modern musical notation symbols are originally from the Roman Catholic Church.
Neumes These were the earliest form of musical notation, used during the middle ages by Christians, which are still being used for Gregorian chants
and plainsongs (or plainchants) nowadays.
Quick Trivia ?Did you know that the earliest form of musical

Pagodes, Pour Le Piano, And The Javanese Gamelan
1889 was the year where Claude Debussy became particularly interested in Javanese Gamelan. Northern European musicians constantly searched for
new and exotic sound worlds, different to the Nineteenth Century German Romanticism from which they were trying to move away. It was when
Debussy visited the 1889 Paris Universal Exposition that he became intrigued with the exhibit from Java, (an island in the Malay Archipelago). The
Java exhibit was a model village which presented many aspects of the communal village life whereby Gamelan played one of the main roles in the
religious and social areas. Javanese Gamelan, consisting of a collection of instruments, mostly metallic with gong or bell–like sounds caused enthusiasm
and excitement among the European musicians, due to its 'well –developed, powerful and beautiful style' that had complete uniqueness and broke all
rules of what music could and should be. Robert Godet (a friend of Debussy) remarked that "many fruitful hours were spent in the Javanese Kampong
(Village)". Debussy was said to be captivated with Gamelan, listening to the Percussive rhythmic complexities and its inexhaustible combinations of
celestial, flashing timbres. Amidst Debussy's works, 'Pagodes', 'Pour Le Piano' and 'L'isle Joyeuse', incorporate into their pieces numerous aspects of
Javanese Gamelan, whether it be the interlocking patterns between the left and right hand, or using melodies influenced by the Slendro pentatonic
scale. The Pastiche orientalism of

The Poetry Of Tomas TranstrГ¶mer
Tomas TranstrГ¶mer has been acknowledged as one of the most influential poets in Sweden, and this was confirmed when, in 2011, he received the
Nobel Prize for Literature with the motivation, "because, through his condensed, translucent images, he gives us fresh access to reality". This can not
be denied when enjoying his poetry. However what is often overlooked is his ability to join together several great art–forms into his poetry, including
music, being something that he has openly admitted to being his true passion, even above poetry itself. In some selected examples of TranstrГ¶mer's
poetry, his use of music the expands beyond metaphor and imagery to include its influence on his meter and form. These factors collected, can form a
great ... Show more content on Helpwriting.net ...
The way he does this is subtle and developed, due to how music has influenced such small details as the syllable count and the structure of the poems.
The way that the translators have chosen to handle these elements greatly effect the international readers understanding of poems which concern
something incredibly important to TranstrГ¶mer, which may have been the antithesis of what he wanted his audience to

Different Periods Of Music Have Different Characteristics
Different periods of music have different characteristics. For impressionist era, it was between romantic period and the 20th century. There were some
similarities within these two periods, like the contrasts of dynamics and pitch in the former period, while the melody is fragmented in the latter period.
One of the famous composers, Claude Debussy, liked to compose music through harmony and exotic scale. An example of his pieces was Danse
sacree et profane composed in 1904. It consists of two parts with the meaning of sacred and profane, and most characteristics of the 20th century music.
The two parts of Danse sacree et profane are not fully distinct but give me different feelings. What I first heard was the narrow use of instruments that
is performed by a string orchestra, consisting of two violins, cello, viola, and double bass. These emphasize the solo Harp used in this piece and
outline its characteristics. The piece is well–organized as the Harp plays the main melody of this music, while the strings are used for accompaniment.
The orchestration moves between strings and the harp, and plays open octaves that are in unison with melody in a few moments.
Overall, the melodies move slightly with simple intervals and straightforward rhythmic patterns. Whole–tone scales are used throughout two parts,
which is one of the most common practices by Debussy. Moreover, this piece is in the binary form due to the division of two parts. Yet, it can be
considered as a rounded

High Dynamic Range Of A Digital Photography Technique
2 INTRODUCTION High dynamic range is a digital photography technique that collect multiple exposures of the same scene where captured with
different exposure settings and merged using image editing camera software to create a more realistic image called HDR images. The dynamic range
of a scene, image or imaging device is deп¬Ѓned as the ratio of the highest to the lowest luminance or signal level. High dynamic range image can
capture great dynamic rage that represents the whole tonal range of real–world scenes. HDR image is encoded in a format that allows the largest range
of values using floating–point values stored with 32 bits per color channel, but the modern display devices have limited dynamic rage for displaying
HDR image, so tone mapping technique have been used to solve this problem. Tone mapping technique used to map high dynamic range images to
low dynamic range image that will be displayed on devices. The tone mapping operators can be classiп¬Ѓed into two categories: global operators and
local operators. Global operators can be described as spatially uniform methods because the same mapping function is used for all the pixels of the
input HDR image. Global tone mapping operators are computationally very simple and preserve the intensity orders of the original scenes thus
avoiding ''halo'' artifacts, but cause loss of details in the mapped images. Local operators, which reproduce the tonal values in a spatially variant manner
because mapping function processes

Music and Modular Arithmetic and their Similarities
For many "right–brained" people, like myself, math is not an enjoyable concept. Aside from just counting, it seems that there is no correlation between
people who practice differential calculus and people who practice Violin Concertos. When I am working on learning a piece of music, the only
numbers I need to know are measure numbers and note numbers. But without realizing it, there is a pattern of numbers that is present in most all music,
a basic scale. Though it is different for each key, most pieces stick to a basic eight note scale. Musicians understand the concept of the musical
alphabet. It begins at A and ends on G and is repeated over and over. But this concept of the musical alphabet is the concept of modular arithmetic.
If a piece is in the key of C major, the C~scale would begin on C and go up. Each semitone between the beginning C and the next octave could be
numbered 1 to 12. However, at the number 13, the scale starts over at C again. The next whole tone, D, would be numbered 14. But there are only 12
notes in the chromatic scale so this new, higher D is 14–12 which equals 2. Therefore, 14 is 2 modulated 12.
This diagram shows a three octave scale beginning on a C and ending on an E. The original line of numbers is how all the notes would be counted
without repetition. Each new line of numbers begins at 1 again at a new octave C. So without knowing it, musicians have incorporated modular
arithmetic into the very fabric of musical theory through the musical

Debussy Music
In the music Debussy composed, all instruments were called upon to share the innovations of his creative art, but only the piano was truly capable of
incorporating his ideas. For this there were two reasons. First, the piano, being an instrument of harmony and of tonal blending rather than one of
simple melodic statement, was the natural medium for experimentation in a personal art built upon harmony and tone blending. Second, the piano, in
spite of all that had been accomplished for it by several generations of exploiting virtuosi, was still capable of gradations of color and nuances of
accentuation that had been ignored – or perhaps more correctly, used only sparingly – by the high–riding masters of its sonorities.
As a pianist, his compositional blending had little of the symphonic essence of orchestral music. It was said that he was endeavoring to make the piano
not the piano. ... Show more content on Helpwriting.net ...
His teacher Marmontel is quoted as saying "Debussy isn't very fond of the piano, but he loves music." From this one may gather that even at the
Conservatoire Debussy was aware of the limitations of the instrument. There are descriptions of him launching himself at the piano, overdoing every
effect, as though moved by a deep hatred. On the other hand Fargue remembered his playing in the 1890s "he cradled it [the piano], talked softly to
it, like a rider to his horse, a shepherd to his flock or a thresher to his oxen." It is significant that on this occasion he was performing the uncompleted
score of Pelleas. Among the varied accounts of his playing, agreement is reached on only two points: that it was like nobody else's, and that it had
about it an orchestral quality. At all events, the two approaches outlined above, at the extremes of boldness and refinement, both display and
unwillingness to treat the piano as it had been treated in the past, and a determination to subdue it to his

Nirvana Essay
For this field trip we visited the exhibition called "Shifting objectives" held at M plus pavilion. The show introduces the history of twentieth and
twenty–first century design in Asia within a global framework. It was Indeed an eye–opening experience to broaden our understanding over those
iconic designs of different countries from pluralistic perspectives. In this report, I would like to compare two of the Japanese chair designs shown in the
exhibition: Zaisu and Nirvana. First and foremost, Zaisu, which in Japanese means legless chair, is a modern design by the Japanese designer
Kenmochi Isamu. It epitomizes the booming innovative design industry after post–war period. The chair was made of rosewood veneering plywood. In
terms of design ... Show more content on Helpwriting.net ...
It suffices to question those unnecessary ornamentations of postmodern design. But what is certain is that the latter blurs the line between art and
design. It is reminiscent of the post–modernism precursor Duchamp, whose iconic work "Fountain" stirs much controversy about the identity of an
object. It casts interesting questions: are things what they perceptually appear to be? Why are things they are?
Although both Zaisu and Nirvana each represents their own stylistic period, they still share a few things in common. In similarity, both designs feature
sleek and inviting design that often appeared in Japanese style. They have minimalistic geometric shape, and the lines are rounded, rather than angular.
The dark color of both also suggests solidarity and reliability. In reflection, both the modern and post–modern designs inspire me in its own ways. The
function and form of modern design creates the fundamentals of good design that permeates our daily lives. On the other hand, Nirvana reminds
me of exceeding beyond boundary in design, giving new expression and liberating ourselves from what we know and see every day. It inspires me
to view a good design not just based on its functionality, but also on aspects beyond. The same applies to my work because I now have learnt a good
artist and designer should keep finding new approaches to create their

The Uniqueness Of The Kodaly Method
Chapter One The Uniqueness of the Kodaly Method Zoltan Kodaly chose a child–developmental approach when developing his method. This approach
teaches skills in the order and pace in which the child develops rather than subject logic. "In a subject–logic approach there is no relationship between
the order of presentation and the order in which children learn easily. The subject matter is simply organized in a fashion that seems reasonable in
terms of content." The subject–logic approach rhythmically begins with the whole note and progresses in a manner that is mathematically reasonable,
proceeding next to the half note and then to the quarter note. This progression is, however, very difficult for a beginning student who has not yet even
learned how to feel a basic beat. Melodically speaking, the diatonic major scale is the general starting point from a subject–logic approach. This also
causes issues because the average young child cannot accurately sing a diatonic major scale. "According to research, most children are able to sing a
range of only five or six tones and cannot produce half steps in tune." Unlike the subject–logic approach, the child–development approach of the
Kodaly method requires arranging subject matter into patterns that align with the sequence of normal child abilities at various stages of growth.
Rhythmically speaking, moving rhythms are more child–related than sustained rhythms. Children can relate a rhythm such as steady beat quarter

Choir Music History
Choral music started during the Middle Ages in Europe (Stevens 1). The singing was limited to unison voice (Stevens 1). It increased throughout the
14th century (Stevens 1). The singers start to be more familiar it music theory (Stevens 1). As money grew in the churches so did choral music and
its acts (Stevens 1). Laws were made to allow churches to find capable choirboys (Stevens 1). Soon boys were all soloist in their own way (Stevens 1).
Choral music grew and adapted to create what it is today, with not just choirboys, but also choirgirls too (Stevens 1). Choir and music in general are
important in my daily life. Choir has been one of my most enjoyable classes in my freshmen year. If I am having a bad day choir has the ability to make
... Show more content on Helpwriting.net ...
The length of five spaces in a scale is known as a perfect fifth (Shah 42). C major and A minor start at the head of the circle (Shah 42). At the head of
the circle going clockwise, notes rise at a rate of fifths and do not stop until a limit of seven sharps is made (Shah 42). Going counter–clockwise, the
notes go down at a rate for fourths until a limit of seven flats is met (Shah 42). When the very end of the circle is reached, six flats and sharps will
have overrun each other (Shah 42). Also on the circle, one will begin at a certain pitch, skip twelve tones, and make it back to the pitch they started
with (Shah 43). Pitch is in relation to the wave's frequency (Petersen 1). The pressure vibrates rapidly wit high notes because of their high frequency
(Petersen 1). Volume and pitch are the two attributes that make up sound (Petersen 1). Noise level and volume are in relation to the pressure's
amplitude (Petersen 2). The force per unit area, Pascals, is usually used to calculate pressure (Petersen 3). Frequency is equal to string length
(Petersen 3). The rate of a frequency of noise of at least two tones is known as musical interval (Shah 20). A geometric sequence is fashioned from the
frequencies of an octave (Petersen 4). An exponential function would be seen if such a sequence was graphed (Petersen 4). An

The Planet By Gustav Holst
Gustav Holst: The Planets, Op. 32
Performed by Royal Philharmonic Orchestra Conducted by AndrГЁ Previn Gustav Holst (1874–1934) was an English composer well known for his
orchestral suite The Planets. Holst began his trip into the musical world as a young pianist. His father, Adolph Holst, was a skilled pianist who
wanted Gustav to succeed at playing as he did. Gustav, however, was impaired by neuritis making it difficult to play for long hours. As Gustav aged
he began trying to compose music instead. Gustav failed to gain scholarships to any colleges and his father, after hearing one of Gustav's small town
operettas, borrowed money to pay for his college. Gustav's influences were pieces such as Wagner's GГ¶tterdГ¤mmerung and Tristan and... Show more
content on Helpwriting.net ...
Holst borrowed ideas from composers such as Scheonberg, Stravinsky, and Debussy.The Planets became Holst's most well renowned composition.
Nevertheless, Holst despised the popularity the composition gained. He swore off astrology (until he read friends horoscopes in later life) and refused
to sign autographs. His later music disappointed the public. The Planets was composed from 1914–1916. It was the time of the World War I. Adrian
Boult did not conduct it until 1918 in a private concert for Henry Balfour Gardiner, who helped Holst earlier on with his composing career. It was
not until 1920 that Albert Coates performed it in its entirety to Queen's Hall. It is an orchestral piece arranged into seven movements. Each
movement dedicates itself to the planets known at the time besides Earth. "Holst considered each movement a progression of life." (Taylor) The
first movement is "Mars, the Bringer of War." It begins moderately quiet with mainly percussion and strings attacking the ostinato in a march like 5/4
meter. Brass begins to crescendo its way in before the terraced dynamics of the upper woodwinds begin. It is a moderately fast piece. The main goal of
the piece is to create a war–like sound. The beginning creates a sound that feels like troops are gathering and it continues until both sides attack,
recuperate, and attack again with full force (during the coda). The tenor tuba carries the melody while the march–like rhythm keeps reappearing. As the
piece

Summary Of Gone By Anh Do
On page 3, the images displays four kids on the floor playing with some chickens. Since the book is written by Anh Do in first person, we first
assume that one of the 4 children in the picture is him. Again to reinforce that assumption, the image is in sepia tone referring to the past. Something
that is different in the picture, is that it's drawn more cartoon like rather than a realistic form. The cartoon form is a symbolism of childhood; Anh Do's
childhood. The facial expression on the children look happy. They seem like they were having fun playing with the chicken. Returning back to the two
previous pages, we see that Anh Do lived in a place of poverty but this page shows happy children. This means that no matter the circumstances Anh...
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We know there was despair and sadness because the images were in grey scale instead of sepia tone representing a dark and depressing time for all
Vietnamese people.
Anh's father and uncles served as soldiers in the war and since they were on the losing side of the war, the had to move because their home and lives
was no longer safe to live in Vietnam. The community all knew they had to displace their country so they had to migrate to a country. Obviously this
was a huge impact on everyone in the community's lives since they had to leave their things behind and abandon their home. Anh definitely loved his
life in Vietnam but his family and him had no their choice.
The war had to of been serious to not let Anh know, and it was. His parents or family never told him about it because it wasn't just adults who died in
battle, but also children, and so many people died. His parents probably also thought that it wouldn't be best if he knew that his father's life was in great
danger.
The next page is about how they escaped their home. The whole community believed that they all needed to flee from their home so they all gathered
their money to buy a

Red Canna 'By Georgia O' Keeffe: Art Analysis
Red Canna– Georgia O'Keeffe Georgia O'Keeffe was an American artist born in 1887. She is best known for her paintings of enlarged flowers, and
Red Canna, painted in 1924, when she was 36, is an example of this type of art. Red Canna is a very close up painting of a Red Canna flower, and
the its warm colour scheme is reflected in a large scale here. It seamlessly blends oranges and reds, using lines, both straighter and wavier, to create
the impression of petals. Despite these sweeping lines and characteristically smooth brushwork, it is intricate in other places, creating an image full of
contrasts which is aesthetically pleasing and interesting to look at. Towards the bottom we can see smaller lines and more detailed petals, which
gradually... Show more content on Helpwriting.net ...
Once she realised that flowers, while one of the oldest sources of natural beauty, are so overlooked in our busy lives, it was only a matter of
displaying this beauty in a way which couldn't be as overlooked as it is in reality. It is for this reason that, despite how strikingly odd Red Canna
appears to be, and despite how many comparisons we can draw to other things, I think it is primarily a naturalistic piece of art rather than an
abstract one. The fact that we view it as abstract only serves to prove the beauty of nature, and further prove O'Keefe's point: that just because
flowers are small doesn't mean we should overlook them. This isn't to detract from what she has done, because it is a clever idea, and it clearly has
been viewed as such by many, but without the mediums of photography being accepted as art, I don't believe this idea would hold nearly as much
weight. Photography is about appreciating the beauty in the world around us, and realising we don't need to look as far as we might think to find art.
This is essentially what O'Keeffe has done as well, though with the twist of enlarging it (also using a camera, a further example of how photography
has helped her), which makes Red Canna, and all of her other paintings of this nature so amazing. They are a beautiful protest against the blindness of
modern

The Church Of Scientology's Beliefs
When discussing scientology there will be talk of the powerful Xenu or how all of the humans are aliens from another planet. The reason why these are
the most known topics about scientology are because these topics are the ones most shrouded with mystery. The church of scientology is constantly
trying to cover up the top most tier of their religion. They however have many other beliefs that are open to the public. These however aren't tied to the
history of Xenu or the fact that every one of us are aliens but more geared towards the humanitarian effort and teaching people how to deal with
relationships. Through this section of the paper, the church of scientology's beliefs will be brought to light.
First, there is a need for an understanding ... Show more content on Helpwriting.net ...
This scale will go as low as 0.0, which will represent the dead. As the number, goes up it will represent someone that is grieving or resents
someone. Finding the emotion of someone on this scale is essential because Hubbard believed being able to understand this scale, you will be able
to understand how someone will react. For a normal person they can move up and down this scale every few minutes or you can stay at the lower
rungs forever. Normally people are at a 2.8(Contented) on this scale and can get up to a 4.0(Enthusiasm) and stay there consistently however there
are scales even above this maxing out at 40.0(Serenity of Beingness). Using this scale is essential to making all your interactions and relationships
better. Scientology represents trying to know oneself better and this is where it differs from most religions. They represent a world where you will be
able to understand everything in the world as long as you follow their path. Following these scales and triangles will help you with the people that you
know and yourself but they go beyond that with the eight

Musical Modernism with Claude Debussy, Igor Stravinsky...
Musical modernism can be seen as the time where music emerges its liberty from Romantic era style –that started in the late nineteen century to end of
the Second World War– and gains new ideas and freedom. With the political turmoil and chaos that took over the European countries, –that lured
countries into the First World War– composers and artists started to find, create more and new ways to express themselves. They eagerly began to
discover the art of Eastern countries with the hope of finding new ways of expression. The changes in tonality, irregular rhythms, tone clusters,
distressed and antagonistic melodies, the expressionist, abstract, unusual ideas over powers the music, the traditional structures recreated or composed
with ... Show more content on Helpwriting.net ...
With his first piano lessons, his teachers discovered his unusual talent of 'playing out of the boundaries.' After his dream, becoming a piano virtuoso
sink, he leaned more on to his composing skills.
At 1889, he attended the Paris International Exposition, where he discovered the wondrous colours of Asian music that picked up his interest. He was
also fascinated by the pieces composed by the Russian composers Modest Petrovich Mussorgsky,Nikolai Rimsky–Korsakov and Alexander Borodin,
therefore he was lured in to the folk music of Russia soon after.
In later years following his graduation, after composing his 'Suite Bergamasque' for piano, he found himself in the impressionist art movement with
fellow composers –like Maurice Ravel– because of the link French music had with the paintings of Claude Monet, Edgar Degas, Van Gogh and other
modern, like–minded artists, even though he stated that he never felt connected to the movement with the words,
"I'm trying to write 'something else' – realities, in a manner of speaking – what imbeciles call 'impressionism', a term employed with the utmost
accuracy, especially by art critics who use it as a label to stick on Turner, the finest creator of mystery in the whole of art!"Claude Debussy
Against his wishes his compositions are often described as

The Boston Symphony Orchestra Analysis
The Boston Symphony Orchestra is one of the country's five major symphony orchestras, and constantly has new pieces for music lovers.The
February 2014 concert opened with Prelude to the Afternoon of a Faun by Claude Debussy,it's a very youthful piece that depicts the young in a gentle
and carefree nature. Impressionism was a leading art movement during his time.In France, "Impressionist" was a term used to say a persons work did
not follow the norms or rules of society.
Claude was a leading composer of impressionist music and respected among his peers.One of the earliest art movements of the 20th century was
Impressionism. The whole–tone scale can often be seen in his pieces and form the basis of his music .For example, The opening flute solo has a
whole tone descent below the original pitch. Debussy pieces were majorly influenced by poetry and one of my favorite pieces was influence by a
personal friend ... Show more content on Helpwriting.net ...
The faun was a mythical creature who awakes in a forest.He can't remember what lead him into the forest.It crosses his mind that a beautiful maiden
visited him.In the end he falls into a deep sleep and that's when the flutes start to play.The flute represent the Faun , and at the beginning it
accelerates before fluctuating back down to the original pitch. The harps are joined by the French horns for more of a ethereal effect. The music
proceeds without abrupt shifts; themes blend into each other, slowly rising and falling. The middle section features clarinet and oboe solos before the
flute gradually retakes the lead. In the final moments, light touches of percussion from finger cymbals are heard.During the piece Debussy rarely uses
brass and percussion ,he instead uses Crotales when necessary. Four horns are used the English horn is used in the wind section as well as strings .His
choice of

What Role Does Glinka Play In Russia
Russian culture in the nineteenth century was propagated virtually entirely through the poetry of a few writers such as Tolstoy, Dostoyevsky, and
Pushkin. This is to say that the works of a select group of wordsmiths represented the majority of the artistic output of the largest country in the world
and earned them elevated status. Russian music at this point took place on the most miniscule of scopes, consisting mainly of folk melodies passed
down equally through generations of nobility and peasantry and provided little or no status boost. Of Russia's propensity towards folk song, novelist
and music critic Vladimir Stasov (1824–1906) professes:
Folk songs are heard everywhere even today. Every muzhik, carpenter, bricklayer, doorkeeper, cabman;... Show more content on Helpwriting.net ...
This is to say that a harmonization of a moving line moves in almost a strictly parallel fashion, including the parallel fourths, fifths, and octaves so
abhorred by Western musicians. This trait in Russian music allows for a more primitive and "earthy" texture to prevail in lieu of the more elegant
harmonies of Western music. An example of this type of parallelism can be found in Borodin's 1868 work Song of the Dark Forest. The top voices
of the right hand can be seen locked in ascending major seconds for several consecutive chords. Whether this type of parallelism is used for aesthetic
reasons or as a direct protest to Western practices is highly

Homophonic Instruments In Cool Fire
The first movement overall treatment of instruments is conservative throughout Cool Fire. The texture is primarily homophonic in the first movement
with seven main changes of sound in the first movement. The structure is based on the traditional Classical Period rondo form. Moravec's harmonies
do not follow traditional chord progressions and are varied by using extended chords, altered dominants, and modal scales. Three modes are used in
main melodic sections. The first two are in lydian–dominant mode. The third theme uses octatonic mode or diminished scale, alternating whole and
half step pattern. The first movement is marked quickly. It is in 2/4 meter and has no change of tempo.
The unique sound quality of the second movement comes from

The Problem Of Reproducing High Dynamic Range
1 ABSTRACT The problem of reproducing high dynamic range images on devices with restricted dynamic range has gained a lot of interest in the
computer graphics community. In this paper, new adjustment tone mapping method is presented for displaying high dynamic range image on low
dynamic range device without any lose in image details and preserves image contrast. Instead of linearly scaling the luminance of all pixels or
introduce local gamma correction with adaptive parameters for all pixels, the paper core idea is using linear operator in specific pixels and using
nonlinear operator in another pixels according to guidance map. The optimal compression can п¬Ѓnally be achieved by solving the optimization
problem that integrates all window–based constraints which can be transformed to a sparse linear equation. 2 INTRODUCTION High dynamic range
is a digital photography technique that collect multiple exposures of the same scene where captured with different exposure settings and merged
using image editing camera software to create a more realistic image called HDR images. The dynamic range of a scene, image or imaging device is
deп¬Ѓned as the ratio of the highest to the lowest luminance or signal level. High dynamic range image can capture great dynamic rage that represents
the whole tonal range of real–world scenes. HDR image is encoded in a format that allows the largest range of values using floating–point values
stored with 32 bits per color channel, but the modern

Who Is Arnold Schoenberg's Life Or False Music?
Arash Hajihosseini
European history
Peyman farzinpour
Arnold Schoenberg
Arnold Schoenberg was born on 13th September 1874 in Vienna. He started taking violin lessons at the age of 8. One year later he started composing
music. He also took some counterpoint lessons but for the most part he was self–thought. He lost his father at the age of 15 so he had to provide for his
family. He left school and got a job at a bank. At that time Vienna's infrastructure was modernizing. Vienna became an industrial city and cultural life
improved. Schoenberg could not afford the cultural venues because he was poor. He went to concerts and stood behind the fence so he could hear the
music for free. Later he left the bank and started conducting and orchestrating ... Show more content on Helpwriting.net ...
When you play a note you can only play it again once you played all the other 11 notes. This is called a tone row. For Example, In opus 23 all 12 tone
are presented in this order: C#, A, B, G, Ab, F#, Bb, D, E, Eb, C, F as you can see no note repeats until all the other 11 notes are played. The tone
rows in a way function as scales in tonal music. The first time that he tried using all the notes in the chromatic scale was in Piano opus 9. In that piece
we can still hear a little bit tonality though. It starts with a melody that outlines a b major triad but accompaniment makes causes the whole thing to
sound ambiguous. Using tone rows is not the only rule in 12 tone music. There are other rules in this type of music as well. For example, the notes
that are in top and bottom voices have to be shorter in duration. This is a very important rule because it helping keeping every notes importance the
same. Otherwise the outer sound more important than the others because their placement. These rules aren't rigid. In fact Schoenberg broke them often
and he suggest you should break them as well if necessary. In The Unanswered Question 5 Leonard Bernstein says" There is no such a thing as atonal.
Schoenberg used the same 12 notes that Bach used. He just destroyed the hierarchy. Schoenberg even denied the possibility ofatonality. The 12 tones of
the chromatic scale have a tonal relationship to each other. If true atonality is to be achieved some uniquely different basis for it is needed. Maybe a
different division of the octave." In the 12 tone system you can take one row and use some of it's notes as melody and others as chords. Some of the
phrases in 12–tone music spell out certain chords but because it is following the tone row principles it sounds ambiguous and atonal. We see this kind
of harmonic implication happening with augmented triads in opus 23. Also Opus 30 starts with a repeated 4 bar phrases that

Essay on How It Works: Music Therapy
"I think music in itself is healing. It's an explosive expression of humanity. It's something we are all touched by. No matter what culture we're from,
everyone loves music" (Billy Joel). Although most listeners may not have the same technical experience in music as Billy Joel, it is easy enough to
see the effect it has in a person's every day life. Music has the ability to pick us up when we are down, carry you back in time to a cherished memory,
and transform silence into a symphony that can move one to tears. Music therapy is simply an application of the life that music creates. Music Therapy
was first viewed as a practice in the United States during World War I and II with returning veterans who had lucidly incurable cases of shell... Show
more content on Helpwriting.net ...
Gottfried Leibniz, co–discoverer of calculus, described music as "...the pleasure the human soul experiences from counting without being aware that
it is counting". The underlying reason music affects us the way it does is because the beat, or tempo, literally moves us. The beat in music is
basically the underlying pulse of it's sound: the part that resonates in your mind that causes you to tap your foot, or clap your hands. Research done
by the Medical Review Board has shown that the faster the tempo of a song, the sharper a person's concentration will be. Rapid beats also induce
more alert and controlled thinking, whereas slower beats promote a calm, meditative state of mind (Scott). In the 2011 production of Warrior, Frank
Campana trains his wrestlers by having them listen to Beethoven's "Ode to Joy" to calm them, and also teach them to respond quickly in strenuous
situations. Campana knows that if a wrestler allows his reaction time to become delayed, it could lead to an easy pin for the opponent. Beethoven's
music, especially his "Ode to Joy", begins with a calm tone and gradually builds into a triumphant symphony. By training his fighters to think in a way
that is calm and collected while entering the match but grows into a confident strength by the close, Frank becomes the number one personal coach of
the season when

Claude Debussy Essay
Impressionism is the movement in the arts that favored exploration of the elements that include light, color and sound over literal presentation. This
effort in music was more concerned with human perception and how the artwork would be impressed on us rather that expressionism is concerned
with gestures and how they reflect internal psychological mindsets. One of the most innovated composers that is considered an "impressionist"
composer is Claude Debussy, who focuses his artwork on the visual aspect. In his first book of PrГ©ludes there are two pieces of music that show
Debussy's uses of impressionism are "Violes" by the influence from painter Monet. The start of Debussy as an impressionist came from the help of
mentor, Erik Statie, who influenced Debussy to follow lead of painters such as Monet in order to develop music. Taking his mentor's advice we can see
the link between the music of Debussy and the paintings of Monet by the movement away from harmonic ... Show more content on Helpwriting.net ...
Debussy uses a whole–tone scale in this piece because with half a step missing created disagreements that left Debussy with the unique set of colors
to paint a special picture he is thinking of. In the opening of the song we hear a musical descriptions that Debussy is hoping we see as the ship's sails
being gently pulled, and then the pulsing tone we hear represents the ship's anchor, which makes us hear a sense of a calm harmony that is interrupted
by the tugging against is making the opening flow in to a picture. The musical materials that he used in the prelude include tenary form and a
pentatonic scale makes the piece vague but the piece uses imagery over structure. We can see that he doesn't pay attention to structure because we can't
hear where the B section end. Debussy's music over time ended as fragments of melodic material layered in rich

Last August Hours Before The Year 2000 Summary
Naomi Shihab Nye is a critically acclaimed writer whose poems focus on themes such as cultural differences, war, family, and change, as seen in her
book, You and Yours. One poem in this collection, "Last August Hours Before the Year 2000," is a free verse poem primarily concerned with the
passage of time and how we interpret it, while also making heavy use of nature imagery.
One of the major themes in "Last August Hours Before the Year 2000" is the passage of time– more specifically, the difference between how we
interpret it and how it actually functions on a greater scale. Of course, the switch from 1999 and 2000 is an excellent subject to use here, since it was
the turn of the new millenium. Nye states "What a drama to keep thinking the ... Show more content on Helpwriting.net ...
In the beginning, it is used mainly to establish the tone of the poem. Another example is contained within the lines "What better blessing than to move
without hurry under trees?" (line 4–5). This sentence helps establish the easygoing, idyllic tone. In the last stanza, though, Nye transitions to using it as
part of an extended metaphor for one's life – "you could lay a soaker hose across your whole life and know there was something under layers of packed
summer earth and dry blown grass to moisten" (lines 22–27). Although, as previously mentioned, many events lose significance over time on a greater
scale, their importance to the individual they affected will remain, and the stories they leave are not necessarily of a small impact, and a small
universal effect does not invalidate its personal effect. She highlights all of the events, stories, and memories that make up a person's life, saying she
wants "to know that the root goes deep" (line 20). Documenting the stories of everyday people was actually a major theme in You and Yours, so it
makes sense that she would express a desire to see what lies beyond one's present. These roots, after all, are valuable experiences. It may seem odd that
despite the major focus on the changing times, Nye chooses to

Summary: Brasstactic Four Models
As trumpet players our daily routine should include at least these aspects:
Ligature
Attacks
Articulations
Fingering
Intervals
Scales
Now stop for a second and think about how many methods or how much time do you need to invest to cover all these aspects in a single study session.
Is it easy to find complementary material outside the traditional methods to cover all these study aspects?
If you have not found any, I can assure you that it exists. It is called The Four Models, a series of exercises included in a trumpet book called
Brasstactic.
The Brasstactic Four Models are a series of exercises based precisely on four models of scale study commonly used in the Jazz context (in the same
context practiced by memory). I wrote it looking to practice the fingering, intervals, different articulations, scales (all modes, chromatic, whole tone and
diminished) simultaneously all from a ... Show more content on Helpwriting.net ...
Feel free to experiment with several attacks, as well as different styles and articulations to make a better use of these exercises. Metronome = 60 is
recommended until accuracy is achieved, then increase the tempo.
Where can I get these exercises?
As I said before, THE BRASSTACTIC FOUR MODELS is part of Brasstactic, a book that contains a system of study that aims to guide the trumpeter
during his preparation to play in a small horn section within the context of popular music. Inside this book, you will find The Brasstactic Four Models
ONLY from C.

Now it is possible to buy them in lulu.com separated from C, C#, D, Eb, E, F, F#, G, Ab, A, Bb and B. In this way you can choose which one is better
for you.
This is the first English entrance in my blog brasstactic.wordpress.org. You can also visit my Brasstactic Facebook page, leave a comment or a
message and I will answer you as soon as

Persuasive Enough To Change A Person's Lifestyle
viewer's consent; however, I do believe that my video is persuasive enough to convince the viewer to change his or her lifestyle. Through the language
and visuals provided in the video, a strong and serious tone is created. This tone is perfect to sway even the strongest opinion.
Throughout this whole project, realizing that many health related complications can be fixed with a change in lifestyle, is the most significant lesson I
have learned. In more generalized terms, doing a small thing can lead to big changes. In many cases diseases and health hazards are not completely
fixed. For instance, having coronary heart disease is not for certain if a family member has the disease. With an altercation in dietary and lifestyle
conditions, being

Understanding the Realtion Between Math and Music Essay
Math and Music: An Introduction and Mathematical Analysis
Galileo Galilei once said that the entire universe is "written in the language of mathematics". Then, it is not surprising to learn that music is closely
related to math. The mathematical application in music will be discussed in this essay.
Rhythm and Frequency To understand the relation between math and music, the primary step is to study the nature of rhythm, frequency and
amplitude. Everything around us has its own pattern of rhythm, from the motion of protons and neutrons, to the beats in rock music. According to
Garland (1995), rhythm is determined by the periodicity of vibration of certain object in its surrounding substance, or medium (p. 28). The vibration is
... Show more content on Helpwriting.net ...
Amplitude refers to the distance from crest or trough of the wave to its equilibrium position. Garland (1995) stated, frequency is a term that describes
the number of waves, or vibrations, that pass a given point per second (p. 28). It is inversely proportional to the wavelength, which is the distance of
one wave cycle. Frequency can be evaluated in the pitch of a tone: a higher pitch has a higher frequency. A simple tone has constant frequency and
amplitude, and its graph is similar to a sine curve. Tones that are more complicated result from combinations of several simple curves. The smallest
pure tone frequency in complex tunes is called fundamental frequency. Integer multiples of the fundamental frequency make the resultant tone musical.
The graph below shows the frequency data from A3 to A4 key. Note that A4 key has twice as much frequency as A3 key, because any two keys that
are one octave apart have the frequency ratio of 2:1. Further inspection shows that two adjacent notes are in the ratio of 1.059...
For example:
Freq. of A#3 / freq. of A3 = 233.1 Hz / 220 Hz = 1.059...
Freq. of C4 / freq. of B3 = 261.6 Hz/ 246.9 Hz = 1.059...
Freq. of G4 / freq. of F#4 = 392.0 Hz / 370.0 Hz = 1.059...
The examples show that the frequency of any note is a product of the frequency of the adjacent note before it and the constant number 1.059.
Proof:
Let an octave start from key A. The ratio of frequency between adjacent keys is h.
Then,

Music That Subverts The Standard Form Of Arranging Sounds...
Serialism is style of music that subverts the standard form of arranging sounds produced by musical instruments and approaches the composition from
an almost mathematical standpoint. It can be described as a compositional strategy in which the composer arranges notes in a particular order based
on the characteristics of a sound such as pitch, duration, amplitude or even timbre, but giving no preference to each individual characteristic; all
aspects of a sound are equal. Once the notes are arranged the composer uses a pre–determined set of rules to arrange them in to a composition. It could
be argued that it originated as a response to composers in the late 19th and early 20th century struggling to stretch the limits of their capability... Show
more content on Helpwriting.net ...
This order could be based on properties such as symmetry or pre–determined intervals, or even just instinctive ideas of the way in which notes could
relate to one another. This order of notes is called a tone row; this tone row was then re–arranged through a set of rules to form variations known as set
forms or row forms. The basic forms of these rules are retrograde and inversion, arranging the notes in reverse order (for example B–C–G becomes
G–C–B) or upside down (for example B–C–G becomes B–Bb–Eb) respectively. Combining these rules is known as retrograde inversion. These new
arrangements could be transposed to provide a larger range of varying row forms with which to form a composition. Row forms are represented
through a system of numbers and letters. The letter indicates the form of the tone row, P indicating the original or "prime" form, R indicating the
retrograde form and I indicating inversion, with RI representing retrograde inversion. The number indicates the pitch class in which the first note of
prime and inverted forms of the row is to be played, or the last note of retrograde and retrograde inverted forms. So for example I2 is an inverted form
of P0 that has been transposed two semi–tones up. Through these rules it is possible to see the fundamental idea of serialism, composition that moves
away from the traditional tonal relationships of notes, while creating new relationships through pitch, order, numbers and intervals. While

Bela Bartok: String Quartet No. 4, Movement III
Bartok: String Quartet No. 4, Movement III Although it is not technically a twelve–tone composition, the third movement of Bela Bartok's String
Quartet No. 4 contains many elements of unconventional harmony and melody. Beginning the movement, Bartok builds a sustained Forte code 8–23
set (marked in red) by layering each voice consecutively, concluding in the sixth measure. The concluding measure presents a chord resembling an
incomplete circle of fifths. Marked espressivo, the cello plays the exposition's first theme (marked in blue): a chromatic passage centered around the
note D. In measures seven through nine, the cello continues with variations of notes (Forte codes 3–2 and 3–1, circled in purple), each repeating
between smaller intervals of time.
In measure ten, the cello introduces the second primary theme of the movement's exposition (marked in blue), again containing repetitions between
smaller intervals of time. The beginning of this theme (Forte ... Show more content on Helpwriting.net ...
This imitation leads to measure forty–one, where a tranquillo cadence teases the listener. Immediately following this cadence, the development begins
at measure forty–two. Taking the lead from the firstviolin, the second violin plays a whole tone passage (marked in red) strongly resembling that of
the cello during the poco agitato section of the exposition. Accompanied by a tremolo chord in the other voices (Forte code 6–32), the second violins
melody leads to the movement's climax in measure forty–seven, labeled tornado.
Following this climactic section, the cello leads a duet with the first violin in measure fifty–five. The duet, accompanied by the second violin and viola,
mimics cello part of the poco agitato section in the exposition, but now in style of an inverted fugue (marked in blue). The combining of the
exposition's themes suggest that measure fifty–five to the end of the movement is, collectively, the

The Effect Of String Function On An Accidental Of A...
One does not need to use words to convey a message. Dots and lines on a page can convey emotion just as well, if not better. Music can fill in the
context where words cannot. The simple switch between major to minor, an accidental of a natural or a flat can easily show the motion of a piece.
As a cellist for over six years, I wanted to understand the fundamental idea of why notes were audible. I asked myself, why do I press down on certain
parts of the strings on a cello to produce certain notes? How are sound waves calculated? With these two questions in mind, I dove in with the desire to
apply a different perspective of music.
Diagram 1
One of the earliest discoveries of how string function comes from the Greek philosopher, Pythagoras. The wavelength and pinches between strings are
what differentiate the varying notes. As shown in Diagram 1, the wavelengths have specific spacing in between, which are directly related to
mathematics. Nodes, or pinches, are strategically and mathematically placed to resonate precise pitches, and particular ratios are able to be derived
from these intervals. For example, an octave describes two notes that are eight notes apart. In order to create the perfect first octave, the string is
pinched into perfect halves, making the mathematical ratio , as 2 parts are created from the whole with one pinch. By pinching the string in half, the
frequency becomes twice as fast , producing a higher tone of the same note. One octave higher than an A

Victor Stoy Gcse
Victor Provost is widely considered one of the premier steel pan jazz artists of the 21st century. Through appearances at concert halls, clubs, and
stages throughout the world, he has been meticulously developing a reputation as a "dazzling" soloist, crafting an impressive improvisational voice
and style. Provost possesses a thorough knowledge of Bebop language, with a strong foundation in Caribbean sensibilities, and is armed with a
virtuosic technical ability that allows him to weave all the elements of music seamlessly in his playing. Provost has two albums to his credit, including
his new project entitled "Bright Eyes", which debuted at number five on the iTunes Top 40Jazz Charts and have received rave reviews from Downbeat
Magazine, ... Show more content on Helpwriting.net ...
Generally, the tenor pan is the highest pitched instrument in the steel pan family, with pitches ranging from D4 to F#6, arranged in the circle of
fifths. Provost style of tenor (made by Kyle Dunleavy) goes down to G3 and has a much richer and warmer tone than its D4 counterpart. Ranges can
be expanded for other instruments in the steel pan family such as the double second steel pan. The double second, also know as the alto pan is one of
the most versatile instruments in the family of pans. Typically, second pans offer about a two and a half octave range, bolstering enough register to
play both melody, harmony and chords. Double seconds are configured with a whole tone scale on each side, which means chromatic scales would
feature alternating notes. Normally double seconds range from a F#3 to a C#6, but there are double second instruments that go down to E3 and yet
support the higher register of the C#6. This would open up more choices in terms of melodic and harmonic contour for a jazz soloist, or any soloist or
performer for that

The Theme Of Neologism In Lewis Carroll's 'Jabberwocky'
As a society, it is seen as important to be pure of actions and mind, a way of life strongly sponsored by the ideas of Judeo–Christian culture. Aiming to
commit mostly pure actions in life when people are watching, this desire to appear pure is shoved to the side when alone or in a survival situation.
Nature provides a place to be alone and can endanger our state of life to some extent, so when members of society are separated from society as a
whole in nature, they are more likely to commit actions such as the murder of animals with the justification of survival in mind. Lewis Carroll
understood this idea, which he used as an inspiration for writing his poem " Jabberwocky". In order to portray the theme of man vs nature in his poem
"Jabberwocky", Carroll utilizes tone, neologisms, and repetition to further the idea that nature can distort the ideas of humanity to the point of
committing foul actions but is not affected by such actions.
Throughout this poem, the tone is used often to create an atmosphere of mystery in the poem. Like nature itself, the idea of the Jabberwocky is
mysterious and malevolent, which Carroll uses to represent the darkest intentions of humanity itself. With having this dark, mysterious tone, Carroll
utilizes words such as "vorpal", "uffish", and"tulgey" to create a sense of entrapment for the speaker by using harsh sounds. Representing the attack
that nature imposes on those that stray into its area, Carroll uses these harsh words to show how

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