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Chapter 10
LIGHTING
Small opportunities are
often the beginning of
great enterprises.
Demosthenes
I. Objectives Of Television
Lighting*
A. To Fulfill Technical
Requirements
B. To Provide a Three-
Dimensional Perspective
C. To Direct Attention to
Important Elements
D. To Establish the Mood
E. To Fix the Time
F. To Contribute to Aesthetic
Composition
II. Studio Lighting Instruments
A. Spotlights
1. Fresnel spotlight
2. Ellipsoidal spotlight
a. cucoloris (cookie*
or kook*)
b. gobo*
3. Follow spot*
4. Lensless*
B. Floodlights
1. Scoop
2. Softlight and broad
a. softlight
b. broad (pans)
3. Fluorescent floodlight
bank
4. Strip, or cyc, light
III. Field Lighting Instruments
A. Portable Spotlights
1. Spotlights with lenses
2. Open-face spotlights
3. Internal reflector spot
B. Portable Floodlights
1. V-light
2. Soft-box
3. Chinese lantern
4. Portable fluorescent
bank
5. LED light
C. Diffusing Portable Spotlights
1. Bouncing the light
2. Attaching a scrim
3. Using a diffusion umbrella
4. Attaching a soft-box
D. Camera Lights
IV. Lighting Control Equipment
A. Mounting Devices
1. Pipe grid and counterweight batten
2. C-clamp
3. Sliding rod and pantograph
4. Floor stands
B. Directional Controls
1. Barn doors
2. Flags
3. Reflectors
C. Intensity Controls: Instrument Size,
Distance, and Beam
1. Instrument size
2. Distance (inverse square law*)
3. Beam
4. Diffusers (scrims, frosted gels,
screens)*
D. Basic Principle of Electronic Dimmers
1. Manual dimmers
2. Computerized dimmers
3. Patchboard
V. Light Intensity
A. Foot-candles and Lux
B. Incident light
C. Reflected light
D. Instrument of measurement*
VI. Calculating Light Intensity
(Inverse Square Law)
VII. Operating Light Level: Baselight
A. Baselight Levels
1. Not enough baselight
2. Too much baselight
B. Color Temperature and White-Balancing
1. Color Temperature (Kelvin scale)
2. White-Balancing
a. matching light sources
b. how to white-balance
VIII. Types of Lamps
A. Incandescent
B. Quartz or Tungsten-Halogen*
C. Fluorescent
D. HMI
E. LED
F. Sunlight*
1. Sunny day*
2. Cloudy day*
IX. Color Media
A. How to Use Color Media
B. Mixing Color Gels
Resolve to perform what you ought,
then perform without fail what you
resolve.
Benjamin Franklin
Without some goal and some
effort to reach it, no one can
live.
Fydor Dostoyevsky
Comm 1337.001 chapter 10 (lighting instruments)

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Comm 1337.001 chapter 10 (lighting instruments)

  • 2. Small opportunities are often the beginning of great enterprises. Demosthenes
  • 3. I. Objectives Of Television Lighting* A. To Fulfill Technical Requirements B. To Provide a Three- Dimensional Perspective
  • 4. C. To Direct Attention to Important Elements D. To Establish the Mood E. To Fix the Time F. To Contribute to Aesthetic Composition
  • 5. II. Studio Lighting Instruments A. Spotlights 1. Fresnel spotlight 2. Ellipsoidal spotlight a. cucoloris (cookie* or kook*) b. gobo*
  • 6. 3. Follow spot* 4. Lensless* B. Floodlights 1. Scoop 2. Softlight and broad a. softlight b. broad (pans)
  • 7. 3. Fluorescent floodlight bank 4. Strip, or cyc, light
  • 8. III. Field Lighting Instruments A. Portable Spotlights 1. Spotlights with lenses 2. Open-face spotlights 3. Internal reflector spot
  • 9. B. Portable Floodlights 1. V-light 2. Soft-box 3. Chinese lantern 4. Portable fluorescent bank 5. LED light
  • 10. C. Diffusing Portable Spotlights 1. Bouncing the light 2. Attaching a scrim 3. Using a diffusion umbrella 4. Attaching a soft-box D. Camera Lights
  • 11. IV. Lighting Control Equipment A. Mounting Devices 1. Pipe grid and counterweight batten 2. C-clamp 3. Sliding rod and pantograph 4. Floor stands
  • 12. B. Directional Controls 1. Barn doors 2. Flags 3. Reflectors
  • 13. C. Intensity Controls: Instrument Size, Distance, and Beam 1. Instrument size 2. Distance (inverse square law*) 3. Beam 4. Diffusers (scrims, frosted gels, screens)*
  • 14. D. Basic Principle of Electronic Dimmers 1. Manual dimmers 2. Computerized dimmers 3. Patchboard
  • 15. V. Light Intensity A. Foot-candles and Lux B. Incident light C. Reflected light D. Instrument of measurement*
  • 16. VI. Calculating Light Intensity (Inverse Square Law) VII. Operating Light Level: Baselight A. Baselight Levels 1. Not enough baselight 2. Too much baselight
  • 17. B. Color Temperature and White-Balancing 1. Color Temperature (Kelvin scale) 2. White-Balancing a. matching light sources b. how to white-balance
  • 18. VIII. Types of Lamps A. Incandescent B. Quartz or Tungsten-Halogen* C. Fluorescent D. HMI E. LED
  • 19. F. Sunlight* 1. Sunny day* 2. Cloudy day* IX. Color Media A. How to Use Color Media B. Mixing Color Gels
  • 20.
  • 21. Resolve to perform what you ought, then perform without fail what you resolve. Benjamin Franklin
  • 22.
  • 23. Without some goal and some effort to reach it, no one can live. Fydor Dostoyevsky