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Chapter 7
Radio, Recording, and Music
Our future is now. We
must plan now in order
for the future to be what
we would hope it to be.
Anonymous
I. Introduction
A. The First Electronic Medium
B. Provided Television Instant
Success
C. Timeline
I. A Short History Of Radio And
Sound Recording
A. Early Radio
1. Guglielmo Marconi
2. Reginald Fessenden
3. Lee DeForest
B. Early Sound Recording
1. Thomas Edison
2. Emile Berliner
C. The Coming of Broadcasting
1. Alexander Graham Bell
2. David Sarnoff
3. Creation of RCA
4. KDKA, Pittsburgh, PA
D. The Coming of Regulation
1. Wireless Ship Act of 191o
2. Radio Act of 1912
3. Radio Act of 1927
1. spectrum scarcity
2. public resource
4. Communications Act of 1934
E. Advertising and the Networks
1. WEAF, New York, NY
2. NBC (Red & Blue Networks)
3. CBS
4. Mutual
a. affiliates
b. O & Os
5. ABC
F. The Golden Age
1. New genres become fixtures
2. Radio and sound recording
in World War II
a. recording tape invented
b. LPs and 45s invented
3. Television arrives
II. Radio And Its Audiences
III. Scope And Nature Of The
Radio Industry
A. FM, AM and Noncommercial
Radio
B. Radio is Local
C. Radio is Fragmented
D. Radio is Specialized
E. Radio is Personal
F. Radio is Mobile
IV. The Business Of Radio
A. Radio as an Advertising
Medium
1. Billings
2. Ratings
B. Deregulation and Ownership
1. Telecommunications Act
of 1996
2. LMAs
3. Duopoly relaxed
4. News & public affairs decline
V. Scope And Nature Of The
Recording Industry
A. 1950s Cover Songs
B. The Major Recording Companies
1. Cultural homogenization
2. Dominance of profit –
catalogue albums
3. Promotion overshadows music
C. Rock ‘n’ Roll, Radio, and Race
Relations
1. World War II changes
2. Cover songs introduce R&B
3. Radio stations change formats
4. Music made a difference
VI. Trends And Convergence In
Radio And Sound Recording
A. The Impact of Television
1. Concerts have changed
2. Radio-recording industry
relationship has changed
B. Satellite and Cable
1. Syndication
2. DMX (Digital Music Express)
3. Digital audio radio service
C. Terrestrial Digital Radio (DAB*
and IBOC)
D. Web Radio and Podcasting
1. Terrestrial broadcasters
2. Bitcasters
3. Streaming services
4. Podcasts
E. Smartphones, Tablets, and
Social Networking Sites
F. Digital Technology
1. Albums vs. CDs
2. CDs vs. Internet
VII. The Internet And The Future
Of The Recording Industry
A. Introduction
1. MP3s
2. Piracy
3. P2P
B. Industry-Approved Downloading
1. Apple’s iTunes
2. Cloud-music services
a. Amazon cloud
b. iTunes Match
c. Google Music
C. P2P Downloading
1. Illegal downloading
2. BitTorrent
D. The Future of the Music Business:
The 360 deal to Self-Distribution
VIII. Listening To Shock Jocks
A. Howard Stern and Don Imus
B. Rush Limbaugh, et.al.
You will never find time for
anything. If you want time,
you must make it.
Charles Buxton
businessman and politician
Now is the accepted time, not tomorrow,
not some more convenient season. It is
today that our best work can be done.
W.E.B. DuBois
Sociologist, historian
Comm 1307.002 chapter 7 {radio, recording, and music)

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Comm 1307.002 chapter 7 {radio, recording, and music)

  • 2. Our future is now. We must plan now in order for the future to be what we would hope it to be. Anonymous
  • 3. I. Introduction A. The First Electronic Medium B. Provided Television Instant Success C. Timeline
  • 4. I. A Short History Of Radio And Sound Recording A. Early Radio 1. Guglielmo Marconi 2. Reginald Fessenden 3. Lee DeForest
  • 5. B. Early Sound Recording 1. Thomas Edison 2. Emile Berliner
  • 6. C. The Coming of Broadcasting 1. Alexander Graham Bell 2. David Sarnoff 3. Creation of RCA 4. KDKA, Pittsburgh, PA
  • 7. D. The Coming of Regulation 1. Wireless Ship Act of 191o 2. Radio Act of 1912 3. Radio Act of 1927 1. spectrum scarcity 2. public resource 4. Communications Act of 1934
  • 8. E. Advertising and the Networks 1. WEAF, New York, NY 2. NBC (Red & Blue Networks) 3. CBS
  • 10. F. The Golden Age 1. New genres become fixtures 2. Radio and sound recording in World War II a. recording tape invented b. LPs and 45s invented 3. Television arrives
  • 11. II. Radio And Its Audiences III. Scope And Nature Of The Radio Industry A. FM, AM and Noncommercial Radio
  • 12. B. Radio is Local C. Radio is Fragmented D. Radio is Specialized E. Radio is Personal F. Radio is Mobile
  • 13. IV. The Business Of Radio A. Radio as an Advertising Medium 1. Billings 2. Ratings
  • 14. B. Deregulation and Ownership 1. Telecommunications Act of 1996 2. LMAs 3. Duopoly relaxed 4. News & public affairs decline
  • 15. V. Scope And Nature Of The Recording Industry A. 1950s Cover Songs B. The Major Recording Companies 1. Cultural homogenization
  • 16. 2. Dominance of profit – catalogue albums 3. Promotion overshadows music
  • 17. C. Rock ‘n’ Roll, Radio, and Race Relations 1. World War II changes 2. Cover songs introduce R&B 3. Radio stations change formats 4. Music made a difference
  • 18. VI. Trends And Convergence In Radio And Sound Recording A. The Impact of Television 1. Concerts have changed 2. Radio-recording industry relationship has changed
  • 19. B. Satellite and Cable 1. Syndication 2. DMX (Digital Music Express) 3. Digital audio radio service C. Terrestrial Digital Radio (DAB* and IBOC)
  • 20. D. Web Radio and Podcasting 1. Terrestrial broadcasters 2. Bitcasters 3. Streaming services 4. Podcasts
  • 21. E. Smartphones, Tablets, and Social Networking Sites F. Digital Technology 1. Albums vs. CDs 2. CDs vs. Internet
  • 22. VII. The Internet And The Future Of The Recording Industry A. Introduction 1. MP3s 2. Piracy 3. P2P
  • 23. B. Industry-Approved Downloading 1. Apple’s iTunes 2. Cloud-music services a. Amazon cloud b. iTunes Match c. Google Music
  • 24. C. P2P Downloading 1. Illegal downloading 2. BitTorrent D. The Future of the Music Business: The 360 deal to Self-Distribution
  • 25. VIII. Listening To Shock Jocks A. Howard Stern and Don Imus B. Rush Limbaugh, et.al.
  • 26.
  • 27. You will never find time for anything. If you want time, you must make it. Charles Buxton businessman and politician
  • 28.
  • 29. Now is the accepted time, not tomorrow, not some more convenient season. It is today that our best work can be done. W.E.B. DuBois Sociologist, historian