8. 3. Fill light
a. function
b. position
c. light level*
i. high key*
ii. low key*
d. instrument*
9. C. The Photographic Principle:
Triangle Lighting
1. Background, or set, light
2. Side light
3. Kicker light
4. Eye light*
10. IV. Specific Lighting Techniques
A. High and Low-Key Lighting
B. Flat Lighting
C. Continuous-Action Lighting
1. Multiple-triangle
2. Cross-keying
11. D. Large-Area Lighting
E. High-Contrast Lighting
F. Lighting for Daylight*
1. Indoor scene
2. Outdoor scene
12. G. Nighttime Lighting Effects*
H. Cameo Lighting (Limbo*)
I. Silhouette Lighting
J. Chroma-Key Lighting
13. K. Controlling Eye and Boom
Shadows
1. Key light and eye shadows
2. Boom shadows
14. V. Contrast
A. Contrast Ratio
1. Reference white
2. Reference black
B. Measuring Contrast
C. Controlling Contrast
(Shading*)
15. VI. Balancing Light Intensities
A. Key-to-Back Ratio
B. Key-to-Fill Ratio
VII. Light Plot
16. VIII. Operation Of Studio Lights
A. Preserving Lamps and
Power
B. Using a Studio Monitor
17. IX. Lighting In The Field
A. Safety
1. Electric shock
2. Cables
3. Fires
18. B. Location Lighting
1. ENG lighting*
a. shooting in bright sunlight
i. shoot with the sun
ii. reflector might be required
19. b. shooting in overcast daylight
c. shooting in indoor light
i. windowless room
ii. room with window
iii. panoramic office window
iv. large-area lighting
v. working with fluorescents
20. d. shooting at night
2. EFP lighting*
a. location survey
b. power supply
i. determining the circuits
ii. safe power extensions
21.
22. Panning for gold teaches you a valuable life
lesson – let the unimportant junk just wash
away and you’re left with the stuff that
really matters.
Frank & Ernest