Edward Richer Essay

Edward Richer Essay
Gerhard Richer (1932~) is a German artist who is unique for not conforming to a particular
movement or having his own artistic style. However, his works have been influenced by many art
movements and styles, including Abstract Expressionism, Pop art, Minimalism, and Conceptualism.
He was trained to paint a traditional realist art style in early years under the oppressive East German
communist regime, banned from exposure to American Pop art and other contemporary art (1). Thus
he often explored figurative expression or representation of subjects, until his exposure to abstract
art in West Germany introduced him to an approach to art that was much more expressive of life and
its realities (1). He first started drawing landscapes in the late ... Show more content on
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There are a couple of elements that set his painting apart from Friedrich's; that it has a surrealist
element, and that Richter values the characteristics of modern art, meaning that the artwork does not
focus on how to most imitate a subject most faithfully ('realistically') but to capture the essence of it.
The surrealist element in particular is significant when placed side by side with the traditional style
of landscape painting, because his choice not to completely disassociate it with the orthodox is what
allows it to emphasize the surreality of the piece (4). It is also set apart from romantic paintings by
nature's 'indifference'. The artwork has a lack of sympathy for the viewer's search for something to
relate or connect to in the painting – which links to its function and purpose. Sea–Sea is are
particularly significant work for being a sort of stepping stone for Richter. On one hand, we see how
his background of being trained to paint in a traditionalist realistic painting style has influenced his
photorealistic style, but on the other, his desire to move into a more expressive form of art – as the
"discomfiting" element and the inhuman detachment of Sea–Sea
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Street Daylight Kevin Peterson Analysis
Kevin Peterson is a Houston based figurative painter. He has done many works of graffiti art such as
Into the Light, Rooster Brand, Cold, Angel, and Street Light. The urban environment plays a huge
roll in his provoking visual subject matter. He prefers to set children against a backdrop of harsh
streets and graffiti covered surroundings. The painter claims his inspiration leaps from this
juxtaposition, the purity and innocence that the youth present contrasted with the weathered and
decayed areas of the metropolis. In Peterson's moving works, there is a contrast that suffices as both
a metaphor and a recurring composition. "At one point the walls and backdrops in my paintings
were shiny and new, untouched, just like we were as kids," he says. ... Show more content on
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The figures are Caucasians dressed in shades of grey and are almost lacking in color. The wall is
covered in vibrant, angular graffiti known as wildstyle. With bright tones of orange, red, blue, and
yellow throughout, the stylized scrawl is unreadable. It motions the eye throughout the background
of the art piece. "Wildstyle is known for its intricate letterforms as well as directional arrows, stars
and other shapes" (Manley). The graffiti is hard to read. Peterson purposely chopped off the
beginning and end of the name or word on the piece so it cannot be read at all. This cropping
technique strengthens the variation between rendered figures and their setting therefore contrasting
illegible to legible, part to whole. This increases the tension in the

Jean Michel Basquiat Research Paper
During an era where the American art scene carried out a delimiting appraisal of African American
artist in the mainstream media, Jean–Michel Basquiat comes into sight. The late 1870s New York
City street art scene becomes the venue for Basquiat's appearance as "SAMO". His work is
synonymous with the market booms of the 1980s, and during this time he grew into one of the most
influential artist of the occurring international movement that was ultimately ruled by figurative
painting. The "untrained" quality of his painterly work reflects the intense, conceptual nature of his
paintings, although, to some, the roughness of Basquiat's high–art style might not seem
sophisticated. In contrast, Basquiat's work offers a look into his concern for portraying a spiritual
experience while at the same time achieving a balance with a poetic aspect and accompanying visual
attributes. Basquiat's aesthetic of his collage style paintings plays on the contingency of the
mainstream's racial constructions. However, much repeated is the standard issue biography of his
life: his multi–racial upbringing (Puerto Rican American mother, Haitian father); his quick rise to
fame and his ... Show more content on Helpwriting.net ...
His work was reflective of his own world and he was not seeking to impress any industry moguls.
The artists of the downtown scene were reacting to the tumultuous political times of the 1970's: the
Watergate scandal, Nixon's resignation, and the Vietnam War. The political climate, coupled with the
deep recession of the mid–to–late 70's that included high unemployment and runaway inflation,
found New York facing a looming bankruptcy. Downtown lofts were plentiful and cheap, but the
neighborhood was known for negligent landlords and dangerous streets. This unstable environment
created a need for artists to form a community, which was fertile ground for expression for Basquiat
and the new breed of

Vce Essay Comparison Two Artists
Compare the ideas, techniques and approaches of two ceramic artists from different periods (Alan
Peascod and Bernard Leach). Australian ceramics has experienced an exciting evolution over the
past 60 years, when ceramics was first offered as a full–time course at RMIT in 1947. At that time,
the "high priests" of pottery were Shoji Hamada o f Japan, and Bernard Leach in the UK, who
shared similar philosophies and aesthetic values. Leach wrote "The Potters Book" which was to
become the 'bible', or text of choice for the many tertiary institutes around Australia who were
opening up ceramic courses to satisfy the growing demand for training in what was seen to be an
alternative career path in Australian arts during the post WWII years. ... Show more content on
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The strong cultural influence of his early potting years in Japan remained evident in Leach's work
throughout his life, Leach having said he believed that: "Oriental forms transcend mere good looks"
(Retrieved on 4 July 1020 from
http://www.aber.ac.uk/museum/collections/collectingceramics.shtml). Having said that, there is
evidence that Leach also identified with the wholesome, rustic character of medieval English
pottery. This fusion of Japanese and English aesthetics and attitudes was also embraced by early
potters in Australia, filtering through to some of Peasod's very early works when he trained in the
Anglo–Eastern tradition under Rushforth at ESTC then under Les Blakeborough at Sturt Gallery
Studio. However in the early 1970's time spent in Egypt established in Peascod a lifetime love–affair
with the ancient forms, colours and luster techniques found there. This passion and natural affinity
remained evident in Peascod's work throughout all his productive life. From a contemporary
perspective, current ceramic artists might challenge that Leach's domestic wares were categorized as
craft, and this is an age–old debate that has gained momentum since the 1980's when ceramicists
began producing work which "questioned the categories and boundaries of art and craft and claimed
ground for the sculptural and conceptual in ceramics ......... declaring(ing) the right to continue a
tradition of contemplative and emphatically non–utilitarian ceramic forms".

Professor Christopher Ganz: The Body In Contemporary Art
Professor Christopher Ganz's art parallels with many of the ideas and concepts prevalent in
contemporary art. His art is mostly figurative, he is increasingly interested in the human form and
the many expressive gestures it provides. He is interested in reexamining historical pieces of art and
reinventing the classical iconography into contemporary and often otherworldly images. Professor
Ganz uses the body in his art to examine ideas of identity and internal dialogue while implementing
subtle themes of mass production and internal power struggle through multiple depictions of
himself. The body in contemporary art has been a means of transportation for many ideas and
concepts relating to the human condition. Many of the concepts deal with

Postmodern Art And Its Impact On Modern Society
Postmodern art is typically anti–establishment and rebellious, the beginning of postmodern art can
be found in the late 1950's–1960's although the term was first used around 1970. The movement
differed from previous movements as it deliberately went against the rules, artists used many
different disciplines within one piece of work. A core value of postmodern art is that it is for
everyone and tries to be a connection between art and everyday life.
Modernism triggered post–modernism, modernism painted a perfect life and used religion and truths
as a way of life (e.g. Sigmund Freud and his theories)
Modernist's artists concentrated on technique and the form of their artwork rather than complicating
the process they preferred simpler more clarified techniques.
After the second world war and the huge loss of communities of men and battalions the focus
shifted rather selfishly on to the individual after all it was still a dog eat dog world with the united
kingdom very much still feeling the affects of the war. Rationing still continued and things where
very different compared to the USA where there country had not actively been affected by the war.
While Britain was in the middle of an economic downturn America seemingly progressed at a much
faster rate. Individualism was to be propelled to the forefront of America youth with groups such as
Greasers and teddy boys now appealing to the youth. Rock and roll and Elvis was about to hit the
scene and completely go against the

Klimt's Influence On Egon Schiele
Egon Schiele, early 20th century artist and apprentice of Gustav Klimt, caused quite a controversy
with his risquee nudes unapologetic eroticism. Schiele, though associated with figurative painting,
was also considered an early predecessor of the Expressionist movement through his expressive and
emotive lines. Schiele's paintings and drawings are far from being simply suggestive, and are rather
explicit in their subject matter. His blatant display of sexuality in the majority of his works has
consequently made his retrospective iconic, rather than raising only a few specific works to iconic
status. Schiele's pieces can often be characterized by its subject matter– models, mainly from lower
classes, and those near to him. By considering his ... Show more content on Helpwriting.net ...
Although he acted as protege to Gustav Klimt, a symbolist painter, he himself is characterized in a
figurative and early expressionist style. Figurative by definition indicates a work created according
to a real source, model or object. While almost all of Schiele's works are modelled after people, they
are not entirely realistic; whether that be by definition of colour, line, form or space. Schiele's
association with early Expressionism comes through his evident divergence of realism, seen through
his starkly contrasted colour palette and distorted, emotional lines (Schmidt 1988). Besides the
extremely risquee subject matter for a conservative pre World War I Austria, Schiele experimented
with the angles of his pieces. There are a handful of his works featuring more than one model, but
the relationship between the models is almost disconnected by a lack of linear perspective (Fischer
2004). In images such as Three Girls (1911) it is unclear whether three separate models are
interacting with one another, or rather one model who was drawn three times in different positions
and perspectives. Schiele is said to have drawn from atop a ladder to gain a "bird's eye view" per say
of his subjects (Fischer 2004). Through this process he could easily gain a sense of the sometimes
unnatural contortion of the bodies and adjust them accordingly. A more recognizable work to
consider is that of Seated Woman with Bent Knee (1917). While

Analysis Of Inspired By Thaddeus Erdahl
Inspired By Thaddeus (TJ) Erdahl is a contemporary sculpture that specializes ceramics. Erdahl is a
figurative artist that normally makes bust of character he invents. Originally from La Porte City,
Iowa Thaddeus Erdahl joined the army at age seventeen. Three years later he went back to school to
get a Bachelor of Art in Art Education and a Bachelor of Fine Art in Ceramics at the University of
Northern Iowa. Then he went on to get a Masters in Fine Art in Ceramics at the University of
Florida. While at the University of Florida he received the University of Florida Alumni Fellowship,
which is one of the highest graduate student awards available at UF. He has also been privileged to
go on to do such things as, attend Think Tank III and to work at ... Show more content on
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Now Erdahl resides in Princeton, New Jersey were he is an Artist‐in‐resident at the Arts Council of
Princeton.
Thaddeus Erdahl is interested in people and they're stories. By the use of ceramics and his glazing
technics he is able to show others the different layers of an identity. By layering textures such as
hole patterns, cracking glaze, dripping glaze, his work takes on a whole new form. In his artist
statement he says, "Ceramic sculpture and portraiture, in particular, are forms of a visual narration
that I use to satisfy my urge for documenting what I see in human nature." "Working with concepts
that are personal and sometimes narcissistic perceptions of the gloomy side of life, humor is my
buffer." I think these statements are key to understanding Thaddeus Erdahl's work. I feel they are
three framework that everything else, every work is derived from. Looking at his work, it

Review Of Peter Doig's Painting 'Blotter'
I have chosen Peter Doig as my inspirational artist from seeing the painting "Blotter"; Painted in Oil
on Canvas at the Walker Art Gallery in Liverpool. I was immediately drawn to the figurative style in
which he paints that led me to look further at his work, I have discovered a plethora of pieces that I
could draw inspiration for my final piece. Doig'’s paintings are often based on photographs and
memories, but are not painted in a realistic form. I admire the way he uses reflections and layers of
unusual colours which I feel emanates calmness and adds more depth and meaning to his paintings,
I also like the way he mystifyingly interprets scenes with extraordinary angles using darker hues to
contrast against white snowy terrains which

Memi And Sambu Essay
Sculptures have been a part of human cultures for many centuries. They have been depictions of
gods, tell stories, honor spirits, and celebrations. Today many sculptures have helped tell the way of
life and history of prehistoric times. Sculptures can be described as "the art of carving, modeling,
welding, or otherwise producing figurative or abstract works of art in three dimensions, as in relief,
intaglio, or in the round." (Dictionary.com, 2017)Two ancient sculptures include the Statue of Memi
and Sabu and Seated Statue of Gudea, which have unique physiognomies.
Statue of Memi and Sabu is an Egyptian sculpture, or probably from Memphite Region, Giza,
Western Cemetery, which dates back to the Old Kingdom, Dynasty 4, ca. 2575–2465 B.C. It is a
painted limestone statue, which evokes the closeness of Memi and his companion, Sabu, a non–
royal couple in a standing position. On the base of the statue, one would see that it does include
inscripted lettering (The Met's Heilbrunn Timeline of Art History, 2017) It could be interpreted that
Memi and Sabu are a possible couple based on the intimate hug and his left hand on Sabu left breast.
A non–intimate couple would not engage in such a dear embrace. The sculpture is reactively small,
according to Metropolitan Museum of Art, the dimensions are h. 62 cm (24.7/16 in); w. 24.5 cm (9
5/8 in); d. 15.2 cm ... Show more content on Helpwriting.net ...
It dates back to ca. 2090 B.C in Neo–Sumerian. (metro, 2017). The statue is made from a natural
stone material and has a bronze color. This statue is a representation of a hero of the Neo –Sumerian
culture. This sculpture one could see that Gudea is in a seated position, with his hands holding one
another, almost in a meditated state. He also had inscriptions written on his garment, which read
"Gudea, the man who built the temple; may his life be long." (The Met's Heilbrunn Timeline of Art
History,

Who Is Charles Vyse Figure?
The Question of Attribution An exceptional feature of a Charles Vyse figure, and one that strikes the
viewer immediately, is his modelling of his subjects' faces. No matter their age, sex or the category
of subject, there is the familiar, a similarity of the high cheek bones and the innate humanity that
shines through. However, to the serious collector, an artist's signature and the date of execution are
exceedingly important pointers when authenticating an artefact. However, the artist signature may
change or is sometimes indiscernible on the artwork in question. Charles Vyse is known to have
changed his signature over the course of his long career as a potter, and only occasionally dated his
figures in the 1930s. In 1928, Charles and Nell Vyse held their first joint exhibition at Walker's
Galleries, London. The Vyses appointed Ernest Marsh to write the catalogue notes, and record all
their new figures. These were published annually in the art magazine Walker's Monthly. In 1930,
John L Naimaster took on the task of writing the exhibition notes and cataloguing the new ... Show
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Desmond Eyles, Richard Dennis and Louise Irvine, the authors of Royal Doulton Figures (revised
1987), had unparalleled access to the figure archive of Doulton's Burslem factory. The figures of
Leslie Harradine are meticulously catalogued along with those of other Doulton modellers.
However, one cannot always rely on the evidence of a figure's back stamp, or even its HN number.
Just as the small studio pottery, so is large scale figure production subject to human error.
Occasional a genuine Royal Doulton figure comes to light, minus its official back–stamp. Others
have been known to bear an HN number, quite unrelated to its designated colour–way. These
anomalies, which appear to have escaped the Doulton rigid inspection regime, are often acquired by
collectors for their curiosity

Alexander Nehamas
Alexander Nehamas believes that the attracted properties of art and beauty lies within our feeling
and emotions. In his account, he explained that even though a higher or more abstract ideas of
beauty can be found, the fundamental principles we used to judge the quality of the art is not purely
intellectual but, rather, the desires plays as a part of the appreciation. He emphasized that the beauty
of the artwork provokes individuals to possess in a way that we want to know more about the
painting whether from our lust or other forms of emotion (7). In another word, Nehamas reasons that
emotional properties of the beauty attracts observer's attention. To further clarify Nehamas'
argument, he pointed out that the beauty are capable of being deceptive ... Show more content on
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His approach is limited, uncertain and does not take into account of top–tier artworks which are
loved globally. I will propose an experimental thoughts against Stolnitz. Let's consider a
monumental artwork such as the conclusion of Joe Hisaishi's artwork called "One Summer's Day",
is well known and loved all over the world. As Stolnitz suggest that we need to appreciate this far–
reaching work by appreciating the essence undistracted by our feelings and emotions. The beauty of
sound can certainly move our emotions and, moreover, is almost impossible to control one's
emotions and appreciate the artwork sympathetically. Hence, even if one were to achieve purely
object appreciation of the music, one will not completely understands the core concepts of the
artwork and the meaning presented by the author. The purpose of Joe's closing section touches our
feeling and move our soul. Stolnitz's argument falls short; as anybody whom are expert with artwork
knows how to move the observer emotionally. Thus, my examples proves that Nehamas's view is
intuitively right which proves that observer should use their emotional capacity as a part of their
aesthetic attitude to appreciate the beauty of the

The Meaning of Abstract Art
There are generally two types of paintings– representational and abstract. While representational
painting portrays recognizable objects, abstract painting does not look like a particular object.
Instead, abstract art is made up of designs, shapes and colors. (http://www.harley.com/art/abstract–
art/ ) The meaning of abstract art is, in its most simplified form, art that relies on the emotions of the
artist and the elements of design rather than exact representation. This broad definition allows artists
almost unlimited freedom of expression. Some abstract artists create compositions that have no
precedent in nature. Other abstract artists work from nature and then interpret their subjects in a
nonrepresentational manner. In other ... Show more content on Helpwriting.net ...
For example, in Fernand Leger's The City, (http://filebox.vt.edu/users/nayoung3/city.jpg), the artist
shows a primitive, birds eye view of a busy city. We can see in the middle of the painting there is
some kind road and there are simplified people scattered throughout the painting, composed of
geometric forms. The effect is one of confusion and over stimulation, like one might feel during
rush hour. However, the painting does not show an actually street filled with cars and pedestrians. It
gives the viewer the feeling of a bustling streetscape, without actually portraying it.
Using the same principles that portrayed the "bustling" of a landscape, abstract artists can show
movement, even movement that is not "real." An example of this is Umberto Boccioni's Unique
Forms of Continuity in Space. This is a great example of abstract art. This bronze sculpture seems to
gliding in space. Umberto, a futurist, projected his own beliefs and tried to capture the future that
maybe one day we would be in space.
(http://www.bc.edu/bc_org/avp/cas/fnart/art/20th/sculpture/boccioni02.jpg) The sculpture is almost
recognizable as a figure, but Boccioni was more concerned with showing movement than man, so
the form is distorted and stretched. This sense of movement adds another dimension to the meaning
of abstract art, as an

Cave Art History
Whether it be source of beauty and inspiration, a tool of learning, or simply the means to deal with
the constant struggles of life, art, containing both immense cultural and historical significance is
undeniably a prominent focus in today's society. When looking at the Altamira cave in Spain, the
Chauvet cave in France, or Lascaux the "prehistoric sistine chapel" in France, and countless others,
researchers can't help but wonder what is the significance of these truly beautiful works of art?
Found in nearly all regions of the world, cave art gives us a glimpse into the intellectual
development of early man. Art production likely arose out of non–utilitarian processes. Early
humans began collecting objects such as crystals, colorful rocks, ... Show more content on
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Paintings in these caves date vary in date from 35 thousand years ago for some of the older paintings
to 22 thousand years ago for some of the more recent ones (Pike & Hoffman, 2012). The chronology
of these paintings has been debated since their discovery. Their is evidence to support that these
paintings were modified and having other images super–imposed on top, as parts of painting date
several thousand years older than others. In addition this large gap in time between various paintings
in the caves indicates that these caves were used earlier and longer than initially thought. Pike, A.
W., Hoffmann, D. L., García–Diez, M., Pettitt, P. B., Alcolea, J., De Balbin, R., ... & Zilhão, J.
(2012). U–series dating of Paleolithic art in 11 caves in Spain. Science, 336(6087),

Rainer Maria Rilke Letter One Of Poetry Analysis
"Letter One" of Letters to a Young Poet was the beginning of the correspondence between the
young, nineteen year old aspiring poet Frank Kappus and writer Rainer Maria Rilke. At the time,
Kappus was a student at a military academy, similar to one Rilke had attended. Kappus felt that
poetry was his true calling, therefore, he sought advice from Rilke. Rilke made it abundantly clear in
his letter that criticism is what destroys art and is irrelevant since art comes from within. He remains
perceptive throughout his writing, and he chooses specific words that convey a particular tone and
helps establish two central ideas. Rilke establishes a brash and frank tone in the beginning of his
letter. He begins by thanking Kappus for sending ... Show more content on Helpwriting.net ...
After writing from within, Rilke says Kappus will see his poetry as, "[his] dear natural possession, a
piece of [his] life..."(2). These phrases establish a strong emotional connection with one's writing,
suggesting to the reader that Rilke has a passionate tone. Rilke continues his letter by explaining to
Kappus what to do if it is his true calling to be a poet. Rilke says to, "take the destiny upon
[him]self, and bear its burden and its greatness..."(3). Rilke using the word "destiny" shows that he
believes that one's life must be consumed with writing poetry if they feel it's their calling, which
shows he is passionate about it. The words "burden" and "greatness" convey that art is a serious way
of life and one should take full responsibility for all of the ups and downs one would experience
living this way. This further establishes that Rilke believes that living a life that revolves around art
is a grave decision that a person should make very carefully, therefore showing that Rilke is
passionate about poetry and art in this half of his letter. Rilke also becomes friendly with Kappus
when giving his closing remarks at the end of his letter. He tells him that a full life is, "what [he]
wish[es] for [him]"(3). This phrase shows that Rilke becomes more friendly towards Kappus,
completely opposite to his callous nature at the start of his letter. Moreover, Rilke is also more
comfortable with Kappus; he has more of a connection with him. This is simply shown by the use of
the rhetorical question, "What else can I tell you?"(3). The use of a question conveys a more
informal tone, which someone would use if they were conversing with a friend. Because of this, the
reader can come to the conclusion that Rilke is more friendly with Kappus at this point in his letter.
In the very last sentence of his letter,

Ga Tribe in Ghana
When people die, they like to travel to heaven in different ways – some by land, some by sea, and
some by air." In Africa, the Ga tribe of Ghana gives this phrase a different meaning. The individuals
of the Ga tribe commission fantasy coffins for their journey to heaven; a hunter may commission a
lion, while a fisherman commissions a boat, or a pilot a plane. These fantasy coffins are widespread
throughout Ghana and are quickly becoming popular works of art in the international art market.
The beginnings of this art form are widely debated amongst the Ga and the Western world. The
fantasy coffins have a link to palanquins. These early figurative objects may have inspired the
formation of the fantasy coffins. However, many Ga believe a man by the name of Seth Kane Kwei
had a hand in the creation of the coffins. The fantastic nature of these objects fit in with the
traditions attached to Ga funerals. Although there is a sense of mystery surrounding the fantasy
coffins, their role in Ga society and their funeral traditions cannot be ignored. The history of
figurative objects and the carpenters attributed to them are extremely important to Ga funerals. The
people of Ga are located in southeast Ghana. They are divided into six towns: Accura, Labadi,
Nunga, Osu, Tema, and Teshi. Fishing and trading are the primary sources of income in this area;
the women typically do the trading while the men do the fishing. The society is also matrilineal,
although some aspects

Virgil Ortiz's Cochiti Art
Art defines us for who we are and it is our job to preserve our culture. Virgil Ortiz is a renowned
ceramicist, fashion designer, graphics artist from Cochiti Pueblo, New Mexico. He's an artist who
uses contemporary ideals to blend historical events with futuristic aspects of his imagination. Ortiz
strives for cultural awareness to inform the whole world that Cochiti art is still alive and thriving.
Inspired by the Pueblo Revolt, Ortiz constructs clay figurines made from native clay and paints. He
expresses intentions of conserving his ancestral traditions and techniques that were once suppressed
by foreign settlers. Moving towards preserving a dying culture and letting the whole world know
that Cochiti pottery will continue to flourish in

Buonarroti Non Finito Essay
of the drill, which he later abandoned to give way to a new sharpness and firmness in the execution
of the details in the sculpture. Even though Buonarroti was reticent to use superfluous adornments
he did believe that certain aspects were better told in the details.
NON FINITO
In various works he does indeed use the non finito as a technique. In the Pietà from Florence, the
non finito on Nicodemo's head is a strategic solution to avoid the similarities between the saint and
himself and in the Day and the Dawn statues it is a device to flee from a rigorous iconographical
definition. The non finito not only destroys the definition of the forms, but also the meaning behind
them, giving them conceptual incongruities and the fascination that ... Show more content on
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It's the non finito which manifests his emotivity in the figurative art, which gives an interpretation to
his poems as rants of a disenchanted soul. Thus he developed a mystical ideal of poetry as he did of
sculpture. Neither had to be finished to produce its effect or convey the proper idea.
The non finito is as a result of its own definition present in all aspects of his life. Imbuing his
creations with a deeper sense that I think could only be explained by his words in the poems as they
are musings on these concepts that Michelangelo tries to show through the art he makes. It was
gives his work a more conceptual significance as it forgoes the most explicit of forms to make the
viewer understand what is in front of them.
Both tondi in marble of the Virgin and the Saint Matthew shows how he leaves behind all
refinement in the execution of details, giving way to a more solid and synthetic art. Many, say this is
the florentine style being replaced by the roman one. These are the first artworks that reveal that
Michelangelo has surpassed the classical harmony in favor of a more monumental

The 's First Retrospective Exhibition
Lucian Freud was a German born British artist. After being born on December 8th of 1922, he lived
in Berlin for 11 years. His family then moved to London, England because of the rise of Nazism. He
studied at the Central School of Arts in London for a year, then from 1939–42 at the East Anglian
School of Painting and Drawing in Debham and in 1942–43 at Goldsmiths ' College in London. He
had his first solo exhibition in 1944 at the Lefevre Gallery. Before moving to Holland Park, Freud
owned a studio in Paddington, London for 30 years. He was close friends with other English artist
such as Francis Bacon and Frank Auerbach, who all help establish the art movement known as "The
School of London". This was a movement of figurative artists who all knew each other during the
boom years of abstract painting. Freud's first retrospective exhibition was organised by the Arts
Council of Great Britain in 1974 at the Hayward Gallery in London. In 1989 he was shortlisted for
the Turner Prize. In 2001 he completed his portrait of Queen Elizabeth II. Although he got harshly
criticized for this painting, it did not greatly harm his reputation. Later on he had many more
retrospective shows. The latest Lucian Freud exhibit was at the London National Portrait Gallery in
2012, 6 months after his death. Lucian Freud died on July 20, 2011, since then there have been
auctions of his paintings that have sold for up to 52.6 million dollars. Although Freud has had many
different painting styles, his

Herb Williams Research Paper
Syracuse, NY: Community Folk Art Center – Founding Visionaries: Herb Williams & Jack White –
The Community Folk Art Center is proud to exhibit this unique collection of sculptures, drawings
and prints by two CFAC founders, Herb Williams and Jack White. Celebrating Herb Williams: His
Life, His Work, and His Art will be on exhibition in the Herbert T. Williams Gallery and Jack White:
An Ancestral Image will be on display in the Main Gallery. Both exhibits are free, open to the public
and will be on view September 13th – December 13th, 2008.
Celebrating Herb Williams: His Life, His Work, and His Art – As Community Folk Art Center's
founding Director, Herb Williams (1938–1999) devoted his life to promoting the work of diverse
artists and ensuring ... Show more content on Helpwriting.net ...
Since the late 1960's, Jack White's mixed media abstract work, defined as "abstract impressionism",
has been inspired by African art forms and symbolism. The works included in the Ancestral Image
exhibition are outside the boundaries of traditional painting or sculpture. They contain elements of
the spiritual, the artistic, and the utilitarian that define African art. Reflecting on his work, White
states, "Like most human beings I am curious about my ancestors; as a black American, I can know
only that they came from Africa. Art gives me the power to explore the lives of those ancestors and
expose audiences, minority and mainstream, to my discoveries."
While serving in the Air Force, White was both stimulated and inspired by the cultures he was
exposed to during his world travels. White's global experience manifests in much of his art, with
paintings, that are a mixture of various media that construct abstracted visual landscapes.
White began his more than forty–year career in art as an art and education major at Morgan State
University in Baltimore and later continued with graduate studies in Museum Arts at Syracuse
University in Upstate New

Write An Essay On Guy Dennings
As a learning artist, I always search for others who share the idea that art is more than what lies on a
picture plane. One artist, in particular, has drawn my attention since I was young and he is a self–
taught artist named Guy Dennings. While taking the hearts of thousands of others with his various
media that range from pastel on newsprint to Conte crayon on paper; he has also captured my
imagination with these emotional creations.
Guy Dennings was born in England on October 1965. As a young boy, he started out oil painting at
the age of 10 and soon moved on to applying to many art colleges. He was refused entry but didn't
give up hope and pursued an art education by studying art history. After received his degree he
continued with many different jobs and finally in 1997 he founded the neomodern group. In 2006,
his work appeared in the "Triumph of Stuckism" exhibition and the very next year he ... Show more
content on Helpwriting.net ...
By conveying that strong sense of emotional elements, Denning tries to bring topics to the attention
of society. The content of these paintings hides dark subjects that Dennings believes should be
known to modern day society. Subjects such as insecurities to celebrity culture and even the way
doctors treat mental health are just some of the many problems Denning believes haunts the very
souls of the people. Dennings wants to spark controversy to try and challenge the minds and pull the
attention to the way he perceives contemporary events.
I love Dennings because of his passion to express his opinion freely. Through such powerful
masterpieces, he is able to hide such deep emotional content and portray it to thousands of
people.Dennings has inspired me and many artists to follow their passion and to lean away from the
norms of society. I love his use of colors to portray immense

Impressionist Works Of Claude Monet
(1) Impressionist chooses themes from everyday life and painting outdoors. The goal was to get a
representation of a spontaneous and direct world, and for that they focused on the effects of natural
light on objects. They mainly focus on light, moment and the space. The abstract– impressionist
used reason and intellect, divided into figurative and non–figurative, the non–figurative had no
known forms they are pure images coming from the author 's mind. It is mechanical and can be cold.
Figurative abstraction uses real forms but distorted and simplified even to lose its basic
characteristics –it is free– might please the eye, because the author seeks to convey our emotions
without seeking cosmetic beauty – are simplified geometrics forms , without any apparent order nor
purpose. This being said one can conclude that Claude Monet 's (an impressionist) painting
"Coquelicots" has been called landscaping painting because it reflects a scene from nature. His
painting doesn't show great detail on people's faces nor does shows details on "things", rather his
painting focuses on the moment that the artist tries to express in his work. Through Claude Monet's
painting one can easily guess the time in history where the painting took place. On the other hand,
Mondrian's painting Broadway Boogie–Woogie even though belongs to a different period in the art
moment, it's painting shows clear similitudes to Claude Monet 's "Coquelicots". Broadway Boogie–
Woogie also comes from the artist

My Paintings: The Art Of Sonia Domingues
Sometimes it is hard to put artists in categories. There are those who rebel against labels and being
boxed in by definitions. Sonia Domingues is one such artist. She has been called a mixed media
artist, designer, visual artists and glass painter and she has stretched herself well in all mediums.
Sonny as she is known has explained her art more like dreamscapes. "... my Paintings emerges from
Dreams, ... I want to stroll through all Artistic Styles, showing my own Vision of them..." She is not
afraid to experiment to exist outside the boundaries of whatever genre of art she is navigating at any
given time.
Sonny creates abstract and figurative art pieces on canvas and on glass. She is more widely known
for her glass paintings. Glass as a medium contributes to the vibrancy of the art work and the
colours she uses. She is not afraid to be loud and brash in the use of her colours and to be subtle and
moody. Sometimes its the subject matter that leads the direction the painting should take and then
she leads you to its interpretation with the titles she gives to each piece. There's no reason for art to
be enigmatic. Her personalities collection has the likes of Marilyn Monroe with bright yellow hair
and crimson lips in a Andy–Wharholian pop artistic way and a gauzy white flower over her face
perhaps depicting a fragility that is easy to miss with a title "Marilyn, me? I'm a flower, a white
orchid". ... Show more content on Helpwriting.net ...
It is more broody than the rest of the collection with whimsical portraits of artists like Sarah
Brightman, Vanessa Paradis looking ethereal and

William Christenberry: A New Respect For Photography
William Christenberry
Why I have a new respect for photography I am not a big fan of photography. Not to say that I don't
respect it as an art medium, but personally I would rather look at a painting. As you could probably
guess, I had mixed feelings about William Christenberry when I first saw his artwork. When I first
looked up his artwork, I was disappointed to find only photography. However, I finally started to see
that he also sculpted and painted. His paintings are not exactly my type, but paintings are still my
favorite medium. Overall, I was not very impressed by his artwork, despite him using some of my
favorite art mediums. I just did not feel anything towards his work at first. However, I started to
really respect this artist ... Show more content on Helpwriting.net ...
This is where he continues to work today. William continues to travel to the south to take
photographs. William continues to use his Brownie camera for his photography. He uses this
because of the effect it gives. The effect ties in perfectly with the feeling William wants to show in
his photographs. Walker said that "there is something about the way you use this little camera that
makes it a perfect extension of your eye." William said that he wanted his pictures to capture the feel
of the south, and his small camera is a perfect tool for the job. William also said that he wants to
capture the decay of the buildings and the absence of their use. William's art was majorly affected by
the expressionist movement. This movement was popular among artists in the mid–twentieth
century. The kept this art style until moving to a more figurative form. Perhaps the biggest transition
for him was when Walker Evans convinced him to move to photography. While doing photography,
he kept to his original style and improved upon

Mesopotamian And Hellenistic Art
In History, artistic achievements have represented cultural advancements in civilized society. The
artist's ability to express themselves on a surface plane has progressed immensely from the
prehistoric era through the present. At one time, techniques were so primitive, simple handheld
figures and tools were all artisans had the ability to craft. However, Mesopotamian and Greek and
Hellenistic Art specifically, modernized the techniques and boundaries of sculpture and figurative
art. As time goes on, an artist's ability to express themselves within their art has progressed. Artists
possess the ability to express personal beliefs through depictions, of which are so detailed many art
historians interpret their meanings similarly. Historically ... Show more content on Helpwriting.net
...
Besides the past as a claim for complex art impling cultural prominence in societies, the present is a
great representation of a society's cultural qualities. The United States' population's ability to express
themselves has grown the most in recent decades. Specifically in art, one can express themselves
however they want, no: restrictions, limitations, or necessary guidelines. This capability to express
one's self is comparable to our cultures recent stressed activism for the freedom to act without
criticism. Artist's role now, is to be as personal, unique, and creative as possible. Our society is
going through a change of cultural acceptance for those who feel oppressed. Art is currently about
being creative and expressing emotions or ideas through a surface plane medium. However, it
always was not this way. Artists and their art world, from century to century, responds to their
societies attributes. Because of this, past cultures prominence can be interpreted and represented
through their art. Recalling the oldest known art periods, first, the Prehistoric Art era, we can see
societies from b.c. through 2500 b.c., that their cultures were advanced. From personal
representations of nature and deities, these people's small ability to create different types of art
shows how they were more skilled craftsman, instead of "artists." Cave Paintings and other art
forms represent their hunting and living styles. For example, the Women from Willendorf," can
show how they expressed themselves through art but, "art" was not considered to be a profession in
the Prehistoric Art era

Faith Ringgold Essay
Similar to postmodern art, Faith Ringgold's work appropriates unmistakable imagery and other
artistic practices to offer basic social editorial. She provokes us to consider expectations for gender
and race, and in addition customary desires and estimations of what art may be. Through picture and
content, Ringgold changes history to make a place for women like herself in its historical
advancement. Ringgold's story–quilting system is critical to the importance of her work. She makes
the focal picture utilizing "acrylic paint on canvas, mirroring her insight into western art history in
both style and topic, and encompasses it with an interwoven fabric that incorporates her handwritten
messages" (Kuan, para., 2). She at that point utilizes traditional knitting strategies to sandwich a
layer of batting by sewing the beautifying front to the plain cotton backing. She initially built up this
arrangement in Who's Afraid of Aunt Jemima (1983), a large quilt that changed the showcasing
generalization into Jemima Blakey, a very successful black businesswoman. Ringgold's knit draws
on Afro–Caribbean narrating practices to make the Blakey's family old stories. Made not ... Show
Related with women's local work, quilt making has historically been essential to keeping up women
connections. Quilting is frequently done, permitting women to gather and have discussions away
from men or others outside their community. Young girls watch and partake in the movement
keeping in mind the end goal to learn family stories, social foundation, shared information, and
specialized abilities related with their maternal and residential parts. Despite the fact that quilts are
regular in various societies, "Ringgold's African–American legacy reviews their historical part,
"especially within the Underground Railroad, to communicate codes and hidden messages that
remain unrecognized by outsiders to the community" (Kuan, para.,

Michelangelo: The Biggered Body
My proposal consists of three vertical sculptures based on the fragmented body.
The sculptures represent the idea of finding something within. The overall narrative evoking the
relationship with the fragmented body and self and the disembodied self. The art embodies an
inward struggle and the imagined wholeness that the viewer creates. An example of this is in the
historical artwork by Michelangelo "The Belvedere Torso" a fragment of a nude male statue which
is now located in the Museo Pio–Clementino of the Vatican Museums Michelangelo left the work
unfinished leaving the original as an open work (unfinished limbs) a fragment of representation of a
body. (Fig.1) The muscular and tormented body is left to the imagination to finish the torso. ... Show
Representation plays a crucial role in how we understand our own and other's bodies; for example
ideals of what is normal, beautiful or physically accepted in society. Ted Lawson contemporary
sculptures Eve, beautiful decay, 2013 (Fig.2) are physical representations of modern psychological
concerns. Beautiful decay sculptures confront issue of the female form and the fragile relationship
between the body and the mind. Lawson's Eve touches on the ramifications of gluttony, vanity,
abuse, anorexia, self harm etc. As though stemming from her first sinful act by indulging in one of
the forbidden fruit, Eve has a choice of different paths she might choose to go down, each leading to
a different version of herself.
Another influential artist Kiki Smith uses the body as a receptacle for knowledge, belief, and
storytelling.
In the 1980s, Smith literally turned the figurative tradition in sculpture inside out, creating objects
and drawings based on organs, cellular forms, and the human nervous system. Her work evolved to
incorporate animals, domestic objects, and narrative tropes from classical mythology and folk tales.
Life, death, and resurrection are thematic signposts in many of Smith's installations and sculptures.
Fig

Movie Planes: Artistic Characteristics
Planes: Artistic Analysis
In any text there are many artistic characteristic. In a movie especially in movies, and the movie
Planes is chalked full of artistic merits.
The movie's biggest artistic element is its music. Throughout the film the producers choose music
that went along with that scene. For example Dusty, the main character, and his girlfriend go out on
romantic sightseeing adventure, and the music that goes along with it is Tere Bina. The song is an
Indian song which ties in great when they are flying around the Indian monuments. Also El
Chupacabra, another racer, he expresses his feelings for another racer by singing a song. He sings
the song Love Machine by the Miracles. The part he sings goes like, "I'm gentle as a lamb, I'm ...
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After Dusty's antenna was knocked off, he crashed into the ocean where he damaged most of his
parts. When he finally made it to Hawaii, he was in no shape to fly the final leg of the race. When
the other racers found out that someone had tried to knock Dusty out of the race, they offered to
help. One of the characters named El Chupacabra said, "When the great Mexican Air Force needed
help, the T–33s came. They did not ask questions. They did not hesitate. They were there. That is
what compadres do" (Planes). They brought their spare parts to give to Dusty even though he could
beat them in the final part of the race. The other planes had decided that helping out a friend was
more important than winning a race. Parents try to teach their kids that helping others is the right
thing to do, but do not always get the point across. The movie is targeting the kids that are learning
what cultural values are. The producers know that the kids are more likely to listen to one of their
favorite characters more than their

1984 Figurative Language Meaning
"The sea was as flat as a plate–glass window."
What could have been said: The waters was still.
Figurative Definition: The ocean was so calm, that the surface of the water was flat and idle.
Purpose: The purpose of using this simile is to convey how idle the waters were that day. The author
compared the sea to a plate–glass window in order to give the reader an idea of how flat the sea
appeared.
"...giant rocks with razor edges crouch like a sea monster with wide–open jaws."
What could have been said: The rock are dangerous.
Figurative Definition: The rocks of the coastline are sharp large and giant similar to that of razor
sharp jaws of an animal.
Purpose: The purpose of this simile is to compare the idea the danger of the rocks are like ... Show
Personifying the act of fear gripping onto him show his frighten state rather than just telling the
reader he was scared.
"Your brain against mine."
What could have been said: You against me.
Figurative Definition: Two characters are putting their wits against one another as if their brains
were actually fighting each other.
Purpose: The purpose of this personification was to convey how the two characters would be test
when opposing each other. The statement emphasizes the competition between their intellect.
"I am still a beast at bay "
What could have been said: He was ready to fight.
Figurative Definition: Rainsford was ready to attack as if he was a feral animal prepared to lash out
at any given notice.
Purpose: The purpose of this hyperbole was how to emphasize how the protagonist was at a ready
stance. The statement conveys a more aggressive feeling rather than just stating he was ready to
attack.
"He lived a year in a minute."
Figurative Definition: The feeling of anticipation felt as if time was greatly drawn out.
Purpose: The purpose of this hyperbole is so put emphasis of the feeling of anticipation the character
is feeling. The statement puts exaggeration of how each minute

First Abstract Watercolor 'And Les Damoiselles D' E Avignon
Wassily who is Russian has painted this painting in Munich, Germany. In this painting there is a
colorful swirl of activity of reds, pails blue, blacks, and yellows. The "First Abstract Watercolor"
painting had largely the same impact in art as the eastern European art community as Picasso's
cubist "Les Damoiselles d e Avignon did in Paris around almost the same time. The difference
between the two paintings were the sizes and the media that would account for its difference in the
impact of the artists at that time period. Wassily was born in 1866 Moscow well educated and had
upper class parents of mixed ethnic origins. His father had encouraged his unique and precocious
gift of the arts and had enrolled him into private drawing classes.

The Bull-Leaping Art Analysis
The size of the left work, The Bull–Leaping, is 30.8" x 41.1" (78.2cm x 104.5cm). And the size of
Achilles and Ajax playing a dice game is 21 7/8" x 13 3/8" (55.5cm x 34cm). The Bull–Leaping is
bigger than the other one. While the left one has various color and the subject matters have the color,
the right one has only two color which is red and black. Since the artist described two figures with
black paint on the bright background, the artist used the negative space technique. Both artworks are
expressed humans, and they are playing a game.
In the artwork, The Bull–Leaping, there is a bull on the center and tree protagonists. Two of
protagonists are women which one is in front of the bull, and the other one is behind the bull. The
other one has dark skin and is vaulting or leaping on the bull. The artist did not put the setting, but
there is a pattern as if a frame. From Achilles and Ajax playing a dice game, there are two soldiers
who left is Achilles, right is Ajax, they are the most powerful Greek soldiers in the war against Tray.
They are playing a dice game during a lull in the Trojan conflict. This artwork does not have any
animal like the first artwork. The ... Show more content on Helpwriting.net ...
It is defined as a depiction of a ritual performed in connection with bull worship. Human figures and
powerful of the bull with curving lines the Minoan artist employed to suggest the bounciness of
living and moving beings. In this artwork, the bull was expressed powerful charge by stretching the
animal's shape to form a funnel of energy. The painting of the second artwork has a perspective of
illusionism which is the ability the success to achievement representing three–dimensional stuff on
the flat surface. The letters and a label on all of the painting is a signature. Achilles and Ajax have
speech bubbles on near their mouths. Achilles' is number 4, and Ajax's is number 3, which means
Achilles is a winner in the

How Did Nina Kokoon Influence Russian Art
The Russian artist Nina Kogan was born in 1889 in Sankt Petersburg, where she died in 1942.
Interested in fine arts from an early age, she educated herself in numerous schools and academies,
just to note the Moscow School of Painting, Sculpture and Architecture (1911–13), and later the
influential Vitebsk School of Art (1919–22), where she studied under Marc Chagall and Kazimir
Malevich, alongside artists such as El Lissitzky and Vera Ermolaeva. Both Chagall and Malevich
would have greatly influence her further practice, on the one hand illustrations and expressionistic
figurative paintings, and at the other Suprematist compositions, which she is the most acclaimed for.
The work of Nina Kogan is extensively collected and exhibited until now, ... Show more content on
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The range of media he is working through spans from painting, graphics, or photography, collages
and artists' books, to body and performance art. Rainer, like no other artist, embodies the rebellious
spirit of post–war art. Quitting the Academy of Fine Arts in Vienna after a few days of studies, he
followed his own artistic path, executing series of Surrealism–influenced drawings at the turn of 40s
and 50s, as a co–founding member of the artistic group Hundsgruppe.
However, Rainer made an international name for himself with his later activity, especially the
iconoclastic series "Overpaintings" (1953–65), where he produced own pieces by painting over
other artists. Throughout the decades, Rainer immersed himself in the subject of mental disorders
and psychedelia, which led to his performances under the drug use, and involvement in the Viennese
Actionism. The following decade, the artist shifted once again, returning to the methods of
appropriation art by executing the series of re–photographed pictures. Eventually, the artist was
appointed professor at the Academy of Fine Art in Vienna (1981–95), where he lectured until his

Harry Parr Essay
It is the occasional fate of artists and potters that after decades of celebration, modern tastes should
eclipse their once eminent reputations. Charles Vyse, sculptor and potter, was such an artist. In the
new world following The Great War, Charles Vyse was at the vanguard of English studio pottery
making. He is a poignant example of a celebrated artist overtaken by the shadow of derision in the
post WWII era. His renown as a sculptor and potter during the 1920s and 1930s contrasts to the
complete indifference to his art in the 1950s and 1960s. Whereas his status of master potter is
indisputable, his aesthetic influence on other potters is insignificant. His figurative work and his
stoneware vessels have few disciples among today's potters. Conversely, for the collector, there has
been a resurgence of interest in his figures and stoneware vessels. The acquisition of a Vyse figure is
a prerequisite of the modern connoisseur. ... Show more content on Helpwriting.net ...
Secondary to architectural sculpture, Parr's staple occupation, figure making was a much–loved
activity. This book sets out to explore Parr's professional and personal relationship with Vyse. Their
friendship blossomed when they were art students. Parr studied at Burslem School of Art. Vyse
studied at Hanley School of Art. They were often in contention for the major prizes at Inter–Art
School and National Art Competitions. When aged 25 and a student at the Royal College of Art, he
met Parr again. In 1908, Parr gained a Travelling Scholarship to tour Italy. After returning to London
from the continent, he graduated from the RCA, with the ambition of becoming a fine art sculptor.
When Vyse gained a Travelling Scholarship in 1910, he profited from Parr's Italian experiences. He
graduated from the RCA in 1911, determined on a career in sculpture. Around this time, both Vyse
and Parr were in receipt of modelling commissions from Doulton & Co,

The Man Who Was Thursday Literary Analysis
Terror(ism) in Literature:
'The Man Who Was Thursday':
A Review
Authors either use terror as a topic or theme in order to justify the acts of the artist as revolutionist
or as "terror–ist." This paper aims to indicate the relation between terror as an essential mode in art
and literature in the form of textuality with reference to The Man Who Was Thursday. Gilbert Keith
Chesterton's enigmatic novel, with its humorous tone and fantastic elements contending crucial
arguments, stresses its paradoxical situation regarding terror(ism) in the subtitle: A Nightmare. Yet,
the optimistic end and the function of dream to reveal the mythical essence of terror(ism) ironizes
the 'nightmare.'
Keywords: Artist as terror–ist, terror(ism), Gilbert Keith ... Show more content on Helpwriting.net ...
It is a detective story, a fantastic tale, a political treatise, and a thriller narrated in poetic prose, and
deals with terror(ism) in relation to both art and theological doctrines. The Biblical allusions and
analogies are interspersed among the existential, profane, and anarchical contentions. Chesterton's
artifice lies in creating mysterious plot with a remarkably poetic language, yet his skill to make
conventionally significant things look ridicule should not be overlooked. In this novel, he plays with
the notions and norms welcomed by mobs, secured by governments, and consecrated by religious
tenets. Through disguises, Chesterton questions our perception of reality, politically convinced
plight, and orthodox either–or logic. Terror(ism) which is obscured by the enigmatic characters and
farcical style of narration is the pivotal topic that is questioned and whereby broader issues are
inquired into. The two characters who are both poets with opposite world views, political ideologies,
and social status deliberate on and dispute about the nature of terror(ism) and literature. As the story
progresses, the reader is entangled in a rather sophisticated, mysterious, and multivocal plot and
philosophical contemplation Syme is haunted by the esoteric persona of Sunday. The contrast
between his face and his back unravels both the deceptiveness of good

Teaching Language Arts : Goals And Goals Of Teaching Students
As a future educator, my goal and purpose are to encourage students to go beyond themselves to
broaden their perspectives and acquire skills that go beyond the classroom. I feel that English
teachers have the opportunity to play a significant role in helping shape students to be better
individuals who can create a better future. Language Arts is more than reading and interpreting
passages. Teaching Language Arts means teaching students to explore themselves and the role they
play in society and the world. Teaching Language Arts encourages students to think outside of the
box, express themselves through speaking, writing, reading, creating, listening, and viewing.
In order to encourage and shape students into creative, competent, considerate individuals, educators
must provide them with the proper direction and tools. This can be achieved by supplying students
with a variety of lessons that allow them to gain the required knowledge, but also inspires them to
make personal connections with their peers, with texts, with society, and with the world. One way to
accomplish this is through speech. Speaking allows students to process and vocalize personal
thoughts, collaborate with peers for a well–rounded perspective, and to inform, persuade, or
entertain others. Students will need to navigate various methods of speaking both inside and outside
of the classroom, so equipping them with the skills to be an effective speaker and communicator is
vital.
To go along with speaking,

Aboriginal Culture In Australia
Many artists use their culture in art work as a way to express themselves which also can reflect on
the society or environment where the art piece was created. Art is used to communicate idea
influenced by the positive and negative impacts from society. Society plays an important role in
shaping one's personality and depending on the Artists art work it can sometimes a representation of
spiritual meanings, political views and emotionally motivated thoughts which can be seen by the
viewers within the piece. There are many ways visual artists express their emotions through their art,
producing an art piece while in an emotional frame of mind can result in the emotions reaching the
canvas. Art motivates and influences people that's why, most people ... Show more content on
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Many artists have crossed over into media art transforming many activities such as, painting,
sculptures or drawing. Digital art roughly started in 1960 as artists started trying to create art with
computers. computers are used in all forms of art today, from photography, illustrations and fine art.
To many people art has been significantly influenced by the development in digital technology. The
ongoing progression has introduced many new, more striking and greater materials for artists to
design more creative pieces. The innovation of technology has expanded and opened new artistic
frontiers that have reduced time in the execution of the piece, allowing more time to be focused on
the ideas. Due to new technologies that are now available can sometimes had negative effects on not
only the art pieces but the artists. The technology of digital art offers a mean of expression that's was
never possible before. The artists different emotions are reflected in his work, which may cause their
work to become repetitive and lacking imagination. Therefore, the creativity flame dies out, the tide
of inspiration withdraws and the building blocks of the artists imagination freezes. The way society
uses technology, digital art and modern techniques have had such a major impact on art form
painting and drawing. Artists in the past had

Karen Seapker Cradle
'And Most Slow Have I Been' is a current exhibition at Lipscomb University by Karen Seapker. The
gallery features a concise body of work; approximately ten to fifteen pieces in size. Many of her
paintings depict bold, vibrant colors contrasted against dark muted ones. A recurring technique that
Seapker utilizes is creating lines that appear to be executed in one brush stroke. These compositions
are often subtly defined by these dynamic brush strokes. Seapker then creates void like spaces by
filling the remaining negative space with contrasting colors; in comparison to the brush–stroke in
the foreground. Another technique used alongside the strong brush strokes is a simulated gradient
effect by applying two or more colors to her canvas and meticulously ... Show more content on
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Then as I made my way around the gallery I noticed a myriad of her works contained radically
simplified or abstracted figures. Segments of a hand or a pair of legs are incorporated into the
composition delicately like puzzle pieces. Seapker's painting named 'Cradle' demonstrates these
figurative elements. A massive hand–like form dominates the center of the composition. The
calligraphic brushstrokes in this form create a powerful sense of movement. Therefore, I found this
painting quite intriguing. In the bottom left portion of 'Cradle' there appears to be two beige colored
legs. To the right of them, a contrasting turquoise, gray pair of legs support the beige pair in a
similar manner that a chair would hold one's body. Most notably, the turquoise legs disintegrate into
a pastel pink field; on the far right. Bits of gray paint are splattered in an upward motion on top of
the pastel pink area; they are barely noticeable but enhance the impression of movement
nonetheless. The ambiguity of the figures allows the viewer to gather a more subjective perspective
on the content. Seapker's visual language suggests something unsettling within the paintings, but I
could not draw any

Greek Figurative Sculpture
Shaquetta Marshall Greek Figurative Sculpture Why was change so important during the different
periods of Ancient Greek art? That's a question that can easily be answered through research on
Greek art but actually understanding the flow of change within the different periods allows people to
grasp the enticing change of the artworks. The idea of change simply gives artists a way to express
themselves, not only for attracting the eye to unique wonders in the world that occurred, but to also
give a sense of idealism. Artistic figures in Ancient Greek art were made by artists that created the
figures based off of the ideal human form and how they believe artwork should be made within that
period.The artwork was not made to be understood literally, ... Show more content on
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Yet the kouroi, which is a style made during the archaic period, reveal further realism, obviously
depicting that the human structure was more important than the overall events that took place during
this period of ancient greek art. The kouros, plural for kouroi, was the depiction of young men,
going from the basic to those that were almost exact demonstrations. These stylistic depictions were
used to indicate feelings and emotions using figurative gestures. For example, Apollo, a god in
Ancient Greek art, compatible with many sculptures of the perpetual youth known as the kouroi, is
rendered across the Archaic period showing the deified male physique, constructed on orders of
segments and symbolizing the ability of somatic allure. The artists that created the sculpture of
Apollo really put emphasis on the figurative gesture of the torso and arms, revealing a sentimental
posture of what he stands for as an idealistic god. Although Apollo expressed the advancement of
the likeness of human composition throughout the archaic stage, the young male kouros were not
soldiers, they were emblematics of the worshiper that were contributing a more indefinite and
inaudible assistance to a god.The idea the artist had was to not only show off the ideal male form,
but to also allow for a sculpture that in a way represented no other than a "mere mortal", for those
who saw the figure as an enticing change to the span of time, where beauty and figurative emotion
of the perfect male configuration meant alot to people during the archaic period of ancient greek

Abstract Art : Art And Art
In days past artists made art that was representational. Meaning, they did their absolute best to create
art that closely resembled what was seen in the real world. They put as much time and effort into
their work as they could; creating masterpieces that are now on display in museums across the
world. In modern times, artists have turned away from the traditional way of making art, and are
now creating art that is not constrained by the guidelines of representational art. This style of art is
called abstract art. Abstract art is used to illustrate the how the artist might feel or to express a
certain message the artist wants to communicate. In this turning away from traditional art, an artist
no longer needs the skill, time, or effort to communicate with the viewer. Abstract artists only have
to write out what they want their art to say on a piece of paper instead of using the craftsmanship
required to simultaneously create a beautiful piece of artwork and communicate their meaning
behind the artwork. If abstract artists are only concerned with expressing themselves and not the
actual art, is it legitimate art? The answer to this question would put in perspective what art is truly
about. The aesthetics or the meaning? Abstract Art contains no form of legitimate craftsmanship.
Since the times of Rembrandt and before, art has been used to add beauty and provide delight for the
eye of the viewer. In abstract art, however, this is not the case. The aesthetics of abstract art

Edward Richer Essay

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