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How to Explain ST 2110 to a Six-Year-Old
Kieran Kunhya, Open Broadcast Systems
 Company specialising in software-
based encoders and decoders for
Sport, News and Channel contribution
(B2B)
 Based in Central London
 Build everything in house
 Hardware, firmware, software
 Not to be confused with:
Company Introduction
What is ST 2110
“If you can't explain it to a six year old, you don't understand it yourself.”
 Never seen any webinars/papers etc. get close to a half-decent
explanation
 Way too detailed or way too handwavy
 Often very full of jargon
 No explanation of why things are being done
 Let’s simplify years of work into 15 minutes!
Where things are
 Live production (sports, news etc.) uses Serial
Digital Interface cables
 Old fashioned Electrical Signal transmitting
what was a very large amount of data when it
was invented (gigabit/s). Nowadays not so
much.
 One TV signal (pictures + sound) in one cable
 And other historical signals
 Expensive equipment to switch between signals
 Specific to the television industry, huge mess of
cabling
Where things are
 Don’t want to use old-fashioned cabling
 Internet growing very quickly
 Youtube, Netflix, Social Media, Big Data
 We can use Internet technology (but not the
internet itself) to send pictures and sound
around a facility. Known as Internet Protocol
“IP” technology.
 Chop up a television picture and sounds into
thousands of little pieces (“packets”) and send
over a wired network
 Hundreds of television signals in a cable.
Cheaper equipment from much bigger industry
About Time (1)
 Set the time of two clocks and check them after
a day
 For example a microwave and an oven
 They won’t be the same
 Clocks have their own time source inside that
have small differences
 Could be dependent on heat, location (e.g
altitude), manufacturer of the clock
 Nowadays, phone connects to the Internet to
set its time
About Time (2)
 Television pictures and sound are generated from a clock on the camera or
microphone. In Europe, 25 still pictures a second
 Hard to cut between two camera angles if the clocks do not match
1
2
About Time (3)
 An old fashioned signal to keep them together, yet another cable
 Note: on the web, Zoom, webcasts etc., don’t do this
1
2
About Time (4)
 During a leap year an extra day is added because the
Earth doesn’t perfectly go round the Sun (365.2422 days)
 Also small adjustments known as “leap seconds” at
certain times when the clock strikes New Year’s
 Need to make sure time doesn’t jump otherwise pictures
will glitch when Big Ben strikes midnight
 One of the reasons we can’t just use the time sync
mechanism like a phone
 Use GPS (satellite navigation) as a time-source, very high
quality, has no leap seconds
 Transport this as IP Packets over the Network (Precision
Time Protocol – PTP) but much better quality than a
normal Internet connected clock
Packets and time (1)
 Split the pictures and sound up into thousands of little packets
 Imagine all television signals started at the same time, and each picture was a “tick”
 Work how many pictures there should be by now and wait to start at the right time
1st January
1970
(PTP epoch)
42 years
later… Now
Packets and time (2)
 Lots of pictures and sounds, split into packets and being sent over the network
 Packets given an address (can send to more than one place) – millions per second
 Not everyone needs to receive pictures if they are only
using the sound
 When I receive these packets, how do I know when they
are from?
 Need to know this so I can make sure they are in sync
(when he kicks the ball you get a kicking sound at the right
time)
 Attach the time (“timestamp”) to each packet so we can put
the puzzle back together
Key points
 We want to use modern IP technology to make live
television
 We have agreed on a common time across all the clocks in
the broadcast
 We split pictures and sound up into thousands of packets
and make sure we send them at the right time, and add a
timestamp to each packets
 Anyone who wants to receive these packets uses the
timestamps to put them all back together
 The rest is just jargon, and implementation details
Any Questions?
Kieran

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How to explain ST 2110 to a six year old.

  • 1. How to Explain ST 2110 to a Six-Year-Old Kieran Kunhya, Open Broadcast Systems
  • 2.  Company specialising in software- based encoders and decoders for Sport, News and Channel contribution (B2B)  Based in Central London  Build everything in house  Hardware, firmware, software  Not to be confused with: Company Introduction
  • 3. What is ST 2110 “If you can't explain it to a six year old, you don't understand it yourself.”  Never seen any webinars/papers etc. get close to a half-decent explanation  Way too detailed or way too handwavy  Often very full of jargon  No explanation of why things are being done  Let’s simplify years of work into 15 minutes!
  • 4. Where things are  Live production (sports, news etc.) uses Serial Digital Interface cables  Old fashioned Electrical Signal transmitting what was a very large amount of data when it was invented (gigabit/s). Nowadays not so much.  One TV signal (pictures + sound) in one cable  And other historical signals  Expensive equipment to switch between signals  Specific to the television industry, huge mess of cabling
  • 5. Where things are  Don’t want to use old-fashioned cabling  Internet growing very quickly  Youtube, Netflix, Social Media, Big Data  We can use Internet technology (but not the internet itself) to send pictures and sound around a facility. Known as Internet Protocol “IP” technology.  Chop up a television picture and sounds into thousands of little pieces (“packets”) and send over a wired network  Hundreds of television signals in a cable. Cheaper equipment from much bigger industry
  • 6. About Time (1)  Set the time of two clocks and check them after a day  For example a microwave and an oven  They won’t be the same  Clocks have their own time source inside that have small differences  Could be dependent on heat, location (e.g altitude), manufacturer of the clock  Nowadays, phone connects to the Internet to set its time
  • 7. About Time (2)  Television pictures and sound are generated from a clock on the camera or microphone. In Europe, 25 still pictures a second  Hard to cut between two camera angles if the clocks do not match 1 2
  • 8. About Time (3)  An old fashioned signal to keep them together, yet another cable  Note: on the web, Zoom, webcasts etc., don’t do this 1 2
  • 9. About Time (4)  During a leap year an extra day is added because the Earth doesn’t perfectly go round the Sun (365.2422 days)  Also small adjustments known as “leap seconds” at certain times when the clock strikes New Year’s  Need to make sure time doesn’t jump otherwise pictures will glitch when Big Ben strikes midnight  One of the reasons we can’t just use the time sync mechanism like a phone  Use GPS (satellite navigation) as a time-source, very high quality, has no leap seconds  Transport this as IP Packets over the Network (Precision Time Protocol – PTP) but much better quality than a normal Internet connected clock
  • 10. Packets and time (1)  Split the pictures and sound up into thousands of little packets  Imagine all television signals started at the same time, and each picture was a “tick”  Work how many pictures there should be by now and wait to start at the right time 1st January 1970 (PTP epoch) 42 years later… Now
  • 11. Packets and time (2)  Lots of pictures and sounds, split into packets and being sent over the network  Packets given an address (can send to more than one place) – millions per second  Not everyone needs to receive pictures if they are only using the sound  When I receive these packets, how do I know when they are from?  Need to know this so I can make sure they are in sync (when he kicks the ball you get a kicking sound at the right time)  Attach the time (“timestamp”) to each packet so we can put the puzzle back together
  • 12. Key points  We want to use modern IP technology to make live television  We have agreed on a common time across all the clocks in the broadcast  We split pictures and sound up into thousands of packets and make sure we send them at the right time, and add a timestamp to each packets  Anyone who wants to receive these packets uses the timestamps to put them all back together  The rest is just jargon, and implementation details

Editor's Notes

  1. I especially enjoy the way many presenters handwave away literally several years of work.
  2. My phone can process many gigabits of data
  3. Every 5 years speeds double
  4. Television pictures are a series of still images