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Psychological thriller posters follow a set of 
codes and conventions which help to 
convey to an audience the genre they are 
centred in. 
Light and Dark; Represents the 
purity and darkness in the 
characters. 
Taglines; Gives insight into the plots 
and the unstable mental conditions 
of the main characters – creates 
tension. 
Character Faces; A familiar actor will 
entice audiences to watch the film 
more so than with an ‘unknown.’ 
Dark or Bland Backgrounds; This 
gives the idea of a bleak mood 
underlying the film. 
The above picture breaks some of 
these codes and conventions; for 
instance, the dark and light effects 
that we see in other posters, such as 
‘Sixth Sense’ and ‘Shutter Island’ are 
absent. Instead, the makers of this 
poster utilised the idea of bland 
colours, a familiar actor’s face on 
front, and an ominous tagline in 
which to draw the audience. 
A poster is arguably a form of Barthes’ Hermeneutic Code, as it 
prompts the audience to discover more about the film. The Enigma 
Code argues that it pushes spectators to learn more about the film, by 
providing ‘sneaks’ of the plot, utilising such symbols like the forest/old 
house setting in ‘Awakening,’ or the insane asylum island in ‘Shutter 
Island.’ These sorts of symbols coincide with Semantic and Symbolic 
Codes. 
It must also be noted that the trees 
have been photo-shopped in a way 
similar to the effect scene from a 
fish-eye camera lens, which gives an 
idea of a ‘distorted’ sort of outlook.

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Awakening poster

  • 1. Psychological thriller posters follow a set of codes and conventions which help to convey to an audience the genre they are centred in. Light and Dark; Represents the purity and darkness in the characters. Taglines; Gives insight into the plots and the unstable mental conditions of the main characters – creates tension. Character Faces; A familiar actor will entice audiences to watch the film more so than with an ‘unknown.’ Dark or Bland Backgrounds; This gives the idea of a bleak mood underlying the film. The above picture breaks some of these codes and conventions; for instance, the dark and light effects that we see in other posters, such as ‘Sixth Sense’ and ‘Shutter Island’ are absent. Instead, the makers of this poster utilised the idea of bland colours, a familiar actor’s face on front, and an ominous tagline in which to draw the audience. A poster is arguably a form of Barthes’ Hermeneutic Code, as it prompts the audience to discover more about the film. The Enigma Code argues that it pushes spectators to learn more about the film, by providing ‘sneaks’ of the plot, utilising such symbols like the forest/old house setting in ‘Awakening,’ or the insane asylum island in ‘Shutter Island.’ These sorts of symbols coincide with Semantic and Symbolic Codes. It must also be noted that the trees have been photo-shopped in a way similar to the effect scene from a fish-eye camera lens, which gives an idea of a ‘distorted’ sort of outlook.