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What we plan to do; codes and 
conventions; our film. 
By Jamie Beadle, Tabitha Beerling 
and Connor Sandum
Mise En Scene 
We want hermeneutic questions to be asked by 
the viewer so we plan to use low level lighting in 
order to produce shadows which is a way that 
we can create tension and keep mystery to our 
audience about what is going on throughout or 
short film.
Editing 
If we use fast paced cuts then that should keep 
the audience on the edge of their seats because 
it causes uncertainty of the surrounding of the 
film. Of course not all the scenes can be filmed 
as fast paced otherwise it wont make much 
sense but if some of the scenes are blurred in 
the background that will still create mystery.
Camera work 
We should try and use a lot of medium close-ups 
in order to keep the sense of mystery 
because you cant see the whole view of the 
scene. We should also use protagonist shots as 
they are designed to follow the character(s) 
around and help the audience create a 
character profile.
Narrative 
I think that we should use an enigma approach 
as it would give again that sense of mystery and 
leave the audience with unanswered questions 
which is what we want. I think a non-linear 
narrative structure would be best as it is the 
fundamental convention of short films.
Todorov’s Narrative Theory 
Many short films use Todorov’s theory and I 
think that this would be best in order to should 
the disruption and restoration of equilibrium. 
For example during our short film something 
would happen that disturbs the equilibrium but 
in the end it would all be restored.
Todorov’s Narrative Theory 
Many short films use Todorov’s theory and I 
think that this would be best in order to should 
the disruption and restoration of equilibrium. 
For example during our short film something 
would happen that disturbs the equilibrium but 
in the end it would all be restored.

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Creating Mystery and Tension in Our Short Film

  • 1. What we plan to do; codes and conventions; our film. By Jamie Beadle, Tabitha Beerling and Connor Sandum
  • 2. Mise En Scene We want hermeneutic questions to be asked by the viewer so we plan to use low level lighting in order to produce shadows which is a way that we can create tension and keep mystery to our audience about what is going on throughout or short film.
  • 3. Editing If we use fast paced cuts then that should keep the audience on the edge of their seats because it causes uncertainty of the surrounding of the film. Of course not all the scenes can be filmed as fast paced otherwise it wont make much sense but if some of the scenes are blurred in the background that will still create mystery.
  • 4. Camera work We should try and use a lot of medium close-ups in order to keep the sense of mystery because you cant see the whole view of the scene. We should also use protagonist shots as they are designed to follow the character(s) around and help the audience create a character profile.
  • 5. Narrative I think that we should use an enigma approach as it would give again that sense of mystery and leave the audience with unanswered questions which is what we want. I think a non-linear narrative structure would be best as it is the fundamental convention of short films.
  • 6. Todorov’s Narrative Theory Many short films use Todorov’s theory and I think that this would be best in order to should the disruption and restoration of equilibrium. For example during our short film something would happen that disturbs the equilibrium but in the end it would all be restored.
  • 7. Todorov’s Narrative Theory Many short films use Todorov’s theory and I think that this would be best in order to should the disruption and restoration of equilibrium. For example during our short film something would happen that disturbs the equilibrium but in the end it would all be restored.