Taipei teaching a course on mathematics in art and architecture
1. Teaching a course on Mathematics
in Art and Architecture
Helmer Aslaksen
2. What’s the goal of this talk?
• I used to teach two General Education Modules
at the National University of Singapore
• Heavenly Mathematics & Cultural Astronomy
• Mathematics in Art and Architecture
3. Content of art course
• Tilings and polyhedra
• Symmetry
• Frieze and wallpaper patterns
• Perspective in painting
4. Polyhedra
• There is a lot of interesting mathematics
regarding polyhedra
• It is fun to make polyhedral models
15. Platonic and Archimedean
solids
• Several web pages have nets for the Platonic
and Archimedean solids.
• Build your own Polyhedra
• Paper Models of Polyhedra
• douglas zongker polyhedra models.
23. Advantages of Polydron and
Jovo
• Easier to assemble.
• Green struts in Zome require some practice.
• Makes more sense for non-convex models.
• Colored faces.
• Models are smaller, especially with Jovo.
• Tilings.
25. Zome possibilities
• Zome Geometry: Hands on Learning With
Zome Models by George W. Hart and Henri
Picciotto.
• Soap bubbles.
26. Which Platonic/Archimedean
solids can you make?
• Zome: All except the snub cube and snub
dodecahedron. The struts can only be
pointed in certain directions.
• Polydron: All except the truncated
dodecahedron and the great
rhombicosidodecahedron. No decagon.
• Jovo: The basic set only contain triangle,
square and pentagon. Hexagon in an
additional package.
27. Jovo models
• Basic Jovo can only make six of the 13
Archimedean solids. With hexagons we can
make three more. But truncated cube and
great rhombicuboctahedron require
octagons.
28. What are your needs?
• Do you need to quickly make some models
for demonstration purposes or simple student
activities?
• Do you or the students want to explore
further?
• Do you have a large class or a small group?
• What is your budget?
53. Analysis-Ming Porcelains
Distribution of Frieze Patterns Types in
Different Time Periods
0
2
4
6
8
10
12
14
16
Yuan Yongle Xuande Jiajing Wanli T&C
Time Period
p111 p112 p1a1 pm11 pmm2 pma2 p1m1
54. Perspective in painting
• Perspective in painting and photographs has
many applications to the world around us
55. Giotto, The Flight into Egypt,
c1313
• Notice how the trees are the same size
58. Side Vanishing Points
• One of the basic results in inverse projective
geometry is that the distance between the
central vanishing point and side vanishing
point of a square is equal to the distance
between the observer (camera) and the
picture plane
67. Did Vermeer use Optical Aids?
• This was suggested already in 1891 by the
photographer Joseph Pennell
• Some of his paintings “look like
photographs”, including sections that seem to
be out of focus or use counterintuitive
perspective
68. Counterintuitive Perspective
Compare The Procuress by van
Honthorst and Officer and Laughing
Girl by Vermeer
Many art historians accept that Vermeer
used a camera obscura (pinhole
camera)
69. Girl with a Pearl Earring
• He is seen using a camera obscura in the
movie Girl with a Pearl Earring
70. Vermeer’s Studio
• Several of his paintings appear to have been
painted in the same studio
• We see similar windows on the left wall,
wooden joists in the ceiling and tiles on the
floor
71. Lady Standing at the Virginals
(1670-3), National Gallery, London
75. Inverse Projective Geometry
• Several people have studied the problem of
reconstructing 3D information from 2D
images
• Criminisi: Accurate Visual Metrology from
Single and Multiple Uncalibrated Images
• Byers, Henle: Where the Camera Was,
Mathematics Magazine
• Crannell: Where the Camera Was, Take
Two, Mathematics Magazine
76. Student Work
• Inverse projective geometry is suitable for
student work at many different levels
• From simple measurements and computation
to literature surveys and software
implementation
• Unfortunately, serious applications require
serious applied math/engineering skills
77. The Mystery of the Mirror
• The mirror is central to all mathematical
analysis of this paper, but instead of solving
our problems, it reveals a slew of questions
• Why would anybody hang a mirror there?
• Is it for the lady to look at herself, or for us to
look at her?
• Is it for the artist to give us a glimpse into his
secrets?
78. The Angel and the Shadow
• In Steadman’s reconstruction, almost
everything looks perfect, except for the angle
of the mirror and its shadow on the wall
• He had to increase the angle of the mirror to
make us see the lady in the mirror
• He could not make the lady and her mirror
image line up
• What did Vermeer do?
82. Mathematics of Salsa dancing
• How to remember dance moves
• Leg work is easy, arm work is hard
• Construct a language to describe moves
83. Some contrarian thoughts
• Can I convince my department chair and
dean that this is math?
• Can I convince the director of an art museum
that this is art?
• Can I convince your students that this class
will enrich their life?
84. What is Mathematics and Art?
• I sometimes find it useful to think of the
following four categories
• Mathematics in art
• Mathematical art
• Mathematics as art
• Mathematics is art
85. Mathematics in Art
• Topics like perspective in painting, symmetry
in ornamental art and musical scales.
• Material that even the most anti-scientific art
connoisseur will appreciate.
• You can approach any art museum with an
offer of a public lecture on such topics.
86. Mathematical Art
• Escher and other mathematically inclined
artists.
• Worshiped by mathematicians, frowned upon
or ignored by the art community.
• Strict “no Escher” policy at the Singapore Art
Museum.
• An offer to an art museum of a public lecture
about Escher may not necessarily be
accepted.
87. Mathematics as Art
• Computers allow us to create beautiful visual
mathematics.
• How many art museums would be interested
in a public lecture about the Mandelbrot set?
88. Mathematics is Art
• Many mathematicians believe that
mathematics is an art, not a science.
• No art museum would be interested in a
public lecture on Euclid’s axioms.