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Music Video Initial Pitch
Harriet Barlow-Moule
The Artist/Track
AEM
• Why?
• Local Luxembourgish indie artist who was
interested in making a music video for a new
track
• I like the music she makes
• Genre?
• Indie electropop
Target Audience
Primary – female 15-25 + queer audience
• Screaming Fields contest -
opportunity for young creators aged
12-25, majority of contestants above
the age of 15
• Colours- social media and logo is
predominantly pink/purple
• Uses and gratifications: identification
• Electropop often explores
gender/sexuality issues
Secondary – male 15-24 + hetero
• Electropop genre is not
exclusively female
The idea/synopsis
• To explore the inner conflict of what it means to be authentic or fake, and
whether it is possible to be truly selfless, through the physical personifications
of this dual angst.
• Performance footage cross-cut between two contrasting locations, and
experimenting with use of colour masks/black and white
• Experiment with colour and contrasting imagery: fire and water, self-harm and
self-care, old and new, autonomy and succumbing to pressure
Influences
• We Are The City – Happy New Year
• Quirky, dynamic shot variety, variable focus, lo-fi, credibility
• Orla Gartland – I Go Crazy
• Deconstruction of gender and male gaze
• Lady Gaga – Bad Romance
• Post feminism and male gaze (rejection)
• Alice Phoebe Lou – Skin Crawl
• Feminism, visual ideas
• Existo Vulgore – Morbid Angel
• Colours, 20's silent film, postmodernism
• Chromatics – You're no good + Halsey
• Electro pop vibrant colours, layering
Visual ideas
Sketch of knife and cigarette idea
• https://youtu.be/rVhRRqY5QWk
• health and safety
contrasting ideas
• Bathtub – dye the water
• Experiment with layering fire
over the top
• Contrast the knife idea with
painting on the skin/makeup
• Protagonist is trying to take care
of herself – alter ego is forcefully
messing it up for her
Performance, representation
• Solo artist
• Bright eye makeup, bold eyeliner.
• Dark lipstick – anti-male gaze, draws
attention then deters it
• May be self-sexualising, 3rd
wave/post-feminism
• Feminine colours, pinks purples
blues
• Mix of counter and stereotypical
feminine clothing – jumpsuit, dress,
suit/tux
• Very different make-up and outfits
in each location
Locations - performance
The tram
• Modern
• Bright/neon colours – typical
of electropop
• Use colour masks, experiment with using
black and white and extremely bright
colours
• Extremely modern, little nature, electric
Locations - Performance
Fond-de-Gras
• Old Luxembourg
• Completely atypical of electropop
• Use green screen so performer is in
black and white and the place is in
bright colour, experiment
• Lots of nature, and the industrial stuff
Why?
• Extreme contrasts – look at what's real and fake, inner conflict
• Binary opposition?
• Luxembourg history?
Narrative, representation
• I'm still not certain yet
Secondary texts: website, digipak, social
• Social media:
• Put up posters of artist saying a
new track is coming out
• Post on social media that if fans
take a photo of the poster, they
should tag the artist and she'll
post it on her story
• Influence: Pleasing EP release
party
• BTS footage on social media
• Insta polls + teasers

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Initial pitch

  • 1. Music Video Initial Pitch Harriet Barlow-Moule
  • 2. The Artist/Track AEM • Why? • Local Luxembourgish indie artist who was interested in making a music video for a new track • I like the music she makes • Genre? • Indie electropop
  • 3. Target Audience Primary – female 15-25 + queer audience • Screaming Fields contest - opportunity for young creators aged 12-25, majority of contestants above the age of 15 • Colours- social media and logo is predominantly pink/purple • Uses and gratifications: identification • Electropop often explores gender/sexuality issues Secondary – male 15-24 + hetero • Electropop genre is not exclusively female
  • 4. The idea/synopsis • To explore the inner conflict of what it means to be authentic or fake, and whether it is possible to be truly selfless, through the physical personifications of this dual angst. • Performance footage cross-cut between two contrasting locations, and experimenting with use of colour masks/black and white • Experiment with colour and contrasting imagery: fire and water, self-harm and self-care, old and new, autonomy and succumbing to pressure
  • 5. Influences • We Are The City – Happy New Year • Quirky, dynamic shot variety, variable focus, lo-fi, credibility • Orla Gartland – I Go Crazy • Deconstruction of gender and male gaze • Lady Gaga – Bad Romance • Post feminism and male gaze (rejection) • Alice Phoebe Lou – Skin Crawl • Feminism, visual ideas • Existo Vulgore – Morbid Angel • Colours, 20's silent film, postmodernism • Chromatics – You're no good + Halsey • Electro pop vibrant colours, layering
  • 6. Visual ideas Sketch of knife and cigarette idea • https://youtu.be/rVhRRqY5QWk • health and safety contrasting ideas • Bathtub – dye the water • Experiment with layering fire over the top • Contrast the knife idea with painting on the skin/makeup • Protagonist is trying to take care of herself – alter ego is forcefully messing it up for her
  • 7. Performance, representation • Solo artist • Bright eye makeup, bold eyeliner. • Dark lipstick – anti-male gaze, draws attention then deters it • May be self-sexualising, 3rd wave/post-feminism • Feminine colours, pinks purples blues • Mix of counter and stereotypical feminine clothing – jumpsuit, dress, suit/tux • Very different make-up and outfits in each location
  • 8. Locations - performance The tram • Modern • Bright/neon colours – typical of electropop • Use colour masks, experiment with using black and white and extremely bright colours • Extremely modern, little nature, electric
  • 9. Locations - Performance Fond-de-Gras • Old Luxembourg • Completely atypical of electropop • Use green screen so performer is in black and white and the place is in bright colour, experiment • Lots of nature, and the industrial stuff Why? • Extreme contrasts – look at what's real and fake, inner conflict • Binary opposition? • Luxembourg history?
  • 10. Narrative, representation • I'm still not certain yet
  • 11. Secondary texts: website, digipak, social • Social media: • Put up posters of artist saying a new track is coming out • Post on social media that if fans take a photo of the poster, they should tag the artist and she'll post it on her story • Influence: Pleasing EP release party • BTS footage on social media • Insta polls + teasers