Amplification
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The document discusses different techniques used in music videos to amplify lyrics and music, including lip syncing, dancing, and editing. Lip syncing involves matching mouth movements to words and can be done for a music video or as part of a "diegetic" performance. Dancing to the beat is another simple way to amplify music. Editing techniques like fast cuts during intense parts of a song or slow motion during slower parts help match the video to the tempo and tone of the music. Examples of videos that employ these techniques are provided.
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This document analyzes the camerawork, mise-en-scene, editing, sound, conventions of genre and form in Justin Bieber's music video for "Sorry". It notes that steadycam is used at the beginning to create a smooth effect. Long shots show the dancers' full costumes. Bright colors and high key lighting are used to make the audience happy. Editing includes fading in Bieber's name and a graphic match between dancers. The dance routine keeps time with the fast-paced lyrics and beat. Conventionally, the song plays over video clips without showing the singer, and the lyrics relate to a real-life experience teenagers can relate to.
Convention of a music video
This document discusses conventions in music videos. It outlines common camera techniques like shots and movement used to establish locations and display emotions. Mise-en-scene and props are important for representing the narrative and genre. Editing is done to match the beat and use effects like green screen. Lighting sets the mood while sound adds to the narrative. Costumes reflect the genre and give the artist an identity. Conventions of pop videos include being bright, colorful, using close-ups and extreme close-ups, having an upbeat atmosphere, and aiming for a teen audience.
Media - Homework 1
The document discusses and analyzes music videos for six different songs across various genres:
1) "American Idiot" by Green Day is analyzed, discussing its punk rock style and message about media paranoia.
2) "Sugar" by Maroon 5 is summarized as having a narrative of crashing weddings to perform. Its pop style and music video production are discussed.
3) "Cry Me a River" by Justin Timberlake is described as having a dark, emotional narrative exploring heartbreak through an R&B lens.
4) "Watch Me (Whip/Nae Nae)" by Silento is said to have an instructional dance theme with submitted videos,
Live forever
The document provides an analysis of the music video for the song "Live Forever" by Oasis. It notes that the black and white imagery at the beginning conveys a gloomy mood that matches the lyrics, but color is introduced as the song becomes more upbeat. The video focuses on Liam Gallagher's performance and includes close-ups of the band playing their instruments, as is typical for alternative rock music videos. The key element that could be applied to another music video is the changing of colors throughout to keep the audience engaged and link the visuals to the song.
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Arctic monkeys i bet that yoou look good on the dancefloor
Arctic monkeys i bet that yoou look good on the dancefloor
Andrew Goodwin's Codes and Conventions of Music Videos
Andrew Goodwin's Codes and Conventions of Music Videos
More from harriet Barlow
Fancy and clueless intertextuality
The document discusses how the opening titles, costumes, props, and some iconic scenes from the movie Clueless were referenced and recreated in the movie Fancy, but with modernized elements to appeal to a younger audience. Key costumes, locations, and characters were updated while maintaining clear references to the original film through animation, costumes, and lip syncing of songs.
Mean girls thank u next intertextuality
The music video for Ariana Grande's "Thank u, Next" references the 2004 film Mean Girls in several ways. It includes a montage of people discussing Ariana Grande similarly to how people discuss Regina George in Mean Girls. Some actors from Mean Girls also make cameo appearances in the intro to "Thank u, Next". The video also references the iconic "Burn Book" from Mean Girls and includes a Christmas dance scene reminiscent of the one in the film.
Final idea
The performance will include two locations: a modern tram and an old steel mining district. In the "narrative" scene, Aem and gender-bent versions of the Heathers characters from the movie Heathers will be playing a bizarre croquet game in an outdoor living room setting. They will become increasingly aggressive while playing, fighting and pulling each other's hair. Shots will be taken from GoPros attached to croquet mallets and balls.
Initial pitch
This document provides an initial pitch for a music video for an indie electropop artist from Luxembourg. The target audience would be females and queer individuals aged 15-25, with males 15-24 as secondary. The concept would explore themes of authenticity vs faking through contrasting imagery and locations. Influences cited include videos that play with gender, color, and postmodern techniques. The artist would be solo, incorporating feminine and countercultural styles. Performance locations would juxtapose a modern tram with an old town to represent inner conflict between real and fake. Accompanying promotion would utilize the artist's social media.
Date prep idea
This document proposes an idea for a short film that challenges gender norms. It involves two teenagers getting ready for a date. The girl shaves her hairy legs and armpits, then glues the shaved hair to her face, before putting on a suit. Meanwhile, the boy puts his hair in a ponytail, shaves a stubbly face, and applies nail polish and makeup, before leaving for the date. Cross-cutting shots are intended to confuse the viewer about the gender of each person preparing. The film aims to be provocative and mess with concepts of gender and beauty.
Self-Muder Idea
The document proposes an idea for a music video involving self-murder and overcoming darker habits. It involves the protagonist murdering their own stunt double by drowning them in a lake, then dragging the body out and burying it. This is intercut with performance footage. Iconography ideas include stabbing one's leg, putting out cigarettes on hands, and using a bath. Influences mentioned include Pixies, Candlemass, Triptykon, MGMT, and various Guns N' Roses and Iron Maiden songs. Green screen and motion graphics may be required to realize some elements.
Merch prices
Large companies that operate in diverse industries such as media, finance, and consumer goods are examples of conglomerates. Independent record labels, film production companies, and publishers are examples of businesses in the creative industries that operate independently from major corporate interests and focus on niche markets and artistic merit over commercial success. These types of businesses are considered "indie" examples in their respective fields.
Illustration of lyrics
This document discusses how music videos for three songs illustrate and depict the lyrics. It describes how the Vance Joy music video for "Riptide" shows visuals corresponding to the lyrics about being afraid of dentists and the dark or pretty girls. The My Chemical Romance video for "The Black Parade" portrays the singer joining a black parade after dying, matching his role as a savior. Finally, the Panic! At the Disco video for "I Write Sins Not Tragedies" visually depicts the lyrics about pacing in a church corridor and shows an unfaithful bride kissing another guest at her wedding.
Mura masa
This document discusses influences from Mura Masa's music videos that could be taken for future work. It highlights aspects from the "No Hope Generation" video like its exploration of real and fake elements through a gun seen on the floor and then used in a shop. It also notes the contrast between gritty surroundings and sparkly outfits. For the "Deal Wiv It" video, it summarizes the single continuous slow-motion shot of Slowthai running down a street in front of an estate building, calling the direct gaze at the camera surreal and confrontational.
Smiths vs. ed
The Smiths emerged from the British indie scene in the 1980s and originally targeted working class 16-26 year old Northern English audiences. Their cult following has grown older but nostalgia for their original vinyl releases drives merchandising today. In contrast, Ed Sheeran targets a mass audience across demographics with varied merch like mugs, ukuleles and skateboards to appeal to different interests, in addition to basic clothing items. Both benefit from the recent vinyl resurgence among older fans nostalgic for the past.
Merch research
The document discusses different merchandising strategies used by various artists, including alcoholic beverages like Metallica's whiskey and Iron Maiden's beer, interactive apps like Bjork's album app that allows fans to navigate through the music and extras, and capitalizing on user-generated content through unboxing videos or fan art. It also mentions the frequent re-releases and deluxe editions that bands produce of their albums and discographies to continue engaging fans.
Merch plans
The document discusses potential merchandising ideas for a musician or band called Aem. It proposes several options including t-shirts, stickers, posters, children's clothes, makeup kits, badges, lunch boxes, soft drinks, vinyl records, and trading cards. Each merchandising idea is accompanied by one or two brief bullet points explaining the target audience, design inspiration from other artists, or purpose. The overall merchandising plan aims to appeal to Aem's target demographic of 14-24 year olds and leverage exclusivity, nostalgia, and audience participation to promote virality.
Novaa - Club Paradise
This document analyzes and compares the music video for Novaa's "Club Paradise" to AEM's work and style. It discusses similarities in look, sound, gender representation and blurred roles. It also examines the concepts of male gaze versus female gaze and how the video portrays these. Potential controversies around racial representation are raised. Intertextual references to other works like Coolio's "Gangsta's Paradise" are also noted.
Novaa - Almond Eyes
The document analyzes and summarizes the lyrics and music video for Novaa's song "Almond Eyes". It discusses themes of sexual harassment, feminist ideology, and reclaiming bodily ownership. The video depicts the singer dressed in concealing white clothing with no makeup to deter the male gaze. The lyrics and video send a message about a woman's right to exist and dress how she wants without assumption of consent or deserved harassment. The document also draws similarities between this song and works by Alice Phoebe Lou that discuss similar themes of female empowerment and agency.
Almond eyes - novaa research
The song "Almond Eyes - Novaa" depicts a sexual assault incident that occurred possibly at a club. The lyrics express anger about societal double standards where a woman is wrong no matter what she wears or how she presents herself. Novaa is dressed in a concealing white jumpsuit with no makeup, representing how a woman should not be sexualized or blamed regardless of her appearance or attire. The song's message is about reclaiming bodily autonomy and ownership over one's sexuality.
Club paradise - Novaa research
This document compares the music video for Club Paradise by Novaa to Ariana Grande's style and themes. It notes similarities in their hair, dance movements, and contrast of light voice with heavy bass. It also discusses their portrayal of inverted gender roles and blurred gender identities as well as representations of the male gaze. Finally, it points out intertextual references to Coolio's Gangsta's Paradise in the song title and lyrics about feeling trapped that appear in both works.
Wix aesthetic
This document discusses aesthetic influences for a website redesign. It analyzes the aesthetics of artists like Wix, Novaa, Adam Ant, Halsey and Chvrches who utilize neon colors, layering, and bold makeup in an electropop style. The draft website aesthetic is deemed generally good but needs more bright and pastel colors as well as additional neon elements to fully capture the genre. Novaa's work specifically incorporates greater color variation and face painting that could be drawn upon.
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Photographs from trip to American Deep South
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
留信网服务项目：
1、留学生专业人才库服务（留信分析）
2、国（境）学习人员提供就业推荐信服务
3、留学人员区块链存储服务
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：客户在留信官方认证查询网站查询到认证通过结果后付款，不成功不收费！
VTV FULL SCRIPT ------------------------
HERE IS THE FULL SCRIPT OF VINNAITHTHAANDI VARUVAAYA BY GAUTHAM VAASUDEV MENON
哪里办理(sjsu毕业证书)美国圣何塞州立大学毕业证硕士文凭证书原版一模一样
原版定制【微信:bwp0011】《(sjsu毕业证书)美国圣何塞州立大学毕业证硕士文凭证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
Dpboss Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka
Dpboss Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka➒➌➎➏➑➐➋➑➐➐Dpboss Matka Guessing Satta Matka Kalyan Chart Indian Matka
9356872877Sattamatka.satta.matka.satta matka.kalyan weekly chart.kalyan chart.kalyan jodi chart.kalyan penal chart.kalyan today.kalyan open.fix satta.fix fix fix Satta matka nambar. Dpboss Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka➒➌➎➏➑➐➋➑➐➐ Kalyan Matka Satta Matka Dpboss Matka Guessing Indian Matka
➒➌➎➏➑➐➋➑➐➐ Kalyan Matka Satta Matka Dpboss Matka Guessing Indian Matka➒➌➎➏➑➐➋➑➐➐Dpboss Matka Guessing Satta Matka Kalyan Chart Indian Matka
➒➌➎➏➑➐➋➑➐➐KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKAColour Theory for Painting - Fine Artist.pdf
This document is all about Colour Theory for Fine Artist / Painter.
PART B. UNIT 1 REPORT.pptx The Artist Mindset in the Elementary Grades
PART B. UNIT 1 REPORT.pptx The Artist Mindset in the Elementary Grades
Full CAD Project Cardiovascuwhore Debut PDF CAD Meena Pittman
Full CAD Project Cardiovascuwhore Debut PDF CAD
Meena Pittman
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing➒➌➎➏➑➐➋➑➐➐Dpboss Matka Guessing Satta Matka Kalyan Chart Indian Matka
SATTA MATKA SATTA FAST RESULT KALYAN TOP MATKA RESULT KALYAN SATTA MATKA FAST RESULT MILAN RATAN RAJDHANI MAIN BAZAR MATKA FAST TIPS RESULT MATKA CHART JODI CHART PANEL CHART FREE FIX GAME SATTAMATKA ! MATKA MOBI SATTA 143 spboss.in TOP NO1 RESULT FULL RATE MATKA ONLINE GAME PLAY BY APP SPBOSSRecently uploaded (20)
❼❷⓿❺❻❷❽❷❼❽ Dpboss Kalyan Satta Matka Guessing Matka Result Main Bazar chart
❼❷⓿❺❻❷❽❷❼❽ Dpboss Kalyan Satta Matka Guessing Matka Result Main Bazar chart
Dpboss Matka Guessing Satta Matta Matka Kalyan panel Chart Indian Matka Dpbos...
Dpboss Matka Guessing Satta Matta Matka Kalyan panel Chart Indian Matka Dpbos...
Ealing London Independent Photography meeting - June 2024
Ealing London Independent Photography meeting - June 2024
➒➌➎➏➑➐➋➑➐➐ Dpboss Matka Guessing Satta Matka Kalyan panel Chart Indian Matka ...
➒➌➎➏➑➐➋➑➐➐ Dpboss Matka Guessing Satta Matka Kalyan panel Chart Indian Matka ...
Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka Dpboss
Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka Dpboss
❼❷⓿❺❻❷❽❷❼❽ Dpboss Matka ! Fix Satta Matka ! Matka Result ! Matka Guessing ! ...
❼❷⓿❺❻❷❽❷❼❽ Dpboss Matka ! Fix Satta Matka ! Matka Result ! Matka Guessing ! ...
Dpboss Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka
Dpboss Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka
➒➌➎➏➑➐➋➑➐➐ Kalyan Matka Satta Matka Dpboss Matka Guessing Indian Matka
➒➌➎➏➑➐➋➑➐➐ Kalyan Matka Satta Matka Dpboss Matka Guessing Indian Matka
PART B. UNIT 1 REPORT.pptx The Artist Mindset in the Elementary Grades
PART B. UNIT 1 REPORT.pptx The Artist Mindset in the Elementary Grades
Full CAD Project Cardiovascuwhore Debut PDF CAD Meena Pittman
Full CAD Project Cardiovascuwhore Debut PDF CAD Meena Pittman
Amplification
- 1. Amplification of lyrics/music in music video
- 2. Lip synching • Lip synching is a really simple and effective way to amplify lyrics • It can be lip snyching to the songs while performing only for the music video, like in • My Chemical Romance – Teenagers • With the band in front of a high school crowd, who do choreography to the song, becoming increasingly chaotic • Panic! At The Disco – I Write Sins not Tragedies • With Brendon Urie being a character in the video, who shows the groom that his bride is cheating on him • The Smiths – This Charming Man • Filmed in a room in an abandoned factory, with flowers everywhere and the band playing • Pale Waves – Television Romance • Filmed in a room in a London Estate, the band performing for the camera
- 3. Lip Synching • Rather than being only for the music video, the lip synching can be diegetic, with the artist or band performing in front of a real audience, for example in: • Guns n Roses – Welcome to the Jungle • Bon Jovi – It's My Life
- 4. Dancing • Dancing to the beat is a simple wat to amplify the music • Seen in: • My Chemical Romance – Teenagers • The Smiths – This Charming Man • Caroline Polachek – So Hot You're Hurting My Feelings • Kate Bush – Running up that Hill • These last 2 are entirely interpretive dance numbers, and they amplify both the lyrics and the visuals
- 5. Editing • Fast paced editing for when the tempo of the song increases, or when it crescendos • Cutting to the beat • Slo-mo for slower parts of the song • I saw this in pretty much every example I looked at