The document discusses how the opening titles, costumes, props, and some iconic scenes from the movie Clueless were referenced and recreated in the movie Fancy, but with modernized elements to appeal to a younger audience. Key costumes, locations, and characters were updated while maintaining clear references to the original film through animation, costumes, and lip syncing of songs.
The music video for Ariana Grande's "Thank u, Next" references the 2004 film Mean Girls in several ways. It includes a montage of people discussing Ariana Grande similarly to how people discuss Regina George in Mean Girls. Some actors from Mean Girls also make cameo appearances in the intro to "Thank u, Next". The video also references the iconic "Burn Book" from Mean Girls and includes a Christmas dance scene reminiscent of the one in the film.
The performance will include two locations: a modern tram and an old steel mining district. In the "narrative" scene, Aem and gender-bent versions of the Heathers characters from the movie Heathers will be playing a bizarre croquet game in an outdoor living room setting. They will become increasingly aggressive while playing, fighting and pulling each other's hair. Shots will be taken from GoPros attached to croquet mallets and balls.
This document provides an initial pitch for a music video for an indie electropop artist from Luxembourg. The target audience would be females and queer individuals aged 15-25, with males 15-24 as secondary. The concept would explore themes of authenticity vs faking through contrasting imagery and locations. Influences cited include videos that play with gender, color, and postmodern techniques. The artist would be solo, incorporating feminine and countercultural styles. Performance locations would juxtapose a modern tram with an old town to represent inner conflict between real and fake. Accompanying promotion would utilize the artist's social media.
This document proposes an idea for a short film that challenges gender norms. It involves two teenagers getting ready for a date. The girl shaves her hairy legs and armpits, then glues the shaved hair to her face, before putting on a suit. Meanwhile, the boy puts his hair in a ponytail, shaves a stubbly face, and applies nail polish and makeup, before leaving for the date. Cross-cutting shots are intended to confuse the viewer about the gender of each person preparing. The film aims to be provocative and mess with concepts of gender and beauty.
The document proposes an idea for a music video involving self-murder and overcoming darker habits. It involves the protagonist murdering their own stunt double by drowning them in a lake, then dragging the body out and burying it. This is intercut with performance footage. Iconography ideas include stabbing one's leg, putting out cigarettes on hands, and using a bath. Influences mentioned include Pixies, Candlemass, Triptykon, MGMT, and various Guns N' Roses and Iron Maiden songs. Green screen and motion graphics may be required to realize some elements.
The document discusses how the opening titles, costumes, props, and some iconic scenes from the movie Clueless were referenced and recreated in the movie Fancy, but with modernized elements to appeal to a younger audience. Key costumes, locations, and characters were updated while maintaining clear references to the original film through animation, costumes, and lip syncing of songs.
The music video for Ariana Grande's "Thank u, Next" references the 2004 film Mean Girls in several ways. It includes a montage of people discussing Ariana Grande similarly to how people discuss Regina George in Mean Girls. Some actors from Mean Girls also make cameo appearances in the intro to "Thank u, Next". The video also references the iconic "Burn Book" from Mean Girls and includes a Christmas dance scene reminiscent of the one in the film.
The performance will include two locations: a modern tram and an old steel mining district. In the "narrative" scene, Aem and gender-bent versions of the Heathers characters from the movie Heathers will be playing a bizarre croquet game in an outdoor living room setting. They will become increasingly aggressive while playing, fighting and pulling each other's hair. Shots will be taken from GoPros attached to croquet mallets and balls.
This document provides an initial pitch for a music video for an indie electropop artist from Luxembourg. The target audience would be females and queer individuals aged 15-25, with males 15-24 as secondary. The concept would explore themes of authenticity vs faking through contrasting imagery and locations. Influences cited include videos that play with gender, color, and postmodern techniques. The artist would be solo, incorporating feminine and countercultural styles. Performance locations would juxtapose a modern tram with an old town to represent inner conflict between real and fake. Accompanying promotion would utilize the artist's social media.
This document proposes an idea for a short film that challenges gender norms. It involves two teenagers getting ready for a date. The girl shaves her hairy legs and armpits, then glues the shaved hair to her face, before putting on a suit. Meanwhile, the boy puts his hair in a ponytail, shaves a stubbly face, and applies nail polish and makeup, before leaving for the date. Cross-cutting shots are intended to confuse the viewer about the gender of each person preparing. The film aims to be provocative and mess with concepts of gender and beauty.
The document proposes an idea for a music video involving self-murder and overcoming darker habits. It involves the protagonist murdering their own stunt double by drowning them in a lake, then dragging the body out and burying it. This is intercut with performance footage. Iconography ideas include stabbing one's leg, putting out cigarettes on hands, and using a bath. Influences mentioned include Pixies, Candlemass, Triptykon, MGMT, and various Guns N' Roses and Iron Maiden songs. Green screen and motion graphics may be required to realize some elements.
The document discusses different techniques used in music videos to amplify lyrics and music, including lip syncing, dancing, and editing. Lip syncing involves matching mouth movements to words and can be done for a music video or as part of a "diegetic" performance. Dancing to the beat is another simple way to amplify music. Editing techniques like fast cuts during intense parts of a song or slow motion during slower parts help match the video to the tempo and tone of the music. Examples of videos that employ these techniques are provided.
Large companies that operate in diverse industries such as media, finance, and consumer goods are examples of conglomerates. Independent record labels, film production companies, and publishers are examples of businesses in the creative industries that operate independently from major corporate interests and focus on niche markets and artistic merit over commercial success. These types of businesses are considered "indie" examples in their respective fields.
This document discusses how music videos for three songs illustrate and depict the lyrics. It describes how the Vance Joy music video for "Riptide" shows visuals corresponding to the lyrics about being afraid of dentists and the dark or pretty girls. The My Chemical Romance video for "The Black Parade" portrays the singer joining a black parade after dying, matching his role as a savior. Finally, the Panic! At the Disco video for "I Write Sins Not Tragedies" visually depicts the lyrics about pacing in a church corridor and shows an unfaithful bride kissing another guest at her wedding.
This document discusses influences from Mura Masa's music videos that could be taken for future work. It highlights aspects from the "No Hope Generation" video like its exploration of real and fake elements through a gun seen on the floor and then used in a shop. It also notes the contrast between gritty surroundings and sparkly outfits. For the "Deal Wiv It" video, it summarizes the single continuous slow-motion shot of Slowthai running down a street in front of an estate building, calling the direct gaze at the camera surreal and confrontational.
The Smiths emerged from the British indie scene in the 1980s and originally targeted working class 16-26 year old Northern English audiences. Their cult following has grown older but nostalgia for their original vinyl releases drives merchandising today. In contrast, Ed Sheeran targets a mass audience across demographics with varied merch like mugs, ukuleles and skateboards to appeal to different interests, in addition to basic clothing items. Both benefit from the recent vinyl resurgence among older fans nostalgic for the past.
The document discusses different merchandising strategies used by various artists, including alcoholic beverages like Metallica's whiskey and Iron Maiden's beer, interactive apps like Bjork's album app that allows fans to navigate through the music and extras, and capitalizing on user-generated content through unboxing videos or fan art. It also mentions the frequent re-releases and deluxe editions that bands produce of their albums and discographies to continue engaging fans.
The document discusses potential merchandising ideas for a musician or band called Aem. It proposes several options including t-shirts, stickers, posters, children's clothes, makeup kits, badges, lunch boxes, soft drinks, vinyl records, and trading cards. Each merchandising idea is accompanied by one or two brief bullet points explaining the target audience, design inspiration from other artists, or purpose. The overall merchandising plan aims to appeal to Aem's target demographic of 14-24 year olds and leverage exclusivity, nostalgia, and audience participation to promote virality.
This document analyzes and compares the music video for Novaa's "Club Paradise" to AEM's work and style. It discusses similarities in look, sound, gender representation and blurred roles. It also examines the concepts of male gaze versus female gaze and how the video portrays these. Potential controversies around racial representation are raised. Intertextual references to other works like Coolio's "Gangsta's Paradise" are also noted.
The document analyzes and summarizes the lyrics and music video for Novaa's song "Almond Eyes". It discusses themes of sexual harassment, feminist ideology, and reclaiming bodily ownership. The video depicts the singer dressed in concealing white clothing with no makeup to deter the male gaze. The lyrics and video send a message about a woman's right to exist and dress how she wants without assumption of consent or deserved harassment. The document also draws similarities between this song and works by Alice Phoebe Lou that discuss similar themes of female empowerment and agency.
The song "Almond Eyes - Novaa" depicts a sexual assault incident that occurred possibly at a club. The lyrics express anger about societal double standards where a woman is wrong no matter what she wears or how she presents herself. Novaa is dressed in a concealing white jumpsuit with no makeup, representing how a woman should not be sexualized or blamed regardless of her appearance or attire. The song's message is about reclaiming bodily autonomy and ownership over one's sexuality.
This document compares the music video for Club Paradise by Novaa to Ariana Grande's style and themes. It notes similarities in their hair, dance movements, and contrast of light voice with heavy bass. It also discusses their portrayal of inverted gender roles and blurred gender identities as well as representations of the male gaze. Finally, it points out intertextual references to Coolio's Gangsta's Paradise in the song title and lyrics about feeling trapped that appear in both works.
This document discusses aesthetic influences for a website redesign. It analyzes the aesthetics of artists like Wix, Novaa, Adam Ant, Halsey and Chvrches who utilize neon colors, layering, and bold makeup in an electropop style. The draft website aesthetic is deemed generally good but needs more bright and pastel colors as well as additional neon elements to fully capture the genre. Novaa's work specifically incorporates greater color variation and face painting that could be drawn upon.
This document discusses different font options for an electropop music video and evaluates them based on their appropriateness for the target audience and genre. It eliminates serif fonts as being too mature or masculine. One sans serif font is praised for its similarity to another artist's logo and its modern, ambiguous look. In the end, three additional serif fonts are proposed as options that would fit the aesthetic and not exclude parts of the target demographic.
The document contains 16 interview questions for an artist about an upcoming electropop music video. The questions ask about the meaning of their song, musical influences, expectations for the video in terms of visuals, references to other electropop videos, inclusion of queer representation, color schemes, use of social media, target audience, access to music videos, thoughts on fan-made content, and preferences for fonts for their website.
This document summarizes conventions from several films and compares them to the filmmakers' own work. It discusses conventions for openings such as: using ident cards and music to transition between scenes; using title sequences to introduce the film, characters, and tone; and using the first shot to set the scene and provide exposition through details. It also summarizes conventions for the central protagonist, how the narrative is disrupted in the opening to propel the story, and how films typically transition from the opening to the main feature.
Three British social realist films, This is England, Tyrannosaur, and Sweet Sixteen, all received 18 age ratings from the BBFC for their depictions of violence and strong language. Sweet Sixteen, directed by Ken Loach and featuring a cast of real teenagers, was particularly impacted as its improvised script contained such harsh language that the teenage actors could not attend the premiere. Journeyman, another social realist film, was a rare example that received a 15 rating instead of 18.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
Uses and Gratifications Applied - Tyrannosaurharriet Barlow
The film Tyrannosaur (2011) falls into the social realist genre and aims to represent working class life in a realistic way rather than provide escapism. It focuses on personal relationships between the protagonist and others, including an unlikely friendship with a charity shop owner and relationship with his dying father. While the protagonist is flawed and audiences are not meant to aspire to be like him, the film encourages empathy by explaining his difficulties. Though fictional, the film aims to inform audiences about real hardships faced by some in the UK through its gritty portrayal.
The document discusses different techniques used in music videos to amplify lyrics and music, including lip syncing, dancing, and editing. Lip syncing involves matching mouth movements to words and can be done for a music video or as part of a "diegetic" performance. Dancing to the beat is another simple way to amplify music. Editing techniques like fast cuts during intense parts of a song or slow motion during slower parts help match the video to the tempo and tone of the music. Examples of videos that employ these techniques are provided.
Large companies that operate in diverse industries such as media, finance, and consumer goods are examples of conglomerates. Independent record labels, film production companies, and publishers are examples of businesses in the creative industries that operate independently from major corporate interests and focus on niche markets and artistic merit over commercial success. These types of businesses are considered "indie" examples in their respective fields.
This document discusses how music videos for three songs illustrate and depict the lyrics. It describes how the Vance Joy music video for "Riptide" shows visuals corresponding to the lyrics about being afraid of dentists and the dark or pretty girls. The My Chemical Romance video for "The Black Parade" portrays the singer joining a black parade after dying, matching his role as a savior. Finally, the Panic! At the Disco video for "I Write Sins Not Tragedies" visually depicts the lyrics about pacing in a church corridor and shows an unfaithful bride kissing another guest at her wedding.
This document discusses influences from Mura Masa's music videos that could be taken for future work. It highlights aspects from the "No Hope Generation" video like its exploration of real and fake elements through a gun seen on the floor and then used in a shop. It also notes the contrast between gritty surroundings and sparkly outfits. For the "Deal Wiv It" video, it summarizes the single continuous slow-motion shot of Slowthai running down a street in front of an estate building, calling the direct gaze at the camera surreal and confrontational.
The Smiths emerged from the British indie scene in the 1980s and originally targeted working class 16-26 year old Northern English audiences. Their cult following has grown older but nostalgia for their original vinyl releases drives merchandising today. In contrast, Ed Sheeran targets a mass audience across demographics with varied merch like mugs, ukuleles and skateboards to appeal to different interests, in addition to basic clothing items. Both benefit from the recent vinyl resurgence among older fans nostalgic for the past.
The document discusses different merchandising strategies used by various artists, including alcoholic beverages like Metallica's whiskey and Iron Maiden's beer, interactive apps like Bjork's album app that allows fans to navigate through the music and extras, and capitalizing on user-generated content through unboxing videos or fan art. It also mentions the frequent re-releases and deluxe editions that bands produce of their albums and discographies to continue engaging fans.
The document discusses potential merchandising ideas for a musician or band called Aem. It proposes several options including t-shirts, stickers, posters, children's clothes, makeup kits, badges, lunch boxes, soft drinks, vinyl records, and trading cards. Each merchandising idea is accompanied by one or two brief bullet points explaining the target audience, design inspiration from other artists, or purpose. The overall merchandising plan aims to appeal to Aem's target demographic of 14-24 year olds and leverage exclusivity, nostalgia, and audience participation to promote virality.
This document analyzes and compares the music video for Novaa's "Club Paradise" to AEM's work and style. It discusses similarities in look, sound, gender representation and blurred roles. It also examines the concepts of male gaze versus female gaze and how the video portrays these. Potential controversies around racial representation are raised. Intertextual references to other works like Coolio's "Gangsta's Paradise" are also noted.
The document analyzes and summarizes the lyrics and music video for Novaa's song "Almond Eyes". It discusses themes of sexual harassment, feminist ideology, and reclaiming bodily ownership. The video depicts the singer dressed in concealing white clothing with no makeup to deter the male gaze. The lyrics and video send a message about a woman's right to exist and dress how she wants without assumption of consent or deserved harassment. The document also draws similarities between this song and works by Alice Phoebe Lou that discuss similar themes of female empowerment and agency.
The song "Almond Eyes - Novaa" depicts a sexual assault incident that occurred possibly at a club. The lyrics express anger about societal double standards where a woman is wrong no matter what she wears or how she presents herself. Novaa is dressed in a concealing white jumpsuit with no makeup, representing how a woman should not be sexualized or blamed regardless of her appearance or attire. The song's message is about reclaiming bodily autonomy and ownership over one's sexuality.
This document compares the music video for Club Paradise by Novaa to Ariana Grande's style and themes. It notes similarities in their hair, dance movements, and contrast of light voice with heavy bass. It also discusses their portrayal of inverted gender roles and blurred gender identities as well as representations of the male gaze. Finally, it points out intertextual references to Coolio's Gangsta's Paradise in the song title and lyrics about feeling trapped that appear in both works.
This document discusses aesthetic influences for a website redesign. It analyzes the aesthetics of artists like Wix, Novaa, Adam Ant, Halsey and Chvrches who utilize neon colors, layering, and bold makeup in an electropop style. The draft website aesthetic is deemed generally good but needs more bright and pastel colors as well as additional neon elements to fully capture the genre. Novaa's work specifically incorporates greater color variation and face painting that could be drawn upon.
This document discusses different font options for an electropop music video and evaluates them based on their appropriateness for the target audience and genre. It eliminates serif fonts as being too mature or masculine. One sans serif font is praised for its similarity to another artist's logo and its modern, ambiguous look. In the end, three additional serif fonts are proposed as options that would fit the aesthetic and not exclude parts of the target demographic.
The document contains 16 interview questions for an artist about an upcoming electropop music video. The questions ask about the meaning of their song, musical influences, expectations for the video in terms of visuals, references to other electropop videos, inclusion of queer representation, color schemes, use of social media, target audience, access to music videos, thoughts on fan-made content, and preferences for fonts for their website.
This document summarizes conventions from several films and compares them to the filmmakers' own work. It discusses conventions for openings such as: using ident cards and music to transition between scenes; using title sequences to introduce the film, characters, and tone; and using the first shot to set the scene and provide exposition through details. It also summarizes conventions for the central protagonist, how the narrative is disrupted in the opening to propel the story, and how films typically transition from the opening to the main feature.
Three British social realist films, This is England, Tyrannosaur, and Sweet Sixteen, all received 18 age ratings from the BBFC for their depictions of violence and strong language. Sweet Sixteen, directed by Ken Loach and featuring a cast of real teenagers, was particularly impacted as its improvised script contained such harsh language that the teenage actors could not attend the premiere. Journeyman, another social realist film, was a rare example that received a 15 rating instead of 18.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
Uses and Gratifications Applied - Tyrannosaurharriet Barlow
The film Tyrannosaur (2011) falls into the social realist genre and aims to represent working class life in a realistic way rather than provide escapism. It focuses on personal relationships between the protagonist and others, including an unlikely friendship with a charity shop owner and relationship with his dying father. While the protagonist is flawed and audiences are not meant to aspire to be like him, the film encourages empathy by explaining his difficulties. Though fictional, the film aims to inform audiences about real hardships faced by some in the UK through its gritty portrayal.
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
➒➌➎➏➑➐➋➑➐➐KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
Heart Touching Romantic Love Shayari In English with ImagesShort Good Quotes
Explore our beautiful collection of Romantic Love Shayari in English to express your love. These heartfelt shayaris are perfect for sharing with your loved one. Get the best words to show your love and care.
KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
Tanjore Painting: Rich Heritage and Intricate Craftsmanship | Cottage9Cottage9 Enterprises
Explore the exquisite art of Tanjore Painting, known for its vibrant colors, gold foil work, and traditional themes. Discover its cultural significance today!